Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Cover Art<br />
Esterina<br />
montage<br />
Allona Beasley Mitchell<br />
Medical Humanities<br />
First Place, Art<br />
SCOPE<br />
Volume XIII <strong>2006</strong><br />
Editorial Staff<br />
Editors-in-Chief<br />
Ben Cady, MSII<br />
Blaine Eubanks, MSII<br />
Associate Editors Layout Editors<br />
Lacey Ufkes, MSI Anne Elliott, MSIV<br />
Omonigho Ekhomu, MSI Janice Vandeveer, MSII<br />
Matthew Ashley, MSI<br />
Torie Johnson, MSI<br />
Review Edito Art Editor<br />
Seth Hahs, MSIV Holly Eltrevoog, MSII<br />
Poetry Reading Publicity<br />
Sarah Dyrstad, MSIII Nereida Rojas, MSII<br />
Andy Coombs<br />
Faculty Advisors Staff Editors<br />
Phil Davis, Ph.D. Karen Carlson<br />
Jacqueline Scolari, Ph.D. Jim Hawker<br />
Jean Afflerbach<br />
We would like to send out a special thank you to all those who<br />
reviewed the entries and helped create SCOPE <strong>2006</strong>.
iv<br />
From the Editors:<br />
SCOPE <strong>2006</strong><br />
Though we thought we'd never see it<br />
SCOPE 13, our solemn mission<br />
Through threats & screams, hopes & dreams<br />
Has at last come to fruition<br />
No <strong>SIU</strong> Med students<br />
Were gagged or kicked down stairs<br />
Phil Davis, PhD esquire<br />
Was not thrown in pits with bears<br />
Many thanks go to Jim Hawker<br />
For his visual direction<br />
We won't tell, and you'll be cared for well<br />
In federal witness protection<br />
And to the Alumni Affairs Council<br />
We'd like you all to know<br />
Your generous hearts strengthened the arts<br />
Somewhere in Mexico<br />
From the writings <strong>of</strong> our submittors<br />
So much that we have learned<br />
Not a single page was torn in rage<br />
Shot with pistols, speared, or burned<br />
For editors must be equal<br />
Of favoritism, leave no traces<br />
We hope no one sees our fake IDs<br />
Or asks us our birthplaces<br />
Throughout our creative process<br />
Without violence, minds were meeting<br />
Karen Carlson did not use her gun<br />
And led all without one beating<br />
Dr. J. Kevin Dorsey<br />
Titled M.D., Ph.D.<br />
All fears allay, he did not pay<br />
To set any inmates free<br />
Dr. Jacqueline Scolari<br />
Led by beauty, charm and grace<br />
And were these three not sufficiency<br />
The electric prod kept pace<br />
We thank our staffers, one and all<br />
For their time and laborous struggling<br />
Their artistic skills prevented thrills<br />
We were never charged with smuggling<br />
Our mutilation was a rumor<br />
Untrue thus far, we hope<br />
We were both told in jail we'd grow old<br />
If our poems appeared in SCOPE<br />
And so we humbly present to you<br />
A SCOPE free from our rhyme<br />
After our long night, if some verse delight<br />
Please pray we escape in time<br />
––Ben Cady & Blaine Eubanks, MSII<br />
Editors-in-Chief<br />
SCOPE <strong>2006</strong> v
Contents<br />
Prose Page<br />
The Other Side <strong>of</strong> the Clipboard 6<br />
Kourtney Bradford<br />
Second Place<br />
Instinct 10<br />
Kourtney Bradford<br />
My Dearest Reader 15<br />
John Grace, M.D.<br />
Third Place<br />
Celebrants 30<br />
Stewart Massad, M.D.<br />
First Place<br />
Tibilletti’s Boots 34<br />
Wesley G. Robinson-McNeese, M.D.<br />
Visual Art<br />
Esterina<br />
Allona Beasley Mitchell cover<br />
First Place, Art<br />
Reflections From the Sky 5<br />
Janice Vandeveer<br />
Self Portrait 13<br />
April Hlad<br />
Second Place<br />
Torn 18<br />
Christopher Erick Rivera<br />
<br />
Third Place<br />
Interpretation <strong>of</strong> R. Mapplethorpe’s ‘Ken Moody, 1984” 24<br />
April Hlad<br />
Conversations 29<br />
Ross Silverman<br />
Turtles Sun Bathing 32<br />
George Burklin<br />
Poetry Page<br />
Mount St. Helens Reflects 4<br />
Sandra L. Shea, Ph.D.<br />
Third Place<br />
Wanted 14<br />
Wesley G. Robinson-McNeese, M.D.<br />
When Owls Become Roosters 16<br />
Sandra L. Shea, Ph.D.<br />
A-sailing 17<br />
Vera N. Guertler, M.D.<br />
Sucre de Pomme Belle de Boskoop 19<br />
Allona Beasley Mitchell<br />
Second Place<br />
Of Kin 20<br />
Shannon Keith Kelley<br />
First Place<br />
A. Green 22<br />
Omonigho Ekhomu<br />
She Who Also Sits and Waits 23<br />
Sue Brooks<br />
Are Beauty and Mankind Compatible? 25<br />
John Grace, M.D.<br />
Fairy Tale (Reality Check) 26<br />
Kimberly M. Servi<br />
Excuse Me, Please 33<br />
Sue Brooks<br />
Traveling I55 38<br />
Shannon Keith Kelley<br />
2 SCOPE <strong>2006</strong><br />
SCOPE <strong>2006</strong> 3<br />
<br />
<br />
<br />
Denotes winning entries
Mount St. Helens Reflects<br />
4<br />
Sandra L. Shea, Ph.D.<br />
Family <strong>Medicine</strong> 3rd place, poetry<br />
“Tomorrow creeps in this petty pace,” Shakespeare said.<br />
Means nothing to me.<br />
I breathed quietly for an eon.<br />
Napped for an epoch or two.<br />
Snored through the dinosaurs’ period.<br />
Whose tomorrow should we use?<br />
You weren’t here when I last rose a thousand meters.<br />
Your Sequoias’ parents were seedlings when I coughed a few times.<br />
By your clock, a score and a few past I gave back a thousand feet.<br />
It matters not.<br />
The rock is my clay, the magma my blood.<br />
I sigh steam dusted with ash as I muse on my choices.<br />
The snow melts from my lava dome.<br />
Tickles.<br />
Tomorrow, yours or mine,<br />
I’ll grow again.<br />
Or I’ll shrink.<br />
Or I’ll sleep.<br />
Watch me.<br />
As long as you can.<br />
I’ll be here.<br />
SCOPE <strong>2006</strong><br />
Reflections From the Sky<br />
Janice Vandeveer 3.5”x5” photograph<br />
MSII<br />
