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Art Editors<br />

Carrie Reschke, MSIV<br />

Adam Andruska, MSII<br />

Rubab Hasnie, MSI<br />

Brandon Hamm, MSI<br />

Layout Editors<br />

Lacey Ufkes, MSIV<br />

Omoni Ekhomu, MSIV<br />

Adam Andruska, MSII<br />

Publicity<br />

Mary Sterrett, MSII<br />

Kaylee Rosenbaum, MSI<br />

Tyler Vaughn, MSI<br />

Faculty Advisors<br />

Phil Davis, Ph.D.<br />

Jacqueline Scolari, Ph.D.<br />

<strong>2009</strong><br />

Editorial Staff<br />

Editors-in-Chief<br />

Kate Richards, MSII<br />

Rachel Ade, MSIII<br />

Associate Editors<br />

Amber May, MSI<br />

Tyler Vaughn, MSI<br />

Poetry/Prose Editors<br />

Gina Paulaskis, MSII<br />

Nadia Ali, MSII<br />

Review Editors<br />

Natasha Kyte, MSII<br />

Nadia Ali, MSII<br />

Gina Dawe, MSI<br />

Safiya McNeese, MSI<br />

Kaylee Rosenbaum, MSI<br />

Reading/Reception Coordinator<br />

Jennifer Rose, MSIII<br />

Staff Editors<br />

Karen Carlson<br />

Jim Hawker<br />

We would like to send out a special thank you to those<br />

who reviewed the entries and helped create SCOPE <strong>2009</strong>.


From the Editors:<br />

2 SCOPE <strong>2009</strong><br />

Welcome all to the 16th edition <strong>of</strong> SCOPE, <strong>SIU</strong> <strong>School</strong> <strong>of</strong><br />

<strong>Medicine</strong>’s literary journal. Each year we solicit entries for our<br />

publication, and each year we are blown away by not only the<br />

volume <strong>of</strong> responses but the ease with which the artists put so much <strong>of</strong> themselves<br />

into their work. We thank all who submitted for generously sharing their<br />

talents and also for their courage to <strong>of</strong>fer such personal reflections on life’s most<br />

intimate matters.<br />

We would like to thank all involved in this project including our many<br />

reviewers for their time and energy, the editors responsible for getting the publication<br />

together, Karen Carlson, Dr. Phil Davis, Jim Hawker, and Dr. Jacqueline<br />

Scolari for their direction and help, and finally, all those who put themselves<br />

