English Romanticism - Liceo Quadri

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The great odes Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, Ode on Melancholy, To Psyche, where the poet explores the relations between pleasure and pain, happiness and melancholy, art and life, reality and imagination; <strong>Liceo</strong> Statale “Don G. Fogazzaro” 40
the ballad La Belle Dame sans Merci, which displays once more a taste for medieval themes and form; Hyperion, begun in 1818 and published, unfinished, in 1820, which shows the influence of Milton in its blank verse. <strong>Liceo</strong> Statale “Don G. Fogazzaro” 41
Page 1 and 2: Prof. Tiziana Malosto 1
Page 3 and 4: Two generations of Romantic Poets F
Page 5 and 6: The noisy activity of the town was
Page 7 and 8: CHILDHOOD To a Romantic a child wa
Page 9 and 10: Romantic poetry MAIN FEATURES of mo
Page 11 and 12: Lyrical Ballads Wordsworth’s clos
Page 13 and 14: Man and nature Wordsworth shared Ro
Page 15 and 16: The importance of senses and memory
Page 17 and 18: The poet's task and his style The p
Page 19 and 20: The subject of poetry From The Pref
Page 21 and 22: The identity of the poet “[…] T
Page 23 and 24: “[…] In this mood successful co
Page 25 and 26: The Child is father of the Man In t
Page 27 and 28: Continuous as the stars that shine
Page 29 and 30: The Solitary Reaper W. Wordsworth L
Page 31 and 32: Will no one tell me what she sings?
Page 33 and 34: Composed upon Westminster Bridge, W
Page 35 and 36: Ode: Intimations of Immortality fro
Page 37 and 38: Shades of the prison-house begin to
Page 39: Keats’s masterful poems: The Eve
Page 43 and 44: The role of Imagination It was his
Page 45 and 46: Physical beauty and spiritual beaut
Page 47 and 48: Negative capability Keats states th
Page 49 and 50: Thou still unravish’d bride of qu
Page 51 and 52: Ah, happy, happy boughs! That canno
Page 53 and 54: O Attic shape! Fair attitude! with
Page 55 and 56: I see a lily on thy brow With angui
Page 57 and 58: She found me roots of relish sweet,
Page 59 and 60: I saw their starv'd lips in the glo
Page 61 and 62: Keats’s Aesthetic Philosophy The
Page 63 and 64: Theories of Poetry Keats did not a
Page 65 and 66: The Theme of Nature Nature is used
Page 67 and 68: On Poetry Wordsworth rejected much
Page 69: Thank you for your attention Liceo

English Romanticism - Liceo Quadri

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