SCOPE <strong>2006</strong> 5
The Other Side <strong>of</strong> the Clipboard<br />
6<br />
Kourtney Bradford<br />
MSIII 2nd place, prose<br />
I watched through the dusty gray aluminum blinds as the cold January rain<br />
mockingly rapped lightly against the tall <strong>of</strong>fice window. Each wave taunting me with an<br />
“I told you so” tone reminiscent <strong>of</strong> how mother would sadly hold my broken hearted 16<br />
year-old body and remind me <strong>of</strong> her warnings about boys my age. I wish she were here<br />
now. I smell her lilac perfume and a fleeting glint <strong>of</strong> hope and warmth begins to surround<br />
me until I hear the hospital paging system remind a certain Dr. Bellows that his<br />
nurse is still holding on line two and I am jolted back to the fluorescent light-filled box I<br />
am suffocating in. The coarse paper on the examining table. The new, young nurse<br />
who had mispronounced my dead husband’s first gift to me. The four-month-old magazines<br />
on fishing and home re-decorating that seemed so much more inviting six years<br />
ago.<br />
Tick. Tick. Tick. I can see John’s shrunken physique sitting next to me in<br />
the hard plastic chair, clammy hand in mine. How I loved him for explaining what a<br />
“lymph node” was and how “cancer” had decided to take up residence in mine. No sir.<br />
No family history <strong>of</strong> cancer. No sir. No tobacco or alcohol use. I was always the<br />
healthy one. I had to be since John’s first heart attack in ’93 had induced a stroke and<br />
left him paralyzed on the left side <strong>of</strong> his body. Now it was his turn to comfort and care<br />
for me, <strong>of</strong> which he did so adoringly until the week <strong>of</strong> my last chemo treatment. He<br />
must have thought I was going to be okay, and that he could finally go home. My<br />
family quietly celebrated my remission as we paid our last respects to my dear love, my<br />
soul mate, and tried to console me with thoughts <strong>of</strong> “at least now you have your<br />
health.” Yes, I suppose I did. But, what good was my health without my heart? I had<br />
wept unrelentingly at my good fortune.<br />
In the past four years, however, I had learned to deal with John’s passing as I<br />
rationalized his advanced years, his debilitating condition and how he had fought till the<br />
end to make sure I would make it. The single, thin, gold band on my twisted and<br />
swollen left ring finger is all I have <strong>of</strong> him with me today. Looking past my deformed<br />
hand, I notice the doctor has installed new floor tiles. Well, probably not the doctor<br />
himself. They look cold. I wonder how they will feel when I collapse onto them, trying<br />
to pull them up over my head and hide under them, after he tells me I am dying. No. I<br />
will not fall. I will clutch my light blue cardigan tighter around my 94 pound frame and<br />
defiantly refuse any further treatment. I am 84 years old. I will lose neither the hair I<br />
have spent the past two years growing back, nor my lunch…or any other meal for that<br />
matter.<br />
I suppose when they had said there is a chance it will return, the cancer that<br />
is, that I would have preferred it if they had been a little more clear. Thirty percent<br />
chance. Well, does that not leave a 70 percent chance that it will not? That seemed like<br />
SCOPE <strong>2006</strong><br />
a lot <strong>of</strong> percent until last week when I had walked to the mailbox to collect the post,<br />
trying to ignore my ever-increasing breathlessness, and returned to the house only to<br />
cough up a handful <strong>of</strong> blood. Fresh. Candy apple red like my first tube <strong>of</strong> lipstick. I<br />
hadn’t felt right for months, but that is what brought me here four days ago and<br />
prompted a pleasant array <strong>of</strong> poking, prodding, and testing. I had just finished rinsing<br />
my teacup this morning when the nurse phoned. Of course I could come in this afternoon.<br />
Her tone <strong>of</strong> voice was similar to that you would expect <strong>of</strong> an invite to luncheon<br />
with the ladies or a friend’s birthday party. Some party this was going to be. I had left<br />
the water in the sink running a good 15 minutes before the incessant beeping <strong>of</strong> the disconnected<br />
phone line reminded me <strong>of</strong> my RSVP.<br />
Now, I sit and wait. Confused. Resigned. Proud. I am relishing how I have<br />
come full circle and am ready to strongly face this alone when there is a knock at the<br />
door. A solitary tear silently emerged from my right eye and plotted a course over my<br />
freshly rouged cheek and to the corner <strong>of</strong> my<br />
quivering wrinkled mouth.<br />
SCOPE <strong>2006</strong> 7<br />
7
Instinct<br />
10<br />
Kourtney Bradford<br />
MSIII<br />
Tuesday<br />
I still remember that Tuesday, that feeling. My 4 year-old son, tethered tightly<br />
into the metal cart, and I were slowly traversing the shiny, tiled, wide aisles as I filled the<br />
cart with the week’s menu items. Doritos. Cool Ranch. My waistline and brain were<br />
in the middle <strong>of</strong> a heated debate over the chips’ fate when Jack’s high-pitched version <strong>of</strong><br />
“Yankee Doodle Dandy” faded out. I focused, not so much on the bag, but on the fact<br />
that it was Tuesday. Not just any Tuesday, but the Tuesday that follows the dreadfully<br />
punctual monthly Monday that had spent the last 11 years <strong>of</strong> my life, save a precious 12<br />
