English Romanticism - Liceo Quadri

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Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal – yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! <strong>Liceo</strong> Statale “Don G. Fogazzaro” 50
Ah, happy, happy boughs! That cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. <strong>Liceo</strong> Statale “Don G. Fogazzaro” 51
Page 1 and 2: Prof. Tiziana Malosto 1
Page 3 and 4: Two generations of Romantic Poets F
Page 5 and 6: The noisy activity of the town was
Page 7 and 8: CHILDHOOD To a Romantic a child wa
Page 9 and 10: Romantic poetry MAIN FEATURES of mo
Page 11 and 12: Lyrical Ballads Wordsworth’s clos
Page 13 and 14: Man and nature Wordsworth shared Ro
Page 15 and 16: The importance of senses and memory
Page 17 and 18: The poet's task and his style The p
Page 19 and 20: The subject of poetry From The Pref
Page 21 and 22: The identity of the poet “[…] T
Page 23 and 24: “[…] In this mood successful co
Page 25 and 26: The Child is father of the Man In t
Page 27 and 28: Continuous as the stars that shine
Page 29 and 30: The Solitary Reaper W. Wordsworth L
Page 31 and 32: Will no one tell me what she sings?
Page 33 and 34: Composed upon Westminster Bridge, W
Page 35 and 36: Ode: Intimations of Immortality fro
Page 37 and 38: Shades of the prison-house begin to
Page 39 and 40: Keats’s masterful poems: The Eve
Page 41 and 42: the ballad La Belle Dame sans Merci
Page 43 and 44: The role of Imagination It was his
Page 45 and 46: Physical beauty and spiritual beaut
Page 47 and 48: Negative capability Keats states th
Page 49: Thou still unravish’d bride of qu
Page 53 and 54: O Attic shape! Fair attitude! with
Page 55 and 56: I see a lily on thy brow With angui
Page 57 and 58: She found me roots of relish sweet,
Page 59 and 60: I saw their starv'd lips in the glo
Page 61 and 62: Keats’s Aesthetic Philosophy The
Page 63 and 64: Theories of Poetry Keats did not a
Page 65 and 66: The Theme of Nature Nature is used
Page 67 and 68: On Poetry Wordsworth rejected much
Page 69: Thank you for your attention Liceo

English Romanticism - Liceo Quadri

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