Nurul Izzah Anwar, an engineering major at a college in Malaysia ...
Nurul Izzah Anwar, an engineering major at a college in Malaysia ...
Nurul Izzah Anwar, an engineering major at a college in Malaysia ...
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effects, <strong>an</strong>d today Michael Carter lives a normal life as a high-spirited,<br />
basketball-play<strong>in</strong>g teenager. 4<br />
Chapter 8 Support<strong>in</strong>g Your Ideas 181<br />
While the above story is factual, there are occasions when you may<br />
w<strong>an</strong>t to use a narr<strong>at</strong>ive th<strong>at</strong> is hypothetical, th<strong>at</strong> is, about <strong>an</strong> imag<strong>in</strong>ary<br />
situ<strong>at</strong>ion. K<strong>at</strong>r<strong>in</strong>a Benjam<strong>in</strong>, a priv<strong>at</strong>e <strong>in</strong>vestig<strong>at</strong>or, w<strong>an</strong>ted to expla<strong>in</strong> how<br />
computers have <strong>in</strong>vaded the average person’s privacy:<br />
A comp<strong>an</strong>y is try<strong>in</strong>g to decide whether to hire you, <strong>an</strong>d they ask me to<br />
<strong>in</strong>vestig<strong>at</strong>e you. All I have is your name <strong>an</strong>d address. I sit down <strong>in</strong> front of<br />
my computer <strong>an</strong>d with<strong>in</strong> five hours, I know a gre<strong>at</strong> deal about you: I know<br />
wh<strong>at</strong> jobs you have held <strong>an</strong>d how much you got paid. I know the names of<br />
your parents, sibl<strong>in</strong>gs, spouse, <strong>an</strong>d children. I know wh<strong>at</strong> k<strong>in</strong>d of car you<br />
drive <strong>an</strong>d how much you paid for it. I know if you have ever been arrested<br />
or charged with a crime—even if it’s just a ticket for speed<strong>in</strong>g. I know the<br />
amount of the monthly payment on your home mortgage. I know wh<strong>at</strong> k<strong>in</strong>ds<br />
of medical problems you have, <strong>an</strong>d I know the names of all the prescribed<br />
medic<strong>at</strong>ions you have taken <strong>in</strong> the past <strong>an</strong>d are tak<strong>in</strong>g right now. 5<br />
This hypothetical scenario dram<strong>at</strong>ically demonstr<strong>at</strong>es the <strong>in</strong>trusiveness<br />
of computers.<br />
Comparison <strong>an</strong>d Contrast<br />
Sometimes the best way to expla<strong>in</strong> a th<strong>in</strong>g or a concept is to make a comparison—th<strong>at</strong><br />
is, show how it resembles someth<strong>in</strong>g else. In a lecture on<br />
the development of the English l<strong>an</strong>guage, a speaker noted the follow<strong>in</strong>g<br />
similarities:<br />
The Frisi<strong>an</strong> l<strong>an</strong>guage, spoken by 300,000 Frisi<strong>an</strong>s <strong>in</strong> the marshy headl<strong>an</strong>ds<br />
of northern Holl<strong>an</strong>d, is more closely rel<strong>at</strong>ed to English th<strong>an</strong> <strong>an</strong>y other l<strong>an</strong>guage.<br />
Our glass of milk is their glass milk, our butter is their butter, our<br />
dream is their dream, our bo<strong>at</strong> is their bo<strong>at</strong>, our green is their grien, our<br />
house is their hus, our cow is their ko, our goose is their goes, our sunsh<strong>in</strong>e<br />
is their s<strong>in</strong>nesk<strong>in</strong>e . . .<br />
By giv<strong>in</strong>g m<strong>an</strong>y po<strong>in</strong>ts of comparison, the speaker strongly illustr<strong>at</strong>ed<br />
how similar the two l<strong>an</strong>guages are.<br />
While a comparison shows how th<strong>in</strong>gs are similar, a contrast shows<br />
how they are different. In describ<strong>in</strong>g the vast chasm between rich <strong>an</strong>d poor<br />
<strong>in</strong> India, writer Celia W. Dugger contrasted the new India <strong>an</strong>d the old India:<br />
In Hyderabad, Cyber Towers rises from the campus of a software technology<br />
park, a sleek Internet-connected symbol of the new India th<strong>at</strong> is feverishly<br />
court<strong>in</strong>g foreign <strong>in</strong>vestment, sell<strong>in</strong>g its wares <strong>in</strong> the global marketplace,<br />
<strong>an</strong>d cre<strong>at</strong><strong>in</strong>g wealth <strong>at</strong> <strong>an</strong> astonish<strong>in</strong>g r<strong>at</strong>e.<br />
But less th<strong>an</strong> 50 miles away, <strong>in</strong> the poverty-stricken village of Sheri<br />
Ram Reddy Guda, the old India is alive <strong>an</strong>d unwell. Illiteracy, sickness,<br />
<strong>an</strong>d hunger are the villagers’ const<strong>an</strong>t comp<strong>an</strong>ions. Women <strong>an</strong>d children<br />
work <strong>in</strong> the fields for less th<strong>an</strong> 50 cents a day. The sole telephone—<strong>an</strong><br />
<strong>an</strong>tique contraption of b<strong>at</strong>teries <strong>an</strong>d <strong>an</strong>tennae—almost never works. 6<br />
Sometimes it is helpful to use both comparison <strong>an</strong>d contrast. For<br />
example, compar<strong>in</strong>g <strong>an</strong>d contrast<strong>in</strong>g Jap<strong>an</strong>ese <strong>an</strong>d Americ<strong>an</strong> cars could<br />
help the listener underst<strong>an</strong>d more fully the fe<strong>at</strong>ures of each.<br />
hypothetical<br />
narr<strong>at</strong>ive<br />
imag<strong>in</strong>ary story rel<strong>at</strong>ed<br />
to help listeners<br />
visualize a potential<br />
situ<strong>at</strong>ion<br />
SpeechM<strong>at</strong>e<br />
To see a speaker who<br />
uses a hypothetical<br />
narr<strong>at</strong>ive, view Video<br />
Clip 8.2 on the CD.<br />
comparison<br />
show<strong>in</strong>g how two or<br />
more items are alike<br />
contrast<br />
show<strong>in</strong>g how two or<br />
more items are different<br />
SpeechM<strong>at</strong>e<br />
To see a speaker who<br />
makes a contrast to<br />
expla<strong>in</strong> sickle cell<br />
<strong>an</strong>emia, view Video<br />
Clip 8.3 on the CD.