months thanks to my first child, making me desperately want to phone God to discuss<br />
why he hated women so much. It’s a strange feeling, instinct.<br />
As I snatched the blue bag from the shelf and tossed it into the cart with one<br />
hand, my other was already busy rifling through the eight pounds <strong>of</strong> necessities in my<br />
oversized purse in search <strong>of</strong> my day planner. Although the box springs would vehemently<br />
argue, we really weren’t trying to get pregnant again. A frightening calm settled<br />
as I moved past the toiletry aisle and made my way to the checkout, phone numbers in<br />
hand. There was no point in procuring a pregnancy test when I already knew that I<br />
was pregnant, as if by holding the doctor’s number in my hand was enough to confirm<br />
it. That was the beginning <strong>of</strong> my relationship with John.<br />
The tub<br />
An energetic young voice, followed by quick and increasingly louder footsteps<br />
echoed into the second floor bathroom. “Mom…mom, where are you?” From my teetering<br />
position, one foot in the metal soap alcove <strong>of</strong> the wall and the other desperately<br />
clinging to the lima bean green porcelain <strong>of</strong> the tub edge, I announced my location and<br />
returned to my merciless attack on the last colony <strong>of</strong> rebellious soap scum trying to<br />
stake its claim on my shower tile. The small hand grabbed my calf and I was reminded<br />
that I was not ready to pass on because when my life flashed before me, it left me somewhat<br />
wanting. I carefully stepped down from my perch and tried to act as if I hadn’t<br />
just had a brush with death as I settled onto the tub wall, eye-to-eye with my 3-year-old<br />
son John. “Life is hope, Mom…life is hope.” I’d have thought that I would have<br />
broken my neck the way my focus shifted from the half-attached Barney Band-Aid on<br />
his skinny left knee to his innocent, yet sure brown eyes. “Okay,” I responded, a<br />
pleasant reminder that just because we are older does not mean that we are any wiser.<br />
“That’s all,” he shrugged as he slipped back out the white, wooden doorway and<br />
snatched away my chance for a mother-son deeply intimate conversation. My jaw<br />
fought to avoid the floor as my mind raced back to my college Intro to Philosophy class<br />
SCOPE <strong>2006</strong><br />
and decided that he might have proven useful back then. I pondered my little Dali<br />
Lama as I resumed my post, oblivious to how important those three words would be.<br />
My family<br />
I sat in the third row <strong>of</strong> red, velvety cushioned seats <strong>of</strong> the high school auditorium<br />
that night, since the first two rows are just too close, with my husband and other<br />
two sons as I watched 16 year-old John conversing on the elaborately designed stage.<br />
Mesmerizing. We were a musical family and had all been in one production or another,<br />
displaying our lucky genes, but even fending <strong>of</strong>f a bit <strong>of</strong> a cold, he commanded attention<br />
and made you forget where you were the way a 25 foot away hallway glimpse <strong>of</strong><br />
your high school crush could freeze everyone else and allow you to follow every wisp <strong>of</strong><br />
silky brown hair on his head settle into place as he stopped at his locker three feet from<br />
you... and then you realized you weren’t breathing. The thunderous applause was no<br />
match for my galloping heart as I stood to cheer, so full <strong>of</strong> pride and love for my son<br />
that I was sure I would explode. Man. I glanced at my family next to me and back to<br />
John, graciously beaming as he bowed, and knew that I had truly been blessed<br />
With the play finishing tonight and John’s hectic schedule easing up, we were<br />
finally able to convince him to get to the doctor to take care <strong>of</strong> this achy, exhausting<br />
cold he’d been trying to knock. Instinct. Left me out to dry on that one.<br />
The bed<br />
Lifting my head <strong>of</strong>f my hands and not bothering to wonder, or care, whether<br />
it was tears or slobber matting my two-day-old hair to the corner <strong>of</strong> my mouth, my<br />
glazed eyes begin to focus on the blinking green light a foot from John’s head. I sat up<br />
straight in my chair-turned-bed <strong>of</strong> the last three years and ignored the protests <strong>of</strong> my<br />
lower back. His heart is still beating. He is still alive. There is still hope. He’d gotten<br />
sick so quickly. In and out <strong>of</strong> hospital after hospital, seeing doctor after doctor and getting<br />
medication then surgery then medication then surgery. Not once did he lose hope.<br />
Now he lies in this aluminum bed, in this cold room, hooked up to seemingly<br />
endless cords and machines. It is almost over. Earlier this week, things had gotten hairy.<br />
While my husband and I, with our newfound medical knowledge courtesy <strong>of</strong> a three<br />
year medical crash course in trying to divide and conquer my son’s assailant, were<br />
weighing the options <strong>of</strong> different treatment alterations to try next, he said it. “I’m<br />
ready.” In unimaginable pain and confined to a bed where each position hurt worse<br />
than the next, he was still able to floor me with his succinct wisdom. As a mother about<br />
to lose her child to disease and wanting to spare him as much pain as possible, I agreed.<br />
He’d been so valiant, and vicariously through him, I’d never allowed myself to give up<br />