“out there” by contributing a piece.<br />

We hope you enjoy reading SCOPE as much as we enjoyed putting it together.<br />

Kate Richards, MSII<br />

Rachel Ade, MSIII<br />

Editors-in-Chief


❖<br />

❖<br />

❖<br />

Poetry<br />

Page<br />

Sonata No. 8 in C Minor 6<br />

Michael R. Pranzatelli, M.D.<br />

1st Place<br />

Idle Hands 10<br />

Cassandra Laskowski<br />

Face to Face 12<br />

Wesley Robinson McNeese, M.D.<br />

2nd Place<br />

The Procession 14<br />

Cassandra Laskowski<br />

All Youth is Resurrection 17<br />

Arwen Mtchell<br />

D. Thomas 21<br />

Blaine Eubanks, M.D.<br />

There Are Times I Don’t Like to Write 22<br />

Michael R. Pranzatelli, M.D.<br />

Too 24<br />

Kathleen CM Campbell, Ph.D.<br />

Love’s Playground <strong>of</strong> Me’s and You’s 25<br />

Amber May<br />

Rolling Up the Rug 31<br />

Blaine Eubanks, M.D.<br />

3rd Place<br />

Day Dream 33<br />

Matthew Ashley<br />

Two <strong>of</strong> You 39<br />

Matthew Ashley<br />

SCOPE <strong>2009</strong><br />

3


❖<br />

❖<br />

❖<br />

Prose<br />

Page<br />

Terrier 8<br />

Blaine Eubanks, M.D.<br />

A Hard Day for Me 18<br />

Jacob Broderick<br />

1st Place<br />

Mortal Pain 27<br />

Elizabeth D. Tate<br />

2nd Place<br />

Promise Made, Promise Kept 35<br />

Sandra L. Shea Ph.D.<br />

3rd Place<br />

4 SCOPE <strong>2009</strong>


❖<br />

❖<br />

❖<br />

Visual Art<br />

Page<br />

Windy Winter Weather 11<br />

Tyler Fitch<br />

Looking Above the Hustle and Bustle<br />

Tyler Fitch 16<br />

2nd Place<br />

Dilated Cardiomyopathy 20<br />

Terrence Carter<br />

Cypress Knees On Lake Springfield 26<br />

Tom Ala, M.D.<br />

3rd Place<br />

The Scenic Stream (Fish Thought) 32<br />

Brandon Hamm<br />

Grazing Sheep 34<br />

Kelsey Thornton<br />

Ice Chandelier 38<br />

Paula Heine<br />

Navy Pier 40<br />

Kelsey Thornton<br />

1st Place<br />

SCOPE <strong>2009</strong><br />

5


Sonata no. 8 in C minor<br />

6 SCOPE <strong>2009</strong><br />

It’s the kind <strong>of</strong> thing<br />

you might not notice<br />

when the music plays<br />

and hands at the piano<br />

release Beethoven from the page,<br />

one note after another<br />

in the slow movement<br />

<strong>of</strong> Pathétique.<br />

I’m thinking<br />

about the very first time<br />

I heard it on the radio, how<br />

Karl Haas adopted it<br />

as his motto theme on NPR.<br />

And everywhere it makes<br />

me stop and listen<br />

to something new<br />

and something heard before.<br />

But now<br />

it’s not a sonata anymore;<br />

it’s turned concerto<br />

with bleeping monitors,


quick ventilator strokes,<br />

and distant conversations<br />

about trivialities<br />

as the ICU attending gazes left<br />

and I, the neurologist, to the right,<br />

past the awkward incongruity<br />

that hovers over the bed and<br />

stalks students and residents in the corners.<br />

And nurses chart the vital signs<br />

or fix the lines<br />

or move about with<br />

squeaky shoes on the shiny floor<br />

while the tape the parents made<br />

for their brain dead baby<br />

plays it over and over and over again<br />

like Beethoven must have done<br />

when he first heard it in his head,<br />

first felt it … in his heart<br />

Michael R. Pranzatelli, M.D.<br />

Department <strong>of</strong> Neurology<br />

1st Place Poetry<br />

SCOPE <strong>2009</strong><br />

7


Terrier<br />

Before he knew it he was hearing about Jack Russell terriers. He was on the seventeenth<br />

floor <strong>of</strong> the Detroit <strong>of</strong>fice, Friday the 18th, his mother’s birthday.<br />

“Did you know I bought one?” she asked.<br />

“I didn’t,” he said. “I didn’t know that.” His eyes ached.<br />

“I did!” she said. “First thing I had him fixed. It is so beautiful. It makes this little<br />

noise when I come home — this little noise like” — and the yip <strong>of</strong> an excited animal<br />

came through the phone.<br />

He was looking across the desk at a picture <strong>of</strong> a brunette, surrounded by three men<br />

in their twenties, all three <strong>of</strong> them smiling and holding drinks.<br />

“And it claps, too,” she said. “If you bring chew toys home. He loves Topeka! He<br />

loves it here. He makes a noise and then he claps like a little man! But I’m not calling<br />

about that.”<br />

“Oh?” he said.<br />

“Yeah, no but I do want to send you the pictures. You should see the way he plays<br />

with Muffin and Scooter. Brother and sister! No, I need to talk to your mom actually.”<br />

His mother lived in Newburgh, Kansas, and it was now eight o’clock there. She<br />

interrupted the thought.<br />

“Because we’ve always had a bond. Your mom. Your mom and I! We’re like soulmates.<br />

We’re like sisters. I just think like you think about her believe me I know I do. Did<br />

you know we were in the same sorority?”<br />

He remembered the ugly s<strong>of</strong>a in the front room <strong>of</strong> the fraternity house and the<br />

leather s<strong>of</strong>a he owned now.<br />

“And I’m at work and everything but I still have to clean the second floor. I do need<br />

to get her number though. We’re holding a cakewalk on the third, and I thought she<br />

might be interested in helping, and I wanted to give her a call.”<br />

He repeated the number dutifully.<br />

“So I just talked to Annette Graham and we’re going up to Englewood next<br />

weekend to go out with the Luthers. Remember the Luthers? I bet you have all kinds <strong>of</strong><br />

parties up there though.”<br />

“It’s not bad here,” he said. “Glad to be out <strong>of</strong> school, at least.” Through the glass<br />

doors Martie waved goodnight and he blinked back.<br />

“Yeah well everybody is so proud <strong>of</strong> you,” she said. “Everybody at home. We all<br />

just can’t believe little Blowie. Out in the big world. Big important guy now,” she said.<br />

“Jonette is really happy here. She loves the city.” he said.<br />

“Oh, getting another call,” she said. “Probably Rachel. Call me later?” she said.<br />

He hung up the phone and the <strong>of</strong>fice was still dark and he thought about the<br />

fringes and he looked out the glass over the city. There was a small windowsill and on<br />

it he noticed a praying mantis cocking its head. He wondered if they had eyes.<br />

Whatever it was on their face certainly looked like eyes. Being in mutual funds was a<br />

job he loved. But there were times when he wished he had taken some sort <strong>of</strong> biology<br />

8 SCOPE <strong>2009</strong>


course, even in high school.<br />

He thought <strong>of</strong> turning on the lights but did not. His mind was tied like a Kansas<br />

mule to the thought <strong>of</strong> a Jack Russell terrier and Derek Sullivan’s arms and a pair <strong>of</strong><br />

small grapefruits and the ice cream cone he had once paid seven dollars for and the<br />

tickets were twenty dollars too. His marriage and his wife and new five hundred dollar<br />

granite countertops, this call that came once a year, no comment, not once had she<br />

invited him upstairs.<br />

Blaine Eubanks, M.D.<br />

Class <strong>of</strong> 2008<br />

SCOPE <strong>2009</strong><br />

9


Idle Hands<br />

It happens mostly when I’m waiting:<br />

In line at the grocery store<br />

holding a gallon <strong>of</strong> milk and a bag <strong>of</strong> chips<br />

on my hips<br />

Or standing at the elevator<br />

counting the floors<br />

humming with each ting<br />

before it opens in front <strong>of</strong> me<br />

And queuing at the post <strong>of</strong>fice<br />

parcels and postage<br />

hugged to my stomach<br />

as I shuffle to the front<br />

I begin to sway<br />

quite unconsciously<br />

gently side to side<br />

right, left, right<br />

I only become aware<br />

when my hand detaches and<br />

snakes to my chest<br />

to find no little head arrest<br />

No squishy butt<br />

wedged in that space between<br />

my heart and my arm’s bow<br />

trying to wiggle out <strong>of</strong> tow<br />

I am rocking this void<br />

while I wait<br />

for my very last<br />

chance to pass<br />

10 SCOPE <strong>2009</strong><br />

Cassandra Laskowski<br />

Community


Windy Winter Weather<br />

Photography<br />

Tyler Fitch<br />

Class <strong>of</strong> 2012<br />

SCOPE <strong>2009</strong><br />

11


Face to Face<br />

12 SCOPE <strong>2009</strong><br />

(Upon seeing the cover <strong>of</strong> Roberta Senechal de la Roche’s book:<br />

