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ENTRIES - IABC/Toronto - International Association of Business ...
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STEP UP!<br />
STAND<br />
OUT!<br />
OVATION AWARDS 20 1<br />
WINNING<br />
<strong>ENTRIES</strong>
Table <strong>of</strong> Contents<br />
3. A Message from the <strong>IABC</strong>/<strong>Toronto</strong> President<br />
4. A Message from the OVATIONS Awards Organizers<br />
5. OVATION Awards Gala Sponsors<br />
6. 2011 <strong>IABC</strong>/<strong>Toronto</strong> OVATION Award Winners<br />
25. <strong>IABC</strong>/<strong>Toronto</strong> Awards <strong>of</strong> Distinction<br />
25. Bobbie Resnick Philanthropy Award<br />
25. 2011 <strong>IABC</strong>/<strong>Toronto</strong> Student <strong>of</strong> the Year Award<br />
26. Corporate Communications Department <strong>of</strong> the Year<br />
26. Medium-sized Agency <strong>of</strong> the Year<br />
26. Large Agency <strong>of</strong> the Year<br />
26. People‘s Choice Award<br />
27. 2011 OVATION Awards Winning Entries<br />
Communication Management<br />
27. Community Relations<br />
45. Media Relations with budget up to $50K<br />
56. Media Relations with budget greater than $50K up to $100K<br />
66. Media Relations with budget greater than $100K<br />
98. Marketing Communications with budget up to $50K<br />
102. Marketing Communications with budget greater than $100K<br />
106. Special Events with budget greater than $50K up to $100K<br />
113. Special Events with budget greater than $100K<br />
121. Issues Management and Crisis Communication<br />
135. Employee, Member or HR Communication<br />
156. Brand Communication<br />
170. Electronic, Digital and Interactive Communications<br />
Communication Skills<br />
178. Publications<br />
182. Multimedia or Digital Content<br />
Awards <strong>of</strong> Distinction<br />
188. 2011 <strong>IABC</strong>/<strong>Toronto</strong> Student <strong>of</strong> the Year Award<br />
190. Bobbie Resnick Philanthropy Award<br />
193. OVATION Awards Judges<br />
207. 2010/2011 <strong>IABC</strong>/<strong>Toronto</strong> Board<br />
208. 2011 OVATION Awards Committee Members<br />
210. About Us<br />
2
Message from the <strong>IABC</strong>/<strong>Toronto</strong> President<br />
As social media flourishes, it would seem that everyone has something to say. Not only do they have<br />
something to say, they want to say it right now and they want to tell a lot <strong>of</strong> people. With all <strong>of</strong> these<br />
voices competing for an audience, our role as communicators surges in importance. We need to rise<br />
above the clamour, give it shape and make it meaningful. As this year’s OVATION Awards theme<br />
indicates, we need to Step Up! Stand Out!<br />
When we asked GTA communicators to Step Up! Stand Out! this year, they answered the call. In a big<br />
way. For the first time in the program’s 26-year history, we received more than 200 submissions. The<br />
winners delivered outstanding communication that is strategic and innovative. Their commitment to<br />
excellence puts them in a distinctive league <strong>of</strong> pr<strong>of</strong>essional communicators.<br />
This league <strong>of</strong> communication leaders is what makes the OVATION program successful. They represent<br />
diverse organizations and sectors, and bring experience in top-notch media relations, marketing, writing,<br />
corporate communication, and special events…to name a few.<br />
Then they took their experience and made the effort to Step Up! Stand Out! Receiving the recognition<br />
may be easy, but submitting entries is a significant endeavour. It takes an extra push <strong>of</strong> time and energy<br />
to present the work in a way that tells the OVATION judges a story and clearly shows them why that story<br />
matters.<br />
This extra effort and commitment is what makes these communicators tonight’s winners. Congrats.<br />
Congratulations also to <strong>IABC</strong>/<strong>Toronto</strong> volunteers who have worked so hard on the OVATION program.<br />
Special thanks to Katie O’Dell, VP Awards and Brigette Kocijancic, ABC, VP Accreditation & Standards.<br />
Katie began working with a large team <strong>of</strong> volunteers long before winners even submitted their entries to<br />
ensure the program and the gala went smoothly. Brigette also worked with a large team <strong>of</strong> volunteer<br />
judges who <strong>of</strong>fered their weekends and evenings to carefully review and assess the entries.<br />
The efforts <strong>of</strong> all <strong>of</strong> these volunteers continue to strengthen and enhance the OVATION program.<br />
Thanks also to our sponsors: News Canada, CNW Group, The Canadian Press Images and Fusion<br />
Design Group. Your contributions and support are sincerely appreciated.<br />
Thanks to everyone who entered the program this year and attendedthe gala. On behalf <strong>of</strong> <strong>IABC</strong>/<strong>Toronto</strong>,<br />
I extend hearty congratulations to all 2011 OVATION Award winners.<br />
Carrie MacAfee<br />
President, <strong>IABC</strong>/<strong>Toronto</strong><br />
3
A Message from the 2011 OVATION Awards Organizers<br />
<strong>IABC</strong>/<strong>Toronto</strong>’s OVATION Awards recognize the high standard <strong>of</strong> excellence found in the Greater<br />
<strong>Toronto</strong> Area communications community, and with each passing year, we continue to be amazed by the<br />
creativity and pr<strong>of</strong>essionalism demonstrated by the entries. This year’s theme – Step Up! Stand Out! –<br />
reflects the high calibre <strong>of</strong> this year’s submissions and the level <strong>of</strong> skill required to produce successful<br />
communications, as the competition for audience continues to grow.<br />
The 2011 Winning Entries Booklet showcases award winning programs including the Bobbie Resnick<br />
Philanthropy Award winner and Student <strong>of</strong> the Year Award winner. All <strong>of</strong> the entries celebrate the best in<br />
our local area and some <strong>of</strong> the finest creative communications in the world.<br />
In 2011, we saw a record number <strong>of</strong> OVATION entries, and <strong>of</strong> those, <strong>IABC</strong>/<strong>Toronto</strong> awarded 34 Awards<br />
<strong>of</strong> Excellence and 48 Awards <strong>of</strong> Merit. It is with sincere gratitude that we acknowledge all <strong>of</strong> the entrants,<br />
judges, advisors, sponsors and volunteers who were involved with the 2011 <strong>IABC</strong>/<strong>Toronto</strong> OVATION<br />
Awards.<br />
We would especially like to thank the team <strong>of</strong> 53 judges who spent over 450 hours judging submissions<br />
this year, as well as Suzanna Cohen, John Chagnon and our student volunteers for all their help on the<br />
ground.<br />
A big thank you also goes to our amazing team <strong>of</strong> Awards volunteers led by directors Beverly Fairclough,<br />
Melissa Lee, Michael Miller, Kathy Salazar and Lindsay Turner. Your creativity, enthusiasm and hard<br />
work have gone a long way to make the entire OVATION Awards program a success.<br />
We also extend many thanks to our sponsors for their support: News Canada, CNW Group, The<br />
Canadian Press Images, and Fusion Design Group.<br />
Brigette Kocijancic, ABC<br />
VP, Accreditation & Standards, <strong>IABC</strong>/<strong>Toronto</strong><br />
4<br />
Katie O’Dell<br />
VP, Awards, <strong>IABC</strong>/<strong>Toronto</strong>
2011 OVATION Awards Gala Sponsors<br />
We would like to acknowledge our generous sponsors:<br />
5
2011 <strong>IABC</strong>/<strong>Toronto</strong> OVATION Award Winners<br />
COMMUNICATION MANAGEMENT<br />
This division includes projects, programs and campaigns defined by a communication plan. Entries in<br />
these categories:<br />
• might include a combination <strong>of</strong> communication materials, or<br />
• might focus on a single communication initiative within a larger campaign.<br />
Entrants must demonstrate how their project applied a full range <strong>of</strong> planning and management skills,<br />
while the Work Plan addresses how the entry relates to and affects the organization’s overall business<br />
strategies.<br />
Community Relations<br />
Programs targeted at community audiences, including not-for-pr<strong>of</strong>it and volunteer organizations.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Active and Safe Routes to School<br />
Entrants: Jennifer Jenkins, Halton Region/Halton District School Board; Anna Larson, ABC, Halton<br />
Region; Marnie Denton, Rita Radice, Halton District School Board<br />
Entrant Company: Halton Region<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Creative Minds: Raising Awareness and Reducing Stigma through the Arts<br />
Entrants: Susan Nakhle, Chris Bovie, Andrea Worrall, Jordan Leroux, Sandy Ravary, Ontario Shores<br />
Centre for Mental Health Sciences<br />
Entrant Company: Ontario Shores Centre for Mental Health Sciences<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Rename Sherbourne Park Contest<br />
Entrants: Michelle Noble, Samantha Gileno, Andrea Kelemen, Hanna Rynkiewicz, Waterfront <strong>Toronto</strong><br />
Entrant Company: Waterfront <strong>Toronto</strong><br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Best Buy Canada Best in Class Fund<br />
Entrants: Lindy Frank, ABC, Weber Shandwick Canada; Danielle Jang, Best Buy Canada<br />
6<br />
View<br />
Entry<br />
View<br />
Entry<br />
View<br />
Entry
Entrant Company: Weber Shandwick Worldwide<br />
Customer Relations<br />
Programs targeted at customer audiences, including customer relationship management and customer<br />
research.<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Online Loans – Rollout to Existing Clients<br />
Entrants: Paree Katharos, ABC, Antonina Strain, Andrew Ross, Carrie Reinhardt, Noemi Chellew, David<br />
Loop, Carol Miller, Sooah Min, John Hancock Retirement Plan Services; Saul Ives, Voicewalk, Inc.; Aviva<br />
Rabinovici, AR Communications Inc.<br />
Entrant Company: John Hancock Retirement Plan Services<br />
Media Relations<br />
Programs focusing on the news media as the main channel used to reach target audiences.<br />
4a Media Relations with budget up to $50K<br />
4b Media Relations with budget greater than $50K up to $100K<br />
4c Media Relations with budget greater than $100K<br />
Media Relations with budget up to $50K<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: HMV gets customers closer to the stuff they love<br />
Entrants: Lori Cooper, Melanie Rego, elevator communications inc.<br />
Entrant Company: elevator communications inc.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Pain: An emerging public health crisis<br />
Entrants: Rob McEwan, Caroline De Silva, Kristina Rikunova, Daniel Tisch, Argyle Communications<br />
Entrant Company: Argyle Communications<br />
7
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Maple Leaf: For the Love <strong>of</strong> Bacon<br />
Entrants: Alison George, Mackenzie Keller, Daniel Tisch, Argyle Communications<br />
Entrant Company: Argyle Communications<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: HOOPP speaks out on Canada’s retirement income crisis<br />
Entrants: Daniel Tisch, Roanne Argyle, Debra Chan, Kaleigh Sainthill, Leily Shafaee, Argyle<br />
Communications<br />
Entrant Company: Argyle Communications<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Home for the Holidays with Cadbury Home Entertainment Products<br />
Entrants: Andrea Lekush<strong>of</strong>f, Katherine Clark, Julie Andras, Leslie Booth, Broad Reach Communications<br />
Entrant Company: Broad Reach Communications<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Stanfield’s The Guy at Home In His Underwear<br />
Entrants: Jenn Duggan, Anne Locke, Jordana Wolch, Alison Dresser, Environics Communications<br />
Entrant Company: Environics Communications<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Future Shop Back-to-School 2010 Public Relations Campaign<br />
Entrants: Elliott Chun, Future Shop<br />
Entrant Company: Future Shop<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: RestoreSensor Media Launch<br />
Entrants: Katherine Power, Medtronic <strong>of</strong> Canada; Terance Brouse, Peter Rose, Jane Wilcox, ABC,<br />
Xposure PR<br />
Entrant Company: Medtronic <strong>of</strong> Canada Ltd.<br />
8
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Creating Awareness before the Storm<br />
Entrants: Corporate Communications, RSA Canada; APEX Public Relations<br />
Entrant Company: RSA<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Promoting Canada’s Sugar Beach<br />
Entrants: Michelle Noble, Samantha Gileno, Andrea Kelemen, Tari Stork, Candace St. Louis, Hanna<br />
Rynkiewicz, Waterfront <strong>Toronto</strong><br />
Entrant Company: Waterfront <strong>Toronto</strong><br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Best Buy Canada 2010 Holiday Campaign<br />
Entrants: Lindy Frank, ABC, Weber Shandwick Canada; Danielle Jang, Best Buy Canada<br />
Entrant Company: Weber Shandwick Canada<br />
Media Relations with budget greater than $50K up to $100K<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Caribbean Week in Canada<br />
Entrants: Daniel Tisch, Roanne Argyle, Debra Chan, Caroline De Silva, Leily Shafaee, Kaleigh Sainthill,<br />
Kendra Dubyk, Shawn Yu, Argyle Communications<br />
Entrant Company: Argyle Communications<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Creating Eminence for Deloitte by Leveraging the 2010 Canadian Federal Budget<br />
Entrants: Andrea Lekush<strong>of</strong>f, Terance Brouse, Gwen McGuire, Kathie Lynas, Heather McCulligh, Broad<br />
Reach Communications<br />
Entrant Company: Broad Reach Communications<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Canadian Tourism Commission: Locals Know/Gold Medal Getaways<br />
Entrant Company: DDB Public Relations<br />
9
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Launch <strong>of</strong> THRiVE Chequing, an online, no-fee daily chequing account<br />
Entrants: Julie Rusciolelli, Stephen Rouse, Buket Oktem, Magda Jarota, MAVERICK Public Relations;<br />
Lisa Naccarato, ING DIRECT<br />
Entrant Company: MAVERICK Public Relations<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Canada Takes Down the Double Down<br />
Entrants: Yum! Canada and Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Allstate Canada’s Action Against Distraction Campaign<br />
Entrants: Jo Langham, ABC, Jennifer Gordon, Jennifer Fox, Thornley Fallis Communications; Amy<br />
Woods, Lindsay Wright, Kevin Wilson, Helen Bauer, Yvan Gelinas, Louise Langlois, Allstate Canada<br />
Entrant Company: Thornley Fallis Communications and Allstate Canada<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: George Brown College’s “<strong>Toronto</strong> Next” Campaign<br />
Entrants: Ken Evans, Tanya Elliott-Briden, Shannon Morton, Dan Ovsey, Brock Penner, APEX Public<br />
Relations; Brian Stock, George Brown College<br />
Entrant Company: APEX Public Relations<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: High praise for low calories – Launch <strong>of</strong> Molson Canadian 67<br />
Entrants: Michael Abbass, Gina Kohn, Laura Ballantyne<br />
Entrant Company: Paradigm Public Relations and Molson Coors<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: The Canadian Launch <strong>of</strong> L’Essence de Courvoisier – How Courvoisier introduced 100<br />
years <strong>of</strong> Craftsmanship and Innovation to Canada<br />
Entrant Company: Praxis Public Relations Inc.<br />
10
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Caramilk Key to the Secret<br />
Entrants: Caramilk Brand Team & Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Crohn’s and Colitis Awareness Month<br />
Entrants: CCFC & Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
Media Relations with budget greater than $100K<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Cialis: The Importance <strong>of</strong> Being Intimate<br />
Entrants: Rob McEwan, Kerry Collings, Caroline De Silva, Kristina Rikunova, Sarah Brekelmans, Daniel<br />
Tisch, Argyle Communications<br />
Entrant Company: Argyle Communications<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Bosch “Eco-Leadership” Brand Building Campaign<br />
Entrants: Martine Levy, Sharon Hayward<br />
Entrant Company: DDB Public Relations<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Always Plugged Into My Diabetes Care: Bayer CONTOUR USB Launch<br />
Entrants: Whitney Binns, Patricia Archambault, Collin Matanowitsch, Laine Jaremey, MSL Canada;<br />
Remus Negut, Melanie Ferguson, Tiana DiMichele, Bayer HealthCare Diabetes Care<br />
Entrant Company: MSL Canada<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Toys ”R” Us Holiday 2010<br />
Entrants: Josie Haynes, Ashley Agueci, Shannon Law, Rachael Collier<br />
Entrant Company: Optimum Public Relations<br />
11
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Re-Introducing George<br />
Entrants: Andrew Pelletier, Susan Schutta, Alex Roberton, Felicia Fefer, Walmart Canada Corp; Linda<br />
Andross, ABC, Stephanie Engel, Heather Hopkins, Lauren Baswick, Zoey Fiksel, APEX Public Relations<br />
Inc.; Amely Tremblay, Nathalie Provost, Morin Relations Publiques<br />
Entrant Company: APEX Public Relations<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: K-Y® Intimacy Experiment Public Relations Campaign<br />
Entrant Company: Edelman<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Starbucks VIA Ready Brew Launch<br />
Entrant Company: Edelman<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Doritos Viralocity<br />
Entrants: Kim Saunders, Megan Johnson, Miranda McCurlie, Fleishman-Hillard Canada<br />
Entrant Company: Fleishman-Hillard Canada<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Rogers FIFA World Cup Three Screen Program<br />
Entrants: Carly Suppa, Keith McArthur, Andrea Sardinha, Stacey Fowler, Heather Agnew, Rogers<br />
Communications Inc.; Paul Keable, Tuuli Hannula, Matt Roth, Chloe John, MSL Canada<br />
Entrant Company: MSL Canada<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: 2010 World No Tobacco Day “Catch the Quit” Campaign<br />
Entrants: Elisabeth Mozel-Jury, Jane McCoubrey, Jacqueline Zonneville, NATIONAL Public Relations;<br />
Heather Bisset, Pfizer Canada Inc.; Janis Hass, The Canadian Lung <strong>Association</strong><br />
Entrant Company: NATIONAL Public Relations<br />
12
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: The Pepsi Refresh Project<br />
Entrant Company: Praxis Public Relations Inc.<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Reigniting Canadians’ Love for Barbados<br />
Entrants: Lisa Bednarski, ABC, Dagmara Grabowski, Weber Shandwick; Cheryl Carter, Barbados<br />
Tourism Authority<br />
Entrant Company: Weber Shandwick Worldwide<br />
Marketing Communications<br />
Programs that include integrated strategies aimed at marketing products and/or services to an external<br />
audience.<br />
Examples include: campaigns that incorporate marketing, communications, social media and media<br />
relations.<br />
5a Marketing Communications with budget up to $50K<br />
5b Marketing Communications with budget greater than $50K up to $100K<br />
5c Marketing Communications with budget greater than $100K<br />
Marketing Communications with budget up to $50K<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Hennessy Black Ontario Launch<br />
Entrants: Martine Levy, Linda Yahya<br />
Entrant Company: DDB Public Relations<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: What’s Up Doc? Marketing for Mental Health<br />
Entrants: Susan Nakhle, Krista Luxton, Andrea Worrall, Jordan Leroux, Beth Brannon, Ontario Shores<br />
Centre for Mental Health Sciences<br />
Entrant Company: Ontario Shores Centre for Mental Health Sciences<br />
13
Marketing Communications with budget greater than $50K up to $100K<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Not all fashion shows: Introducing the Schick Quattro for Women TrimStyle<br />
Entrants: Tracey Bochner, Laura Ballantyne, Paradigm Public Relations; Nicole Gallucci, Bailey<br />
Dougherty, BOOM Marketing; Giselle Smejda, Energizer Personal Care<br />
Entrant Company: Paradigm Public Relations, BOOM Marketing and Energizer Personal Care<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: High praise for low calories – Launch <strong>of</strong> Molson Canadian 67<br />
Entrants: Michael Abbass, Gina Kohn, Laura Ballantyne<br />
Entrant Company: Paradigm Public Relations and Molson Coors<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Caramilk Key to the Secret<br />
Entrants: Caramilk Brand Team & Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
Marketing Communication with budget greater than $100K<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: BTZum - Building Awareness and Excitement for Brampton’s first Bus<br />
Rapid Transit line, Zum Queen Street<br />
Entrants: Sue Connor, Kimberly Moser, Ivana Tomas, Jacqueline Fulton, Mariann Gordon, Joanna<br />
Bailey, Robina Sood, City <strong>of</strong> Brampton; Gavin Barrett, Mike Welsh, Deb Cochrane, Prasad Rao, Francis<br />
Alexander, Tina Chan, Chris Gordaneer, Rao Barrett and Welsh; Christine Saunders, Jen Di Santo,<br />
Ragul Chari, Margo Rapport, Elena Gurovsky, Don Hall, Samantha Hill, Calantha Mak, H2 Central<br />
Marketing & Communications<br />
Entrant Company: Brampton Transit - City <strong>of</strong> Brampton<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: The Globe and Mail Redesign<br />
Entrants: Josh Cobden, Jill Anzarut, Kristen Marano, Emily Abrahams, Environics Communications;<br />
Camille DePutter, Peter Flaschner, Michael Coulson, Ujwal Arkalgud, Sequentia Environics; Mary Beth<br />
Denomy, Erica Vig, Free For All Marketing<br />
Entrant Company: Environics Communications<br />
14
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Be Libro<br />
Entrants: Tina Van Loon, Libro Financial Group; Gary Lintern, Mary Ellen Khan, Steve Priebe, Tenzing<br />
Communications Inc.<br />
Entrant Company: Tenzing Communications Inc.<br />
Special Events<br />
Any event marking a significant occasion that supports the goals <strong>of</strong> the organization, including entries<br />
developed and implemented using major events as the pivotal communications tool.<br />
Examples include: large fundraisers, cause-related marketing events, an anniversary, <strong>of</strong>ficial opening,<br />
product launch, road show, conference, customer event, employee appreciation event and large<br />
