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generation. But unlike his Scottish<br />

disciples the Donegal players of<br />

Skinner's music is much more alive,<br />

and a good dea l less pretentious than<br />

most Scottish players. As w ith most<br />

Donegal players, Doherty plays many<br />

reels not found in other countries'.<br />

But although John had a great affection<br />

for the music of the Scottish maestro,<br />

his favourite fiddle player was his own<br />

father - Mickey 'Simey' Doherty a<br />

travelling tinsm ith from a family of<br />

musicians going back three<br />

generations. John maintai ned that there<br />

were at least seventeen instrumentalists<br />

and singers in the Doherty cla n. His<br />

niece Frances Rohled er of<br />

Ballyshannon who helped to produce<br />

severa l of his records had this to say on<br />

a cover note of a <strong>Comhaltas</strong> Ceolt6i rf<br />

Eireann record ' Johnny Doherty'<br />

released in Carri ck in Donega l in 1974:<br />

'John began to get the hang of the fiddle<br />

when he was about fifteen years old . In<br />

his earl y th irti es he was probably at his<br />

best, although he fee ls that his style of<br />

fingering and bowing has not changed<br />

since he first began to play. John never<br />

left Ireland but he greatly ad mired the<br />

music and play ing abi li ty of well-known<br />

Scottish musician James Scott Skinn er.<br />

His favourite fidd ler however has been<br />

his own father and the tunes he likes<br />

best are the old reels, jigs and 'pieces'<br />

which have been played in the Donegal<br />

fidd ling tradition for ten generations or<br />

more'.<br />

John Doherty was born in Ardara in<br />

1895 but the fam ily had bases in<br />

Fintown and Stanorl ar. From there they<br />

travelled al l over the Glenfin area from<br />

Ballybofey to Glenties to the Rosses<br />

and over to Carrick and Glencolumkille<br />

in South West Donegal. His four<br />

brothers and at least one sister were<br />

also well known fiddlers. But it was out<br />

in the byre that John Doherty practised<br />

on the fidd le in his youth and it took<br />

him some time until he was ab le to<br />

play 'Bonny Kate' to his father's<br />

satisfaction.<br />

Doherty's valued their art<br />

and they often came together<br />

7;he<br />

with their cousins the<br />

McConnells of Ardara, also noted<br />

musicians to exam ine new tunes and<br />

particular arrangements. It was<br />

understood that any tune fai led to win<br />

their approval would not be played<br />

aga in by any individual member of<br />

either family. When they travelled<br />

around to sell their tinsmith ware they<br />

often sat by a turf stack outside a<br />

friendly house and played until<br />

morning. When the sound of music<br />

echoed through the lonely hills many<br />

of the inhabitants gathered to dance to<br />

the ro ll icking lively music until<br />

daybreak. Not alone did they play<br />

music for a wide ranging farming<br />

community in the shadow of the<br />

Bluestack mountai ns in Central<br />

Donegal but they made inexpensive<br />

musica l instruments such as tin-whistles<br />

and rare tin fidd les and provided<br />

farmi ng in strum ents for the people.<br />

They, in deed, added much to the<br />

cultural and soc ial life of this rural Irish<br />

speaking community.<br />

8th Annual JOEMOONEY SUMMER SCHOOL<br />

of Traditional Music, Song and Dance<br />

20 July - 27 July 1996<br />

Drumshanbo, Co. Leitrim<br />

Classes & Workshops Daily, Monday - Saturday<br />

This area in the shades of the Bluestack<br />

mountains was rich in fo lklore, music<br />

and song. Many imminent folklore<br />

collectors such as Professors Wagner<br />

and Wollsc hlager from Germ any,<br />

Svei nson from Iceland and Irish<br />

Fo lklori sts, Dr Sea n 6 hEochaidh, Li am<br />

McMenamen and Dr Seamus 6<br />

Cathain visited the area. Their efforts<br />

ensured that an important part of the<br />

area's heritage is safe in the hands of<br />

the Dept. of Iri sh Folklore in UCD.<br />

Dr Seam as 6 Cathain, archivist in the<br />

Folklore Dept of UCD spent a<br />

considerab le period in the Croaghs<br />

(Bluestacks) area and recorded some<br />

ree ls and airs from Joh n Doherty during<br />

the seventies. In an introduction to his<br />

book 'An Hour by the Hearth'<br />

published by Comhairle Bhea loideasa<br />

Eireann, UCD 1985, he had this to say:<br />

'Members of the famous Donegal<br />

fidd ling fam il y - the Dohertys or the<br />

Button Accordion - Joe Burke, Ann Burke; Concertina - Noel Hill; Flute - Michael Tubridy, Joe Skelton;<br />

Harp - Micheal Rooney; Tin Whistle - Sean Ryan, Carmel Gunning, Meabh Ni Lochlainn;<br />

Uil/eann Pipes - Neillidh Mulligan; Fiddle - Ben Lennon, Brendan McGlinchey, Liz Kane;<br />

Piano Accordion - Mirella Murray; Banjo - Tommy Finn; Bodhran - Junior Davey;<br />

Traditional Singing - Rosie Stewart; Set Dancing - Pat Murphy<br />

For information contact: Nancy Woods (078) 41213/ Mary Ooyle (078) 41426

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