“In Lincoln’s Shadow: The 1908 Race Riot <strong>of</strong> Springfield, Illinois”)<br />

I never want to meet this person alone, and face to face!<br />

This is the face, sinister, prideful and unapologetic that forever altered the history <strong>of</strong> my<br />

people who were stolen from their homes and brought to this land.<br />

This is the face my father warned me about, saying, “Boy, you can’t go over there with those<br />

people. . .You be careful when you go downtown.”<br />

This is the face that chased my father’s car down Mississippi roads ‘til he found refuge at<br />

a restaurant and stayed there ‘til some Black college students escorted him across the<br />

state line into Tennessee. He saw the face in his rear-view mirror and later described it<br />

to me.<br />

This is the face that has haunted my dreams since the very first time I learned what<br />

racism looks like and what hate sounds like; it chased me back to my part <strong>of</strong> East St.<br />

Louis and yelled, “You better stay in the South-End, Black Boy!”<br />

This is the face that held a gun to my head and thundered, “What the hell you doin’ in this<br />

part <strong>of</strong> town, Nigga?” when I was a teenager lost in Alton on my way to a hayride.<br />

This is the face that yelled at me and said, “You damn well betta git outta that wadda, Darkey,”<br />

as I swam with fellow soldiers in the waters <strong>of</strong>f Biloxi beach.<br />

This is the face I averted my eyes from and slightly bowed my head to as I stepped <strong>of</strong>f<br />

the wooden sidewalk in Hattiesburg to allow it to pass.<br />

This is the face I watch for as I travel Route 127 through and out <strong>of</strong> Pinckneyville, past<br />

the sign on the outskirts <strong>of</strong> town that reads, ‘Coon Club’. This is the face that makes<br />

me never ever drive that same route to Carbondale late at night, but travel the extra 35<br />

miles that keep me on the interstate.


This is the face that causes me to shy away from being an outdoors person, for fear I<br />

might meet it one day in the deep brush.<br />

This is the face that leads me to drive I-70 or I-40 on family road-trips out west rather<br />

than I-80 or I-94, and I’d really like to see Montana, Wyoming and Idaho.<br />

This is the face that whispers behind my back when I walk down hallways and snickers<br />

at me in restaurants.<br />

This is the face that disapprovingly looks at the car I drive and the house where I live<br />

and wonders, “Who is that, Jigaboo? or Who does he think he is?”<br />

I’m certain <strong>of</strong> it; this is the face.<br />

I’m afraid <strong>of</strong> this face!<br />

I hate this face!<br />

I never want to meet this person alone, and face to face!<br />

Wesley Robinson McNeese, M.D.<br />

Office <strong>of</strong> the Dean<br />

2nd Place Poetry<br />

SCOPE <strong>2009</strong><br />

13


The Procession<br />

New Love<br />

freshly milled lumber<br />

pushed by steady hands through the whirling blade<br />

sap running down<br />

sticking to the downy piles <strong>of</strong> saw dust at the millwright’s feet<br />

-tongued and grooved-<br />

slipping one length perfectly into the next<br />

laying side by side in tandem<br />

aligned in perfect unison<br />

supporting the other, stronger together<br />

than a single board could be<br />

coarse, opaque, untended by the years yet to be<br />

unworn, new with possibilities<br />

Middle Love<br />

measured and cut<br />

sanded and stained<br />

hammered down with galvanized nails<br />

counter sunk<br />

and polished to a high sheen<br />

padded feet sliding across<br />

in unmitigated joy and uncontrollable screams<br />

tickled bellies and raspberries<br />

roll across the floor where<br />

hot wheels and roller skates<br />

have marred and gouged<br />

but the cedar holds steadfast<br />

it is strong, secure with knowing and time<br />

dividing the burden, sharing the bountiful comfort<br />

<strong>of</strong> commitment to each other<br />

14 SCOPE <strong>2009</strong>


Seasoned Love<br />

long faded rectangles<br />

bleached by seasons <strong>of</strong> open curtains<br />

and scuttling white socks have<br />

worn it perfectly smooth<br />

errant splinters<br />

no longer piercing bare feet<br />

it is warped some now, sagging some now<br />

it creaks in the same predictable spots now<br />

but it is fully realized now<br />

it is solidthe<br />

unyielding foundation for everything that came before<br />

and has long since been outgrown<br />

and everything that is yet to come<br />

and is deeply anticipated<br />

it has been weathered<br />

and dust has settled into the piney knots,<br />

glitter and postage stamps have slipped through the widening spaces<br />

no secret to each other how much weight has been borne<br />

how many angry words absorbed falling from regretful lips<br />

but so many more sugary crumbs <strong>of</strong> laughter<br />

and brandy laced kisses<br />

wrinkled feet creaking the floor boards in a syncopated waltz<br />

saw dust still lingering, cushioning<br />

those moments betweenmelding<br />

the mill’s first cut, the child’s first step and love’s last kiss<br />

Cassandra Laskowski<br />

Community<br />

SCOPE <strong>2009</strong><br />

15


16 SCOPE <strong>2009</strong><br />

Looking Above the Hustle and Bustle<br />

Photography<br />

Tyler Fitch<br />

Class <strong>of</strong> 2012<br />

2nd Place Art


All Youth is Resurrection<br />

Small brown bear was small lost bear<br />

leftover guest from overnight guest<br />

no real claim. Tho<br />

he smelt <strong>of</strong> her home and looked <strong>of</strong> her home<br />

he made my lungs ache and my heart break,<br />

cigarette reek,<br />

and holey, holy little broken back.<br />

Yet inside was a music box,<br />

which ticked a cadence in my ear,<br />

I would wind him up and feel<br />

the little metal heart beats tinkling.<br />

Arwen Mitchell<br />

Community<br />

SCOPE <strong>2009</strong><br />

17


A Hard Day for Me<br />

It took a while for my eyes to open; also for my eyes to focus on the clock. The<br />

green blur made me groan as it unblurred into a number. 7:00. Waking up was hard.<br />

