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The mythology of ancient Greece and Italy

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pelops. 443<br />

many attempts at localising the <strong>ancient</strong> mythes, for Sipylos it<br />

is plain was designed to take the place <strong>of</strong> the mythic rock.<br />

<strong>The</strong> name Tantalos is, like Sisyphos, a reduplication % <strong>and</strong><br />

his mythe is evidently one <strong>of</strong> those h<strong>and</strong>ed down from the an-<br />

cient serious Pelasgic times. <strong>The</strong> root <strong>of</strong> Tantalos is probably<br />

0aX\(o, <strong>and</strong> he represents the man who is flourishing <strong>and</strong><br />

abounding in wealth, but whose desires are insatiable. <strong>The</strong><br />

Homeric picture livelily exhibits the misery <strong>of</strong> such a state,<br />

<strong>and</strong> this is probably the more <strong>ancient</strong> form <strong>of</strong> the legend. <strong>The</strong><br />

other form b perhaps represents the cares <strong>and</strong> fears attendant<br />

on riches ; or it may be, as has been ingeniously conjectured,<br />

an image <strong>of</strong> the evils <strong>of</strong> ambition <strong>and</strong> the inordinate pursuit<br />

<strong>of</strong> honours ; for when Tantalos, it was said, had attained his ul-<br />

timate desire, <strong>and</strong> was admitted to the table <strong>of</strong> the gods, his<br />

joy was converted into terror by his fancying a rock suspended<br />

over his head <strong>and</strong> ready to crush him, <strong>and</strong> he sought permis-<br />

sion to resign his place at the celestial table c .<br />

It was probably the idea <strong>of</strong> the great wealth <strong>of</strong> Lydia that<br />

caused the mythe <strong>of</strong> Tantalos to be localised at Sipylos.<br />

IIe\oi|r. Pelops.<br />

At an entertainment given to the gods by Tantalos, he is<br />

said to have killed <strong>and</strong> dressed his son Pelops, <strong>and</strong> to have<br />

set him for food before them. Demeter had eaten one <strong>of</strong> the<br />

shoulders before the gods were aware <strong>of</strong> the horrid banquet<br />

<strong>of</strong> which they were about to partake. At the desire <strong>of</strong> Zeus,<br />

Hermes put all the parts back into the pot, <strong>and</strong> drew forth<br />

from it the boy perfect in all but the shoulder, which was re-<br />

placed by an ivory. one d . Poseidon, smitten with the beauty<br />

<strong>of</strong> Pelops, carried him <strong>of</strong>f in his golden car to Olympos. But<br />

when his father had drawn on himself the indignation <strong>of</strong> the<br />

a 0a\0a\os, for euphony made TdvraXos : G <strong>and</strong> r, \ <strong>and</strong> v are frequently com-<br />

muted. See Welcker in Sclvwenk. 265, <strong>and</strong> Volcker, Myth, der Jap. 355.<br />

b Archilochus was the earliest writer who to Pausanias' knowledge (x. 31, 12.)<br />

had mentioned the stone.<br />

c Alcman ap. Sch. Pind. ut sup. Nicolaus Damasc. Tlepi Hapaoiruv ap. Stob.<br />

xiv. 7. Welcker, Das Epische Cyclus, 280. seq.<br />

" Sch. Find. 01. i. 38.

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