marketing-driven sponsorships.<br />
6a Special events with budget up to $50K<br />
6b Special events with budget greater than $50K up to $100K<br />
6c Special events with budget greater than $100K<br />
Special Events with budget up to $50K<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: RSA Walk/Run Employee Event<br />
Entrants: Corporate Communications<br />
Entrant Company: RSA<br />
Special Events with budget greater than $50K up to $100K<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Open House for the new North Bay Regional Health Centre<br />
Entrants: Renée Baker, Lindsay Smylie Smith, Patricia Stephens, ABC, Brooks Tuckett, Kathy<br />
Stackelburg, NBRHC; Lois Krause, Tammy Morison, Annie Brousseau, NBRHC – Foundation<br />
Entrant Company: North Bay General Hospital and Northeast Mental Health Centre<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Not all fashion shows: Introducing the Schick Quattro for Women TrimStyle<br />
Entrants: Tracey Bochner, Laura Ballantyne, Paradigm Public Relations; Nicole Gallucci, Bailey<br />
Dougherty, BOOM Marketing; Giselle Smejda, Energizer Personal Care<br />
Entrant Company: Paradigm Public Relations, BOOM Marketing & Energizer Personal Care<br />
15
Special Event with budget greater than $100K<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Bringing Samsung’s Galaxy to the Street<br />
Entrants: Jennifer Stein, Ken Evans, Erick Bauer, Lauren Baswick, APEX Public Relations Inc; Ken<br />
Price, Jennifer Groh, Samsung Electronics Canada<br />
Entrant Company: APEX Public Relations<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Zum Zone: Building Awareness for Brampton’s first Bus Rapid Transit line,<br />
Zum Queen Street<br />
Entrants: Sue Connor, Kimberly Moser, Ivana Tomas, Jacqueline Fulton, Diana Sabatino, Sarah<br />
Georges, Jocelyn Smith, Mariann Gordon, City <strong>of</strong> Brampton; Christine Saunders, Jen Di Santo, Ragul<br />
Chari, Margo Rapport, Tyson Dejong, Calantha Mak, H2 Central Marketing & Communications<br />
Entrant Company: Brampton Transit - City <strong>of</strong> Brampton<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Changing the way we live, work and play: Rogers TabLife<br />
Entrants: Keith McArthur, Rob Manne, Miranda MacDonald, Melanie Masson, Carly Suppa, Annemarie<br />
Gerber, Kathy Murphy, Terrie Tweddle, Rogers Communications Inc; Sean Howard, Jo Langham, ABC,<br />
Eric Portelance, Andrea Ong Pietkiewicz, Laura Townson, Terry Fallis, Thornley Fallis Communications<br />
Entrant Company: Rogers Communications<br />
Issues Management and Crisis Communications<br />
Programs whose objectives, strategies and tactics address trends, issues and/or stakeholder attitudes<br />
which may have a significant positive or negative impact on the organization.<br />
Examples: programs or projects surrounding such issues as labour relations, mergers/acquisitions,<br />
crises, change management, the environment or public policy.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Preparing employees for the G20 Summit security crisis<br />
Entrants: Nadine Jahangir, Katherine Church, Brigette Kocijancic, ABC, RBC Dexia<br />
Entrant Company: RBC Dexia<br />
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Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: The Salmon Farming Industry Speaks Out as the Cohen Commission Launches<br />
Entrants: Martine Levy, Keka DasGupta<br />
Entrant Company: DDB Public Relations<br />
Employee, Member or HR Communication<br />
Targeted primarily to internal employee or member audiences, entries in this category should be<br />
programs that create awareness and influence opinion and/or behavioural change, or focus on<br />
management communication, ethics, morale, internal culture or change management.<br />
Examples: any type <strong>of</strong> internal communications program, project or campaign (employee benefits, health<br />
and welfare, compensation), or member/employee recruitment or retention campaigns.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Engaging Employees in the Company’s Five-Year Strategic Framework<br />
Entrants: Terrie Tweddle, Carol Goodall, Rogers Communications<br />
Entrant Company: Rogers Communications<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Reinforcing our Commitment to Employees: the Redesigned Employee Benefits Program<br />
Entrants: Barbara McCully, Andrew Walker, Carla Lohnes, David Tutty, Sobeys Inc.; Jennifer Zigomanis,<br />
Irene Pinti, Aon Hewitt<br />
Entrant Company: Sobey’s Inc.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: TD Bank Careers Site - A Passion for Opportunity<br />
Entrants: Josephine Quercia, Sean Nunes, Robert (Bobby) Hatanaka, Cathryn Black, Elizabeth Lewis,<br />
TD Bank Group; Tahir Ahmad, Draft FCB; Digby Cook, North Shore Communications<br />
Entrant Company: TD Bank Group<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Development <strong>of</strong> New Mission, Vision & Values<br />
Entrants: Dave Bourne, Anne Marie Males, Cindy Woods, Tracy Huffman, Sherian Singh, The<br />
Scarborough Hospital; William Meijer, William Meijer Photography; Hargreaves Stewart, Mae Productions<br />
Entrant Company: The Scarborough Hospital, William Meijer Photography and Mae Productions<br />
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Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Additional Voluntary Contributions (AVCs) – There’s Value in Membership<br />
Entrants: Ruth Tomes, Michael Robinson, John Cappelletti, ABC, Alex Pacheco, Maria Valentim, Linda<br />
McGuire, Ian Kinross, OMERS<br />
Entrant Company: OMERS Pension Plan<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Preparing employees for the G20 Summit security crisis<br />
Entrants: Nadine Jahangir, Katherine Church, Brigette Kocijancic, ABC, RBC Dexia<br />
Entrant Company: RBC Dexia<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Arctic Eco-Tour Contest<br />
Entrants: Corporate Communications<br />
Entrant Company: RSA<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Celebrating 300 Years<br />
Entrants: Corporate Communications<br />
Entrant Company: RSA<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Moving to bi-weekly pay<br />
Entrants: Patricia Burton, Iain McMeekin, Ed Cockburn, Mafanwy Marshall, Brian Daly, <strong>Toronto</strong> Star<br />
Entrant Company: <strong>Toronto</strong> Star<br />
Strategic Management Process<br />
Methodologies and process that enhance or determine effectiveness <strong>of</strong> an organization’s strategic<br />
direction, idea generation, business or service delivery processes, market position, communication audits<br />
and plans. This may include communication and/or brand and culture audits, employee and market<br />
research, competitive benchmarking and audience analysis. It can also include training programs that<br />
enhance communication within an organization or among key audiences.<br />
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Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Communications Audit for CMHA Ontario<br />
Entrants: Gary Lintern, Tony Pepper, Kate Staig-Webber, Tenzing Communications Inc.; Kismet Baun,<br />
Canadian Mental Health <strong>Association</strong><br />
Entrant Company: Tenzing Communications Inc.<br />
Brand Communication<br />
This category includes strategies for new brands and for repositioning existing brands. Winners in this<br />
category demonstrate the research used to shape brand changes. Programs include brand architectures,<br />
changes to corporate identities and design solutions that address the challenges <strong>of</strong> brand communication.<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Re-Introducing George<br />
Entrants: Andrew Pelletier, Susan Schutta, Alex Roberton, Felicia Fefer, Walmart Canada Corp; Linda<br />
Andross, ABC, Stephanie Engel, Heather Hopkins, Lauren Baswick, Zoey Fiksel, APEX Public Relations<br />
Inc; Amely Tremblay, Nathalie Provost, Morin Relations Publiques<br />
Entrant Company: APEX Public Relations and Walmart Canada<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Richmond Hill Has a New Look!” – Branding Our Town<br />
Entrants: Carol Moore, Gwen Manderson, Tricia Myatt, Daniel Olding, Donald Hearn, Brenda Osler, Ben<br />
Sangster, Jason Hogg, Ash O'Malley, Lynn Chan, Town <strong>of</strong> Richmond Hill; Doug MacMillan, Jaime<br />
Bickerton, Stacey McCarthy, MacMillan Marketing Group<br />
Entrant Company: Town <strong>of</strong> Richmond Hill<br />
Social Responsibility Including Economic, Societal and Environmental Development<br />
A social responsibility topic that demonstrate efforts by you, your client and/or your employer to build<br />
community, public awareness and potentially influence change in one or more areas <strong>of</strong>: health and<br />
welfare, sustainable environmental development, literacy, economic revitalization or cause-related issues<br />
in areas such as education, cultural preservation, indigenous/ heritage protection, poverty reduction<br />
and/or other societal benefits.<br />
Programs should be designed to raise awareness and drive support where the primary objective is to<br />
address and enhance the long-term well-being <strong>of</strong> one or more communities.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: The Body Shop “Stop Sex Trafficking <strong>of</strong> Children and Young People” Petition<br />
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Entrants: The Body Shop and Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Crohn’s and Colitis Awareness Month<br />
Entrants: CCFC & Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
Electronic, Digital and Interactive Communications<br />
Includes computer-based communication projects produced for internal or external audiences that use<br />
electronic production and/or delivery tools for one or two-way communication. This may include electronic<br />
newsletters, electronic annual reports, websites, intranet/internet sites, and podcasts.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: MaRSDD Website Re-design<br />
Entrants: Cathy Bogaart, Paul Jara, Joseph Dee, MaRS Discovery District<br />
Entrant Company: MaRS Discover District<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: RBC’s Fall Student Program Goes Digital<br />
Entrants: Jo Langham, ABC, Mike Edgell, Andrea Pietkiewicz, Eric Portelance, Thornley Fallis<br />
Communications; Jill Quinn, Michel Savoie, Kate Yurincich, Samantha Duncan, RBC Royal Bank<br />
Entrant Company: Thornley Fallis Communications and RBC Royal Bank<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Building Employee Knowledge <strong>of</strong> Corporate Strategy with a Dedicated Microsite<br />
Entrants: Terrie Tweddle, Carol Goodall, David Halliwell, Hilda Ochangco, Patricia Estabrooks, Rogers<br />
Communications<br />
Entrant Company: Rogers Communications<br />
Social Media<br />
These programs encompass a fast-evolving range <strong>of</strong> social media tools and practices that allow<br />
individuals and groups to collaborate and share knowledge and experiences online.<br />
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They can be distinguished by a heightened desire to engage a public (internal or external) in<br />
conversation, as opposed to one-way broadcasting. Tools & techniques can include (but are not limited<br />
to):<br />
• Web 2.0 conversation-enabled publishing platforms (blogs, webinars, etc.)<br />
• social networks (Facebook, MySpace, etc.)<br />
• democratized content networks (wikis, message boards, etc.)<br />
• presence networks/microblogging (Twitter, Jaiku, Pownce, etc.)<br />
• content-sharing sites (YouTube, Flickr, Del.icio.us, etc.)<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Let’s talk: Rogers unwraps RedBoard Blog<br />
Entrants: Keith McArthur, Terrie Tweddle, Richard Bloom, Miranda MacDonald, Rogers Communications<br />
Inc.<br />
Entrant Company: Rogers Communications<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Best Buy Canada UNboxing Day Facebook Contest<br />
Entrants: Lindy Frank, ABC, Andrew Lane, Weber Shandwick Canada; Danielle Jang, Best Buy Canada<br />
Entrant Company: Weber Shandwick Worldwide<br />
COMMUNICATION SKILLS<br />
These categories look at communication products that highlight such technical skills and expertise as<br />
editing, writing, design and photography. They recognize:<br />
• importance <strong>of</strong> project’s goals<br />
• demonstration <strong>of</strong> measurable results<br />
• alignment with the organization’s strategic business goals, and<br />
• emphasis on the creative process <strong>of</strong> project execution<br />
Writing<br />
Encompasses original material written for a particular communications project, such as:<br />
• personality pr<strong>of</strong>iles, recurring features or columns<br />
• other features, editorials and advertorials<br />
• original writing <strong>of</strong> news stories, news article(s), news releases, or interpretive/expository articles<br />
• marketing and sales promotion materials<br />
• speeches, scripts<br />
• writing for online distribution<br />
• technical writing<br />
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Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: TD Waterhouse: The Science <strong>of</strong> Investing<br />
Entrants: Carolyn Abbass, Steve Presant, Paradigm Public Relations; Maria Saros Leung, Toni-Lynn<br />
Raponi, TD Bank Group<br />
Entrant Company: Paradigm Public Relations and TD Bank Group<br />
Publications<br />
External or internal publications in all formats (except electronic): magazines, newspapers,<br />
magapapers/tabloids, corporate social responsibility reports, newsletters, annual reports and special<br />
purpose publications.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: What Would Harold Do?<br />
Entrants: Henry Wong, Gary Lintern, JC Molina, Tenzing Communications Inc.; Veronica Feldcamp,<br />
Credit Union Central <strong>of</strong> Canada<br />
Entrant Company: Tenzing Communications Inc.<br />
Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: A Thousand Voices For Women’s Health<br />
Entrants: Janice Nathanson, Angela Robertson, Heather McPherson, Teresa Mostert, Patricia Nicholson,<br />
Women's College Hospital; Dale Clark, Orangecap; Claudia Hung, Claudia Hung Weddings<br />
Entrant Company: Women’s College Hospital<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: American Peanut Council Trade Communications Package<br />
Entrants: Alison George, Daniel Tisch, Argyle Communications<br />
Entrant Company: Argyle Communications<br />
Multimedia or Digital Content<br />
Programs using sound, video, film slides, CDs or a combination <strong>of</strong> all or any <strong>of</strong> these elements. This<br />
includes such projects as video programs, webcasts, audio-only programs, slide and sound programs,<br />
and films.<br />
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Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: Nick Goes Nowhere/Joules on Juice – Halton Region’s Air Quality Video<br />
Public Service Announcements<br />
Entrants: Beckie Jas, Anna Larson, ABC, Colin Jameson, Halton Region; Adrian Thiessen, Four<br />
Grounds Media; Steve Vidal, Aexian Studios<br />
Entrant Company: Halton Region<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Next is Now<br />
Entrants: Keith McArthur, Serda Evren, Terrie Tweddle, Rogers Communications Inc; Mike Edgell,<br />
Jeremy Wright, Terry Fallis, Dave Fleet, Thornley Fallis Communications<br />
Entrant Company: Rogers Communications<br />
COMMUNICATION CREATIVE<br />
Demonstrating effective communication that:<br />
• includes innovation, creativity, strategic alignment with an organization’s business goals<br />
• showcases creative talent and design.<br />
Publication Design<br />
Design <strong>of</strong> internal or external publications in all formats: magazines, newspapers, tabloids, newsletters,<br />
annual reports, brochures and leaflets.<br />
Award <strong>of</strong> Merit<br />
Title <strong>of</strong> Entry: Additional Voluntary Contributions – There’s Value in Membership<br />
Entrants: Alex Pacheco, John Cappelletti, ABC, Ian Kinross, OMERS; Ciabh McEvenue, Tamm<br />
Communications<br />
Entrant Company: OMERS Pension Plan<br />
Photography<br />
Original photography created or commissioned for a particular communication project. This can be a<br />
single photo or photo essay.<br />
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Award <strong>of</strong> Excellence<br />
Title <strong>of</strong> Entry: 2010 White Cashmere Collection<br />
Entrants: Strategic Objectives & Kruger Products, Christopher Wadsworth, Serge Kerbel<br />
Entrant Company: Strategic Objectives<br />
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AWARDS OF DISTINCTION<br />
Bobbie Resnick Philanthropy Award - Making a Difference<br />
Winner: Paul Nguyen, Jane-Finch.com<br />
Roberta (Bobbie) Resnick, ABC, APR, MC, <strong>IABC</strong> Fellow, co-founder <strong>of</strong> the <strong>Toronto</strong> chapter <strong>of</strong> the<br />
<strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators, is a trailblazer in public relations. Resnick holds<br />
over fifty years <strong>of</strong> successes as a communicator, consultant, entrepreneur, educator, mentor, award<br />
winner and volunteer.<br />
This prestigious award in her name recognizes outstanding leadership and service to the community.<br />
<strong>IABC</strong>/<strong>Toronto</strong> is pleased to announce Paul Nguyen, Jane-Finch.com as this year’s recipient for its ability<br />
to positively pr<strong>of</strong>ile the priority neighbourhood in <strong>Toronto</strong>.<br />
An excerpt from the judges’ comments: “Jane-Finch.com was founded with a clear passion and vision to<br />
create an engaged and informed community. The website has made a difference by transforming the<br />
public’s perception <strong>of</strong> the neighbourhood through impressive earned media.”<br />
<strong>IABC</strong>/<strong>Toronto</strong> Student <strong>of</strong> the Year Award<br />
Winner: Humber College’s Regis Dudley<br />
<strong>IABC</strong>/<strong>Toronto</strong> is pleased to award Regis Dudley as the 2011 <strong>IABC</strong>/<strong>Toronto</strong> Student <strong>of</strong> the Year! This<br />
award recognizes a student from an accredited institution who demonstrates excellence in<br />
communications and the greatest potential to be the best all-round future pr<strong>of</strong>essional. Out <strong>of</strong> a number <strong>of</strong><br />
strong entries, Dudman’s news release “Accessible and Web-Friendly Brands are Better” stood out<br />
amongst the rest.<br />
An excerpt from the judges’ comments: “Strong headline and user-friendly format with bullets makes it<br />
easy to read. Cuts through clutter.”<br />
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The following awards celebrate exceptional OVATION winners. The <strong>IABC</strong>/<strong>Toronto</strong> OVATION Awards <strong>of</strong><br />
Distinction are based on the number <strong>of</strong> winning entries per organization and a point system. Each Award<br />
<strong>of</strong> Excellence earns three points and each Award <strong>of</strong> Merit earns one point. Companies in each category<br />
with the highest point total win. In the event <strong>of</strong> a tie, the winner is decided by the median <strong>of</strong> score <strong>of</strong> the<br />
Excellence awards.<br />
These results were secretly tabulated and announced for the first time at the OVATION Awards gala on<br />
May 25, 2011.<br />
Corporate Communications Department <strong>of</strong> the Year<br />
Winner: Rogers Communications<br />
Mid-sized Agency <strong>of</strong> the Year (6 to 20 employees)<br />
Winner: Argyle Communications<br />
Large Agency <strong>of</strong> the Year (21 or more employees)<br />
Winner: Strategic Objectives<br />
People’s Choice Award<br />
The People’s Choice Award is voted on by the <strong>IABC</strong>/<strong>Toronto</strong> membership in an online poll. Members vote<br />
for the program they believe was the most successful. Every OVATION Award <strong>of</strong> Excellence is eligible.<br />
Winner: The Body Shop “Stop Sex Trafficking <strong>of</strong> Children and Young People” Petition<br />
Entrants: The Body Shop and Strategic Objectives<br />
Entrant Company: Strategic Objectives<br />
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OVATION Awards Winning Entry<br />
Communication Management<br />
Community Relations<br />
AWARD OF EXCELLENCE<br />
Entrant’s Name: Anna Larson, ABC, Communications Specialist<br />
Organization: Halton Region / Halton District School Board<br />
Title <strong>of</strong> Entry: Active and Safe Routes to School<br />
Division 1: Communication Management / Category 1: Community Relations<br />
Time Period: 2008-2010<br />
Brief Description: Youth obesity rates are up, exercise levels down and traffic congestion at schools<br />
continues to surge. Since 2008, Halton Region has partnered with the Halton District School Board<br />
(HDSB) and the Halton Catholic District School Board (HCDSB) in a program aimed at encouraging<br />
students to walk or bike to school. This submission describes the successful community relations<br />
campaign that contributed to the success <strong>of</strong> the Active and Safe Routes to School (ASRTS) program<br />
which ran in 26 schools over 2008-2010, resulting in more students walking and fewer cars in school<br />
parking lots.<br />
1. <strong>Business</strong> Need / Opportunity:<br />
The Regional Municipality <strong>of</strong> Halton serves more than 500,000 residents in the City <strong>of</strong> Burlington, and the<br />
Towns <strong>of</strong> Halton Hills, Milton and Oakville in Ontario, Canada. The Region’s Health Department works to<br />
promote and protect health, prevent disease and provide emergency management services. The Halton<br />
District School Board (HDSB) serves more than 54,000 public school students in Halton. The Halton<br />
Catholic District School Board (HCDSB) provides Catholic education to more than 29,000 students in<br />
Halton.<br />
Issues, research and impact<br />
Public health <strong>of</strong>ficials have recognized obesity, including childhood obesity, as an epidemic.<br />
According to the World Health Organization, being overweight due to poor nutrition and lack <strong>of</strong> physical<br />
activity is one <strong>of</strong> the greatest health challenges and risk factors for chronic disease in the 21 st century.<br />
