It's Them or Us: Killing the Jews in Nazi Propaganda1 - Bytwerk
It's Them or Us: Killing the Jews in Nazi Propaganda1 - Bytwerk
It's Them or Us: Killing the Jews in Nazi Propaganda1 - Bytwerk
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<strong>Nazi</strong> Symbolic Violence 31<br />
Jud Süß (1940)<br />
life as he is lifted <strong>in</strong>to <strong>the</strong> air <strong>in</strong> <strong>the</strong> hangman’s cage. The trap opens. The film ends<br />
with <strong>the</strong> solemn admonition to hold to <strong>the</strong> ancient law f<strong>or</strong> all time to come.<br />
Der ewige Jude, a pseudo-‐documentary, presented <strong>Jews</strong> as a bastard race of<br />
crim<strong>in</strong>als <strong>in</strong>tent on w<strong>or</strong>ld dom<strong>in</strong>ation. Much of it was filmed <strong>in</strong> Poland after <strong>the</strong> <strong>Nazi</strong><br />
<strong>in</strong>vasion. In an extended series of scenes it compared <strong>Jews</strong> to rats, carriers of a<br />
plague deadly to humanity. Two vivid images appear near <strong>the</strong> end of <strong>the</strong> film. In <strong>the</strong><br />
first, <strong>the</strong> film presented <strong>the</strong> most disgust<strong>in</strong>g images <strong>in</strong> all of <strong>Nazi</strong> c<strong>in</strong>ema, a p<strong>or</strong>trayal<br />
of Jewish ritual slaughter <strong>in</strong>tended to make <strong>the</strong> practice as offensive as possible to<br />
<strong>the</strong> view<strong>in</strong>g public. Viewers were warmed not to watch if <strong>the</strong>y were of a sensitive<br />
nature, which only <strong>in</strong>creased <strong>the</strong> power of <strong>the</strong> images. A rabbi hold<strong>in</strong>g a long knife