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uinimmiiitumiimanmu - Universidad Complutense de Madrid

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Basic Concepts<br />

differenL levels of processing. The former, which has Lo do<br />

wiÉh Lhe i<strong>de</strong>a of LexÉ as a dynamic process raLher Chan a sLaLic<br />

producÉ, allows for an accounL of literariness where LexC<br />

un<strong>de</strong>rsCanding can be seen Lo change Chroughout Che reading.<br />

This can help us i<strong>de</strong>ntify interesting changes in works of<br />

ficLion which are difficulC Lo explain when consi<strong>de</strong>ring Che<br />

CexC as a static entity.”<br />

1.5. Literature as a fonn of conflictive communication: the<br />

paradoxical nature of literature<br />

As menLioned in section 1.4. aboye, Che noLion of<br />

differenÉ processing levels in reading is extremely imporLanÉ,<br />

because iL allows Che rea<strong>de</strong>r Co inLerpreC as meaningful aL a<br />

higher processing level phenomena which are apparenÉly<br />

conLradicCory, illogical and meaningless aL lower processing<br />

leveis. In Chis secCion, 1 would like Lo discuss briefly Che<br />

noLion LhaL liLeraCure, like other forms of arÉ, is inherenLly<br />

paradoxical (see Bateson 1972 and Breuer 1980) . This discussion<br />

is significanÉly relaLed Lo Lhe following secÉions below: 1.7.<br />

on Lhe feaCures of 20th century literature as reflecÉing a<br />

spliL selt, 1.8. on literature and i<strong>de</strong>ology, and 1.9. on the<br />

characLerisLics ob Catch-22 as a paradoxical novel.<br />

The view of liLerature as paradoxical is presenÉ in<br />

differenL theories and has been the object of discussion of<br />

philosophers, linguists and liCerary theorists alike. The<br />

paradoxical naCure of literature is relaLed Lo Che ambiguous<br />

relaCion ChaL holds between ficLion and realiCy.’<br />

2 To some<br />

32

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