Obese children are more likely to become obese adults and to suffer chronic diseases early in life.<br />
According to the 2009/2010 Halton Youth Survey conducted by the Our Kids Network, the body mass<br />
index <strong>of</strong> youth in Halton has increased in recent years. The percentage <strong>of</strong> overweight or obese Grade<br />
7 students rose from 14% in 2006 to 16% in 2009.<br />
Youth physical activity levels are also declining. Two-thirds <strong>of</strong> Canadian children don’t get the 30-60<br />
minutes <strong>of</strong> daily physical activity required for healthy development (Canadian Fitness and Lifestyle<br />
Research Institute, 1997) and fewer than half <strong>of</strong> Canadian children walk to school (Go for Green, 1998).<br />
According to the 2009/2010 Halton Youth Survey, the percentage <strong>of</strong> students in Halton who were<br />
physically active for more than 90 minutes a day, five or more days a week, has dropped from 58 in<br />
2006 to 54% in 2009 among Grade 7 students, and from 44 to 39% for Grade 10s.<br />
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Dependence on cars contributes to environmental and health concerns. Added to poor air quality<br />
reports are traffic related injuries – one <strong>of</strong> the three the leading causes <strong>of</strong> unintentional injury related<br />
death for children 14 and under. Among 29 Organisation for Economic Co-operation and Development<br />
(OECD) nations, Canada ranks 22 nd in preventable childhood injuries and deaths, 27 th in childhood<br />
obesity and 21 st in child well-being. Such rankings have the Canadian Institutes <strong>of</strong> Health Research<br />
urging Canada to improve by developing “community-wide approaches to improve the safety <strong>of</strong> roads,<br />
parks and playgrounds, find a new approach to combat obesity in children, and ... find out more about the<br />
particulate matter <strong>of</strong> the air our children breathe.”<br />
Disease prevention strategies lower health costs because individuals consume fewer health care<br />
resources at all ages. In 2005, obesity-related chronic conditions accounted for $4.3 billion in costs in<br />
Canada. That’s one reason why creating and improving safe, healthy, liveable, inclusive communities is a<br />
key theme for both Halton Region and the School Boards.<br />
The Halton Region Health Department (HRHD) promotes and enhances the delivery <strong>of</strong> preventative<br />
health services by increasing the proportion <strong>of</strong> Halton residents at a healthy weight, by promoting physical<br />
activity, healthy eating, and preventing obesity. One step towards this goal is HRHD’s support for the<br />
implementation <strong>of</strong> an ASRTS program in Halton elementary schools. Similarly the HDSB’s 2007–2010<br />
Strategic Plan supports the creation <strong>of</strong> safe, healthy and engaging environments, with a goal to provide<br />
safety and well-being for students. The ASRTS project also aligns with one HCDSB priority area: building<br />
capacity with all educational partners.<br />
Background<br />
In 2008, HRHD conducted an ASRTS pilot with eight HDSB schools. Well-implemented communications<br />
helped ensure the pilot was a success, with one school able to get up to 100% <strong>of</strong> students in several<br />
grades walking daily, and laid the groundwork for the program’s expansion in 2009-10 to 25 schools<br />
across the region, including five in the Catholic Board.<br />
What is ASRTS?<br />
Green Communities Canada champions the program in Canada. The organization defines ASRTS as<br />
“promoting the use <strong>of</strong> active and efficient transportation for the daily trip to school, addressing health and<br />
traffic safety issues, while taking action on air pollution and climate change.” ASRTS has three main<br />
concepts:<br />
1. Increase physical activity levels <strong>of</strong> youth by having them walk, bike or wheel (roller blade, scooter,<br />
skateboard) to school instead <strong>of</strong> riding in their parents’ cars (<strong>International</strong> Walk to School Day,<br />
Walking Wednesdays)<br />
2. Improve air quality and reduce traffic at school sites: decrease idling and emissions and improve<br />
safety by having children walk to school and/or parents drop their children a block away (Walk a<br />
Block and No Idling Schools)<br />
3. Create safe walking routes to school by creating supportive infrastructure and initiatives (Walking<br />
School Bus, Walking Buddies, Walkabouts).<br />
2. Intended Audience(s):<br />
Primary: Schools and their communities: The program involves 25 schools in Halton Region’s four<br />
Local Municipalities. To engage this group meant winning the support <strong>of</strong> school administrators and<br />
teachers, parents <strong>of</strong> children attending the schools who lived with 1.6 km <strong>of</strong> their school, the children<br />
themselves and the local communities. These jurisdictions include both city and rural surroundings and<br />
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the schools include both elementary and middle schools (Kindergarten to Grade 8), Public and Separate<br />
schools. Halton’s residents are relatively affluent and well educated. Research indicated that barriers to<br />
walking, particularly related to parents, included safety concerns, lack <strong>of</strong> infrastructure, time and<br />
weather. School superintendents are concerned about safety and finding ways to decrease<br />
transportation budgets; principals are worried about parking lot traffic issues. Studies show that<br />
children are strong fans <strong>of</strong> walking. “In some schools it has become "cool" to walk and is a sign <strong>of</strong><br />
freedom from parental authority, <strong>of</strong> independence and maturity…children can play a major role in<br />
reducing parental opposition to walking.”<br />
Secondary: Partners: ASRTS is a community-based initiative that taps into the demand for safe,<br />
walkable neighbourhoods. Individual jurisdictions adapt the program to meet their unique needs and to be<br />
successful, rely on the support and participation <strong>of</strong> a broad cross-section <strong>of</strong> the community. In<br />
Halton Region, this includes the HDSB, HCDSB, Halton Regional Police Service, four Local Municipalities<br />
and their traffic engineers and planners, Regional and Municipal Councillors, Trustees and public health<br />
nurses. These constituencies are represented on the ASRTS Steering Committee. Child safety is the<br />
number one concern <strong>of</strong> this group.<br />
Media: The plan aimed to win the support <strong>of</strong> the media (especially the seven local newspapers and<br />
mainstream TV), to help promote our key messages with intended audiences and with the broader<br />
community.<br />
3. Goals / Objectives:<br />
Program goal: Assist Halton schools to get their students walking to school by supporting the<br />
implementation <strong>of</strong> the ASRTS program.<br />
Program objectives: By December 31, 2010 have expanded the program to 20 Halton District School<br />
Board schools and five Halton Catholic District School Board schools.<br />
Communication objectives:<br />
By December 31, 2010, support the program objective <strong>of</strong> expanding the ASRTS program to 20<br />
Halton District School Board schools and five Halton Catholic District School Board schools by<br />
implementing a community relations strategy that:<br />
i. educates partners, schools and their communities and supports ASRTS efforts at participating<br />
schools<br />
ii. reaches at least 25% <strong>of</strong> the board’s elementary students<br />
iii. encourages at least 500 students to use the Walking School Bus<br />
iv. achieves a Media Relations Rating Points (MRP © ) <strong>of</strong> at least 75% at a cost <strong>of</strong> less than $1<br />
v. contributes to a decrease in traffic at participating schools<br />
4. Solution Overview:<br />
Research undertaken by the Communication Specialist pointed to traditional media sources as the<br />
primary source <strong>of</strong> information in similar walking programs. In particular, local media are considered a<br />
highly credible source <strong>of</strong> information by consumers (www.saferoutesinfo.org). According to the Ontario<br />
Community Newspaper <strong>Association</strong>, 73% <strong>of</strong> Ontario adults read weekday community newspapers, or<br />
approximately 4.1 million Ontarians weekly - the single largest average reach <strong>of</strong> any media.<br />
29
Best practices indicate that local media attention surrounding an ASRTS program can help grow a<br />
program by making more people aware <strong>of</strong> its existence and helping win support from local elected<br />
<strong>of</strong>ficials. Promoting ASRTS through the media may also impact safety surrounding schools and<br />
neighbourhoods. It can alert local drivers that more children will be walking or bicycling in the<br />
neighbourhood, possibly encouraging them to be more alert. The most popular components in Green<br />
Communities successful No Idling at School project were the poster and information cards.<br />
Additionally, many schools included information in their school newsletters and websites, informing<br />
parents <strong>of</strong> the project and encouraging them to comply. Word <strong>of</strong> mouth, incentives and school PSAs<br />
have also been effective in related campaigns. Based on this information and discussions with the school<br />
board and participating schools, the Region’s Communications Specialist worked with the Project<br />
Manager to develop a community relations strategy. When the Project Manager was seconded to HDSB<br />
to expand the program, she updated the strategy, together with Board communications staff, with the<br />
Region’s Communications Specialist playing more <strong>of</strong> a support role.<br />
The ASRTS community relations strategy is based on proactive stakeholder engagement, low-cost media<br />
relations, and the effective use <strong>of</strong> existing and low cost communications tools, taking into account the<br />
following lessons learned from the research:<br />
• Messaging addresses barriers with busy, affluent parents: safety (stress police/volunteer/traffic<br />
engineer participation); lack <strong>of</strong> infrastructure (ensure signage/sidewalks/bike racks in place); time<br />
(stress quality, not quantity); weather (dress appropriately). Tools included superintendent letter,<br />
PSA, school newsletters/websites and local media<br />
• Messaging to students distributed via poster campaign, announcements and incentives<br />
• Schools can customize their own campaigns/activities; support and buy-in from partners a crucial<br />
component<br />
Key messages<br />
For parents/schools/local<br />
communities/media<br />
• Be alert and drive safely…because<br />
Active and Safe Routes to School<br />
is here<br />
• Ask your principal or learn more at<br />
www.halton.ca/asrts, www.hdsb.ca<br />
or www.hcdsb.org/community/safe<br />
Solution Developed:<br />
For students For administrators/partners<br />
• I bike, I skate, I roll, I<br />
scooter, I walk…to<br />
get to school / I walk,<br />
I snowshoe, I<br />
sled…to get to<br />
school<br />
30<br />
• Less traffic and better air<br />
…because Active and Safe<br />
Routes to School is here;<br />
Working together to create<br />
safe, healthy and liveable<br />
communities<br />
Strategy 1 – Continue to build understanding and awareness <strong>of</strong> the program through face-to-face<br />
communications and ongoing consultation (Objective i)<br />
Tactics<br />
• Engage partners through a consultative process. Campaign began with a kick-<strong>of</strong>f forum for key<br />
stakeholders, building on the networks developed in the pilot. Regular email and phone conversations<br />
between the Project Manager, communications staff and participating schools ensured that<br />
consultation was ongoing and two-way. Problems or concerns were addressed immediately.
• Provide collateral and direction, but allow schools to customize their promotions. Participants<br />
were provided with a starter kit (events calendar, iWalk themed posters piggybacking on ipod/iphone<br />
“cool factor”, signage, parent letter template, backgrounder, FAQs, useful links/resources, short<br />
article template to be used in school newsletters/websites, Superintendent’s letter. Media coverage<br />
was posted on the site and shared with participants. Pilot schools recognized (awarded plaques);<br />
they later served as “mentors” for the new schools. Teacher champions were identified for each<br />
school and the expanded program was rolled out at a teacher kick-<strong>of</strong>f at which new communication<br />
and promotional materials were presented.<br />
Strategy 2 – Educate parents and encourage students to participate using existing and low cost<br />
communication tools (Objectives ii/iii)<br />
Tactics<br />
• Address barriers. Walking routes were mapped and neighbourhood walkabouts staged. These<br />
resulted in infrastructure changes, such as special walking routes signs, an increase in traffic light<br />
timing for students crossing major intersections, crossing guard gap studies and additional bike racks.<br />
Media and elected <strong>of</strong>ficials were invited to the walkabouts. Messaging was developed and promoted<br />
to try to overcome perceived barriers such as time and weather.<br />
• Bolster web presence. The Region’s website was updated to redirect traffic to the new ASRTS web<br />
pages developed at the two school boards. Fresh content was posted to ensure currency; partners<br />
were encouraged to provide reciprocal links. URLs were promoted through all speaking<br />
engagements and in collateral material.<br />
• Develop collateral. A new series <strong>of</strong> posters was developed and distributed (see Work Sample 1).<br />
Clearly branded wagons and Walking School Bus tents and vests were provided to participating<br />
schools.<br />
• Develop and purchase incentive items. Colourful zipper pulls and charms to use as rewards were<br />
commissioned and distributed. A Golden Shoe Award was introduced to reward individual school<br />
performance (see Work Sample 3).<br />
• Develop a PSA. The media arts department <strong>of</strong> a local high school was approached and agreed to<br />
develop a video PSA for use with schools, parents and the community. It is shown in presentations,<br />
is available on partner sites and YouTube.<br />
Strategy 3 – Use media relations to help raise awareness with schools and the broader community<br />
(Objective iv).<br />
Tactics<br />
• Develop and implement a media relations plan to educate Halton school communities on<br />
ASRTS benefits. Through photo opportunities, advisories and releases, we communicated our<br />
messages with both our target audience and the Halton community at large (see Work Sample 4). We<br />
also: asked partner organizations and school councils to feature ASRTS in newsletters; invited a local<br />
media to accompany schools on Walking School Bus days; wrote letters to newspaper editors when<br />
the opportunity presented itself; liaised with Councillors and Trustees to explore additional<br />
promotional opportunities; provided schools with newsletter inserts; responded to related articles in<br />
Canadian Living, Readers Digest and Chatelaine; promoted the program as part <strong>of</strong> a regional Daily<br />
Web TV campaign.<br />
31
• We also made use <strong>of</strong> “free” communication vehicles: Local newspapers provide Halton Region with<br />
free space to educate the community on programs and services, e.g., Chair’s column and Masthead<br />
(120 words/week in seven local newspapers) (see Work Sample 2); Health Notes for Pr<strong>of</strong>essionals;<br />
pre-arranged columns through other partnerships, e.g. Walkolution News, Councillor, Trustee and<br />
school newsletters.<br />
5. Implementation and Challenges<br />
This project involves multiple partners and audiences, with different interests and agendas. Ensuring the<br />
proper messaging and communications vehicles appropriate to each audience was key, as was good<br />
working relations between communication staff at the Region and the School Boards. A commitment from<br />
school administration ensured the program’s sustainability. The successful pilot results, well-managed<br />
and pr<strong>of</strong>essional communications and widespread media coverage helped build the case to expand the<br />
program to 25 schools and secure a champion, the HDSB superintendent. Also key to the program’s<br />
success was the secondment <strong>of</strong> the Halton Region Project Manager to the HDSB. A strategic steering<br />
committee built further support and encouraged ongoing dialogue so that differences <strong>of</strong> opinion among<br />
schools, boards and community partners could be ironed out early on, messages reinforced and<br />
expectations managed. Visual communications (posters, vests, walking school bus tent) used to launch<br />
the program at individual schools were especially effective in generating interest among parents, and<br />
students loved the zipper pulls and charms.<br />
The overall budget for the ASRTS program for 2009-2010 was $125,000, allocated as follows: Teacher<br />
release time (based on 1/2 day): $5,000; Meeting expenses (food/drink, rental costs, speakers) $1,000;<br />
Supplies (promotional items: $7,000 <strong>of</strong> which $5,000 went to incentives), Capital Purchases (bike racks,<br />
skateboard lockers, other) $6,904; Project Manager (secondment and evaluation contract): $105,096.<br />
Additionally, grants were provided to participating schools ($7,000). HCDSB allotted an extra $12,500 for<br />
school grants, teacher release and additional incentives. Posters were designed and produced using inhouse<br />
resources. Media relations/web activities were undertaken at no cost except time (about 40 hours<br />
<strong>of</strong> staff time). Cooperation between the Region, HDSB, HCDSB and the other partners ensured that costs<br />
were kept as low as possible. The Project Manager was also able to secure development <strong>of</strong> a video PSA<br />
at minimal cost ($500) by approaching a local high school’s media department. The PSA became a class<br />
assignment. The Project Manager, the Region’s Communications Specialist and communications<br />
representatives from both school boards reviewed the students’ proposals and selected the winning entry,<br />
which the students then produced.<br />
6. Measurement / Evaluation<br />
Objective Results<br />
By December 31, 2010, support the program<br />
objective <strong>of</strong> expanding the ASRTS program<br />
to 20 Halton District School Board schools<br />
and five Halton Catholic District School Board<br />
schools by implementing a community<br />
relations strategy that:<br />
• 26 elementary/middle schools in Halton engaged in<br />
ASRTS projects, including a pilot at five Catholic<br />
schools; ASRTS Project Manager seconded until<br />
December 2010 (a first in Ontario); final report<br />
recommends rolling function into an existing HDSB<br />
position.<br />
• Interviews with teachers, parents and students at 2<br />
schools reported satisfaction with the program (see<br />
Interviews in Final Report, p. 16); informal feedback<br />
32
i. educates partners, schools and their<br />
communities and supports ASRTS efforts<br />
at participating schools<br />
ii. reaches at least 25% <strong>of</strong> the board’s<br />
elementary students<br />
iii. encourages at least 500 students to use<br />
the Walking School Bus<br />
iv. achieves a Media Relations Rating Points<br />
(MRP © ) <strong>of</strong> at least 75% at a cost <strong>of</strong> less<br />
than $1<br />
v. contributes to a decrease in traffic at<br />
participating schools<br />
from teachers/administrators was positive; Project<br />
Manager invited to present at many conferences;<br />
Halton Region nominated for a FCM Sustainable<br />
Communities Award for ASRTS; positive feedback<br />
from parents: “I truly enjoy the walking school bus...I<br />
really look forward to Wednesdays – it's the highlight<br />
<strong>of</strong> my week. Great program!” Parent from Sam<br />
Sherratt P.S.<br />
• At least 13,037 students and staff received ASRTS<br />
messaging (34% <strong>of</strong> Board students); Average daily<br />
web visits: Nov-Dec 2009: 82; Jan- Feb: 6, Mar: 7;<br />
April: 7.5, May: 6; 481 views <strong>of</strong> the PSA on YouTube.<br />
Students interviewed at 2 schools said they found out<br />
about the program from announcements, teachers,<br />
signs and posters.<br />
• At least 940 students (from 18 schools) used the<br />
Walking School Bus; many others (especially older<br />
students) walked independently. Student surveys<br />
showed an increase in active transportation after only<br />
seven weeks <strong>of</strong> implementation.<br />
• Positive media coverage appeared in all four local<br />
municipalities and <strong>Toronto</strong> Star (including a “Laurel”);<br />
2 national TV placements (CBC/CTV – see enclosed<br />
DVD for TV coverage); editorial and article in<br />
Hamilton Spectator; multiple blog postings; (see<br />
Work sample 2); Halton program highlighted on the<br />
Green Communities website. Achieved 86% MRP at<br />
no cost (MRP criteria included: partner mention (to<br />
recognize partners and build support), photo (to<br />
capture community attention/promote participating<br />
schools), key messages (to explain the program),<br />
and web/contact information (to encourage new<br />
schools to learn more) (See Work Sample 2A)<br />
• Traffic counts discovered a decrease in car traffic on<br />
Walking Wednesdays (24-31%) after 4 weeks <strong>of</strong><br />
implementation<br />
Strong partner buy-in and collaboration, solid communication planning and implementation, and excellent<br />
project management have moved the Halton ASRTS project from a modest pilot to a regional program<br />
that has attracted attention not only locally, but worldwide. The Region is one step closer to creating a<br />
sustainable system that will see more children using active travel for the short trip to school.<br />
33
OVATION Awards Winning Entry<br />
Communication Management<br />
Community Relations<br />
AWARD OF EXCELLENCE<br />
Entrant’s Name: Susan Nakhle, Director, Communications and Public Affairs<br />
