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The Language of Poetry - LanguageArts-NHS

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literary analysis: sound devices<br />

In the poems that follow, the poets use rhyme and other sound<br />

devices to convey rhythm and meaning:<br />

• Assonance—the repetition <strong>of</strong> vowel sounds in words that<br />

don’t rhyme<br />

We could find the end <strong>of</strong> a road, meet<br />

the sky on out Seventeenth. . . .<br />

• Consonance—the repetition <strong>of</strong> consonant sounds within and<br />

at the ends <strong>of</strong> words<br />

S<strong>of</strong>tly, in the dusk, a woman is singing to me;<br />

Taking me back down the vista <strong>of</strong> years, till I see<br />

• Repetition—a sound, word, phrase, or line that is repeated<br />

I loved her, and sometimes she loved me too.<br />

She loved me, sometimes I loved her too.<br />

Listen for the various sound devices that establish each poem’s<br />

rhythmic flow, and notice how they help to evoke specific<br />

memories. Record examples in a chart.<br />

“Piano”<br />

“Fifteen”<br />

“Tonight I Can<br />

Write . . .”<br />

reading skill: understand line breaks<br />

End-stopped lines <strong>of</strong> poetry end at a normal speech pause, as in<br />

these lines from “Tonight I Can Write . . .”:<br />

<strong>The</strong> same night whitening the same trees.<br />

We, <strong>of</strong> that time, are no longer the same.<br />

This emphasizes the line endings and makes a reader view each<br />

line as a complete unit <strong>of</strong> meaning.<br />

Enjambed lines run on without a natural pause, as in “Fifteen”:<br />

South <strong>of</strong> the bridge on Seventeenth<br />

I found back <strong>of</strong> the willows one summer<br />

day a motorcycle with engine running<br />

Enjambment can create a tension and momentum until the<br />

thought is complete. As you read each poem, think about how<br />

line breaks affect rhythm and meaning.<br />

Review: Make Inferences<br />

Assonance Consonance Repetition<br />

D. H. Lawrence: Writer<br />

<strong>of</strong> Experience<br />

Although impoverished<br />

during his childhood,<br />

D. H. Lawrence found<br />

great pleasure in<br />

learning and culture,<br />

a love <strong>of</strong> which<br />

was instilled by his<br />

mother. Lawrence’s<br />

confessional, earnest<br />

D. H. Lawrence<br />

1885–1930<br />

style is illustrated in<br />

the poem “Piano.” He<br />

wrote it in memory <strong>of</strong> his mother.<br />

William Stafford:<br />

Remembering the Past<br />

William Stafford<br />

remembered, growing<br />

up in Kansas, being<br />

“surrounded by songs<br />

and stories and poems,<br />

and lyrical splurges <strong>of</strong><br />

excited talk. . . .” <strong>The</strong>se<br />

memories eventually<br />

became the stuff <strong>of</strong><br />

his poetry. “Fifteen” is<br />

part <strong>of</strong> a collection <strong>of</strong><br />

poems that recall his past.<br />

Pablo Neruda: Boy<br />

Wonder Pablo Neruda<br />

was drawn to poetry<br />

at an early age, even<br />

though his workingclass<br />

family sc<strong>of</strong>fed at<br />

his literary ambitions.<br />

By age 20 he had<br />

achieved literary<br />

stardom with the<br />

publication <strong>of</strong> Twenty<br />

Love Poems and a Song<br />

<strong>of</strong> Despair. <strong>The</strong> book<br />

William Stafford<br />

1914–1993<br />

Pablo Neruda<br />

1904–1973<br />

chronicles a passionate love story, from the<br />

couple’s first meeting to eventual breakup.<br />

“Tonight I Can Write” is the 20th poem.<br />

more about the author<br />

For more on these poets, visit the<br />

Literature Center at ClassZone.com.<br />

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