SCOPE <strong>2006</strong> 11
either. Now, in the midst <strong>of</strong> the end, he lays unconscious except for invaluable seconds<br />
<strong>of</strong> clarity when he reassures us that he is going on his terms; then fades back into a restless<br />
sleep.<br />
I stare at my 20 year-old baby and remind myself that he is better <strong>of</strong>f without<br />
his feeding tube. Pain meds and love are the treatment <strong>of</strong> choice from here out. He’s<br />
going home. Ignoring the now second nature flow <strong>of</strong> tears down my cheek, I tell him<br />
how proud I am <strong>of</strong> him and how much we all love him and how he’ll always be with<br />
me. “Life is hope, Mom…life is hope.”<br />
For Deej<br />
12<br />
SCOPE <strong>2006</strong><br />
Self Portrait<br />
April Hlad 24”x 30” Oil on<br />
canvas<br />
Community 2nd place, art<br />
SCOPE <strong>2006</strong> 13
WANTED<br />
14<br />
Wesley G. Robinson-McNeese, M.D.<br />
Office <strong>of</strong> the Dean<br />
female friend,<br />
confidante;<br />
fiftyish,<br />
slightly overweight, but with a warm smile;<br />
must understand, talk, cook and care<br />
like a mother,<br />
but above all, must not die.<br />
Apply.<br />
Please apply<br />
within<br />
SCOPE <strong>2006</strong><br />
My Dearest Reader<br />
John Grace, M.D.<br />
Class <strong>of</strong> 2000 3rd place, prose<br />
Is this where we are? Is this what we’ve come to? You sitting here reading<br />
this, expecting to get something from it. Me sitting where I was months ago, years ago,<br />
writing this thing hoping to connect to someone who I haven’t even met and maybe<br />
never will. Who is the voyeur here? Me or you?<br />
I suppose there is an argument for each <strong>of</strong> us. I am opening my mind...a<br />
piece <strong>of</strong> it anyway...for you to come and see...come and look at...and if that is the case<br />
then it is my privacy that is being violated. But I also have choice in what I choose to<br />
show you and perhaps you tell me too much <strong>of</strong> yourself by your reaction to what I have<br />
let you see. I’m showing you a movie but while you’re watching it...I’m watching you.<br />
Perhaps we could make this interaction a tad more...shall we say...antagonistic?<br />
The interplay between writer and reader has been too kind for too long. Writers<br />
lead readers on gentle stories...keeping them safe...leading them where they want to go.<br />
Taking them places they’ve already been. There is this kind, benevolent, warm feeling<br />
the writer is there to take care <strong>of</strong> you. That’s boring. Whoever told you that I was on<br />
your side?<br />
As a matter <strong>of</strong> fact I don’t think I like you! And the more that I’m talking to<br />
you the more convinced I am. I mean what the hell did you ever do in life! Give me a<br />
break! Who are you? What are you doing reading this? And what do I get from it in<br />
return?<br />
Do you want to keep going? I do. Why stop here? Let’s talk about you just a<br />
little. Why are you reading this? What kind <strong>of</strong> person would keep going? Are you<br />
stupid? A glutton for punishment? Intrigued? Curious? Lost? Let’s give you the benefit<br />
<strong>of</strong> the doubt and go with “curious.” Yeah...that feels better doesn’t it?<br />
Relationships...yeah how are those going in your life...crappy huh? Why in<br />
the world do you keep trying? I think you’re a wonderful person...or a pathetic loser! If<br />
I can’t make up my mind...can you tell me?<br />
Now...now the real question begins. Who has seen more...me or you? React<br />
and reveal. Let me see who you are.<br />
For your last glimpse into me...let me say...honestly, truthfully that I love you! I<br />
really do. And whether or not you believe that...tells me everything about you.<br />
SCOPE <strong>2006</strong><br />
15
When Owls Become Roosters<br />
Sandra L. Shea, Ph.D.<br />
Family <strong>Medicine</strong><br />
When owls become roosters<br />
All dreams will take flight<br />
Morning comes singing<br />
As dawn swallows night.<br />
When owls become roosters<br />
Stars pull back their light<br />
Foxes go hungry<br />
The moon says good night.<br />
When owls become roosters<br />
Clouds pinken to white<br />
Diamonds crown grasses<br />
A new day’s delight.<br />
A- sailing<br />
Vera N. Guertler, M.D.<br />
Class <strong>of</strong> 1990<br />
On a ship<br />
battered by waves<br />
bearing bones that the sea<br />
could not bury,<br />
the growing echo<br />
<strong>of</strong> the dead<br />
ferries from<br />
below deck.<br />
Amidst the wreck<br />
<strong>of</strong> sanity<br />
and all other vanity,<br />
I hear you calling me,<br />
half cursing, half pursing<br />
to seal me with a kiss.<br />
Never enough your savior,<br />
chastised for unholy behavior,<br />
I dared to sever<br />
the sailor’s knot.<br />
I know that the drowning<br />
cannot save the drowned,<br />
as I leap away<br />
reaching for the light <strong>of</strong> day.<br />
16 SCOPE <strong>2006</strong><br />
SCOPE <strong>2006</strong> 17
Torn<br />
18<br />
Christopher Erick Rivera 37” x 25” Pencil<br />
sketcMSII 3rd place, art<br />
SCOPE <strong>2006</strong><br />
Sucre De Pomme Belle de Boskoop<br />
Allona Beasley Mitchell<br />
Medical Humanities 2nd place, poetry<br />
That autumn in the apple orchard<br />
when I saw you at the gate<br />
I thought I was hidden<br />
down among the trees.<br />
I thought <strong>of</strong> the past<br />
and saw the future.<br />