Organization: Ontario Shores Centre for Mental Health Sciences<br />
Title <strong>of</strong> Entry: Creative Minds: Raising Awareness and Reducing Stigma through the Arts<br />
Division 1: Communication Management / Category 1: Community Relations<br />
Time Period: January 1, 2010 – December 31, 2010<br />
Brief Description: Community Relations program to raise awareness and reduce stigma <strong>of</strong> mental illness<br />
through the arts<br />
1. The Need:<br />
With one in four people experiencing a mental illness, the associated stigma can have a huge impact on<br />
their ability to seek treatment and achieve optimal well-being. According to the National Mental Health<br />
Commission <strong>of</strong> Canada, stigma has as great an effect on people as does their mental health problem or<br />
illness itself, seriously impeding their ability to participate fully in society and attain the best possible<br />
quality <strong>of</strong> life. People with mental illness <strong>of</strong>ten experience stigma that can even prevent them from<br />
seeking the help they need.<br />
Ontario Shores Centre for Mental Health Sciences (Ontario Shores), a relatively unknown hospital in a<br />
town east <strong>of</strong> <strong>Toronto</strong>, reinvented itself in 2006 when it became a public hospital with a community based<br />
Board <strong>of</strong> Directors. Since that time, the hospital has developed its mission, vision, values, five year<br />
strategic plan and a new brand to transform the hospital into a leader in mental health care. While<br />
significant progress has been made in areas such as strengthening patient care, enhancing our role in<br />
research and education and providing leadership and advocacy in the mental health care system, our<br />
community carries the stigma <strong>of</strong> an institution and lacks understanding <strong>of</strong> who we are and what we do as<br />
a modern, innovative and specialized mental health care hospital.<br />
Our Opportunity:<br />
One <strong>of</strong> the hospital’s strategic objectives is to raise awareness and reduce stigma associated with mental<br />
illness. The Communications and Public Affairs team built an awareness program around the arts – film,<br />
music, art and speaking to bring people together, to learn more about mental health and the hospital.<br />
Through the arts we can unite the community regardless <strong>of</strong> their mental health, social status, religion,<br />
race or education. The arts was a way for us to open our doors, welcome the community and provide<br />
opportunities to engage the public and increase visitors to the facility who share a common interest in art,<br />
film, music or speakers and build connections with patients, families and the community.<br />
34
2. Intended audience(s):<br />
Primary audiences – community members with an interest in film, art, music, education, patients and<br />
families affected by mental illness, community members under the age <strong>of</strong> 25.<br />
Secondary audiences – Staff<br />
Audience State <strong>of</strong> Mind Characteristics Research or Solutions<br />
Community<br />
members<br />
Long history in town,<br />
have old perception <strong>of</strong><br />
hospital<br />
Patients “Accept me, and respect<br />
me for who I am.”<br />
Families and<br />
neighbours<br />
Community<br />
members<br />
under the age<br />
<strong>of</strong> 25<br />
“I would not let my family<br />
anywhere near that place.<br />
It's just not safe.”<br />
More open about mental<br />
health<br />
Cautious, Lack <strong>of</strong><br />
knowledge<br />
Cautious, fear <strong>of</strong><br />
being judged<br />
Fearful, lack <strong>of</strong><br />
knowledge and<br />
entrenched stigma<br />
<strong>of</strong> mental illness<br />
Open to change<br />
Part <strong>of</strong> a diverse<br />
society<br />
35<br />
Research: The image <strong>of</strong> Ontario Shores is<br />
currently shaped more by what people don’t<br />
know about us than what they do know.<br />
Ontarians who had a neutral or negative<br />
reaction to Ontario Shores had a lack <strong>of</strong><br />
knowledge about the organization.<br />
Solution: Use the arts to appeal to a wide<br />
range <strong>of</strong> community members to bring them to<br />
the facility to experience who we are and what<br />
we do as a modern, public hospital.<br />
Research: Stigma in the community makes it<br />
difficult for patients to get a job, find adequate<br />
housing and develop social and community<br />
connections.<br />
Solution: Involve patients in events, invite them<br />
to events, seek their assistance to staff events<br />
to provide opportunities to interact with the<br />
community.<br />
Research: 1/3 <strong>of</strong> Ontarians said that a friend or<br />
family member who needs mental health help is<br />
not receiving it.<br />
38% <strong>of</strong> parents <strong>of</strong> children with mental illnesses<br />
indicated that they would not seek help for their<br />
children because <strong>of</strong> stigma.<br />
Solution: Create artistic events that appeal to a<br />
wide range <strong>of</strong> people to bring them to the<br />
hospital with a shared interest to learn more<br />
about mental health and services available in<br />
the community through an event they enjoy.<br />
Research: Estimates suggest that at least 70%<br />
<strong>of</strong> mental health problems and illnesses have<br />
their onset during childhood and adolescence.<br />
Early intervention can make an enormous<br />
difference in the treatment and management <strong>of</strong>
Staff Engaged in their work,<br />
some disconnected from<br />
how their work impacts<br />
connections with<br />
community<br />
3. Objectives:<br />
Technologically<br />
connected<br />
Proud <strong>of</strong> their<br />
work<br />
• Start changing perceptions <strong>of</strong> the hospital from an institution to a place <strong>of</strong> discovery, recovery and<br />
hope by bringing at least 1,000 people to Ontario Shores from January 1, 2010 – December 31, 2010<br />
so they can see for themselves and experience what the organization is about.<br />
• Host four innovative events that include film, art, music and speakers that attract new visitors, with at<br />
least 50% <strong>of</strong> guests being first time visitors to Ontario Shores.<br />
• Generate two million media impressions in print, radio and television to advertise upcoming events<br />
and show the general public how the hospital is opening its doors to the community and hosting<br />
innovative and creative events.<br />
• Create an event that appeals to a younger generation, with at least 50% <strong>of</strong> attendees being under the<br />
age <strong>of</strong> 25.<br />
• Incorporate patients into the events to provide an opportunity for them to build connections with the<br />
community and share their interest with attendees.<br />
4. Solution overview<br />
We developed an awareness program called Creative Minds: Raising Awareness and Reducing Stigma<br />
through the Arts. The program uses film, art, music and speakers to bring people together from all areas<br />
to share enjoyment in a common interest while learning a little more about Ontario Shores and mental<br />
health in an open and supportive environment. We wanted to select a multi-layered program that would<br />
reach out to a wide ranging population and each program was selected to strategically target specific<br />
audiences. The components included:<br />
Imagine Film Festival (October 2010) and Film Series (year round)<br />
o Our research showed people didn’t know much about our organization and their knowledge was<br />
based on what they didn’t know rather than the facts about the therapeutic work that took place.<br />
The Imagine Film Festival was created as a way to engage the public, demystify mental illness<br />
and provide an opportunity for them to learn a bit more about the hospital. Through films and<br />
celebrity speakers that were held onsite, the festival has brought in a diverse audiences and has<br />
received rave reviews from the public. Featuring independent, documentaries and mainstream<br />
film, the festival covers a diverse range <strong>of</strong> mental health topics from Post Traumatic Stress<br />
Disorder in the military, to schizophrenia to hoarding disorders.<br />
36<br />
mental illness so it is important to generate<br />
more awareness for youth and adolescents.<br />
Solution: Create two events that appeal to<br />
youth, partner with youth group to gain insight<br />
on interest and use social media as a primary<br />
way <strong>of</strong> reaching them. Host events at Ontario<br />
Shores to show the hospital’s hopeful and<br />
therapeutic setting and share information about<br />
mental illness.<br />
Solution: Staff are ambassadors <strong>of</strong> the hospital<br />
and are encouraged to attend events to<br />
strengthen linkages with the communities in<br />
which they live.
o Our festival concludes with a celebrity guest speaker who shares their connection with mental<br />
illness. This year singer/songwriter Chantal Kreviazuk attended and performed.<br />
o The Imagine Film Series was a great opportunity to connect with local communities and provide<br />
film events for families, couples and people with an interest in film. We showed eight films<br />
throughout the year including family, drama and comedy to invite people to the hospital and use<br />
film to educate people about mental illness. People were encouraged to bring their families to film<br />
events to show the safe and caring environment the hospital provides. Reviewing research we<br />
learned that movies and TV <strong>of</strong>ten portrayed mental illness as synonymous with violence (The<br />
portrayal <strong>of</strong> mental illness on prime-time television: Donald L. Diefenbach 6 December 1998) and<br />
the general public’s perception <strong>of</strong> mental illness and a mental health hospital were founded in<br />
those inaccurate portrayals, Yet there are many features and documentaries that paint a more<br />
accurate picture. Our selection committee reviews countless films to find a mixture <strong>of</strong> films that<br />
cover a wide range <strong>of</strong> interests and illnesses as well as <strong>of</strong>fer international content to appeal to the<br />
wide multicultural population within our service area.<br />
Let’s Talk Speaker Series<br />
• The Let’s Talk Speaker series was also created on the principle <strong>of</strong> organizational and mental<br />
illness awareness. It makes a more direct link to mental illness in picking lectures and panel<br />
discussions on mental health issues. But to reach out to the general public and a new audience<br />
we select very topical subjects that will appeal to a general audience. While we also attract those<br />
with a vested interest in the subject matter, Let’s Talk presents in a way that speaks to the<br />
layman, Topics featured include Post Traumatic Stress Disorder, Stigma, and have featured<br />
presentations from well respected speakers such as CFL Hall <strong>of</strong> Famer Terry Evanshen who lost<br />
all memory <strong>of</strong> his life prior to a severe automobile accident in the 1980s. Let’s Talk is interactive<br />
between the audience and the speaker(s).<br />
Art Program (Spring 2010 and Fall 2010)<br />
• The <strong>International</strong> Journal <strong>of</strong> the Arts in Society research results show that art activities help<br />
participants experience a sense <strong>of</strong> belonging to an accepting community, have an improved<br />
sense <strong>of</strong> well-being and empowerment and improved mental health.<br />
• Ontario Shores opened an Art Gallery to bring people to the hospital with an interest in art.<br />
• We hosted an art show called Intersection in the spring. In the fall, we held the Reflections <strong>of</strong><br />
Hope art show for individuals that had experience with mental illness to display works on the<br />
artists’ interpretation <strong>of</strong> hope.<br />
• We partnered with local art organizations, Robert McLaughlan Art Gallery and Station Art Gallery<br />
to promote the event, connect with their artists and incorporate their experts into the jury process.<br />
• In total the art shows has 105 artists with almost 150 pieces <strong>of</strong> art.<br />
Mindful Music (July, 2010)<br />
• Research shows that approximately 70% <strong>of</strong> mental illnesses begin in childhood and adolescence<br />
so we created an event to build more awareness for this age demographic. Mindful Music<br />
Concert is geared to people under the age <strong>of</strong> 25 with an interest in music.<br />
• We partnered with an external youth group called Medicinal Music to select bands with a youth<br />
following and to help us get the message out to their friends about the concert. The concert was<br />
held on the hospital grounds. There was an integration <strong>of</strong> adolescents, community members,<br />
families, patients and staff who enjoyed the concert.<br />
• We used Facebook for the first time as an organization to appeal to people under the age <strong>of</strong> 25<br />
as they use Facebook as a primary means <strong>of</strong> receiving and sharing information to promote<br />
Mindful Music concert.<br />
37
• Pitched event to local media to garner media coverage throughout the region and promote the<br />
concert in advance to generate interest and attendance.<br />
• Flyers for the event were distributed at local businesses throughout the region where youth spend<br />
time.<br />
Key Messages:<br />
• Ontario Shores is proud to be part <strong>of</strong> the community and we welcome opportunities to bring the<br />
community together to share their interest in art, film, music or speakers.<br />
• We know one in four people will be affected by mental illness in their lifetime. Mental illness is an<br />
illness – just like diabetes, cancer or heart disease. We all have an important role to play in<br />
addressing the stigma and discrimination associated with mental illness.<br />
• As a community, we unite together through our passion for the arts, in an environment that is free<br />
from race, religion, socioeconomic status or mental health barriers and welcomes everyone who<br />
share their love and appreciation <strong>of</strong> art mediums.<br />
Role <strong>of</strong> Project Leader: As Director <strong>of</strong> Communications and Public Affairs, my role was to foster a<br />
creative environment and empower the talented Communications team to think outside <strong>of</strong> the box to<br />
develop innovative ways <strong>of</strong> raising awareness and bringing people to the organization.<br />
5. Implementation and challenges<br />
Budget: $ 5,000 for all programs. Planning, program development and promotion completed by the<br />
Communications and Public Affairs team. Speaker fees paid for by a grant from Ontario Shores<br />
Foundation for Mental Health and sponsors.<br />
Challenges and Solutions:<br />
• With limited budgets, it is difficult to promote these events using costly advertisements. We posted<br />
the events on free websites, used social media to target youth and contacted organizations in our<br />
communities with a shared interest in each event such as local film groups, art galleries and health<br />
organizations.<br />
6. Measurement/evaluation <strong>of</strong> outcomes:<br />
• We used a variety <strong>of</strong> ways to evaluate the success and impact <strong>of</strong> our Creative Minds program. We<br />
conducted surveys to assess satisfaction with events, collected written feedback, engaged in face-t<strong>of</strong>ace<br />
surveys, received third party acknowledgement, measured the attendance that was coming to<br />
the events at the hospital and the media coverage we received. These evaluations and written<br />
testimonials in the submission showed how people were learning about Ontario Shores and<br />
becoming more open to mental health.<br />
• Results showed:<br />
o Imagine Film Festival: Ontario Shores conducted a survey <strong>of</strong> those people attending Imagine<br />
Film Festival. We created a 10 question survey with pre and post evaluation to measure<br />
mental health and organizational stigma. We used a 7 question Likert scale which combined<br />
both qualitative and quantitative approaches. We also captured pre and post event mood as<br />
well as some demographic information.<br />
o Results: We saw a positive change in the post-event responses in 7 <strong>of</strong> the 10 questions. On<br />
one question the data was identical and in two the data was slightly better from the pre-event.<br />
But in those questions such as “Would you consider attending another Ontario Shores<br />
38
event?” the pre-event responses were favourable. The two questions where we saw a<br />
noticeable difference between pre and post responses were “I worry about attending a<br />
community event if it is a mental health facility and “I value the positive role that Ontario<br />
Shores plays in our community” In both <strong>of</strong> those questions an almost one point positive<br />
change towards a more favourable response following participation at the event. We also saw<br />
a significant change in the pre and post mood indicators <strong>of</strong> almost two points out <strong>of</strong> a seven<br />
point scale.<br />
• 1,506 attended the Imagine Film Festival, Imagine Film Series, Art Program, Let’s Talk Speaker<br />
Series or Mindful Music concert. 60% were first time visitors to the organization. (Exceeded<br />
objective <strong>of</strong> 1,000)<br />
• Patients were actively involved in the events. Patients submitted art in both art shows and attended<br />
the shows. They came to the films and concert. Patients staffed the registration table throughout the<br />
Film Festival which provided vocational skills building and helped enhance their social skills.<br />
• Generated 4,229,305 media impressions from the events. (Exceeded objective <strong>of</strong> two million<br />
impressions)<br />
• 71% <strong>of</strong> attendees were under the age <strong>of</strong> 25 at the Mindful Music event, Imagine Film Festival Family<br />
Day and Let’s Talk Speaker Series with Ned Vizzini. With estimates suggesting that at least 70% <strong>of</strong><br />
mental health problems and illnesses have their onset during childhood and adolescence, it is<br />
important that information is available for this age group so early intervention is possible. (Exceeded<br />
objective <strong>of</strong> 50%)<br />
• Received positive feedback from the majority <strong>of</strong> attendees including Durham District School Board<br />
and Ned Vizzini that demonstrated the positive impact this presentation had on the students.<br />
39
OVATION Awards Winning Entry<br />
Communication Management<br />
Community Relations<br />
AWARD OF MERIT<br />
Entrant’s Name: Samantha Gileno, Manager, Project Communications<br />
Organization: Waterfront <strong>Toronto</strong><br />
Title <strong>of</strong> Entry: Rename Sherbourne Park Contest<br />
Division 1: Communication Management / Category 1: Community Relations<br />
Time Period: January through June 2010<br />
Brief Description: The Rename Sherbourne Park contest gave the public an opportunity to become<br />
part <strong>of</strong> the history <strong>of</strong> <strong>Toronto</strong>’s waterfront in a fun and interactive way while<br />
learning more about the massive revitalization project underway at the water’s<br />
edge.<br />
1. <strong>Business</strong> Need / Opportunity: Waterfront <strong>Toronto</strong> is leading the largest urban revitalization project in<br />
North America. Our project is complex but our priorities are simple. We put people first and reconnect<br />
them with the waterfront. We deliver important public policy objectives by emphasizing parks and public<br />
spaces and design communities that are environmentally and economically sustainable.<br />
Telling the Waterfront Story: After almost a decade <strong>of</strong> intense planning, during which the public <strong>of</strong>ten<br />
wondered if any progress was being made on the waterfront, 2010 marked a turning point with several<br />
major milestones near completion. If leveraged properly, these milestones <strong>of</strong>fered an opportunity to<br />
diminish cynicism and prove that waterfront revitalization is happening.<br />
Of these milestones, the opening <strong>of</strong> Sherbourne Park was critically important because it exemplified our<br />
vision for waterfront revitalization. Located next to a key development parcel, Sherbourne Park would be<br />
Waterfront <strong>Toronto</strong>’s largest and most sustainable park opened to date on the downtown waterfront. This<br />
was a story Waterfront <strong>Toronto</strong> needed to tell to the widest possible audience.<br />
Designing a Contest to Engage the City: Developing broad awareness for waterfront revitalization and<br />
demonstrating progress and momentum throughout the year are key communication goals for Waterfront<br />
<strong>Toronto</strong>. To do this, we leverage all major milestones and seek ways to create opportunities to tell our<br />
story throughout the year. We created Rename Sherbourne Park— an online park naming contest — to<br />
build interest and momentum for the park during a quiet communication cycle between the<br />
groundbreaking and <strong>of</strong>ficial opening. Given that the park is located in the middle <strong>of</strong> a large construction<br />
area, without an existing user base, we wanted to engage the broadest possible community (including<br />
young people) in a fun and unique way through online and social media channels.<br />
To capture attention, the contest needed a social media hook. For that reason, we developed a contest<br />
with two phases: a submissions phase and a voting phase. Our research showed that while there had<br />
been one other park naming contest in <strong>Toronto</strong>, it did not include public voting. A voting phase would<br />
make the contest more competitive, lengthen its timeframe, help to sustain interest within social media<br />
communities and guarantee repeat traffic to our website. Ultimately, the contest put the general public in<br />
the driver’s seat by allowing them to suggest park names and choose the winner through online voting.<br />
