English Romanticism - Liceo Quadri

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John Keats Keats is the greatest representative of the second generation of Romantic poets. He is Romantic in his relish of sensation, his feeling for the Middle Ages, his love for the Greek civilisation and his conception of the writer, but the synthesis he made of all these elements was very much his own. He was able to fuse the romantic passion and the cold Neo-classicism, just as Ugo Foscolo (1778-1827) did in Le Grazie (1812-1813). <strong>Liceo</strong> Statale “Don G. Fogazzaro” 38
Keats’s masterful poems: The Eve of St Agnes characterised by those features which are conventionally called 'romantic'; here the atmosphere is the one of a symbolic Middle Ages, where superstition, art, ritual and luxury, form a background against which evil threatens perfect love; <strong>Liceo</strong> Statale “Don G. Fogazzaro” 39
Page 1 and 2: Prof. Tiziana Malosto 1
Page 3 and 4: Two generations of Romantic Poets F
Page 5 and 6: The noisy activity of the town was
Page 7 and 8: CHILDHOOD To a Romantic a child wa
Page 9 and 10: Romantic poetry MAIN FEATURES of mo
Page 11 and 12: Lyrical Ballads Wordsworth’s clos
Page 13 and 14: Man and nature Wordsworth shared Ro
Page 15 and 16: The importance of senses and memory
Page 17 and 18: The poet's task and his style The p
Page 19 and 20: The subject of poetry From The Pref
Page 21 and 22: The identity of the poet “[…] T
Page 23 and 24: “[…] In this mood successful co
Page 25 and 26: The Child is father of the Man In t
Page 27 and 28: Continuous as the stars that shine
Page 29 and 30: The Solitary Reaper W. Wordsworth L
Page 31 and 32: Will no one tell me what she sings?
Page 33 and 34: Composed upon Westminster Bridge, W
Page 35 and 36: Ode: Intimations of Immortality fro
Page 37: Shades of the prison-house begin to
Page 41 and 42: the ballad La Belle Dame sans Merci
Page 43 and 44: The role of Imagination It was his
Page 45 and 46: Physical beauty and spiritual beaut
Page 47 and 48: Negative capability Keats states th
Page 49 and 50: Thou still unravish’d bride of qu
Page 51 and 52: Ah, happy, happy boughs! That canno
Page 53 and 54: O Attic shape! Fair attitude! with
Page 55 and 56: I see a lily on thy brow With angui
Page 57 and 58: She found me roots of relish sweet,
Page 59 and 60: I saw their starv'd lips in the glo
Page 61 and 62: Keats’s Aesthetic Philosophy The
Page 63 and 64: Theories of Poetry Keats did not a
Page 65 and 66: The Theme of Nature Nature is used
Page 67 and 68: On Poetry Wordsworth rejected much
Page 69: Thank you for your attention Liceo

English Romanticism - Liceo Quadri

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