I dragged my body <strong>of</strong>f the bed, where I fell to my knees and said a poor excuse<br />

for a prayer. “God, thanks for being there for me. I’m grateful for my life. Sorry, I’m so<br />

lazy right now.” I walked to the shower. At least I was standing. If the water didn’t turn<br />

cold, I’d have kept standing there.<br />

Oatmeal. Garage door. Car door. Ignition. Reverse. Drive.<br />

Cool blue air surrounded my heating car. I drove toward the doctor’s <strong>of</strong>fice. I<br />

knew today would be hard. I wore a white coat, and the stetho<strong>scope</strong> dangled around my<br />

neck with the feeling <strong>of</strong> a new wedding ring – pleasant, significant, enchanting. New.<br />

“I’m here to mentor with the doctor.”<br />

“Sign in.”<br />

Open the door. 20 steps down a hallway. “Hi. Start in this second room.”<br />

Another door. “Hi, I’m a student mentoring with the doctor. How are you?”<br />

“I’m angry.”<br />

“He’s angry and depressed. It scares me.”<br />

“I’m sad.”<br />

Another door. “Hi, I’m a student mentoring with the doctor. How are you?”<br />

“It hurts in my arm.”<br />

“Where exactly?”<br />

“Here.”<br />

Another door. “Hi, I’m…”<br />

“Mommy, where’s the real doctor.” (I grin)<br />

“There are two today.”<br />

“Why are there two doctors?”<br />

“Cause you’re that important.”<br />

Another door. “Hi, I’m a student mentoring with the doctor. How are you?”<br />

“My stomach hurts.”<br />

“Where exactly?”<br />

“Here”<br />

“Does it hurt when I push on it?”<br />

“Maybe. My wife is dead.”<br />

A moment.<br />

“How long has she been gone?”<br />

“1 year.”<br />

“How long were you married?”<br />

“52 years.”<br />

18<br />

SCOPE <strong>2009</strong>


Another moment.<br />

Another Door.<br />

“My back hurts.”<br />

“Where exactly?”<br />

“Between my shoulder blades. I think it is the drugs.”<br />

“Drugs?”<br />

“Meth, cocaine, marijuana, and everything… always more.”<br />

“Are you on drugs right now?”<br />

Laugh. “No! I’ve been <strong>of</strong>f for years, but I think my drug days left a painful mark.”<br />

Another door.<br />

“My leg hurts.”<br />

“Where?”<br />

“It’s like a cramp in my calf when I walk.”<br />

What is that? What causes it? What are the risk factors?<br />

“We need to ultrasound your leg.”<br />

Another door. Another door. Another door. I’m tired, it is time to go home.<br />

As I drive, I feel worn. I want to sleep.<br />

Garage door. Kitchen door. There stands my wife.<br />

“Will you go on a drive with me?”<br />

“I’d rather not. How about I take the baby, and you go alone?”<br />

“Never mind.”<br />

She is sad.<br />

“What’s wrong?”<br />

She is silent, looks away.<br />

“What’s wrong?”<br />

She walks a step or two sadly away.<br />

“What (the hell) is wrong?”<br />

“My mom called. My dad may have cancer.”<br />

I held her. We went on a drive. We stayed up late talking.<br />

I was tired, but I couldn’t close my eyes. Why not? I said a prayer on my back.<br />

“God. Please be there for her. Thank you for her. I’m sorry I’m unable to fix<br />

this, that I wasn’t prepared to help her. I’m sorry.”<br />

Jacob Broderick<br />

Class <strong>of</strong> 2012<br />

1st Place Prose<br />

SCOPE <strong>2009</strong> 19


20 SCOPE <strong>2009</strong><br />

Dilated Cardiomyopathy<br />

Photography<br />

Terrence Carter<br />

Class <strong>of</strong> 2011


D. Thomas<br />

Jesus<br />

a<br />

was<br />

one<br />

lucky<br />

SOB,<br />

I say.<br />

Put<br />

me<br />

on<br />

cross <strong>of</strong><br />

wood, hoist my<br />

busted back up before pilate<br />

ceasar mcarthur ike<br />

whoever<br />

whatever I<br />

would take that anytime before this<br />

crucifixion.<br />

I<br />

can’t<br />

shit<br />

can’t<br />

breathe<br />

can’t<br />

swallow<br />

not one more soapsuds<br />

enema. I<br />

have had my<br />

last supper<br />

and<br />

it tasted<br />

like hell, and<br />

I will choose when I<br />

have the stone pulled over<br />

my tomb.<br />

I’ll have<br />

some<br />

more Vicodin<br />

and please don’t<br />

bother<br />

resurrecting<br />

me<br />

thanks.<br />

Blaine Eubanks, M.D.<br />

Class <strong>of</strong> 2008<br />

SCOPE <strong>2009</strong><br />

21


There Are Times I Don’t Like to Write<br />

22 SCOPE <strong>2009</strong><br />

time and again<br />

those times spent writing<br />

not to loved ones, but to you...<br />

To be a surgeon instead—<br />

there are those times, too.<br />

Yes, I’d like to<br />

give you a warm heart and a chance<br />

for a new lease on life;<br />

or cut your gall bladder and<br />

release the jaundice from your sight.<br />

Or be a psychiatrist to fathom if<br />

you’d do it<br />

to your mother<br />

or<br />

your wife,<br />

or<br />

to your own child<br />

the way you do it<br />

to my patients<br />

when you deny them treatments<br />

to alleviate their plight,<br />

to give hope,<br />

let them feel like humans,<br />

not ICD-9 codes;