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With no budget for prizes, advertising or promotion, we sought a media partner with strong social media<br />
ties to help publicize the contest and administer the online voting. We selected <strong>Toronto</strong>ist, a leading<br />
news website, based on their influence and reach with our target audiences.<br />
2. Intended Audiences: Waterfront <strong>Toronto</strong> has a core constituency <strong>of</strong> dedicated stakeholders who<br />
follow our progress through traditional media, attend public meetings and receive our regular updates. Of<br />
all public agencies in the City, Waterfront <strong>Toronto</strong> has one <strong>of</strong> the highest attendance rates for public<br />
meetings and <strong>of</strong>ficial events. However, for the most part, our core audience resides within 10-15<br />
kilometres <strong>of</strong> the waterfront area. In addition, we know that young people have a strong interest in<br />
waterfront revitalization (from our participation in a 2009 Environics GTA Omnibus Survey), but very few<br />
attend public meetings or community events. They are also less likely to read traditional media. In<br />
response to this research, our primary target audiences for the contest were:<br />
• <strong>Toronto</strong> residents outside our core waterfront community supporters<br />
• Students and other youth between 18 and 34 who will become future residents <strong>of</strong> the waterfront<br />
• Social media outlets (with a focus on those identified in the Waterfront <strong>Toronto</strong> Online Influencer<br />
Audit commissioned in June 2009)<br />
Our secondary audience for the contest included those outside the <strong>Toronto</strong> area. Because <strong>Toronto</strong>’s<br />
waterfront is a local, regional and national asset, we opened the contest to all Canadian residents. In<br />
addition, as our funding comes from all three levels <strong>of</strong> government and private sector development<br />
revenues, we also targeted the following stakeholders:<br />
• Government partners and key influencers<br />
• Real estate development community<br />
• Members <strong>of</strong> historical groups lobbying Waterfront <strong>Toronto</strong> and the City for input into park naming<br />
3. Goals / Objectives: In response to the research we conducted and our overarching communication<br />
goals, the Rename Sherbourne Park contest was designed to:<br />
• Expand the core audience for waterfront revitalization by drawing at least 50% <strong>of</strong> name<br />
submissions from outside our core waterfront communities.<br />
• Engage young people in the contest by focusing on social media channels and through outreach<br />
to selected <strong>Toronto</strong> schools and colleges.<br />
• Promote Sherbourne Park during the construction phase by garnering at least 30 media mentions<br />
(10 per month) from April through June 2010.<br />
• Solicit at least 300 name submissions (double the 150 received during the previous City park<br />
naming contest) and at least 1,000 votes (some from outside <strong>Toronto</strong> to show reach).<br />
• Increase traffic by 20% to the Sherbourne Park page on Waterfront <strong>Toronto</strong>’s website.<br />
• Generate at least one media story in a national daily to ensure some national promotion.<br />
• Solidify a relationship with a key blog identified in the 2009 Online Influencer Audit.<br />
• Involve key stakeholders and ensure they champion the contest.<br />
4. Solution Overview: We designed the contest model and promotion strategy to correspond with our<br />
overarching communication and marketing goals, demographic research and the contest objectives listed<br />
above. Specific tactics included:<br />
• Contest Model: The model included two phases: a name submissions phase and voting phase<br />
(with two rounds <strong>of</strong> voting). Employing this phased approach broadened the contest’s reach and<br />
created numerous opportunities for promotion in the months prior to the park opening.<br />
41
• Contest Website: Working with <strong>Toronto</strong>ist, Waterfront <strong>Toronto</strong> developed a voting website for the<br />
contest with links to Waterfront <strong>Toronto</strong>’s website and the Sherbourne Park project page. The<br />
site www.torontoist.com/namethepark accommodated all contest phases and featured a park<br />
description and renderings, contest rules and the City <strong>of</strong> <strong>Toronto</strong>’s parks naming protocol.<br />
• Media Relations: The contest was designed to be primarily promoted online. We identified the<br />
need for a media partner and selected online news website <strong>Toronto</strong>ist based on a study <strong>of</strong><br />
influential blogs. <strong>Toronto</strong>ist provided legitimacy within online communities and promoted the<br />
contest daily on its site and regularly on Twitter. <strong>Toronto</strong>ist also had a content-sharing<br />
relationship with one <strong>of</strong> Canada’s national newspapers. To reinforce <strong>Toronto</strong>ist’s coverage, we<br />
capitalized on contest milestones by issuing four news releases and three blog postings on our<br />
social media newsroom. We also promoted the contest on our Twitter feed and Facebook page.<br />
• Stakeholder Engagement:<br />
o Selection Committee: To maintain some control and to encourage participation from key<br />
stakeholders, Waterfront <strong>Toronto</strong> convened a Selection Committee whose role was to<br />
review park name submissions and select a shortlist for voting. We strategically chose<br />
members who would help promote the contest. In addition to Waterfront <strong>Toronto</strong> and<br />
<strong>Toronto</strong>ist, the Selection Committee included a prominent City Councillor, a student<br />
council vice-president <strong>of</strong> the local college under construction next to the park, the park’s<br />
landscape architect and a representative <strong>of</strong> the real estate development community.<br />
Each <strong>of</strong> these stakeholders became champions <strong>of</strong> the contest and promoted it widely.<br />
o Heritage Advocates: Waterfront <strong>Toronto</strong> and the City have long been approached by<br />
heritage advocates who want to name parks and streets after historical figures. The<br />
contest allowed Waterfront <strong>Toronto</strong> to engage heritage advocates in a meaningful way<br />
without setting unrealistic expectations.<br />
• City Marketing Channels: Waterfront <strong>Toronto</strong> targeted City <strong>of</strong> <strong>Toronto</strong> marketing channels – both<br />
print and online – to promote the contest to all residents <strong>of</strong> the City. We contributed content to the<br />
city’s quarterly printed newsletter which is mailed to 968,000 homes (including apartments and<br />
condos) as well as 50 community centres and 99 public libraries. We also took advantage <strong>of</strong> City<br />
Councillor newsletters and websites to promote the contest.<br />
• School Promotion: Given the size <strong>of</strong> <strong>Toronto</strong> and the number <strong>of</strong> schools, we strategically targeted<br />
two students groups: George Brown College students who will have a new campus on the<br />
waterfront in September 2012 and the Harbourfront Centre School Visits Program, an<br />
organization that brings students from outside the waterfront area to the water’s edge for learning<br />
opportunities. We created a PowerPoint classroom tool about the park (and contest) to help<br />
facilitate learning opportunities.<br />
• Contest Logo: To help distinguish the contest from our corporate marketing materials, we<br />
commissioned <strong>Toronto</strong>ist to create a youthful, illustrated logo treatment for all contest collateral.<br />
• Site Marketing: The north end <strong>of</strong> the park is visible from a main traffic thoroughfare so we created<br />
a 4 x 30 foot banner advertising the contest featuring the illustrated contest logo.<br />
• Rules and Regulations: We created a rules and regulations document for the website to guide the<br />
contest and protect Waterfront <strong>Toronto</strong>, the City and <strong>Toronto</strong>ist from possible liability issues.<br />
All communication tactics helped reinforce both corporate and contest key messaging most notably that<br />
after years <strong>of</strong> planning, the revitalization <strong>of</strong> <strong>Toronto</strong>’s waterfront is underway and that the contest gives<br />
people an opportunity to be part <strong>of</strong> the history <strong>of</strong> this remarkable transformation.<br />
5. Implementation and Challenges: As an agency <strong>of</strong> three levels <strong>of</strong> government we operate in a very<br />
sensitive political environment. Our communications are examined under a lens <strong>of</strong> fiscal responsibility<br />
and government accountability. With this environment in mind, we faced the following challenges:<br />
o Contest promotion budget: The budget including promotion and web development could not<br />
exceed $7,000. Since a monetary prize was not an option, the winner would be recognized at the<br />
park’s <strong>of</strong>ficial opening alongside government <strong>of</strong>ficials including Canada’s Finance Minister. By<br />
42
engaging a media partner and taking advantage <strong>of</strong> cost-free marketing options, we were able to<br />
administer and promote the contest for about $4,000, significantly less than the budget allotted.<br />
o Limited Website Staff: Because our staff did not have the resources to develop a web portal<br />
with voting features, we sought a media partner with the ability to develop the web application.<br />
o Government Relations: In the past, the City has been reluctant to involve Waterfront <strong>Toronto</strong> in<br />
park naming. To overcome this hurdle, we engaged the local City Councillor and key parks staff<br />
in early contest planning. Our strategy ensured that the City understood the benefits <strong>of</strong> a public<br />
naming contest and gave them some ownership in the process. City staff ultimately became<br />
champions <strong>of</strong> the contest.<br />
o Managing Public Expectations: Several groups formed over social media networks to promote<br />
and advocate for their chosen names. To set expectations, we reinforced our key message that<br />
despite a submission’s popularity, the new name should take into consideration the park’s setting<br />
on <strong>Toronto</strong>’s waterfront in the heart <strong>of</strong> Canada’s newest, most technologically advanced and<br />
sustainable community.<br />
6. Measurement / Evaluation: The contest was positively received by our stakeholders and surpassed<br />
our stated communication goals and objectives which included:<br />
• Expanding the core audience for waterfront revitalization beyond waterfront communities:<br />
Analysis shows that 69.7% <strong>of</strong> the contest name submissions came from neighbourhoods outside<br />
the waterfront area. In addition, 968,000 homes and 250 libraries/community centres across the<br />
GTA received information about the contest through City marketing channels alone.<br />
Engaging young people in the contest using social media and targeted outreach: We<br />
tapped into <strong>Toronto</strong>ist’s youth demographic by choosing them as our media partner. <strong>Toronto</strong>ist<br />
averages 300,000 readers per month – 49% <strong>of</strong> whom are between the ages <strong>of</strong> 18 and 34 and<br />
69% between 18 and 49. It has 21,000+ Twitter followers and 2,500+ Facebook fans. Given<br />
<strong>Toronto</strong>ist’s online influence, the contest generated a steady stream <strong>of</strong> activity on Twitter and in<br />
the blogosphere. At the height <strong>of</strong> the contest, we logged more than 200 comments on prominent<br />
and independent blogs. We also promoted the contest to high school and college students<br />
through our partnership with George Brown College and Harbourfront Centre. Several teachers<br />
(outside the core waterfront area) used the presentation we created for their classes and<br />
approximately 150 <strong>of</strong> those students attended the <strong>of</strong>ficial park opening in the fall. In addition,<br />
George Brown students tweeted about the contest.<br />
• Promoting Sherbourne Park during the months leading up to the opening: Prior to the<br />
contest, the park was receiving approximately 1-3 media mentions per month. During the contest<br />
period, the park received 71 media mentions (13,984,981 reach).<br />
• Generating at least one national media story: the contest was promoted three times in the<br />
National Post and prompted a broader article about community engagement. It was also featured<br />
twice in Canadian <strong>Business</strong> Magazine. Because <strong>of</strong> this national exposure, we received entries<br />
from across Canada and the contest winner was from Alberta not <strong>Toronto</strong>.<br />
• Soliciting at least 300 names for the contest and at least 1,000 votes: 500 names were<br />
submitted and more than 3,500 votes were received.<br />
• Increasing traffic on Waterfront <strong>Toronto</strong>’s website: The average number <strong>of</strong> views to our<br />
Sherbourne Park project webpage increased over 700% at the peak <strong>of</strong> the contest from<br />
approximately 179 unique views per month prior to contest launch to 1,466 unique views in June<br />
2010.<br />
• Solidifying a relationship with a key <strong>Toronto</strong> blog: At the beginning <strong>of</strong> the contest, <strong>Toronto</strong>ist<br />
had a limited understanding <strong>of</strong> Waterfront <strong>Toronto</strong> and our mandate. By the end <strong>of</strong> the year,<br />
<strong>Toronto</strong>ist named Waterfront <strong>Toronto</strong> one <strong>of</strong> its “Heroes <strong>of</strong> 2010” during its popular, annual<br />
Heroes and Villains competition.<br />
43
• Involving key stakeholders in the process: Including the City Councillor and the City <strong>of</strong><br />
<strong>Toronto</strong> in contest planning ensured that both championed the contest process at Community<br />
Council where the selected park name was approved on June 23, 2010. In addition, each<br />
member <strong>of</strong> the Selection Committee attended the <strong>of</strong>ficial park opening several months after the<br />
contest.<br />
In addition to these important results, our contest triggered another naming contest within the <strong>Toronto</strong> real<br />
estate development community showing that our model resonated with one <strong>of</strong> our key secondary<br />
audiences. And at the park opening in September, Canada’s Finance Minister Jim Flaherty referenced<br />
the contest in his speaking remarks and applauded the park’s winning name “Sherbourne Common”<br />
which he called “a great name and a historical name… giving a message <strong>of</strong> access and availability to<br />
everyone.”<br />
44
Entrant’s Name: Katherine Power<br />
Organization: Medtronic <strong>of</strong> Canada Ltd.<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget up to $50K<br />
AWARD OF MERIT<br />
Title <strong>of</strong> Entry: RestoreSensor Media Launch<br />
Division 1: Community Management/ Category 4a: Media Relations with budget up to $50K<br />
Time Period: October-December 2010<br />
Brief Description: This OVATION submission outlines the Canadian media launch <strong>of</strong> a revolutionary<br />
pain management therapy developed by Medtronic.<br />
<strong>Business</strong> Need/Opportunity:<br />
Medtronic <strong>of</strong> Canada’s vision is to change the face <strong>of</strong> chronic disease by working closely with physicians<br />
around the world to create therapies that help patients do things they never thought possible. The<br />
company’s Neuromodulation Division (ND) strives to be the leading innovator <strong>of</strong> neurostimulation systems<br />
to treat chronic pain. In 2010, Medtronic received approval from Health Canada to launch its<br />
breakthrough spinal cord stimulation (SCS) technology, RestoreSensor. This “next generation”<br />
neurostimulator senses changes in body position and automatically adjusts the level <strong>of</strong> stimulation for<br />
optimal pain relief, a world first. For sufferers <strong>of</strong> severe chronic back pain, RestoreSensor’s positionadaptive<br />
technology provides continuous, self-adjusting pain relief and dramatically improved mobility<br />
without painful sensations.<br />
Previous neurostimulators, while effective at blocking pain signals to the brain, are significantly less<br />
efficient at providing optimal pain relief because they require the patient to manually adjust the level <strong>of</strong><br />
stimulation after each change <strong>of</strong> body position.<br />
Increased public and patient awareness <strong>of</strong> the pain relief and mobility benefits <strong>of</strong> RestoreSensor is<br />
considered essential to achieving ND’s long-term business goal <strong>of</strong> increasing the use <strong>of</strong> neurostimulation<br />
therapy in Canada, which has been in steady decline in recent years due to cost concerns. For example,<br />
since 2004, SCS treatments in Ontario dropped from 152 to 22 procedures, despite recommendations<br />
from the province’s medical community to increase the use <strong>of</strong> SCS therapy (work sample A). Medtronic<br />
believes that the benefits <strong>of</strong> RestoreSensor are so pr<strong>of</strong>ound that it has the potential to reverse this<br />
trend and lead to a robust increase in neurostimulation therapy. Once the benefits <strong>of</strong> RestoreSensor<br />
are understood by the general public, sufferers <strong>of</strong> chronic neuropathic pain and pain management<br />
physicians, Medtronic expects that more physicians and patients will demand SCS as a treatment option.<br />
Currently, most patients who receive SCS therapy fall under private insurance for military, police, fire, and<br />
workmen’s compensation. Anyone falling outside these parameters is highly unlikely to receive the<br />
treatment.<br />
To get the facts out about RestoreSensor’s ability to dramatically improve the quality <strong>of</strong> life for sufferers<br />
<strong>of</strong> chronic neuropathic pain, the company decided to orchestrate a national media campaign, which<br />
featured prominent neurosurgeons and actual patients as spokespeople. This media campaign was<br />
45
designed to encourage patient inquiries and subsequent waiting lists for the treatment, thereby providing<br />
neurosurgeons with the measureable data they require to demonstrate to government that additional<br />
funding for this treatment is required. Earned media was considered by Medtronic to be the most efficient<br />
way to reach a large national audience and stay within a modest budget <strong>of</strong> $20,000.<br />
Medtronic retained Xposure PR, a boutique firm that specializes in earned media, to develop and create a<br />
highly newsworthy campaign to achieve massive media coverage and start the process <strong>of</strong> driving<br />
awareness <strong>of</strong> the benefits <strong>of</strong> RestoreSensor.<br />
Intended Audiences/Stakeholders:<br />
Chronic Pain sufferers and their families and friends – It is estimated that about 340,000 Canadians,<br />
or one per cent <strong>of</strong> the Canadian population, suffers from chronic neuropathic pain. The estimated<br />
incidence <strong>of</strong> chronic neuropathic pain in Canada is based on studies which found that neuropathic pain<br />
afflicts about 1.5 per cent <strong>of</strong> the population in the United States and one per cent <strong>of</strong> the population <strong>of</strong> the<br />
United Kingdom. Pain sufferers and their families are <strong>of</strong>ten desperate for solutions and, therefore, are<br />
highly likely to act on knowledge about the benefits <strong>of</strong>fered by RestoreSensor. Discussions with doctors<br />
and patient groups by Medtronic staff continually demonstrate the desperate need for pain management<br />
solutions.<br />
Members <strong>of</strong> Interventional Pain Programs (neurologists, neurosurgeons, physiatrists,<br />
psychologists and nurses) – It is essential that neurosurgeons and health care pr<strong>of</strong>essionals in<br />
Canada’s Interventional Pain Programs are aware <strong>of</strong> the technology and how it can provide a solution for<br />
neuropathic pain patients. There are 14 Interventional Pain Programs across Canada. Four are currently<br />
performing implants with RestoreSensor. Medtronic’s goal is to have 70 per cent <strong>of</strong> these Centres<br />
trained to conduct RestoreSensor procedures by June 30, 2011.<br />
Provincial governments – Members <strong>of</strong> the provincial government who are involved in funding decisions<br />
for health care in Canada. The Ontario and British Columbia governments are especially important<br />
considering they have large populations and the political climate in both provinces is such that an<br />
advocacy campaign is more likely to be well-received. Politicians generally act and make decisions based<br />
on their constituents’ needs. This campaign is designed to accelerate patient and physician demand for<br />
SCS therapy and to encourage discussions with their government representatives.<br />
Goals and Objectives:<br />
• In the fourth quarter <strong>of</strong> 2010, raise awareness <strong>of</strong> SCS and RestoreSensor through a consumer<br />
media campaign that reaches a broad Canadian audience. Earn 15-20 pieces <strong>of</strong> media coverage<br />
(at least one national) during the week <strong>of</strong> December 9, 2010.<br />
• Secure one broadcast segment in each spokesperson market -- Halifax, Montreal, Sherbrooke<br />
and Regina during the week <strong>of</strong> December 9, 2010.<br />
• Ensure either Medtronic or RestoreSensor is mentioned in at least 50 per cent <strong>of</strong> coverage.<br />
• Generate awareness <strong>of</strong> RestoreSensor through on-line and social media channels during the<br />
week <strong>of</strong> December 9, 2010. Create on-line articles that produce responses from the general<br />
public in at least four cases.<br />
• Encourage pain advocacy groups to communicate about RestoreSensor through their<br />