I hid my wedding ring in the hollow <strong>of</strong> a tree<br />
SCOPE <strong>2006</strong> 19
Of Kin<br />
Shannon Keith Kelley<br />
Community 1st place, poetry<br />
The day my father’s father<br />
slugged one <strong>of</strong> the town drunks<br />
while trying to pour him<br />
like a measured shot<br />
in a cab backseat for free<br />
(on my father) — hit him<br />
when the drunk turned<br />
bellicose as the billy goat<br />
escaped from the neighbor’s tether,<br />
which chased me<br />
round my grandmother’s house<br />
as she napped (so she said)<br />
on an ocean <strong>of</strong> swayback mattresses<br />
and I hammered<br />
the locked glass-pane storm door<br />
with fists white with fright,<br />
and ran the circle <strong>of</strong> grass again<br />
on legs seven years slow<br />
and once more before she opened<br />
the door and the gruff<br />
nightmare <strong>of</strong> fur<br />
and animal anger<br />
pushed its ho<strong>of</strong> —<br />
a hot poker into still water —<br />
through the glass in mirrored dismay,<br />
then ran without reason<br />
tired rings around the house,<br />
and she caught me<br />
in her arms like my father’s<br />
father caught the day-dead drunk<br />
he hit for cussing<br />
Dad’s generosity<br />
in my presence — that day<br />
I was thinking<br />
<strong>of</strong> the word colostomy,<br />
new to me because<br />
Grandpa had<br />
had one<br />
and told me so.<br />
20 SCOPE <strong>2006</strong><br />
SCOPE <strong>2006</strong> 21
A. Green<br />
Omonigho Ekhomu<br />
MSI<br />
Two weeks before<br />
maybe three<br />
and my news could be different.<br />
In place <strong>of</strong> helpless posture<br />
you would see<br />
an enabler <strong>of</strong> healing<br />
what failed?<br />
My research which<br />
has not approached the depths<br />
to remedy your ailment?<br />
Your kidneys?<br />
Could they have borne a moment longer<br />
till relief was afforded...<br />
Now I come to you without words<br />
to recall the cocky sureness<br />
you first greeted me with.<br />
No speech to comfort your mother<br />
who must now look to years <strong>of</strong> looking for a way<br />
so your blood can be cleaned.<br />
In wake <strong>of</strong> my distasteful words<br />
dreams drop to the earth<br />
with a clatter that resounds<br />
the dull finality<br />
I witness with my soul<br />
in your eyes as you<br />
understand<br />
I cannot heal.<br />
She Who Also Sits and Waits<br />
Sue Brooks<br />
Surgery<br />
She holds his old gray shirt and breathes in memories, some stale, some sweet…<br />
When will they come to her with news? Can it really be two hours now?<br />
The phone call came just after dawn. No c<strong>of</strong>fee yet, eyes filled with sleep.<br />
“They’ll send someone,” he said.<br />
“Just send him,” she says, meaning it, too.<br />
Too young, this boy, to fight a war. Yet that’s what it is, isn’t it?<br />
Drug addicts, homies, prostitutes…<br />
Who waits for them to come home in the dark hours before dawn?<br />
Mothers…? Wives…? Children…?<br />
Do they hear the shots ring out and wonder if this time the bullet is serious?<br />
Do they care as much as she who waits?<br />
22 SCOPE <strong>2006</strong><br />
SCOPE <strong>2006</strong> 23
I n t e rpretation <strong>of</strong> R. Mapplethorp e ’s<br />
“ Ken Moody, 1984”<br />
24<br />
April Hlad 30” x 40” Oil on canvas<br />
Community<br />
SCOPE <strong>2006</strong><br />
Are Beauty and Mankind Compatible?<br />
John Grace, M.D.<br />
Class <strong>of</strong> 2000<br />
Please plug a sky into my brain.<br />
Let the heaven slip under my skull.<br />
Fold an endless range,<br />
In my mind that waits for something more.<br />
Tie the sunset,<br />
And rope the waves crashing on the shore,<br />
Stuff them into my soul and make the beauty <strong>of</strong> the world fit into my storm.<br />
Morrow, Morrow, Marrow, Moral.<br />
Meat and bone,<br />
Street and Stone,<br />
Turmoil, the mortar <strong>of</strong> man,<br />
Building altars to Gods we cannot stand.<br />
SCOPE <strong>2006</strong> 25
If I was locked in a room <strong>of</strong> straw<br />
and must spin it to gold every night,<br />
Rather than guess that little man’s name<br />
I’d say, “You take Visa, right?”<br />
So maybe it wasn’t meant to be.<br />
I guess for all it’s worth,<br />
Fairy tales aren’t ready for me,<br />
I’m better <strong>of</strong>f here on Earth!<br />
28<br />
SCOPE <strong>2006</strong><br />
Conversations<br />
Ross Silverman 8”x10” photograph<br />
Medical Humanities<br />
SCOPE <strong>2006</strong> 29
Celebrants<br />
Stewart Massad<br />
Obstetrics and Gynecology 1st place, prose<br />
In the last <strong>of</strong> the day on the Friday before Christmas, rags <strong>of</strong> cloud scud <strong>of</strong>f<br />
the prairie, soar over the lake. As they change from lemon to rose, orange to violet, so<br />
do the cracked terracotta, sand-yellow brick, and old wavy glass <strong>of</strong> the hospital facade.<br />
Among the pigeons in Pasteur Park, a man in a quilted coat flings bread<br />
crumbs at the wind. He tears open his empty sack and shakes it at the sky, body<br />
uncoiling as he steps toward the hospital doors. Pigeons spring up before him, a billow<br />
<strong>of</strong> wings. Then darkness and the halogen lights come on.<br />
Hanging holly violates the fire code, so inside halls and <strong>of</strong>fice walls are decked<br />
with tinsel, cutout Santas, plastic stockings. Poinsettias sprout from file cabinets. On<br />
desks and charting tables, open eggnog cartons, empty soda jugs, and shopping bags<br />