or put them through the<br />

one-two-and-you’re-out appeals<br />

you’ll get your ‘doctor’<br />

to decline.<br />

But then...<br />

there are times ahead when<br />

stem cells could penetrate the conscience,<br />

synapse with ethics, compassion, even empathy,<br />

restore, renew, re-humanize—<br />

there are those times, are there not?<br />

Yet would you sign consent,<br />

or remain forever hell-bent<br />

on un-insuring the insured?<br />

And there are times<br />

I write you another letter <strong>of</strong> appeal...<br />

there are those times<br />

Michael R. Pranzatelli, M.D.<br />

Department <strong>of</strong> Neurology<br />

SCOPE <strong>2009</strong><br />

23


Too...<br />

Too young to do it.<br />

Too young to do it.<br />

Too young to do it.<br />

Too poor to do it.<br />

Too poor to do it.<br />

Too poor to do it.<br />

Too busy to do it.<br />

Too busy to do it.<br />

Too busy to do it.<br />

Way too busy to do it.<br />

Way too busy to do it.<br />

Way too busy to do it.<br />

Too old to do it.<br />

Too old to do it.<br />

Too old to do it.<br />

Dead.<br />

24 SCOPE <strong>2009</strong><br />

Kathleen CM Campbell, Ph.D.<br />

Department <strong>of</strong> Surgery


Love’s Playground <strong>of</strong> Me’s and You’s<br />

That European wine café -<br />

not merely the decadent destination<br />

<strong>of</strong> our midnight rendezvous,<br />

but love’s playground <strong>of</strong> me’s and you’s…<br />

Months after the end <strong>of</strong> us,<br />

An old yearning made me lust.<br />

If not with you,<br />

Perhaps I could share that velvet loveseat<br />

With my current beau.<br />

Meeting there, as we used to,<br />

A shock rolled through me,<br />

With and without you.<br />

A pillaging <strong>of</strong> the Dionysian lair:<br />

The walls cryptically bare,<br />

Paintings stripped,<br />

Plush cushions ripped,<br />

The windows dark.<br />

Fire burnt out.<br />

Amber May<br />

Class <strong>of</strong> 2012<br />

SCOPE <strong>2009</strong><br />

25


26 SCOPE <strong>2009</strong><br />

Cypress Knees on Lake Springfield<br />

Photography<br />

Tom Ala, M.D.<br />

Department <strong>of</strong> Neurology<br />

3rd Place Art


Mortal Pain<br />

Although it was Friday after five o’clock, I walked out into the clinic waiting room.<br />

Checking to make sure there were no more patients was a force <strong>of</strong> habit.<br />

To my surprise, I saw a tall man sitting in the corner. He was leaning forward<br />

clutching his chest. His ashen color and pained expression gave him the unmistakable<br />

look <strong>of</strong> an impending heart attack.<br />

I took him into my room and reflexively gave him nitroglycerin and oxygen. How<br />

could they have left a sick patient in the clinic, I wondered.<br />

Suddenly, he grabbed my arm. “Am I going to die?” His hand was cool and clammy.<br />

His eyes looked plaintive and fatigued. Streaks <strong>of</strong> grey ran through his mostly brown hair.<br />

He was clean but not well groomed.<br />

“Not if we can help it.”<br />

He shook his head at me, but didn’t seem well enough to talk more.<br />

“Just take it easy.” I said.<br />

After a brief time, he was doing better and I was able to get some information.<br />

Satisfied that he was stable for the moment, I began to think about getting him to the<br />

emergency room. I stepped out <strong>of</strong> the door.<br />

“Hey,” a voice called out behind me at the other end <strong>of</strong> the hallway. “Where are you<br />

<strong>of</strong>f to in such a hurry? Wait up!”<br />

Without looking I knew it had to be Dr. Carlos Santini. Always upbeat and positive,<br />

Santini loved cracking jokes with everyone. He was handsome with a type A personality,<br />

quick wit, and always enjoying being the center <strong>of</strong> attention. He missed his calling and<br />

should have been an actor, but I respected him as a physician.<br />

“I’ve got to tell you this joke,” he said with a crescendo <strong>of</strong> animation.<br />

“Come over here,” I said. “I’ve got a late walk-in patient. Can you eyeball him for<br />

me?”<br />

“Do I look like a glutton for punishment?” Santini retorted playfully.<br />

“I need you in here now,” I insisted.<br />

“Did we have a little too much c<strong>of</strong>fee today?” he bantered.<br />

“He’s got chest pain,” I said, ignoring his remarks. “He looks acute. There are no<br />

medical records here and everyone seems to have left the <strong>of</strong>fice, including the secretary.”<br />

Santini’s smile evaporated. We stood just outside my room, so I could keep my eye<br />

on the patient. “Okay, so what do you know about him?”<br />

The brief history I could get is that he was climbing the stairs out <strong>of</strong> the subway and<br />

felt as if a ton <strong>of</strong> bricks landed on his chest. The pain was squeezing and radiating down<br />

his left arm. He claims he has never had this kind <strong>of</strong> pain before, never been seen at our<br />

clinic, and is on no medications. He’s roughly fifty pounds overweight, smokes two packs<br />

SCOPE <strong>2009</strong> 27


<strong>of</strong> cigarettes a day over thirty years, and he puts away a six-pack or two <strong>of</strong> beer on the<br />

weekends.”<br />

“And what have you done so far?” Santini asked.<br />

“I hooked him up to oxygen by nasal cannula at two liters per minute but his lips<br />

remain cyanotic. I gave him a sublingual nitro- glycerin tablet. I didn’t feel there was time<br />

for an EKG the way he looked. I wanted to get this guy to the ER stat but he was too<br />

unstable to transport by wheelchair.”<br />

“Let’s go see him.”<br />

Mr. Gary Boone looked like a different man as he sat on the examining table. Only<br />

a little short <strong>of</strong> breath, he was pinker and more relaxed. “Doc,” he said to me, “I feel<br />

better since you put this thing in my nose and that pill under my tongue, but wow— what<br />

a headache, just like you said.” He got <strong>of</strong>f the table and started getting dressed.<br />