membership and ensure at least one group proactively shares media coverage during the week<br />
<strong>of</strong> December 9, 2010.<br />
46
Solution Overview:<br />
Once the ND team received approval for RestoreSensor by Health Canada, it contacted the PR team to<br />
develop a coordinated strategy to raise awareness <strong>of</strong> the new therapy. The team decided to coordinate<br />
efforts around the annual North American Neurology conference held in December 2010 where the<br />
majority <strong>of</strong> Canada’s neurosurgeons were in attendance. RestoreSensor was unveiled at the<br />
conference at a special seminar exclusively for Canadian neurosurgeons.<br />
A challenge in developing the communication strategy was that patients do not benefit from<br />
RestoreSensor until at least six weeks after implant. In most cases, Medtronic’s PR strategy is to use<br />
the first implant as the news hook. In this case, there was a six-week grace period. For this reason, the<br />
team adopted an unusual strategy that focused on the technological features <strong>of</strong> the device first and the<br />
patient benefit second.<br />
To prepare for the launch, four neurosurgeons in Halifax, Montreal, Sherbrooke and Regina were trained<br />
to conduct the surgery and 10 patients were implanted with the device in early October 2010. The goal<br />
was to garner evidence <strong>of</strong> how RestoreSensor drastically improved the lives <strong>of</strong> these patients, and<br />
have the neurosurgeons and healthy patients available for media interviews in early December 2010.<br />
To achieve massive consumer coverage, the PR team focused on the accelerometer in the device and<br />
used an analogy with consumer gadgets – the Nintendo Wii and Apple iPhone as two examples <strong>of</strong><br />
consumer items that make use <strong>of</strong> an accelerometer. This allowed the team to turn a potentially<br />
complicated message about the physics <strong>of</strong> the device into something consumers would immediately<br />
understand.<br />
A key component <strong>of</strong> the campaign was to create strong materials for media pitching and inform<br />
spokespeople about the various aspects <strong>of</strong> the RestoreSensor product. Great care was spent on the<br />
Q&A and key message documents to ensure spokespeople were well-informed. It is always a risk to<br />
utilize external spokespeople; however the teams agreed the story was much better told by the surgeons<br />
and patients than by Medtronic spokespeople who could be perceived as being self-serving and overly<br />
commercial (work samples B and C).<br />
Katherine Power was the Public Relations Lead for the media launch and worked with marketing to<br />
develop the overall strategy and connect with various hospital staff and spokespeople. She briefed the<br />
spokespeople, coordinated the agency activities, handled the budget and provided support to approve<br />
materials.<br />
Implementation and Challenges:<br />
It was decided that the agency would send out a media pitch/invite <strong>of</strong>fering interviews with patients and<br />
surgeons on one day – December 9, 2010. The media were also provided with embargoed backgrounder<br />
documents, outlining the procedure and discussing the issue <strong>of</strong> chronic pain. The media team was also<br />
armed with high-quality b-roll and various images to garner interest among TV and print media. It was<br />
decided not to utilize an <strong>of</strong>ficial news release to generate interest. The media team felt the power <strong>of</strong> the<br />
consumer angle and spokespeople were strong enough to interest consumer media. Instead <strong>of</strong> focusing<br />
on the product itself, the backgrounder documents focused on the technology and the need for the<br />
product. This ensured the campaign was less product-focused and more lifestyle/issue-focused. (work<br />
sample D)<br />
47
A major challenge was organizing the schedules <strong>of</strong> four neurosurgeons and their patients and ensuring<br />
the PR staffer in each hospital was engaged in and supportive <strong>of</strong> the interviews. In addition, we did not<br />
have a spokesperson available in Ontario, Canada’s largest media market and home to all major national<br />
news networks. At the last minute, the team was also informed that there were no suitable patients<br />
available for interviews in Montreal, Halifax and Sherbrooke. The team adapted by working with the<br />
neurosurgeon and patient in Regina for the majority <strong>of</strong> interviews. The team utilized Google docs to keep<br />
everyone informed <strong>of</strong> the media interview schedule, times, logistics and details.<br />
December 9 th started <strong>of</strong>f with an interview on Canada AM and ended the day with CBC The National – the<br />
two most watched morning and evening national newscasts in the country (with a combined viewing<br />
audience <strong>of</strong> 1.5 million.)<br />
Timeline:<br />
Date Activity<br />
October 4-8 ND and PR teams met to discuss project. PR team brought in<br />
agency to brainstorm and determine plans.<br />
October 11-15 10 patients were implanted with RestoreSensor. Agency began<br />
creating media documents and adapting European video and<br />
documentation to Canadian requirements.<br />
October 18-29 Documents and media kit refined/approved, media lists<br />
developed.<br />
November 1-12 Hospital PR staff briefed on project. Media kit approved and sent<br />
for translation.<br />
November 15-26 Spokesperson training and message refinement.<br />
December 6-9 Product launch to Canadian neurosurgeons and nurses at global<br />
conference to ensure key surgeons were aware <strong>of</strong> the procedure<br />
before the public launch.<br />
December 6-18 Invite media to interview spokespeople on December 9.<br />
Interviews coordinated across country. Media monitoring and<br />
measurement conducted.<br />
Budget: Using a boutique agency reduced costs by approximately 30 per cent as opposed to a larger<br />
firm.<br />
ITEM DESCRIPTION BUDGET<br />
Develop Media Kit Work with existing materials to develop a media kit including<br />
a pitch, Q&A and key messages.<br />
Media Relations Develop media database, conduct media relations outreach<br />
and work with spokespeople to coordinate interviews<br />
48<br />
$5,000<br />
68 hours –
Video and materials<br />
creation<br />
Account<br />
management<br />
nationally. $10,200<br />
Work with video to develop Canadian format. Develop<br />
coverage video for use by Medtronic marketing staff.<br />
On-going strategic counsel with client, planning, status<br />
meetings and reports.<br />
49<br />
$2,500<br />
15 hours --<br />
$2,300<br />
Total $20,000<br />
Measurement and Evaluation:<br />
This was a highly successful media campaign that was delivered within budget. Coverage analysis<br />
tracked 55 media hits nationally. The campaign achieved 16.5 million media impressions, confirming that<br />
information on RestoreSensor reached the broad audience required.<br />
SMART Objectives Set Prior to Launch Result Status<br />
Earn 15-20 pieces <strong>of</strong> media print coverage<br />
(at least one national) during the week <strong>of</strong><br />
December 9, 2010<br />
Secure one broadcast segment in each<br />
spokesperson market -- Halifax, Montreal,<br />
Sherbrooke and Regina during the week <strong>of</strong><br />
December 9, 2010.<br />
Ensure either Medtronic or RestoreSensor<br />
mentioned in + 50% <strong>of</strong> coverage<br />
Generate awareness and chatter <strong>of</strong><br />
RestoreSensor through on-line and social<br />
media channels during the week <strong>of</strong><br />
December 9th. Create on-line articles that<br />
produce responses from the general public in<br />
at least four cases.<br />
Encourage pain advocacy groups to<br />
communicate about RestoreSensor<br />
through their membership and ensure at<br />
least one group proactively shares media<br />
coverage during the week <strong>of</strong> December 9<br />
Fifty-five items <strong>of</strong> coverage to date.<br />
Twenty-four items secured so far across<br />
Canada<br />
Fifty-five per cent <strong>of</strong> articles include<br />
reference to Medtronic<br />
Eighty-two per cent <strong>of</strong> articles include<br />
reference to RestoreSensor<br />
Seventeen online stories achieved nine<br />
million media impressions. Tweeting and<br />
blogging were very active post-launch.<br />
Online stories generated significant<br />
chatter. For example, Halifax Herald<br />
article was the third most popular article<br />
<strong>of</strong> the day on December 10 th . The article<br />
was also recommended by 48 people and<br />
46 emailed to someone else.<br />
Canadian Pain Coalition shared CBC The<br />
National’s coverage with 1000 members<br />
through an email blast.<br />
Exceeded<br />
Exceeded<br />
Exceeded<br />
Exceeded<br />
Met
Additional measures <strong>of</strong> campaign success:<br />
• This campaign raised awareness <strong>of</strong> SCS therapy: 82 per cent <strong>of</strong> articles discussed how SCS works.<br />
• As <strong>of</strong> January 21, 2011, 27 Canadian patients have received RestoreSensor implants. Increase <strong>of</strong><br />
17 patients in approximately one month.<br />
• ND gained a new Pain Program client from a competitor as a result <strong>of</strong> the RestoreSensor launch.<br />
• Producer from Canada AM congratulated agency on media pitch and stated the story was pitched<br />
“perfectly” and spokespeople were wonderful to work with (see work sample I).<br />
• Assistant to main spokesperson Dr. Kumar – stated that the phones were “ringing <strong>of</strong>f the hook” with<br />
people wanting to inquire about how this therapy can help them or one <strong>of</strong> their loved ones.<br />
50
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget up to $50K<br />
AWARD OF MERIT<br />
Entrant’s Name: Michelle Noble, Director <strong>of</strong> Communications and Marketing<br />
Organization: Waterfront <strong>Toronto</strong><br />
Title <strong>of</strong> Entry: Promoting Canada’s Sugar Beach<br />
Division 1: Community Management / Category 4a: Media relations with budget up to $50k<br />
Time Period: October 2009 – December 31, 2010<br />
Brief Description: Waterfront <strong>Toronto</strong> leveraged multiple steps in the development <strong>of</strong> the new park<br />
Canada’s Sugar Beach to demonstrate that waterfront revitalization is happening and that the result is<br />
sweet.<br />
1. <strong>Business</strong> Need/Opportunity:<br />
<strong>Toronto</strong> is one <strong>of</strong> the last major waterfront cities to redevelop its waterfront. The city has a massive<br />
amount <strong>of</strong> underutilized old industrial land near its downtown and for many decades, waterfront<br />
redevelopment had been the subject <strong>of</strong> great debates, studies, taskforce reviews, and grand plans.<br />
However, for many reasons, but most especially due to the lack <strong>of</strong> senior government funding support,<br />
there had been very little actual redevelopment.<br />
In 2001, following the recommendations <strong>of</strong> yet another government appointed taskforce, the governments<br />
<strong>of</strong> Canada, Ontario and <strong>Toronto</strong> announced their support and initial funding to start a 25-year project to<br />
revitalize <strong>Toronto</strong>’s waterfront. In 2002, they established Waterfront <strong>Toronto</strong> (WT) as a small arm’s length<br />
organization to lead the revitalization project, which is the largest urban renewal project in North America<br />
and one <strong>of</strong> the largest waterfront redevelopment projects ever undertaken in the world.<br />
Public awareness <strong>of</strong> and support for waterfront revitalization is vital to the success <strong>of</strong> WT. Ensuring that<br />
political funders and the public that elect them continue to see the value in waterfront revitalization is<br />
paramount to the ongoing life <strong>of</strong> the initiative. WT is a unique organization in that it is accountable to three<br />
orders <strong>of</strong> government and its existence depends on ongoing funding support from each <strong>of</strong> those<br />
governments. Strong public support for revitalization and ensuring that the public sees the large public<br />
investment in waterfront renewal as money well spent is fundamental to maintaining political support.<br />
Today, due to turbulent financial times and elections being waged and won on “stop the gravy train”<br />
platforms, it is critical that politicians and the public see and value waterfront revitalization as an<br />
investment that yields great returns and not as an unaffordable luxury.<br />
When WT was created, it was only given a funding commitment by the governments for a fraction <strong>of</strong> the<br />
money required for the revitalization process. Within the next five years, WT will have spent its initial<br />
funding and will require government commitments for new funding. Also, the organization is hoping to<br />
launch a public fundraising campaign within the next three years to raise additional much-needed capital.<br />
Few people or politicians are willing to invest in projects that don’t produce results, so to help ensure the<br />
success <strong>of</strong> the planned future appeals, WT has to demonstrate visible progress in revitalizing the<br />
waterfront.<br />
51
Urban renewal is a marathon not a sprint, and the early stage <strong>of</strong> the revitalization process is not work that<br />
the public can easily see. WT spent several years master-planning communities, carrying out required<br />
environmental assessments, consulting with the public and stakeholders, designing projects, and<br />
undertaking extensive preparatory work such as building infrastructure and remediating contaminated<br />
soil. While the organization has completed several small projects that have been well-received, most<br />
<strong>Toronto</strong>nians have not seen enough progress to overcome their well-ingrained skepticism that waterfront<br />
revitalization is happening. Canada’s Sugar Beach would be the first new park to open in the first new<br />
community being developed through WT’s redevelopment process and it <strong>of</strong>fered the organization a<br />
wonderful opportunity to prove to all that revitalization is happening.<br />
In April 2009, WT undertook public opinion research through an Environics omnibus survey <strong>of</strong> City <strong>of</strong><br />
<strong>Toronto</strong> residents. The research was intended to measure the support for and awareness <strong>of</strong> waterfront<br />
revitalization. Overall, more than 80 per cent <strong>of</strong> respondents said that revitalization is important (47 per<br />
cent very important and 35 per cent somewhat important).<br />
However, when asked how much progress had been made on the revitalization <strong>of</strong> <strong>Toronto</strong>’s waterfront,<br />
four per cent said a lot <strong>of</strong> progress, 32 per cent said some progress, 42 per cent said little progress, 12<br />
per cent said no progress at all, and 11 pe rcent said they did not know. When asked what they would like<br />
to see in a revitalized waterfront, the most common responses were parks (27 per cent), more public<br />
spaces (14 per cent) and recreational facilities (13 per cent).<br />
2. Intended Audiences: Our primary target audience was <strong>Toronto</strong> residents and since we do not have<br />
a budget for advertising, our way to reach them was through local media. A secondary audience for<br />
us was our government partners, who use media coverage <strong>of</strong> our waterfront revitalization projects as<br />
one <strong>of</strong> their return on investment measures. Our target media audience was <strong>Toronto</strong> newspapers,<br />
radio, television and on-line outlets such as key blogs and websites. The types <strong>of</strong> journalists that we<br />
wanted to reach included those who cover <strong>Toronto</strong> news, urban development, architecture, and urban<br />
affairs, and we also wanted to reach editorial writers and columnists at key newspapers.<br />
3. Goals/Objectives: Our overall goal was to utilize the development and opening <strong>of</strong> the renewed<br />
waterfront’s first new park, Canada’s Sugar Beach to prove to skeptical <strong>Toronto</strong>nians (and even more<br />
skeptical <strong>Toronto</strong> media) that waterfront revitalization is happening and that it will benefit them and<br />
the city.<br />
Objectives:<br />
• Leverage all phases <strong>of</strong> the project (groundbreaking, construction and opening) to gain maximum<br />
media coverage and build interest in the park. We set a target <strong>of</strong> one advance story (from the<br />
groundbreaking and/or construction) in five to seven media outlets, plus stories on the opening <strong>of</strong><br />
the park in 15 to 20 media outlets. We hoped to achieve an ambitious audience reach <strong>of</strong><br />
12,500,000 – equal to five times <strong>Toronto</strong>’s population.<br />
• Establish the park as a great new public asset for <strong>Toronto</strong>nians. This would be measured by the<br />
tone <strong>of</strong> the media coverage and public use <strong>of</strong> the park which is <strong>of</strong>f the beaten trail, separated<br />
from the existing waterfront area and not easily reached. We also wanted the park to become part<br />
<strong>of</strong> the fabric <strong>of</strong> <strong>Toronto</strong> and this would be measured by traditional and social media<br />
interest/coverage beyond the <strong>of</strong>ficial opening <strong>of</strong> the park.<br />
• Achieve media stories that were not only about the new park but also included our key messaging<br />
about how the park was transforming a parking lot in an old industrialized area, and most<br />
important <strong>of</strong> all, that the park was a sign <strong>of</strong> the progress being made in revitalizing the waterfront.<br />
52
4. Solution Overview: We created a comprehensive media relations program to promote Canada’s<br />
Sugar Beach and position it as a symbol <strong>of</strong> the larger waterfront revitalization story. The program was<br />
focused on leveraging the construction and opening <strong>of</strong> the new park and it included a number <strong>of</strong> key<br />
elements.<br />
We held media events that featured our three government funders to commemorate the groundbreaking<br />
and the <strong>of</strong>ficial opening. One <strong>of</strong> our underlying key business needs is to maintain funding support from<br />
the three orders <strong>of</strong> government, and with this is mind we created events that provided a platform for each<br />
to highlight their investment and support for <strong>Toronto</strong> and its waterfront. For WT, the politicians added an<br />
extra draw for the media and their presence helped raise the pr<strong>of</strong>ile and stateliness <strong>of</strong> the events and<br />
thereby the importance <strong>of</strong> the park. The events also provide WT with crucial face time with the politicians<br />
and a chance to show them first-hand the progress being made with waterfront renewal.<br />
To ensure consistent and focused messaging and to prepare our government partners for the events, we<br />
supplied them with detailed event scenarios plus key messaging and question/answer documents. Media<br />
materials included government logos and quotes from politicians that reinforced the transformation and<br />
sign <strong>of</strong> progress messaging. We also produced video highlights <strong>of</strong> both events featuring clips <strong>of</strong> the<br />
politicians which we posted on our social media newsroom and on YouTube, plus we shared these with<br />
the politicians so that they could also use them.<br />
All aspects <strong>of</strong> the events were planned and staged to deliver against our objectives. For the<br />
groundbreaking, the event was designed to show how the park would transform an old industrial area and<br />
parking lot. The email invitation featured a park rendering. The event was held within the construction<br />
area <strong>of</strong> the park under a pink tent (the colour <strong>of</strong> the park’s future umbrellas). Large banners featuring park<br />
renderings decorated the construction fencing around the site. The photo opportunity had the politicians<br />
and the WT Board Chair in WT-branded hard hats using branded pick axes to “dig” up the pavement <strong>of</strong><br />
the parking lot that was going to become the new park.<br />
For the <strong>of</strong>ficial opening, an email and print invitation designed as a postcard with a beauty shot <strong>of</strong> the<br />
park and a “wish you were here” message was used to promote the event. The event was staged in the<br />
middle <strong>of</strong> the park, so visitors had to stroll down the park’s tree-lined main walkway. The stage was set<br />
with the park’s sandy beach, splashpad water feature and the harbor in the background. The event was<br />
designed as a beach party and guests were entertained by a Calypso band and enjoyed fruit smoothies<br />
with umbrellas. The photo opportunity had politicians cutting a WT branded ribbon in front <strong>of</strong> the<br />
splashpad. To ensure the space was animated, we arranged for beach Frisbee players and invited<br />
children (<strong>of</strong> staff members/consultants) to attend and use the water feature.<br />
To leverage the construction <strong>of</strong> the park, we featured regular construction updates in our e-newsletter<br />
which is sent to our key media list as well as our larger database. We provided key journalists with regular<br />
updates on the park’s status. Plus we <strong>of</strong>fered and took journalists on guided walking tours <strong>of</strong> the<br />
construction site (complete with required safety gear) and on-site interviews with our Director <strong>of</strong> Parks.<br />
Imagery played a major role in our media relations efforts. For the groundbreaking, we provided the<br />
media with a disk with the park’s renderings. For the opening, we had a number <strong>of</strong> beauty shots <strong>of</strong> the<br />
park taken, and provided those to the media along with a series <strong>of</strong> dramatic before and after images to<br />