from Fields sit by paper plates strewn with bits <strong>of</strong> icing, crumbs <strong>of</strong> cakes and cookies,<br />
cornbread, pilaf, tamales. Saint Nick is a big woman on the trauma unit in a red felt<br />
hat with acrylic fur and a brass bell over one ear who’s dishing out Demerol to gangbangers<br />
who know she brings better joy than any big-bellied reindeer jockey ever could.<br />
Outside the day’s last operation, an anesthetist in wrinkled pink sits on a steel<br />
stool, singing carols to an empty hall in gospel-trained tones. Downstairs on the wards,<br />
the singers are awkward adolescents, girls <strong>of</strong> every race. In plaid parochial school uniforms,<br />
they sing to gaunt men dying from alcohol and cigarettes, cancer and AIDS<br />
about kings and drummer boys, silent nights, and dreams <strong>of</strong> a Christmas just like the<br />
ones they used to know. They dance away down high-ceilinged halls and stairwells<br />
incensed with burnt marijuana: God rest you merry gentlemen.<br />
Brown leaves blow down the main hallway every time somebody ducks out for<br />
a smoke. A crowd jams the lobby, and the pharmacy line rounds the corner and doubles<br />
back. The dead leaves skitter past unshaven, unwashed panhandlers asleep on<br />
benches outside the MRI scanner. One opens an eye on a passing Azteca in jeans tight<br />
as a tomato skin, in lipstick dark as a cracked scab. An old Filipina sits next to him, settles<br />
against the plastic grocery bag that is both purse and pillow to wait with him for<br />
morning.<br />
A medical resident throws open steel fire doors and trots toward the emergency<br />
room, his shined black shoes and sober white coat drab beneath an electric blue<br />
turban and Sikh warrior’s beard. Squat women with the round faces <strong>of</strong> Mayan figurines<br />
herd flocks <strong>of</strong> children out <strong>of</strong> his way. The open coat that flaps behind him<br />
brushes a viejo with skin tanned by cigarettes and the Mexican sun who moves as fast as<br />
arthritis and emphysema allow, almost keeping up with the young inmate in a tan jail<br />
uniform and leg irons that clank like jingle bells all gone to rust.<br />
Elegant as night in silver, navy, and black leather, two cops chat up a chunky<br />
blonde in stirrup pants and earrings hung with chips <strong>of</strong> colored glass that jingle when<br />
she laughs at them. Three kids in baggy pants, hightops, bits <strong>of</strong> beard as big as they<br />
30 SCOPE <strong>2006</strong><br />
can grow, and parkas bulky as grown men’s muscles run up and down the stairs from the<br />
ward where their homeboy lies recovering from three bullets in the belly. They whoop<br />
and shout as they vault the steps, rounding square iron banisters cast with black florets:<br />
they might be mistaken for children, but for eyes careless and black as gun muzzles.<br />
And when they jog laughing down a hallway past the men in wheelchairs who wear<br />
green cotton gowns open to show <strong>of</strong>f chest hair and bandaged gunshot, they pause no<br />
more than does the commissioner in the gray double-breasted who’s through big glass<br />
doors for the taxi that will carry him away.<br />
In the bad light just behind him, a dark man hides a white cardboard box<br />
inside his long green coat. He sidles up to men and women waiting for the Harrison<br />
Street bus like a dope peddler, one eye out for cops who have no time for him. He<br />
works the queues, the crowds, the solitary idlers, red light from a passing ambulance<br />
spilling over all. Like a hoarse beer seller at a Sox game he cries his wares in a whisper:<br />
“Sugar cookies? Sugar cookies? I got sugar cookies here. Come on, people: it’s<br />
Christmas!”<br />
SCOPE <strong>2006</strong> 31
Turtles Sunbathing Excuse Me, Please<br />
32<br />
George Burklin 4”x10” photograph<br />
Community<br />
SCOPE <strong>2006</strong><br />
Sue Brooks<br />
Surgery<br />
Excuse me if I take a look at what you’re reading in that book.<br />
I’ve <strong>of</strong>ten thought I might — buy one myself to read at night.<br />
But every morning on the train, I just read yours — it’s not a strain<br />
To lean in close, take in each word, and thus, it really seems absurd<br />
To spend the money that I earn, when I can follow as you turn<br />
Each page you read on this commute, your choices always quite astute.<br />
Excuse me but could I suggest, something easier to digest?<br />
What’s that I hear you say? You’ll gladly do it if I pay?<br />
SCOPE <strong>2006</strong> 33
Tibiletti’s Boots<br />
34<br />
Wesley G. Robinson-McNeese, M.D.<br />
Office <strong>of</strong> the Dean<br />
I don’t remember the exact day Tibiletti got the boots. He ran into the barracks<br />
that day and told a story <strong>of</strong> a wild send-<strong>of</strong>f given to this Special Forces sergeant.<br />
Tibiletti said the sarge threw the boots from the back <strong>of</strong> a cargo plane as it lifted <strong>of</strong>f the<br />
runway. The boots were genuine — not the ordinary, puke-green, canvass-tops worn by<br />
most G.I.s in Vietnam, but leather with a zipper up the middle and just a hint <strong>of</strong> the<br />
former shine. These were flight boots for sure!<br />
“Damn!” Tibiletti, the newest <strong>of</strong> the new in Vietnam had had a pair <strong>of</strong><br />
jump-boots literally fall into his possession from the sky. I was as envious as hell.<br />
Already three months into Vietnam, I had not so much as a shoestring handed down to<br />
