Picasso at the Lapin Agile By Steve Martin

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Gaston: You always know what everybody means. What exactly does he mean, Freddy? Freddy: I do what I can. I‘ll start the toast. You all are pretty good rhymers . . . .(He steps forward, swings his arm like a pendulum.) The pendulum swings to the left. . .(Freddy signals to the Countess.) Countess (shrugs): The pendulum swings to the right. (The Countess hands it over to Gaston.) Gaston: The past was driven by horses . . . (Sounds of agreement from others.) Einstein: The future is driven by light. (They all give a responsive ―yeah.‖ It falls to Schmendiman.) Schmendiman: Coconuts. . .( Schmendiman can‘t think of anything. Freddy steps in.) Freddy: The mistakes of the past are over . . . (More enthusiasm.) Schmendiman: ( Steps forward): The pelican‘s a funny. . .(Again, Schmendiman can‘t think of anything. He sits down.) Sagot: Say good-bye to the age of indifference . . . (They respond with more ―hear, hears.‖ Sagot hands it over to the Visitor.) Visitor: And say hello. . .(Everybody anticipates). . .to the age. . .(More anticipation. They all start to toast enthusiastically.) . . . (On ‖regret,‖ they stop short and stare at the Visitor. Momentary deflation. Then:) Picasso: To the twentieth century! Einstein: To the twentieth century! Everybody: To the twentieth century!(The lights start to dim or curtain starts to drop.)
Visitor (eyes the lights): Isn‘t it amazing how play fit exactly between the time that the lights came up and the lights went down? (or: ―the curtain went up and the curtain went down?‖) THE END
Page 1 and 2: Picasso at the Lapin Agile By Steve
Page 3 and 4: Freddy: If you really want to meet
Page 5 and 6: (Freddy gives back the program) Ein
Page 7 and 8: (This pleases her. She takes an art
Page 9 and 10: which wine I drink, I‘d like to p
Page 11 and 12: for months, and I even like him, bu
Page 13 and 14: locks , ― here kitty , kitty , ki
Page 15 and 16: Freddy: ill work on it tomorrow Ein
Page 17 and 18: Germaine: well does it make you lau
Page 19 and 20: Freddy: two thousand two hundred fo
Page 21 and 22: Sagot: The boundaries. The edge. Ot
Page 23 and 24: Germaine (Indicating the painting o
Page 25 and 26: Picasso: are you an artist? Einstei
Page 27 and 28: Einstein: I work the same way I mak
Page 29 and 30: FREDDY: You calling me a good-for-n
Page 31 and 32: EINSTEIN: See? He‘s just getting
Page 33 and 34: Suzanne: I should go now. (she pick
Page 35 and 36: GASTON: Is not! EINSTEIN: Is too! G
Page 37 and 38: pencil to the paper, and it comes o
Page 39 and 40: Einstein: Yes, and like you, the th
Page 41 and 42: Einstein: (the same) O Lapin Agile!
Page 43 and 44: you like them young because you can
Page 45 and 46: EINSTEIN (halts): What do you do? V
Page 47 and 48: EVERYBODY: (ad lib): Yeah, okay . .
Page 49 and 50: Picasso: Millions and millions of s
Page 51: Picasso: I want them to see the tho

Picasso at the Lapin Agile By Steve Martin

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