showcase the transformation.<br />
53
5. Implementation and Challenges:<br />
Budget: $31,596 ($13,357 for the groundbreaking and $18,239 for the <strong>of</strong>ficial opening)<br />
The budget included all costs associated with the events including the costs to produce banners and<br />
photography.<br />
Key Challenges: Timing and availability <strong>of</strong> politicians. Federally, WT reports to Jim Flaherty who is also<br />
Finance Minister and who does not have a flexible schedule. However, it is not only his schedule that we<br />
needed to work with. For both events, we needed to find a date that worked for Flaherty, the Mayor <strong>of</strong><br />
<strong>Toronto</strong>, the local city councilor and the Provincial Minister <strong>of</strong> Infrastructure, and a date that made sense<br />
for the project.<br />
• We had hoped to hold the groundbreaking event in September when construction started but due to<br />
lack <strong>of</strong> availability we ended up with an early October date. A week before the event, we were forced<br />
to reschedule again due to a change in availability. Luckily, we had not yet sent out media materials.<br />
The new date was at the end <strong>of</strong> October (not great for an outdoor event at a construction site) more<br />
than two months after construction started on the park. We arranged for a small piece <strong>of</strong> the parking<br />
lot site to be preserved for our photo op and as a base for the event. Construction crews worked<br />
around it for a month. We then had to stage an event with 150 people in the midst <strong>of</strong> an active<br />
construction site. To avoid having to have everyone in safety gear (steel toe boots, hard hats and<br />
goggles), we created a fenced <strong>of</strong>f safety zone within the site for the event. We tented an area and<br />
used the preserved parking lot pavement as a tent floor.<br />
• The timing <strong>of</strong> the <strong>of</strong>ficial opening was also challenging. Park construction was slightly behind<br />
schedule, but we wanted <strong>Toronto</strong>nians to be able to use the park for as much <strong>of</strong> the summer as<br />
possible. So we opened the park to the public in late June even though finishing touches were still<br />
being completed. Meanwhile the politicians were not available until early August for an <strong>of</strong>ficial event.<br />
In early July, we staged a s<strong>of</strong>t launch, and promoted the park through our e-newsletter and through a<br />
featured post on our website and social media newsroom and ended up generating a great deal <strong>of</strong><br />
media coverage. This created the additional challenge <strong>of</strong> maintaining media interest to ensure<br />
coverage <strong>of</strong> the <strong>of</strong>ficial opening from outlets that had already covered the s<strong>of</strong>t opening a month<br />
earlier.<br />
6. Measurement/Evaluation <strong>of</strong> Outcomes: Tracking and analysis <strong>of</strong> media coverage for Canada’s<br />
Sugar Beach was conducted as part <strong>of</strong> our regular media monitoring process which is done for us by<br />
Hill and Knowlton. While we do not use the MRP model, we had H & K assess the coverage against<br />
our objectives and for use <strong>of</strong> our key messaging. Our media relations program produced results that<br />
met or greatly exceeded all <strong>of</strong> our objectives and delivered against our overall goal <strong>of</strong> using the<br />
development and opening <strong>of</strong> the park to prove that waterfront revitalization is happening.<br />
• Objective: Leverage all phases to gain maximum media coverage and build interest in the new park.<br />
o Our media relations efforts for Canada’s Sugar Beach resulted in 392 media stories and a total <strong>of</strong><br />
157,991,849 media impressions – more than 10 times our target goal <strong>of</strong> 12.5 million.<br />
o During the groundbreaking and early construction phase, we achieved 20 media stories. After the<br />
s<strong>of</strong>t opening <strong>of</strong> the park in July, we achieved an additional 49 stories. Our <strong>of</strong>ficial opening on<br />
August 9 resulted in 156 media stories – including several live broadcast remotes. We achieved<br />
coverage in all major <strong>Toronto</strong> daily newspapers, on all leading radio and television stations, plus<br />
we had extensive coverage on all the leading <strong>Toronto</strong> blogs and websites.<br />
54
• Objective: Establish the park as a great new public asset for the people <strong>of</strong> <strong>Toronto</strong> and make the park<br />
part <strong>of</strong> the fabric <strong>of</strong> the city.<br />
o Some 271 <strong>of</strong> the overall media stories (about 70 per cent) conveyed the message that Canada’s<br />
Sugar Beach is a great new public asset for the people <strong>of</strong> <strong>Toronto</strong>.<br />
o Post-<strong>of</strong>ficial opening media coverage showed that Canada’s Sugar Beach had become part <strong>of</strong> the<br />
fabric <strong>of</strong> the city. In September, Canada’s Sugar Beach was the subject <strong>of</strong> or featured in 86<br />
media stories. Media used the park as a backdrop for weather stories and stand ups. The<br />
<strong>Toronto</strong> Star used the park for its back-to-school fashion photo shoot and featured it in a positive<br />
editorial cartoon. “Go to Sugar Beach” was number one in <strong>Toronto</strong> Life’s “Sixteen things to do in<br />
<strong>Toronto</strong> before summer’s over.”<br />
o Between October and the end <strong>of</strong> 2010, Canada’s Sugar Beach continued to be widely talked and<br />
written about by the media with some 81 media outlets running Canada Sugar Beach stories.<br />
The new park was featured in several 2010 wrap up stories and lists <strong>of</strong> the year’s highlights by<br />
media outlets.<br />
One <strong>of</strong> the first photos <strong>of</strong> new <strong>Toronto</strong> Mayor Rob Ford was <strong>of</strong> him in the park;<br />
The park opening was one <strong>of</strong> the top 20 most viewed posts on Blog TO in 2010;<br />
Despite not being a building, the park was named one <strong>of</strong> Urban <strong>Toronto</strong>’s favourite<br />
buildings <strong>of</strong> 2010 for being a “wonderful addition to the waterfront”;<br />
The park was a National Post 2010 “over achiever” and one <strong>of</strong> the Star’s 10 winners <strong>of</strong><br />
2010<br />
o 57 per cent <strong>of</strong> the overall media coverage and 68 per cent <strong>of</strong> the post-opening coverage<br />
demonstrated that the park had become part <strong>of</strong> the city’s social fabric. This was measured by<br />
coverage that included photos <strong>of</strong> the park in use and focused on or mentioned visiting the park.<br />
o While we had no way to <strong>of</strong>ficially measure park usage – media coverage suggested that it was<br />
well used.<br />
o The park is a popular subject on both Flickr and You Tube with many people uploading content.<br />
o On Twitter, there has been constant tweet activity on the park since it opened.<br />
• Objective: Achieve stories that deliver the transformation messaging and that the park is a sign <strong>of</strong><br />
progress being made in revitalizing the waterfront.<br />
o Just under half <strong>of</strong> the media coverage achieved during the construction <strong>of</strong> the park and through<br />
the <strong>of</strong>ficial opening included the key messaging that the park transformed a parking lot in an old<br />
industrial area into an important new public space.<br />
o Most important <strong>of</strong> all, the majority <strong>of</strong> media coverage included our critical key message that the<br />
park was a sign <strong>of</strong> the progress being made in revitalizing <strong>Toronto</strong>’s waterfront. 57 per cent <strong>of</strong> all<br />
media coverage and 65 per cent <strong>of</strong> coverage during the construction and opening periods<br />
delivered the sign <strong>of</strong> progress message. Some <strong>of</strong> the highlight include:<br />
In a May 6 National Post story entitled “Sweet changes on the waterfront” Peter<br />
Kuitenbrouwer, wrote “<strong>Toronto</strong>'s waterfront is suddenly changing at a remarkable clip... I<br />
spent a couple <strong>of</strong> days in the area this week marveling at the transformation. It is an<br />
exciting time at the water's edge.”<br />
On July 18, the <strong>Toronto</strong> Sun ran an image <strong>of</strong> the park on its cover with the headline “Where<br />
in the world is this?” and inside it featured a two-page spread that included the headline<br />
“Believe it or not, it’s <strong>Toronto</strong> waterfront. And it’s just taken a sweet leap forward.”<br />
In his July 15 column “Sugar Beach Sweet Victory”, the Star’s Christopher Hume said “If<br />
Sugar Beach is any indication, the future <strong>of</strong> <strong>Toronto</strong> and its waterfront have never looked<br />
sweeter.”<br />
The park was also prominently featured in Hume’s Dec. 20 column entitled “City’s future<br />
unfolding on waterfront”. Hume also created two videos about Canada’s Sugar Beach for<br />
the Star.com.<br />
55
Entrant’s Name: Martine Lévy<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget <strong>of</strong> $51K up to $100K<br />
AWARD OF EXCELLENCE<br />
Organization: DDB Public Relations (agency) and Canadian Tourism Commission<br />
Title <strong>of</strong> Entry: Canadian Tourism Commission: Gold Medal Getaways as Only “Locals Know”<br />
Division 1: Communications Management / Category 4A: Media Relations with a Budget <strong>of</strong><br />
$50K up to $100K<br />
Time Period: March to May 2010<br />
Brief Description: Having received special government stimulus funding to help fight the global<br />
recession, the Canadian Tourism Commission (CTC) launched a two-year multi-channel, user-generated<br />
“LOCALS KNOW” campaign encouraging Canadians to explore their own country instead <strong>of</strong> traveling<br />
abroad (based on locals sharing their “inside” knowledge <strong>of</strong> their own backyards with fellow Canadians).<br />
Now in its second year, the CTC capitalized on post-Winter Olympic Canadian pride, and enlisted a host<br />
<strong>of</strong> gold-medal winning athletes and Olympic celebrities to act as “local tourism ambassadors” who wanted<br />
to share their “gold medal getaways” on LOCALSKNOW.ca. This highly successful media relations<br />
campaign, coupled with an innovative Twitter Poll with followers <strong>of</strong> the Lonely Planet, reached an<br />
audience <strong>of</strong> over 16 million, featured one <strong>of</strong> the highest performing contests in CTC history, and far<br />
outperformed expectations on domestic travel package sales.<br />
The Canadian Tourism Commission (CTC) is a national government-funded tourism marketing<br />
organization. It is dedicated to inspiring the world to explore Canada through innovative and<br />
unconventional marketing. The CTC works in partnership with the Canadian tourism industry and various<br />
levels <strong>of</strong> governments, regularly conducts research, and promotes product and industry development.<br />
1. <strong>Business</strong> Need and Opportunity:<br />
In an effort to fight the global recession, the Canadian Tourism Commission (CTC) received $10 million in<br />
special stimulus funding from the government, to promote domestic tourism and to help stimulate the<br />
economy over the course <strong>of</strong> two years.<br />
Within the global tourism industry, Canada is vastly outspent by other national tourism organizations so<br />
the CTC must consistently out-think versus out-spend its competitors, especially on the midst <strong>of</strong> a global<br />
recession. For example, Canada represents the largest international travel market for the US and, as a<br />
result, are heavily marketed to – the CTC must constantly fight for “share <strong>of</strong> mind” when it comes to<br />
domestic travel. Within this context, internal research from the CTC in late 2009 indicated that while the<br />
strong Canadian dollar was enticing for Canadians to travel to the US or abroad, ongoing security issues<br />
for US travel, coupled with an uncertain economic climate, presented a strong opportunity to promote<br />
domestic travel and tourism.<br />
However, the CTC’s research also found that while many Canadians say they want to see their own<br />
country, it <strong>of</strong>ten isn’t at the top <strong>of</strong> their priority list. Consequently, this stimulus funding was dedicated<br />
exclusively to encouraging Canadians to explore their own country now, taking their consideration away<br />
from other international tourism destinations, in order to keep travel dollars within Canada.<br />
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Consequently, the CTC launched LOCALS KNOW that year, a national integrated communications<br />
campaign. Its hub, LOCALSKNOW.ca featured user-generated travel content and deals from tourism<br />
partners across Canada. The campaign was based on the insight that locals know what people should<br />
see and do in their own stomping grounds. After a hugely successful year with high quality editorial<br />
coverage across Canada, alongside record-breaking website traffic numbers and tourism package sales,<br />
DDB Public Relations (DDB PR) was tasked with out-doing the 2009 results in 2010, in order to continue<br />
building value with stakeholders, for valuable tax dollars spent on this initiative.<br />
As such, in order to bring renewed interest to the LOCALS KNOW asset in 2010, DDB PR identified a<br />
media relations opportunity that leveraged the great national pride generated from the 2010 Olympic<br />
Winter Games. Capitalizing on this, DDB PR implemented a creative and compelling campaign to build<br />
desire among Canadians to explore their own country rather than venturing abroad.<br />
Research: At the onset <strong>of</strong> the campaign, DDB PR utilized a number <strong>of</strong> research tools to collect<br />
background information, gather industry, consumer and stakeholder insights, and leverage key lessons<br />
learned from previous CTC PR campaigns.<br />
Lessons learned from these efforts were built into the media relations program in order to maximize<br />
impact. Specific research efforts included:<br />
• A complete audit <strong>of</strong> national, regional and local editorial coverage to date <strong>of</strong> the following: 1) the<br />
Canadian Tourism Commission’s innovative marketing approach with Canada. Keep Exploring.,<br />
along with an overview <strong>of</strong> its competitors’ activities; 2) Canadian media coverage <strong>of</strong> the LOCALS<br />
KNOW campaign from its <strong>of</strong>ficial launch and its 2009 editorial results; 3) key trends and headline<br />
generating topics from the global travel and tourism industry – including a specific focus on the<br />
“staycation” trend during these economic times<br />
In addition in 2010, DDB PR also leveraged knowledge from:<br />
• Detailed consultations with Radar DDB, the social media division <strong>of</strong> DDB Canada which manages<br />
all <strong>of</strong> the CTC’s social media outreach. DDB PR also conducted its own audit <strong>of</strong> various key<br />
social media outlets, blogs and podcasts – to capture a snapshot <strong>of</strong> the virtual “water cooler”<br />
conversations taking place about tourism.<br />
• A thorough audit <strong>of</strong> the spots and commentary uploaded onto www.localsknow.ca.<br />
• A research audit <strong>of</strong> the CTC’s psychographic traveler groups, also referred to as Explorer Types<br />
(more details are provided under the Intended Audience category below) with specific priority on<br />
the top pre-identified high-yield groups.<br />
• A review <strong>of</strong> past CTC media relations results and conversion studies to gage how much impact<br />
previous campaigns have had on the CTC’s objectives – to help shape this campaign’s<br />
measurable objectives.<br />
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2. Intended Audience:<br />
This PR program used media relations as a strategic communications vehicle to reach traveling Canadian<br />
consumers. In order to ensure the communications messaging was appropriately tailored to this<br />
audience, DDB PR closely considered the CTC’s research and psychographic studies on its target<br />
audience. The CTC employs a highly effective but unconventional approach to consumer segmentation<br />
called the Explorer Quotient. This system identifies distinctions that are much more subtle than the usual<br />
criteria <strong>of</strong> income, age, etc. by identifying the link between social values and travel preferences. In total,<br />
nine Explorer Types exist, and subsequent research identified three <strong>of</strong> these groups as being the best<br />
prospects for domestic Canadian travel: the Authentic Explorer (seeking authentic environments to<br />
observe people in the places they visit); the Cultural Explorer (experiencing and immersing oneself in new<br />
cultures); and the Free Spirit (traveling for the thrill and charge <strong>of</strong> doing new things).<br />
In order to augment the media coverage in 2010, DDB PR identified and targeted a wide media audience<br />
beyond just the national and regional travel beat. It focused on generating local, community-based<br />
editorials while also outreaching to mainstream news beats. DDB PR determined that Canadian media<br />
audiences should include:<br />
• News/community/lifestyle/travel editors at national, regional and local newspapers from coast to<br />
coast<br />
• News/lifestyle and travel producers at radio and TV stations<br />
• News/community/lifestyle/travel editors at online media outlets<br />
3. Goals and Objectives:<br />
Given the CTC’s business objective <strong>of</strong> generating domestic travel, the primary communications goal was<br />
to implement a strategic, niched media relations campaign designed to maximize publicity across<br />
Canada. This would help raise awareness and drive traffic to the LOCALS KNOW website<br />
(www.localsknow.ca), where tourism partner packages could be advertised (subsequently generating<br />
domestic travel sales). A number <strong>of</strong> quantifiable objectives were confirmed based on previous campaign<br />
benchmarks during the planning process to ultimately measure the success <strong>of</strong> the program including:<br />
From a media relations standpoint:<br />
1. At least 50 media hits in mainstream and community-based newspapers across Canada, top<br />
online media outlets (lifestyle and travel beats)<br />
2. Using the Media Relations Rating Points (MRP) evaluation system, obtain a total audience<br />
reach <strong>of</strong> at least 10,000,000 and a cost-per-contact <strong>of</strong> $0.008 (with the industry standard<br />
being set at $0.03).<br />
3. Under the MRP evaluation system, the target MRP score was set at 80 per cent (with the<br />
industry standard being set at 75 per cent). The pre-determined rating criteria included: 1)<br />
website mention 2) brand mention 3) key message inclusion 4) spokesperson quote<br />
From a business-driver standpoint:<br />
4. Support the Gold Medal Getaways contest (detail <strong>of</strong> this tactic is outlined below) via editorial<br />
mentions to generate 30,000 entries, and 5,000 new CTC database opt-ins.<br />
5. Assist in driving increased traffic to www.localsknow.ca via editorials to generate at least<br />
250,000 unique visitors by the end <strong>of</strong> the year<br />
6. Assist in driving traffic to Canada’s tourism partners via 20,000 click-throughs from<br />
advertisements on localsknow.ca<br />
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4. Solution Overview:<br />
After s<strong>of</strong>t-sounding its media relations strategy among a small group <strong>of</strong> select target media, DDB PR<br />
tweaked and then implemented a strategic media relations program designed to generated renewed<br />
editorial interest among mass print, broadcast, online and niche community-based media on the LOCALS<br />
KNOW initiative. Media relations was used as a strategic communications vehicle to drive further traffic to<br />
localsknow.ca. In this way, the campaign would engage the traveling consumer, and build value among<br />
regional and local tourism partners by selling their travel packages (via www.localsknow.ca) with<br />
innovative marketing.<br />
DDB PR’s innovative two-part media relations program included the following:<br />
Part 1 –The Lonely Planet Twitter Poll: DDB PR developed an innovative, newsworthy topic <strong>of</strong><br />
discussion within the social media space and then used it as a media hook to generate feature editorials.<br />
It was based on the following: given that the eyes <strong>of</strong> the world were on Canada during the 2010 Olympic<br />
Winter Games, how interesting would it be find out what the world thinks <strong>of</strong> Canada as a travel<br />
destination now, post-Olympics? Leveraging Lonely Planet’s Twitter audience, the CTC polled 732<br />
followers from across the globe and announced its findings to the media. In the eyes <strong>of</strong> travelers around<br />
the world, Canada topped the charts as one <strong>of</strong> the hottest travel spots in the world, clearly “having it all” in<br />
terms <strong>of</strong> vacation <strong>of</strong>ferings.<br />
Part 2 - Canada’s new local “Tourism Ambassadors”: The second part <strong>of</strong> this media relations<br />
campaign aimed to re-ignite the passion and pride that Canadians from coast to coast felt during the<br />
Winter Olympics. DDB PR secured the participation <strong>of</strong> 39 athletes and celebrities who inspired<br />
Canadians during the Olympics and positioned them as “banding together to become local tourism<br />
ambassadors” – a campaign spokesperson <strong>of</strong> sorts. Each ambassador shared his/her personal<br />
Canadian “gold medal getaway” on localsknow.ca in order to inspire fellow Canadians to also explore<br />
their own country. Famous participating Canadians included: Olympians Alexandre Bilodeau, Joannie<br />
Rochette, and Clara Hughes, Glee’s Cory Monteith, vocalist Keshia Chanté, chef Michael Smith, etc.<br />