me by a vet, and here, Tibiletti had a pair <strong>of</strong> Special Forces jump-boots. “Damn!”<br />
Seemingly every Vietnam soldier either had in his possession, or was actively<br />
seeking, some special lucky piece. These charms were acquired by design mostly, but<br />
these boots came to Tibiletti by blind luck — so unlike what typically befell him.<br />
Tibiletti, a past, basic training spastic, was as likely to trip over a pair <strong>of</strong> boots<br />
as to wear them. Nevertheless, he had the boots and for the next weeks would keep<br />
them with him constantly, either on his feet, or under his bunk.<br />
At DaNang it was customary to send <strong>of</strong>f a buddy with an all-night beer bash.<br />
The Bien Hoa-bound C-141s would drone into DaNang around 0500 hours and by that<br />
time we would be a drunken rabble. The whole event served as group anesthesia from<br />
the pain <strong>of</strong> being left behind. A fire would have been started, and the soldier who was<br />
leaving would have burned nearly everything except the clothes on his back, the contraband<br />
that he intended to slip through customs, and that special piece <strong>of</strong> gear that would<br />
be left behind for some lucky soldier.<br />
It was an accepted, howbeit asinine ritual that showed more bravado than<br />
brains. If Charlie had chosen that hour to lob a few 125-millimeter shells onto the base,<br />
our fire would have been like a homing beacon guiding the rockets in. But when a<br />
buddy had done his time in Vietnam and was headed back to the States in something<br />
other than a box, his good fortune was a special event, and we celebrated. With a mixture<br />
<strong>of</strong> relief and suppressed resentment, his barracks-mates ushered him through his<br />
final day in ’Nam in the spirit <strong>of</strong> teammates carrying a star player on their shoulders. A<br />
bonfire and beer seemed little enough to acknowledge the occasion. And to end the<br />
occasion with a special piece <strong>of</strong> gear being left behind by a departing vet, that made it<br />
SCOPE <strong>2006</strong><br />
even more worthwhile. The thinking was that if it had been lucky for him, it just might<br />
be lucky for you. Still, guys who were leaving typically passed on their treasures to some<br />
special buddy who had been in Vietnam with them for a while. My God, Tibiletti was<br />
just a newk! He had only been there two weeks.<br />
I had first met Tibiletti in basic training. He was from California, Los<br />
Angeles, I think, but he didn’t look or act like the proverbial, sun worshipping,<br />
Californian. Rotund and loping, he was constantly poking his glasses back atop his nose<br />
as he moved awkwardly through one basic training exercise after another. His full name<br />
was Raymond Charles Tibiletti. His father was some big shot in radio. I’m sure that<br />
somewhere along the line one <strong>of</strong> the family’s lawyers had go<strong>of</strong>ed and Tibiletti had been<br />
issued induction papers. He quickly became the drill instructor’s whipping boy. Believe<br />
me, he was nobody’s soldier back then, just a slow, uncoordinated, mild-mannered guy<br />
who had gotten drafted. It was because <strong>of</strong> this, or maybe it was in spite <strong>of</strong> this, that I<br />
befriended him.<br />
Tibiletti had the uncanny ability to tell which city you came from if you<br />
would give him the call letters <strong>of</strong> a hometown radio station. I had tried to stump him<br />
with “WESL,” but he shouted back without hesitation, “East St. Louis, Illinois.”<br />
He had come to DaNang two months after I had arrived. He was assigned to<br />
my squad and from that day on we shared a stall in the barracks and just about everything<br />
else, except those newly acquired boots <strong>of</strong> his. It was on the night that Tibiletti<br />
was teaching me the subtleties <strong>of</strong> Bob Dylan’s music that sappers got onto the base and<br />
blew up an ammo barge. After we got <strong>of</strong>f the floor, I noticed that Tibiletti was<br />
clutching his boots and stroking them the way you would a talisman.<br />
On that early morning when rockets slammed into the barracks area killing<br />
seven guys, everyone had run for the bunkers with little thought <strong>of</strong> anything else but<br />
getting there. Tibiletti, on the other hand, stopped long enough to get his boots.<br />
Huddled in the darkness <strong>of</strong> the bunker, we talked in whispers <strong>of</strong> the dead outside. No<br />
one had seen them die, but we had heard the unmistakable sounds — the whistle <strong>of</strong> the<br />
falling shell, the slightly muffled explosion that signaled the splattering <strong>of</strong> bunks and<br />
flesh. In the darkness Tibiletti did not talk, but just held onto his boots.<br />
“Direct hit,” the first-shirt had said. The first-shirt knew the sound all too<br />
well.<br />
As the days went on, Tibiletti took to spit-shining the boots and calling attention<br />
to them during conversations. “These babies are gonna take me home,” he would<br />
say, “They’re going to take me home!”<br />
Hell, maybe he knew what he was talking about, I thought. After all, he had<br />
begun to act more like a soldier than ever before. On patrols he was as cool as anyone<br />
and his reaction time was getting faster. I had given up believing in charms, but<br />
SCOPE <strong>2006</strong> 35
espected whatever “ism” got a guy through this mess and back home. Tibiletti and his<br />
