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The Social Explorer as Anthropologist: Victorian Travellers among ...

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know nor care for the enjoyments of home," Mayhew argues,<br />

it is because "we are the culpable parties." 22 If the "wandering<br />

tribes" of the London streets are improvident, ignorant in<br />

matters of religion, and careless of the rules of private prop-<br />

erty, it is because of the circumstances in which they live and<br />

because of our neglect of those circumstances. We deny them<br />

both a moral education and the means to make our own<br />

morality an expedient alternative to theirs.<br />

What, finally, is the meaning of Mayhew's "ethnological"<br />

stance, and what does it add to our understanding of the oft-<br />

repeated analogy between the urban poor and the "uncivil-<br />

ized" tribes of foreign lands? Other critics of Mayhew's work<br />

have tended to dismiss or regret what Anne Humpherys h<strong>as</strong><br />

called his "weak anthropological analogy." 23 Humpherys her-<br />

self treats the "wandering tribes" p<strong>as</strong>sages of London Labour<br />

and the London Poor <strong>as</strong> a lapse in Mayhew's writing and in-<br />

terprets quite literally his statements that the street-folk of<br />

London constituted a separate—and inferior—race of peo-<br />

ple. Further, she sees this lapse <strong>as</strong> evidence of the belief in<br />

"innate qualities" to which Mayhew w<strong>as</strong> drawn periodically<br />

during the course of his study. 24<br />

Gertrude Himmelfarb contends that Mayhew succeeded<br />

only in "making 'foreigners,' aliens, out of the 'labouring<br />

population.' " 25 Mayhew represented the poor "less <strong>as</strong> a cl<strong>as</strong>s<br />

in the Marxist sense," she remarks, "than a species in the<br />

Darwinian sense." 26 According to Himmelfarb, it is Mayhew<br />

and other reformers of his ilk that were responsible for cre-<br />

ating the destructive notion of a "culture" of poverty. Both<br />

of these critics read Mayhew too literally, and yet neither<br />

takes what is quite obviously a conscious literary pose seriously<br />

enough.<br />

<strong>The</strong>re is no question that at the beginning of his first vol-<br />

ume Mayhew sought to dramatize, even to sensationalize, his<br />

subject or that his rhetoric contained elements of crude, ra-<br />

cialist thinking; but, more importantly, he sought a new vo-<br />

cabulary and a new perspective for the unimp<strong>as</strong>sioned<br />

discussion of urban poverty. In his opening pages Mayhew<br />

w<strong>as</strong> groping toward a new way of seeing and of writing about<br />

human behavior and of accounting for the disquieting var-<br />

131

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