“Where are you going?” I asked in bewilderment.<br />

“I’ve got to leave.”<br />

“You’re not ready to leave.”<br />

“Oh, I don’t want to bother you people, so if you just get me unhooked I’ll be on my<br />

way. Thanks a lot.”<br />

Santini gave me a puzzled look as he introduced himself to the patient. “Mr. Boone,<br />

do you have a plane to catch?” he said, trying to inject some levity. “Seriously, though, I<br />

must ask you a few questions. I am responsible for your care today.”<br />

Boone sat down again. “Okay, but please hurry.”<br />

Santini questioned him about previous episodes <strong>of</strong> chest pain. Boone’s answers were<br />

vague. Santini keep hammering at the point. Mr. Boone, now looked down at the floor<br />

sheepishly and then at me. My intuition told me he was about to confess to something<br />

troublesome. Boone returned Santini’s gaze. “Sure, I‘ve had chest pains before, just not<br />

this bad.”<br />

“Why didn’t you mention this?” Santini asked.<br />

“I don’t know. Look, I have to be honest with you. I don’t want to waste any more<br />

<strong>of</strong> your time. It comes down to this. I’m not a great husband to my wife. I’ve beaten her<br />

when I was drunk and only knew it by the bruises left on her face the next day. I know<br />

the ticker is giving out but I hope to redeem myself in my wife’s eyes with the $750,000<br />

dollar life insurance policy I have. I deserve this pain. Lord knows I’ve caused her years<br />

<strong>of</strong> heartache. I just came by to pick up my wife from her appointment and got a little lost.<br />

I came into this clinic, thinking no one was here and I would finally die. This nice lady<br />

saw I was hurting and helped me out. But that’s as far as it goes.” He proceeded to take<br />

<strong>of</strong>f the nasal cannula, stood up, and buttoned his shirt. “I’d gotta get going. My wife will<br />

wonder what happened to me. Can you tell me how to get to the kidney clinic? She has<br />

bad kidneys, you know.”<br />

I looked at Santini in disbelief and was about to say something to Mr. Boone when<br />

Santini cut me <strong>of</strong>f. His face was uncharacteristically stern. “Mr. Boone, I strongly advise<br />

28<br />

SCOPE <strong>2009</strong>


you to be fully evaluated. It goes against medical advice to let you go, knowing you’re<br />

bound to have a massive heart attack soon based on today’s symptoms. I really think<br />

you’re doing the wrong thing by not going to the emergency room now.”<br />

“I don’t want to stay and you can’t make me,” Boone said emphatically.<br />

“No, that’s true, I can’t,” Santini replied. A look <strong>of</strong> resignation came over his bright<br />

face like a shadow. He turned to me. “Do you have any paperwork on Mr. Boone?<br />

“No.”<br />

“Why not?” Santini replied.<br />

“It turns out he never got registered. He looked so ill and in so much pain, I just<br />

assumed he was a walk-in. Otherwise, I would have sent him straight to the ER.” I felt<br />

rather embarrassed.<br />

“Well, let’s stamp up some papers on him, write down his information and what was<br />

done here.” Addressing the patient, Santini said <strong>of</strong>ficiously, “I’m going to ask you to sign<br />

your name to acknowledge that we advised you to stay and to have a full cardiac work-up.<br />

You can take a copy <strong>of</strong> this with you. Is that agreeable?”<br />

Boone nodded.<br />

“Then, I’ll have the nurse practitioner take your vital signs again and write you out<br />

a prescription for nitroglycerin tablets. Put one under your tongue when you get that chest<br />

pain, and if the pain doesn’t subside in ten minutes, take another one. If the pain is still<br />

bad, call 911. The nurse practitioner will write those instructions on your discharge copy.<br />

Do you have any questions?”<br />

“Nope.”<br />

Dr. Santini left.<br />

As I handed the patient the prescription and papers, I asked him seriously to reconsider.<br />

Torn over how much more I should presume to say, I decided to take the plunge.<br />

“Mr. Boone, look, you obviously have regrets about your drinking and the way you<br />

treat your wife. Have you thought about other options? You could get counseling, join<br />

alcoholics anonymous, or go through an alcohol rehabilitation program. It doesn’t have<br />

to be this way.”<br />

He looked up at me blankly.<br />

Mr. Boone seemed like he was considering what I had just said. Then he smiled<br />

slowly and said, “I’ll think it over. Give me your business card.”<br />

I escorted Mr. Boone to the main hallway <strong>of</strong> the medical building and told him<br />

where to find the nephrology clinic. I advised him to use the elevators and avoid stairwells<br />

at all cost. I reassured myself that he had heeded my words by taking his prescription.<br />

When I returned, Santini was back in my <strong>of</strong>fice. In a serious tone, he said, “Now, if<br />

you think that patient is going to count as a number on the clinic revenue ledger, you’re<br />

sadly mistaken. Remember, register the patient first, and then see the patient.”<br />

“But —.”<br />

Santini burst out laughing and held up his hand defensively. “I’m joking, I’m joking.<br />