boots were as good a device as any, I felt.<br />
We were on our way back to the compound following duty one night, about<br />
ten <strong>of</strong> us in all. Tibiletti was behind me about 20 paces, those boots <strong>of</strong> his snug on his<br />
feet. Jack and Vince had the point. The others were screwing around further back,<br />
throwing rocks. The mood was light.<br />
If you can will your mind past the reality <strong>of</strong> the situation, it is easy to lose<br />
yourself in the blackness <strong>of</strong> the Vietnam sky after dark. A conical canopy, it seems no<br />
more than a couple <strong>of</strong> hundred yards overhead at its highest, all atwitter with stars<br />
fighting for a view <strong>of</strong> the earth below. Darkness had the habit <strong>of</strong> sneaking onto<br />
DaNang Airbase. Slipping over the mountains at the base’s southern perimeter, it<br />
would smother the sun’s rays and then claim all but the defiant searchlights and road<br />
markers that winking, pointed the way back to the compound. Breezes came too at<br />
those times, but never as stealthily — rolling heavily over the base, they were pervasive.<br />
It was in this kind <strong>of</strong> setting that we picked our way leisurely back to the barracks,<br />
easing up to a run-<strong>of</strong>f ditch along the right side <strong>of</strong> the road. My thoughts were<br />
back on Lawrence Avenue — summer nights in the ’50s, wandering from yard to yard<br />
playing games, the old folks sitting on the porches waving at the heat with newspapers,<br />
smoke-pots choking <strong>of</strong>f attacking mosquito hordes. In my mind I saw my mother. . .saw<br />
my girl.<br />
It was Vince’s voice that broke the mood.<br />
“Sarge, look. Look!”<br />
I had spotted the orange-red tails <strong>of</strong> the rockets before Vince could finish<br />
shouting. They curved across the darkness in all directions.<br />
“Incoming,” Vince shouted, “Incoming!”<br />
Instinctively I turned to my right and dove for the ditch. As I landed I saw<br />
Tibiletti and the others entering the same ditch a few feet back from my position.<br />
Tibiletti had been the last one in, as usual, but he made it. We all burrowed our faces in<br />
the mud as the base siren wailed. Engineers shut down generators giving DaNang back<br />
to the night and we each found a private, muddy womb in which to ride out the attack.<br />
The rockets fell without pattern or rhythm for nearly half-an-hour. The barrage<br />
was heavy, but hit mostly in other areas <strong>of</strong> the base. Only a few had hit nearby. I<br />
had actually felt the impact <strong>of</strong> one as I lay buried in the mud — a thudding, slightly<br />
muffled sound — probably the result <strong>of</strong> the shell slamming into the moist earth.<br />
Fifteen minutes <strong>of</strong> silence was enough to bring us from our muddy hideouts. I<br />
spent another minute removing the goop from my eyes. Up on the road the guys were<br />
scurrying around searching the shadows with their flashlights.<br />
“What’s wrong,” I shouted.<br />
36<br />
SCOPE <strong>2006</strong><br />
“Tibiletti. Tibiletti’s missing,” a frantic voiced responded!<br />
I ran towards them, thinking as I went, “I saw him go into the ditch. He<br />
made it in time. Damn, I know he did. He’s just slow. He’s always slow.” I stopped<br />
near the spot where I had seen Tibiletti dive in. The others were grouped behind me.<br />
The eeriness <strong>of</strong> the situation chilled me, even in the warm DaNang air. Our flashlights<br />
shown on the spot where Tibiletti had gone into the ditch. He was not there, but the<br />
earth was splayed before us — black clumps in an irregular, oval pattern, with the odor<br />
<strong>of</strong> sulphur.<br />
He was not there. Instead, in his place, in the midst <strong>of</strong> the clumps <strong>of</strong> dirt,<br />
smoldering in the half-light, twisted and torn, lay Tibiletti’s boots.<br />
SCOPE <strong>2006</strong> 37
Traveling I55<br />
38<br />
Shannon Keith Kelley<br />
Community<br />
Gone are the sunburned boys,<br />
the men with sagging belly dancers<br />
on their heavy chests,<br />
and their arms<br />
skin and ink testimonies<br />
to girls also long gone.<br />
This ghosts back to me,<br />
like an abandoned poem,<br />
as I drive a wedge <strong>of</strong> highway<br />
I helped pour: my sweat ran<br />
with that <strong>of</strong> men’s whose<br />
waking hours hinged<br />
on the quiet nod <strong>of</strong> the sun.<br />
Once, a young foreman<br />
pushing for production<br />
platooned the fleet<br />
too soon after a rain.<br />
The dump trucks roared in mire,<br />
mastodons trapped in a tar pit.<br />
Now, all seems<br />
more distant than miles.<br />
The only words: Madison Avenue scroll<br />
the length <strong>of</strong> a hilltop,<br />
ensconced phrases without rhythm<br />
in rural Missouri —<br />
a scar that will not form.<br />
SCOPE <strong>2006</strong><br />
This and past editions <strong>of</strong> SCOPE<br />
are available on the SCOPE Web site,<br />
http://edaff.siumed.edu/SCOPE/index.htm<br />
Submissions for the 2007 edition <strong>of</strong> SCOPE<br />
will be accepted from October to December <strong>2006</strong>.<br />
Rules and entry forms may be obtained<br />
via the SCOPE Web page later this year;<br />
by contacting the Medical Humanities <strong>of</strong>fice at<br />
913 N. Rutledge St., Springfield, IL. 62794,<br />
217-545-4261;<br />
or by e-mailing scope@siumed.edu.<br />
SCOPE <strong>2006</strong> 39