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Chart XLIV a<br />
Crete 2821 B.C.<br />
1 st 2 nd 3 rd 4 th 5 th 6 th 7 th<br />
Like Gaul in the days <strong>of</strong> Ceaser, Crete was at this time civided into three parts or states--Knossos, Goulas and Polurheni. Jupiter<br />
was King <strong>of</strong> Knossos and Overlord <strong>of</strong> the whole island, for the rulers <strong>of</strong> the other states acknowledged him as their leader, although<br />
they were perfectly free to manage their own internal affairs. Mars was King <strong>of</strong> the great City and terrirory <strong>of</strong> Goulas, near<br />
the eastern end <strong>of</strong> the island, and Corona was King <strong>of</strong> Polurheni. There was also, in the south <strong>of</strong> the island, an independent city<br />
with a few miles <strong>of</strong> territory attached to it, over which Vulcan ruled as hereditary Prince.<br />
All these Kings were also ex-<strong>of</strong>ficio High Priests, as in Egypt, and the King's palace was always the principal temple <strong>of</strong> his State.<br />
The people worshipped a dual deity-Father-Mother-and these two were regarded as one, though some men <strong>of</strong>fered their devotion<br />
more to the Father-aspect, and some to the Mother. The Father, when spoken <strong>of</strong> separately , was called Brito, and the Mother<br />
Dictynna. No statues were made <strong>of</strong> these deities, but great reverence was paid to their symbol, which was a curious object<br />
like a souble-headed axe. This was carved in stone and made in metal, and set up in the temples where one would naturally expect<br />
a statue, and a conventional drawing <strong>of</strong> it represented the deity in the writing <strong>of</strong> the period. This double axe was called labrys<br />
and it was for it originally that the celebrated Labyrinth was built, to symbolise to the people the difficulty <strong>of</strong> finding the Path <strong>of</strong><br />
God.<br />
Much <strong>of</strong> their religious service and worship was carried on out <strong>of</strong> doors. Various remarkable isolated peaks <strong>of</strong> rock were regarded<br />
as sacred to the Great mother, and the King and his people went out to one or other <strong>of</strong> these on certain days in each month<br />
and chanted prayers and praises. A fire was lit, and each person wove a sort <strong>of</strong> crown <strong>of</strong> leaves for himself, wore it for awhile,<br />
and then threw it into the fire as an <strong>of</strong>fering to the Mother-God. Each <strong>of</strong> these peaks had also a special yearly festival, much like<br />
a Pardon in Brittany--a kind <strong>of</strong> semi religious village fair, to which people came from all parts <strong>of</strong> the island to picnic in the open air<br />
for two or three days and enjoyed themselves hugely. In one case we noticed that a great old tree <strong>of</strong> enormous size and unusually<br />
perfect shape was regarded as sacred to Diktynna, and <strong>of</strong>ferings were made under its branches. A vast amount <strong>of</strong> incense was<br />
burnt under it, and it was supposed that the leaves they were carefully collected and distributed to the people, who regarded as<br />
sacred to Diktynna, and <strong>of</strong>ferings were made under its branches. A vast amount somehow absorbed and retained the scent, so<br />
when they fell in autumn they carefully collected and distributed to the people, who regarded them as talismans which protected<br />
them from evil. That these dried leaves had a strong fragrance is undeniable, but how far it was due to the incense seems problematical.<br />
The people were a fine looking race, obviously Greek in type, their dress was simple, for the men in ordinary life usually wore<br />
nothing but a loin cloth except when they put on gorgeous <strong>of</strong>ficial costumes for religious or other festivals. The women wore a<br />
cloth which covered the whole <strong>of</strong> their body, but was arranged something like an Indian dhoti in the lower part, giving rather the<br />
effect <strong>of</strong> a divided skirt.<br />
The interior <strong>of</strong> the island was mountainous, not unlike Sicily, and there was much beautiful scenery. The architecture was massive<br />
but the houses were curiously arranged. On entering, one came directly into a large hall like a church, in which the entire family<br />
and the servants lived all day, the cooking being done in one corner. At the back was a covered passage (as in the houses in Java<br />
at the present day) leading to what was in effect a separate building in which were the sleeping rooms. These were quite small and<br />
dark--mere cubicles--but open all round for about two feet under the rood, so that there was ample ventilation. Round the wall <strong>of</strong><br />
this hall under the ro<strong>of</strong> usually ran a frieze <strong>of</strong> painted bas -relief-generally a procession, executed in the most spirited style.<br />
The buildings were <strong>of</strong> granite, and there were many statues <strong>of</strong> granite, though also some made <strong>of</strong> a s<strong>of</strong>ter stone, and some <strong>of</strong> copp<br />
er and wood. Iron was used by this race, but not much; the principal metal was copper. The pottery was distinctly peculiar; all the<br />
commonest articles were made <strong>of</strong> bright yellow earthenware, painted with all sorts <strong>of</strong> figures. These figures were generally on a<br />
broad white band round the middle <strong>of</strong> the pot, and the colours used were nearly always red, brown or yellow-very rarely blue or<br />
green. These were the common household pots; but for the table they had porcelain and glass--both very well made. Most <strong>of</strong> the<br />
glass was <strong>of</strong> a bluish green tint, like some <strong>of</strong> the old Venetian glass--not colourless like ours. The people used many vessels <strong>of</strong> gold,<br />
wonderfully chased and sometimes set with jewels. These people were especially clever at jeweller's work <strong>of</strong> all sorts, and<br />
made elaborate ornaments. One sees among them no diamonds or rubies--chiefly amethysts, jasper and agate. But many ornamentals<br />
were evidently imported, for they had statuettes and models in carved ivory.<br />
These people had two kinds <strong>of</strong> writing, evidently corresponding to the hieroglyphic and the demotic in Egypt, but they were quite<br />
different from the Egyptian. A decimal system was used in calculating, and arithematic generally seems to have been well understood.<br />
These Cretans were good sailors, and had a powerful fleet <strong>of</strong> galleys, some with as many as sixty oars. They used sails alsosails<br />
which were wonderfully painted; but apparantly they employed them only whe the wind was almost directly astern.<br />
Jupiter had for his queen Viraj, who was the chief priestess <strong>of</strong> the Mother-God Diktynna. Viraj was a very holy woman <strong>of</strong> high<br />
reputation and great power; in fact through her husband, she was virtually the ruler <strong>of</strong> the island, and her son Saturn held an imp<br />
ortant position among the priests, and was governor <strong>of</strong> the capital city under his father. Mars, who had married Herakles, had two<br />
brothers, Mercury and Brihaspati, who acted as assistant priests and relieved him <strong>of</strong> much <strong>of</strong> his work.<br />
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