ZAGREB MOSQUE - Islamska zajednica u Hrvatskoj
ZAGREB MOSQUE - Islamska zajednica u Hrvatskoj
ZAGREB MOSQUE - Islamska zajednica u Hrvatskoj
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the mosque at Zelengaj, in the<br />
north of the city, whilst the architect<br />
Zvonimir Požgaj and the<br />
painter Omer Mujadžić were<br />
entrusted with the submission<br />
of the designs. In August 1941,<br />
the city authorities amended the<br />
overall design of the mosque to<br />
include the Artists Home, previously<br />
in the centre of the city,<br />
built to a design of the sculptor<br />
Ivan Meštrović. The mosque<br />
was opened in the summer of<br />
1941. The exterior arrangement<br />
was conceived by one of<br />
the leading Croatian architects<br />
Stjepan Planić, and the interior<br />
20 20 21 of the mosque was designed by<br />
the architect Zvonimir Požgaj.<br />
The three concrete-reinforced<br />
minarets 46 metres high and<br />
the outside fountain (šadrvan)<br />
were completed in the spring of<br />
1943. A new dome was erected<br />
in the interior of the mosque<br />
which brought light into the hall<br />
and carried a one-ton hanging<br />
lamp. The partition walls were<br />
removed, the imam’s office and<br />
two flats, the classroom for religious<br />
studies and two mahfils<br />
(an area restricted to women)<br />
were added, one in the form<br />
of a gallery on the first floor<br />
Part of the fence of the minber (pulpit) in the first Zagreb mosque<br />
Remains of the first Zagreb mosque (ćurs /pulpit, mihrab, minber), the<br />
exhibity in the Islamic Centre<br />
Replica of the interior decoration<br />
in the first Zagreb mosque<br />
and another on the semi-circular<br />
balcony above the entrance<br />
to the hall. The monumental<br />
mihrab, and mimber and ćurs<br />
(pulpits) were situated in the<br />
prayer hall. The walls of the<br />
mosque were lined with green<br />
Italian marble and adorned with<br />
travertine decoration of early<br />
Croatian interlaced-ribbon motifs<br />
and Arabic calligraphy. The<br />
floors were covered with forty<br />
Persian rugs of the Isfahan<br />
type. The opening of The Zagreb<br />
Mosque, which ranked,<br />
through its sheer size and scale,