SCOPE <strong>2009</strong> 29


But really — lighten up. You look so serious. You can’t save the world. You have got to<br />

stop trying to save patients who don’t want to be saved. Help those who ask for your<br />

help.”<br />

“Is that why you didn’t fight harder to make him stay?” I asked.<br />

“You mean rant and rave and make a big scene?”<br />

I nodded.<br />

“I would have if I thought it would have done any good. He’s an adult. I’m not a<br />

parent. He’s made up his mind. I’ve met many Mr. Boone’s before. You can’t change<br />

them.”<br />

I had no reply. Inwardly, I thought he was wrong.<br />

As I was walking through the hospital lobby on my way out <strong>of</strong> the building, I caught<br />

sight <strong>of</strong> Mr. Boone and a woman I presumed was his wife. They were walking ahead <strong>of</strong><br />

me. Although I didn’t get a look at her face she seemed like an average middle-aged<br />

woman. The thought occurred to me that she might not be his wife. Maybe he was<br />

having an affair, felt guilty about it, and wanted to leave his wife the money. That seemed<br />

awfully involved. My suspicions broadened. Had he taken something to induce a heart<br />

attack? My mind was running away with me.<br />

Should I try to meet the woman? Should I run up and urge Mr. Boone to fill his prescription?<br />

I couldn’t believe he was prepared to go through with his plan. If he didn’t fill<br />

the prescription, the die was cast. I imagined him dying somewhere from a massive heart<br />

attack. I’d give you maybe two months, Mr. Boone— less if you use the stairs or run for<br />

a bus.<br />

I watched as he stopped near the exit and pulled out my business card and prescription.<br />

He paused a moment, then nonchalantly tore them up and tossed them in the trash<br />

can. Catching up with his wife outside the door, he disappeared down the street. She<br />

never looked behind.<br />

30<br />

SCOPE <strong>2009</strong><br />

Elizabeth D. Tate<br />

Department <strong>of</strong> Neurology<br />

2nd Place Prose


Rolling up the Rug<br />

The red living-room rug had to be rolled before we could sell your house,<br />

so dad stood on one side and I stood on the other<br />

we gathered the ends and the fringe and we gathered up<br />

the rug and on each shoulder lifted and carried it<br />

above our heads and out the door to the truck.<br />

What I never knew was beneath the rug lay the most marvelous<br />

hardwood floor that I had never known in my life,<br />

bright and beautiful and strong<br />

clean and bright like the oak trees you showed me in the backyard<br />

fresh as I know it was on a day before I was born<br />

when you laid it 70 years ago when you built this home and moved here after the war.<br />

In the same way I saw them draw up the sheet after you died and pull<br />

the tube from your abdomen and remove the catheter and you had always been<br />

grandma to me and beautiful yes but your body too had to be rolled and<br />

gathered up and carried away but before<br />

they moved you I saw your stomach and your navel and both were<br />

bright and beautiful and strong<br />

clean and bright like the oak trees you showed me in the backyard<br />

fresh as I know they were on a day before I was born<br />

when you laid for the first time 70 years ago in the home you built after the war.<br />

Blaine Eubanks, M.D.<br />

Class <strong>of</strong> 2008<br />

3rd Place Poetry<br />

SCOPE <strong>2009</strong> 31


32<br />

SCOPE <strong>2009</strong><br />

The Scenic Stream (Fish Thought)<br />

Photography<br />

Brandon Hamm<br />

Class <strong>of</strong> 2012


Day Dream<br />

The lights dim<br />

A rare hush then<br />

Blinding multitude <strong>of</strong> color<br />

As the first note sounds<br />

Amidst the thunderous roar<br />

He waits for the hands<br />

To go mute,<br />

Says his introductions,<br />

Plays with shaky hands<br />

And tremulous heart<br />

Nerves gnarl around<br />

Pressure, twists about<br />

Heat from the lights<br />

And he is sweating<br />

But the moment is radiant<br />

And lasts til the last<br />

Note goes blue and dies<br />

With the lights<br />

And the crowd<br />

Matthew Ashley<br />

Class <strong>of</strong> <strong>2009</strong><br />

SCOPE <strong>2009</strong> 33


34<br />

SCOPE <strong>2009</strong><br />

Grazing Sheep<br />

Oil painting<br />

Kelsey Thornton<br />

Community


Promise Made, Promise Kept<br />

“What do you want to do?” the nurse asks.<br />

What do I want to do? I want to do anything but this, be anywhere but here. I<br />

don’t want to watch the heart monitor anymore. I don’t want to hear the rhythm <strong>of</strong><br />

your heart flutter. I don’t want to be standing in an ICU. I don’t want to call my<br />

brothers again with even more bad news. I don’t want to hear Mom cry. I don’t want<br />

to answer this question, Dad, I really don’t.<br />

Time tele<strong>scope</strong>s in on itself, fractures, and ruptures backwards. I want to be 6<br />

years old on a beach in West Dennis, jumping through the waves with my hand in<br />

yours. I want to be 10, standing near your family’s farm in Feeding Hills and hear how<br />

you fetched the cows in before the Great Hurricane <strong>of</strong> 1938. I want to be 12, sitting on<br />

the top eave <strong>of</strong> the house, holding a can <strong>of</strong> paint while you hung over the side painting<br />

the last, almost inaccessible place above the garage. I want to be a teenager, bicycling<br />

down to the field where you hit fungo after fungo after fungo to my brothers on crystal<br />

clear New England summer eves. I want to be an adult, listening to your World War II<br />

stories and your experiences in Scheinfeld and Nordhausen, how at the latter you heard<br />

how starving Jewish prisoners managed to sabotage the Nazi’s V2 rockets, probably<br />

saving thousands <strong>of</strong> lives and maybe even the war. I want to be in college, hearing your<br />

reassuring voice on the phone during finals week. I want to be any age and hear your<br />

fine Irish tenor. I want to watch you read the Economist and relate some <strong>of</strong> the topics<br />

back to lectures from the Jesuits at Boston College, which the GI Bill got you into, and<br />

your hard work got you out with a magna cum laude. I want to hear your vast stories <strong>of</strong><br />

baseball lore and your passion for the skills <strong>of</strong> the game (and your love for the Red Sox,<br />

no matter how hard it was, until, finally, 2004 came). I want to hear you talk to your<br />

grandchildren, your laughter suffused with love. I want to see you happy and well, getting<br />

stronger after you and Mom moved in with me 3 and a half years ago, losing the<br />

stress <strong>of</strong> living alone, getting better, eating regularly again, even putting away your cane.<br />

