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generation. But unlike his Scottish<br />
disciples the Donegal players of<br />
Skinner's music is much more alive,<br />
and a good dea l less pretentious than<br />
most Scottish players. As w ith most<br />
Donegal players, Doherty plays many<br />
reels not found in other countries'.<br />
But although John had a great affection<br />
for the music of the Scottish maestro,<br />
his favourite fiddle player was his own<br />
father - Mickey 'Simey' Doherty a<br />
travelling tinsm ith from a family of<br />
musicians going back three<br />
generations. John maintai ned that there<br />
were at least seventeen instrumentalists<br />
and singers in the Doherty cla n. His<br />
niece Frances Rohled er of<br />
Ballyshannon who helped to produce<br />
severa l of his records had this to say on<br />
a cover note of a <strong>Comhaltas</strong> Ceolt6i rf<br />
Eireann record ' Johnny Doherty'<br />
released in Carri ck in Donega l in 1974:<br />
'John began to get the hang of the fiddle<br />
when he was about fifteen years old . In<br />
his earl y th irti es he was probably at his<br />
best, although he fee ls that his style of<br />
fingering and bowing has not changed<br />
since he first began to play. John never<br />
left Ireland but he greatly ad mired the<br />
music and play ing abi li ty of well-known<br />
Scottish musician James Scott Skinn er.<br />
His favourite fidd ler however has been<br />
his own father and the tunes he likes<br />
best are the old reels, jigs and 'pieces'<br />
which have been played in the Donegal<br />
fidd ling tradition for ten generations or<br />
more'.<br />
John Doherty was born in Ardara in<br />
1895 but the fam ily had bases in<br />
Fintown and Stanorl ar. From there they<br />
travelled al l over the Glenfin area from<br />
Ballybofey to Glenties to the Rosses<br />
and over to Carrick and Glencolumkille<br />
in South West Donegal. His four<br />
brothers and at least one sister were<br />
also well known fiddlers. But it was out<br />
in the byre that John Doherty practised<br />
on the fidd le in his youth and it took<br />
him some time until he was ab le to<br />
play 'Bonny Kate' to his father's<br />
satisfaction.<br />
Doherty's valued their art<br />
and they often came together<br />
7;he<br />
with their cousins the<br />
McConnells of Ardara, also noted<br />
musicians to exam ine new tunes and<br />
particular arrangements. It was<br />
understood that any tune fai led to win<br />
their approval would not be played<br />
aga in by any individual member of<br />
either family. When they travelled<br />
around to sell their tinsmith ware they<br />
often sat by a turf stack outside a<br />
friendly house and played until<br />
morning. When the sound of music<br />
echoed through the lonely hills many<br />
of the inhabitants gathered to dance to<br />
the ro ll icking lively music until<br />
daybreak. Not alone did they play<br />
music for a wide ranging farming<br />
community in the shadow of the<br />
Bluestack mountai ns in Central<br />
Donegal but they made inexpensive<br />
musica l instruments such as tin-whistles<br />
and rare tin fidd les and provided<br />
farmi ng in strum ents for the people.<br />
They, in deed, added much to the<br />
cultural and soc ial life of this rural Irish<br />
speaking community.<br />
8th Annual JOEMOONEY SUMMER SCHOOL<br />
of Traditional Music, Song and Dance<br />
20 July - 27 July 1996<br />
Drumshanbo, Co. Leitrim<br />
Classes & Workshops Daily, Monday - Saturday<br />
This area in the shades of the Bluestack<br />
mountains was rich in fo lklore, music<br />
and song. Many imminent folklore<br />
collectors such as Professors Wagner<br />
and Wollsc hlager from Germ any,<br />
Svei nson from Iceland and Irish<br />
Fo lklori sts, Dr Sea n 6 hEochaidh, Li am<br />
McMenamen and Dr Seamus 6<br />
Cathain visited the area. Their efforts<br />
ensured that an important part of the<br />
area's heritage is safe in the hands of<br />
the Dept. of Iri sh Folklore in UCD.<br />
Dr Seam as 6 Cathain, archivist in the<br />
Folklore Dept of UCD spent a<br />
considerab le period in the Croaghs<br />
(Bluestacks) area and recorded some<br />
ree ls and airs from Joh n Doherty during<br />
the seventies. In an introduction to his<br />
book 'An Hour by the Hearth'<br />
published by Comhairle Bhea loideasa<br />
Eireann, UCD 1985, he had this to say:<br />
'Members of the famous Donegal<br />
fidd ling fam il y - the Dohertys or the<br />
Button Accordion - Joe Burke, Ann Burke; Concertina - Noel Hill; Flute - Michael Tubridy, Joe Skelton;<br />
Harp - Micheal Rooney; Tin Whistle - Sean Ryan, Carmel Gunning, Meabh Ni Lochlainn;<br />
Uil/eann Pipes - Neillidh Mulligan; Fiddle - Ben Lennon, Brendan McGlinchey, Liz Kane;<br />
Piano Accordion - Mirella Murray; Banjo - Tommy Finn; Bodhran - Junior Davey;<br />
Traditional Singing - Rosie Stewart; Set Dancing - Pat Murphy<br />
For information contact: Nancy Woods (078) 41213/ Mary Ooyle (078) 41426