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Aesthetic Perspectives in Music Therapy * - World Federation of ...

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Frohne-Hagemann, I (2001) <strong>Aesthetic</strong> <strong>Perspectives</strong> <strong>in</strong> <strong>Music</strong> <strong>Therapy</strong>. <strong>Music</strong><br />

<strong>Therapy</strong> Today (onl<strong>in</strong>e), November, available at www.musictherapyworld.<strong>in</strong>fo<br />

communication: a very important task from the po<strong>in</strong>t <strong>of</strong> view <strong>of</strong> commitment. It<br />

means to give up the anaesthetization <strong>of</strong> the body.<br />

From the post modern attitude <strong>of</strong> stress<strong>in</strong>g the unexpected and overcom<strong>in</strong>g<br />

rigid rules follows that also the music therapist should be open to the<br />

possibility that an improvisation might not develop along the therapeutic l<strong>in</strong>es<br />

he/she was expect<strong>in</strong>g that it should or could.<br />

Play rules should be considered as an open framework which can be<br />

abandoned each time it is needed for a s<strong>in</strong>gle client <strong>in</strong> regard to his<br />

perceptions, feel<strong>in</strong>gs and actions with<strong>in</strong> the therapeutic relationship.<br />

To summarize: we have experienced <strong>in</strong> the history <strong>of</strong> aesthetics a<br />

development and the shift from a metaphysical position towards a physical<br />

orientation <strong>of</strong> aesthetics (<strong>in</strong> the mean<strong>in</strong>g <strong>of</strong> "aisthesis") where the awareness<br />

<strong>of</strong> the process lies <strong>in</strong> the creation <strong>in</strong> itself.<br />

However, <strong>in</strong> spite <strong>of</strong> such a shift the anaesthetiz<strong>in</strong>g process goes on<br />

spread<strong>in</strong>g as a social way <strong>of</strong> anaesthetiz<strong>in</strong>g which leads to ignore the social<br />

needs. The results <strong>of</strong> modern aesthetical research do not f<strong>in</strong>d any resonance.<br />

Could a music therapy code <strong>of</strong> aesthetical awareness possibly contribute to<br />

change this process? From the aesthetical po<strong>in</strong>t <strong>of</strong> view it would be a major<br />

social service given by music therapy, not only to people <strong>in</strong> need <strong>of</strong> be<strong>in</strong>g<br />

treated but also to each and everybody.<br />

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