We went everywhere together, to Farmer’s Market, to breakfast, to the hardware store,<br />

to get ice cream on a hot summer’s night. You laughed again. You smiled at Mom.<br />

Normal things. Before the myeloma came.<br />

“Do you want to draw blood for more tests? We might be able to stabilize him for<br />

a few hours. What do you want to do?” the nurse asks again, my blue Power <strong>of</strong><br />

Attorney sticks out from the bottom <strong>of</strong> her clipboard. Time reverses with a jolt,<br />

screaming to a stop as my heart breaks.<br />

I teach medical students and residents. I listen to the clinicians in my department.<br />

I know what the choices are. I know the sepsis is progressing. I know your kidneys have<br />

shut down and your liver is failing. I know the priest has come and gone. I know the<br />

SCOPE <strong>2009</strong> 35


attending has gone home. I know we owe the senior resident an incalculable debt<br />

because he tracked me down when we were leaving to get Mom some rest. “I don’t like<br />

how some <strong>of</strong> these labs look,” he said, “Stay a while.” And he knew and I knew what<br />

he meant. You would have been without us, Dad. We would have harbored regrets forever.<br />

I know what you want, Dad, now I just, just?, just have to do it.<br />

“Let him go” I say s<strong>of</strong>tly, reluctantly, hearing your wishes as clearly as if you were<br />

whispering them into my ear, knowing you trusted me to do this, wanting to be sure<br />

your wishes would be honored, so stronger, surer, I say again, “let him go.”<br />

36<br />

And we do.<br />

The nurse steps back.<br />

My mother weeps.<br />

Robert Frost’s poem “Out, Out” catapults into my mind, the words scorching from<br />

my New England school days — a farm hand lies dying on a kitchen table:<br />

SCOPE <strong>2009</strong><br />

He lay and puffed his lips out with his breath.<br />

And then — the watcher at his pulse took a fright.<br />

No one believed. They listened to his heart.<br />

Little – less – nothing! — and that ended it.<br />

Your heart wavers, grows erratic, beats.......and stops. A few months shy <strong>of</strong> 85<br />

years. You said you wouldn’t live through this winter, and less than 2 hours before the<br />

Spring Solstice arrives you are gone. Never mind that the cup that hung on the end <strong>of</strong><br />

the cattle trough on your childhood farm would now be out <strong>of</strong> the dark shadow <strong>of</strong> the<br />

winter freeze and into the thinnest promise <strong>of</strong> spring sunshine, a harbinger your family<br />

waited for every year. Never mind that the snowdrops have their white heads up<br />

through the frost. Never mind that the sap runs in the Sugar Maples. It’s time. With<br />

winter comes death, with spring Resurrection. You have always believed, you have<br />

always been comforted.<br />

Thanks Dad, for all <strong>of</strong> your gifts, but now thanks especially for this gift <strong>of</strong> certainty.<br />

Of all the love and stories and lessons and examples that helped me to good things and<br />

spared me from bad, this ranks high. You told me what you wanted if this ever happened.<br />

You told me “don’t you dare let me live on a machine”. You told me this was<br />

your decision. Thank you, thank you. It’s hard enough watching you die. It’s hard<br />

enough watching Mom’s life fall apart. It’s hard enough knowing that starting tonight<br />

while you will always be with me, you will never again be there. Thank you for making<br />

this decision for me, for letting me grieve alone without the extra crushing burden <strong>of</strong><br />

wondering whether it was right, <strong>of</strong> agonizing over what you might have wanted, <strong>of</strong><br />

second-guessing myself forever. Even now, you are a good example, a good teacher.


I pray I’ll see you later, in some other reality, and you’ll smile, say you were sorry to<br />

put me in this position, but then say “you did well”. But now, your pulseless hand grows<br />

cold. Mom takes <strong>of</strong>f her rings to put your ring on her finger, the ring she gave you 58<br />

years and 6 months ago, then puts her rings back on to hold yours close to her.<br />

I think <strong>of</strong> what your grandfather, Thomas Burke, from Galway might say if he<br />

stood here with us — “slán agus beannacht u do chara” (farewell and blessings from a friend)<br />

or, perhaps, “slán agus beannacht le bauireamh an tsaoil” (farewell to the worries <strong>of</strong> life).<br />

I don’t want to be here. I couldn’t be anywhere else.<br />

Sandra L. Shea, Ph.D.<br />

Department <strong>of</strong> Family and Community <strong>Medicine</strong><br />

3rd Place Prose<br />

SCOPE <strong>2009</strong> 37


38<br />

SCOPE <strong>2009</strong><br />

Ice Chandelier<br />

Photography<br />

Paula Heine<br />

Department <strong>of</strong> Education & Curriculum


Two <strong>of</strong> You<br />

Listening<br />

All alone on<br />

The floor and<br />

Yearning for<br />

More…<br />

Of the<br />

Two <strong>of</strong> you.<br />

The two in you.<br />

Save the world one<br />

Face at a time with one<br />

Mountain to climb…to<br />

The two in you. And all<br />

My dreams will fall into<br />

Place when I get back<br />

To the space…with<br />

The two <strong>of</strong> you<br />

Matthew Ashley<br />

Class <strong>of</strong> <strong>2009</strong><br />

SCOPE <strong>2009</strong> 39


Navy Pier<br />

Oil Painting<br />

Kelsey Thornton<br />

Community<br />

First Place Art<br />

SCOPE <strong>2009</strong> 40

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