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ZAGREB MOSQUE - Islamska zajednica u Hrvatskoj

ZAGREB MOSQUE - Islamska zajednica u Hrvatskoj

ZAGREB MOSQUE - Islamska zajednica u Hrvatskoj

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the mosque at Zelengaj, in the<br />

north of the city, whilst the architect<br />

Zvonimir Požgaj and the<br />

painter Omer Mujadžić were<br />

entrusted with the submission<br />

of the designs. In August 1941,<br />

the city authorities amended the<br />

overall design of the mosque to<br />

include the Artists Home, previously<br />

in the centre of the city,<br />

built to a design of the sculptor<br />

Ivan Meštrović. The mosque<br />

was opened in the summer of<br />

1941. The exterior arrangement<br />

was conceived by one of<br />

the leading Croatian architects<br />

Stjepan Planić, and the interior<br />

20 20 21 of the mosque was designed by<br />

the architect Zvonimir Požgaj.<br />

The three concrete-reinforced<br />

minarets 46 metres high and<br />

the outside fountain (šadrvan)<br />

were completed in the spring of<br />

1943. A new dome was erected<br />

in the interior of the mosque<br />

which brought light into the hall<br />

and carried a one-ton hanging<br />

lamp. The partition walls were<br />

removed, the imam’s office and<br />

two flats, the classroom for religious<br />

studies and two mahfils<br />

(an area restricted to women)<br />

were added, one in the form<br />

of a gallery on the first floor<br />

Part of the fence of the minber (pulpit) in the first Zagreb mosque<br />

Remains of the first Zagreb mosque (ćurs /pulpit, mihrab, minber), the<br />

exhibity in the Islamic Centre<br />

Replica of the interior decoration<br />

in the first Zagreb mosque<br />

and another on the semi-circular<br />

balcony above the entrance<br />

to the hall. The monumental<br />

mihrab, and mimber and ćurs<br />

(pulpits) were situated in the<br />

prayer hall. The walls of the<br />

mosque were lined with green<br />

Italian marble and adorned with<br />

travertine decoration of early<br />

Croatian interlaced-ribbon motifs<br />

and Arabic calligraphy. The<br />

floors were covered with forty<br />

Persian rugs of the Isfahan<br />

type. The opening of The Zagreb<br />

Mosque, which ranked,<br />

through its sheer size and scale,

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