DDB PR shot video footage <strong>of</strong> over ten gold-medal winning Olympians personally sharing their “Gold<br />
Medal Getaways” and used it both for b-roll as well as for video clips on localsknow.ca. The “Gold Medal<br />
Getaways” contest was consequently launched on the website, where visitors could view the clips and<br />
vote on their favourite one. With each vote, the visitor would be entered into the contest to have a chance<br />
at creating a winning Canadian getaway <strong>of</strong> their own. Armed with both the innovative Twitter Poll and the<br />
Olympic-inspired local tourism ambassadors, DDB PR implemented an aggressive media relations<br />
campaign both online and <strong>of</strong>fline.<br />
In terms <strong>of</strong> roles and responsibilities, DDB Public Relations handled all aspects <strong>of</strong> research, planning,<br />
program development, implementation and management, and the final media relations campaign<br />
measurement and evaluation. Throughout the two parts <strong>of</strong> the program, the agency worked in seamless<br />
collaboration with the internal CTC marketing team, and the other integrated discipline groups within DDB<br />
(e.g. digital, social media and mass advertising and communications) who worked on other elements <strong>of</strong><br />
the LOCALS KNOW program.<br />
5. Implementation/Challenges:<br />
The total budget for this program, including agency fees and disbursement costs, was $86,600. This<br />
budget included planning and research, program development and management, implementation and<br />
evaluation from March to May 2010.<br />
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The key challenge was as follows: media interest for interview opportunities meant that athletes and<br />
celebrities had to give up their valuable time to promote an effort generated by the Canadian Tourism<br />
Commission. However, the agency felt it would be unethical to “pay” these ambassadors for editorial<br />
interview time, as the public perception would be that they are promoting Canada on their own accord,<br />
based on their own passion for this country. So, working with various agents and publicity/PR managers,<br />
DDB PR carefully managed expectations at the onset <strong>of</strong> this program in order to avoid discord mid-way<br />
through the campaign.<br />
Moreover, juggling tight media deadlines with the incredibly busy schedules <strong>of</strong> Olympians and celebrities<br />
proved to be difficult; however, DDB PR anticipated this challenge ahead <strong>of</strong> time and tactfully managed<br />
expectations on both ends in advance. This prevented frustrations on both the media side and the<br />
spokesperson side. Thinking creatively, the agency at times coordinated “email” interviews with athletes,<br />
or booked media interviews outside traditional business hours.<br />
6. Measurement and Evaluation <strong>of</strong> Outcomes:<br />
Measured against the quantifiable objectives as outlined in the GOALS AND OBJECTIVES category, this<br />
campaign performed as follows:<br />
1. Overall, the media relations campaign generated 64 (target was 50) dedicated editorial stories on<br />
this campaign across print, broadcast and online mediums. Highlights included prominent feature<br />
articles in the <strong>Toronto</strong> Star, La Presse, Vancouver Province, and several community-based<br />
newspapers, as well as a full 15-page photo gallery on the campaign on Canoe.ca.<br />
2. The media relations campaign generated a total reach <strong>of</strong> 16,260,830 (target was 10 million) and a<br />
cost-per-contact <strong>of</strong> $0.006 (target was $0.008).<br />
3. Under the MRP evaluation system, the MRP score was 82.19 per cent (target was 80 per cent)<br />
far surpassing the industry standard for success <strong>of</strong> 75 per cent. The pre-determined rating<br />
criteria that was met included: 1) website mention 2) brand mention 3) key message inclusion 4)<br />
spokesperson quote<br />
4. The “LOCALS KNOW” website continued to attract high traffic figures throughout the campaign,<br />
exceeding its unique visitor target <strong>of</strong> 250,000 ahead <strong>of</strong> schedule. This campaign also overachieved<br />
on expectations in the contesting component with 35,400 entries (target was 30,000),<br />
generating 5,533 new opt-ins for the CTC’s database (target was 5,000). This contest was<br />
extremely successful for the CTC – one <strong>of</strong> the highest performing contests in its history.<br />
5. Most importantly, travel packages on the website out-performed expectations with 33,340 website<br />
click-throughs to travel partners (target was 20,000).<br />
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Entrant’s Name: Jo Langham, ABC<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget <strong>of</strong> $51K up to $100K<br />
AWARD OF EXCELLENCE<br />
Organization: Thornley Fallis Communications / Allstate Insurance Company <strong>of</strong> Canada<br />
Title <strong>of</strong> Entry: Allstate Canada’s Action Against Distraction Campaign<br />
Division 1: Communication Management / Category 4B: Media Relations with Budget <strong>of</strong><br />
$51K up to $100K<br />
Time Period: July 2010–October 2010<br />
Brief Description:<br />
The Action Against Distraction Campaign, created by Thornley Fallis Communications for Allstate<br />
Insurance Company <strong>of</strong> Canada, combined market research, media pitching and a driving challenge event<br />
to bring attention to the dangers <strong>of</strong> distracted driving and Allstate Canada’s commitment to keep<br />
Canadian roads safer.<br />
The campaign positioned Allstate Canada as an authority on safe driving practices and through this one<br />
program increased media coverage for the company by 78 per cent over the total earned media coverage<br />
in 2009.<br />
Need/opportunity:<br />
Things were getting out <strong>of</strong> hand on Canadian roads. Every day drivers were more focused on their cell<br />
phones, iPods or GPS devices instead <strong>of</strong> on the road. A 2006 study by the Virginia Tech Transportation<br />
Institute showed that distracted driving was the cause <strong>of</strong> eight out <strong>of</strong> 10 collisions. By early 2010, eight<br />
out <strong>of</strong> 10 Canadian provincial governments had passed legislation to ban using cell phones without a<br />
hands-free device when driving. However, six months after the new cell phone ban began in Ontario,<br />
drivers were still not taking the ban seriously. Therefore, Allstate Insurance Company <strong>of</strong> Canada asked<br />
Thornley Fallis Communications (TFC) to develop an initiative that would change how Canadian drivers<br />
view distracted driving and make them commit to driving distraction-free.<br />
Insurance is not lovable; no one likes to buy car insurance. And insurance companies are <strong>of</strong>ten seen as<br />
indistinguishable from each other in the minds <strong>of</strong> consumers. Research done by Allstate Canada proves<br />
that insurance is a high-research purchase; it is not impulse-driven. Consumers are price conscience and<br />
do their research; however, 50 per cent <strong>of</strong> people shopping for insurance purchase their policy from the<br />
first company they call. High awareness <strong>of</strong> an insurance provider therefore means high consideration by<br />
customers, which drives sales. Allstate Canada wanted to increase its brand awareness through earned<br />
media coverage so the company would be top <strong>of</strong> mind when consumers began their insurance research.<br />
Intended audience(s):<br />
Allstate Canada has insurance agents in five Canadian provinces — Ontario, Quebec, Alberta, Nova<br />
Scotia and New Brunswick. The majority <strong>of</strong> its business is in auto insurance policies purchased by<br />
Ontario residents. Alberta and Quebec have the largest growth potential for new policyholders, but the<br />
company has lower brand recognition than its competitors in these markets.<br />
Allstate Canada identifies its potential clients as primarily female, aged 25–45 years old, financially stable,<br />
above-average income and educated. A secondary audience for Allstate Canada is newly licensed<br />
drivers, 16–24 years old, who are potential policyholders in a few years when they move from driving their<br />
parents’ car to owning their own vehicle.<br />
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A 2006 study conducted by the Traffic Injury Research Foundation, a Canadian organization, found that<br />
55 per cent <strong>of</strong> young drivers aged 16–34 admit to using their cell phone while driving, while only 29 per<br />
cent <strong>of</strong> drivers aged 35 and over do so. Also, 19.5 per cent <strong>of</strong> drivers aged 16–24 said they had to brake<br />
or steer when driving because <strong>of</strong> a distraction inside the vehicle. Another study, funded by the Insurance<br />
Bureau <strong>of</strong> Canada and published in 2007, found that overall new drivers had poorer driving behavior than<br />
more experienced drivers, but both groups were equally affected by cell phone use while driving.<br />
It was clear to TFC and Allstate Canada that young and newly licensed drivers were the group who most<br />
needed to be educated about the dangers <strong>of</strong> driving while distracted. However, older drivers, <strong>of</strong>ten the<br />
parents <strong>of</strong> teen drivers, would also be open to distracted driving messages.<br />
To reach these audiences TFC chose to craft a campaign that would target the following media:<br />
• Tier 1 media, identified as national media, print, broadcast and online, and media outlets in markets<br />
where there is an Allstate Canada insurance agency (AIA) <strong>of</strong>fice, with a particular focus on Alberta<br />
media to grow that market;<br />
• News and auto reporters and morning and drive radio programs<br />
Goals and objectives:<br />
BUSINESS GOAL<br />
• Increase insurance purchase consideration for Allstate Canada among 25–45 year olds and parents<br />
<strong>of</strong> Canadian teen drivers measured by an increase in sales.<br />
COMMUNICATIONS OBJECTIVES<br />
• Position Allstate Canada as a leader in community safety and associate the company with the fight<br />
against distracted driving in the minds <strong>of</strong> Canadians in Allstate Canada’s key markets, measured by:<br />
o Receive a ROI <strong>of</strong> $0.04 or less per contact;<br />
o Earn a MRP (Media Relations Rating Points) score <strong>of</strong> 70 per cent or more based on the<br />
following criteria:<br />
100 per cent positive tone in generated coverage<br />
Inclusion <strong>of</strong> Action Against Distraction program key messages in 75 per cent <strong>of</strong><br />
generated stories;<br />
Prominence <strong>of</strong> the mention <strong>of</strong> Allstate Canada in 75 per cent <strong>of</strong> generated coverage;<br />
75 per cent <strong>of</strong> coverage in Tier 1 media;<br />
Overall reach <strong>of</strong> earned media greater than previous most successful campaign<br />
(6,544,318).<br />
Solution overview:<br />
Research<br />
TFC began to develop our solution by researching the effects <strong>of</strong> using cell phones while driving and other<br />
distractions, including reviewing the studies mentioned above and finding other statistics about distracted<br />
driving. The most compelling fact was that if a driver takes their eyes <strong>of</strong>f the road for five seconds while<br />
driving at 90 km/h, it is like driving the length <strong>of</strong> a football field completely blind. TFC also reviewed<br />
previous media coverage about distracted driving and saw that the media mostly discussed the cell<br />
phone bans in each province and focused on reports from police about the number <strong>of</strong> fines given to<br />
drivers. The media coverage did not discuss the dangers <strong>of</strong> distracted driving or Canadians’ attitudes<br />
towards this behaviour.<br />
Finally, while developing a video for a pilot program earlier in the year, TFC had spoken to teens about<br />
crazy distracted driving habits. From this, we learned that until young drivers saw or experienced<br />
dangerous driving behaviour themselves, they did not fully appreciate the dangers <strong>of</strong> distracted driving.<br />
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Strategy<br />
Based on the research above, TFC and Allstate Canada developed a two-part strategy:<br />
• Provide media with new statistics that can be owned by Allstate Canada and which focus on<br />
Canadians’ attitudes towards the dangers <strong>of</strong> distracted driving<br />
• Implement an event which will enable newly-licensed drivers and teens to experience the dangers <strong>of</strong><br />
distracted driving for themselves and provide media with unique footage/interview opportunities<br />
Approach<br />
• TFC commissioned market research with Leger Marketing and used the results as the basis for<br />
national media relations outreach<br />
• TFC recommended a driving course event that would appeal to the “show me” generation <strong>of</strong> young<br />
drivers by allowing them to experience what happens when they drive distracted, but in a fun and<br />
safe environment — no crashing <strong>of</strong> mom and dad’s car. TFC chose Calgary as the location <strong>of</strong> the<br />
event as the provincial government would vote on Bill 16 — distracted driving legislation — in the fall<br />
<strong>of</strong> 2010 and Alberta was one <strong>of</strong> Allstate Canada’s growth markets. The event would also provide a<br />
visual component to the results <strong>of</strong> the research — allowing television cameras to film distracted<br />
driving in action and have the teen drivers comment on their experiences behind the wheel.<br />
Implementation and challenges:<br />
Action Against Distraction Driving Challenge<br />
The planning for the event began in July 2010. TFC worked with an Allstate Canada agency manager in<br />
Calgary to help scout for a location for the event and to connect TFC with local high school students who<br />
could participate in the Action Against Distraction Driving Challenge.<br />
During the challenge, Calgary teens would learn about the potentially deadly consequences <strong>of</strong> distracted<br />
driving. Through a series <strong>of</strong> in-car exercises, the teens would experience first-hand what happens when<br />
they text, make phone calls, change the radio station, play a CD or listen to loud music while driving.<br />
Media would also be invited to the event to interview the students and to participate. Two Allstate Canada<br />
spokespeople would be on hand to explain the purpose <strong>of</strong> the driving challenge and to share the findings<br />
<strong>of</strong> the market research with the media.<br />
TFC contacted driving schools in Calgary to find a company that could lead and execute the driving<br />
course. Though there were some local prospects, after a month <strong>of</strong> research and negotiation, TFC<br />
contracted SWERVE, an American driving school that had in-car equipment that would enable the<br />
distracted drivers to be filmed as they drove the course. Six SWERVE driving instructors travelled to<br />
Calgary for the event and led the students through the driving challenge. TFC coordinated with SWERVE<br />
to ensure the venue met their needs for the set up <strong>of</strong> the course.<br />
To add local perspective to the event TFC also reached out to the local fire department and municipal<br />
government to see if they would like to participate. TFC secured the deputy fire chief and the deputy<br />
mayor <strong>of</strong> Calgary to attend the event and the deputy mayor spoke during the event’s opening remarks.<br />
Beginning September 22, 2010, TFC contacted Calgary media to invite them to the Action Against<br />
Distraction Driving Challenge on October 4, 2010. Not only would reporters have the opportunity to talk to<br />
students participating in the event, but they could get behind the wheel themselves and experience the<br />
dangers <strong>of</strong> distracted driving.<br />
Initially for budget efficiencies, it had been agreed that only staff from Allstate Canada would attend the<br />
Action Against Distraction Driving Challenge including the key spokesperson from head <strong>of</strong>fice and local<br />
agency representatives. However, by Friday, October 1, 2010, TFC had confirmed four television<br />
reporters with cameras, one print reporter who would also shoot video footage and three radio reporters<br />
to participate in the event. TFC recommended that given that the Allstate Canada staff members would<br />
be busy participating in interviews and helping SWERVE run the event, that one TFC staff member<br />
should fly out to Calgary that weekend to act as a media wrangler during the event. This proved to be a<br />
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good decision as on the day <strong>of</strong> the event more media attended than had been confirmed, including two<br />
more television cameras, two more radio reporters and another print reporter. Other staff remained in<br />
<strong>Toronto</strong> to conduct national outreach.<br />
Survey and outreach:<br />
TFC began crafting the survey questions by identifying what news headlines we hoped they would<br />
generate —what would be the most compelling news angle for the media? After choosing the top five<br />
headlines or media angles, TFC wrote the survey questions and coordinated with Leger Marketing to put<br />
them into the field. The focus <strong>of</strong> the survey encompassed the following:<br />
1. Difference in perceptions <strong>of</strong> distracted driving by age group<br />
2. Difference in driving habits by age group<br />
3. Tolerance <strong>of</strong> different types <strong>of</strong> distractions and perceptions towards them<br />
4. Whether people are likely to speak up if they’re worried about distractions<br />
5. Proportion <strong>of</strong> people who have been affected by the consequences <strong>of</strong> distracted driving.<br />
At the beginning <strong>of</strong> August 2010, TFC received the results <strong>of</strong> the market research and selected which <strong>of</strong><br />
the findings best fit with the campaign and would resonate with Canadian media outlets. TFC focused on<br />
the finding that 75 per cent <strong>of</strong> Canadians admit to being distracted when they drive, but nearly all view<br />
that behavior negatively in other drivers.<br />
TFC wrote a national media release that highlighted the results <strong>of</strong> the market research as well as<br />
information about the dangers <strong>of</strong> distracted driving. TFC also regionalized the release for the Alberta<br />
media to highlight how Albertans responded to the survey compared to the rest <strong>of</strong> the country and to<br />
include information about the Action Against Distraction Driving Challenge.<br />
On Monday, October 4, 2010, at 5:30 AM Eastern, the national media release was posted in English and<br />
French on CNW’s news wire. TFC then pitched the release to their media contacts in Alberta, Ontario,<br />
Quebec, New Brunswick and Nova Scotia that morning and confirmed interviews for Allstate Canada<br />
spokespeople.<br />
Key Messages/Media Training<br />
TFC created a key message document based on the Allstate Canada’s corporate goals and values (to<br />
make Canadian roads and communities safer for everyone and to help people protect their families) and<br />
the specific program key messages. TFC led a media training session with the three Allstate<br />
spokespeople along with instructors from SWERVE, during which key messages, survey data and<br />
interview techniques were reviewed.<br />
Challenge<br />
A week before the driving challenge, the program hit its own challenge! TFC learned that the agency<br />
manager they had been working with to secure high school students was no longer with Allstate Canada<br />
and had not passed on information about venues or partners in Calgary. TFC had to scramble to find<br />
students to participate as while no students had committed to participate, many media had! TFC quickly<br />
regrouped and reached out to local colleges and universities to find students and also posted notices<br />
through Twitter and Facebook. In the end, five students agreed to participate, which was within the range<br />
that TFC wanted to have to make the event interesting for the media.<br />
Budget<br />
The total budget for the Action Against Distraction Campaign was $83,000 CDN. The media relations<br />
component <strong>of</strong> the campaign had a budget <strong>of</strong> $58,000 CDN and included project management, planning<br />
and advice, developing and interpreting the market research results, media event logistics and<br />
organization, creating media materials and materials for the Allstate agents, spokesperson training and<br />
media pitching. This budget also included the cost <strong>of</strong> the market research by Leger Marketing and posting<br />
the English and French media release on the CNW newswire. The event budget was $25,000 CDN which<br />
included SWERVE; car rentals; television and camera equipment to record the event and provide in-car<br />
footage for media; signs and car magnets with Allstate branding.<br />
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Measurement/evaluation <strong>of</strong> outcomes:<br />
Objective: Position Allstate Canada as a leader in community safety and associate the company with the<br />
fight against distracted driving in the minds <strong>of</strong> Canadians in Allstate Canada’s key markets across<br />
Canada, measured by:<br />
o Receive a ROI <strong>of</strong> $0.04 or less per contact;<br />
Cost per contact $0.00108 exceeded goal by 97.3 per cent<br />
o Earn a MRP (Media Relations Rating Points) score <strong>of</strong> 70 per cent or more based on the<br />
following criteria:<br />
100 per cent positive tone in generated coverage<br />
• Result: 100 per cent positive coverage earned<br />
Inclusion <strong>of</strong> Action Against Distraction program key messages in 75 per cent <strong>of</strong><br />
generated stories:<br />
• Result: 100 per cent inclusion <strong>of</strong> program key messages in coverage<br />
Prominence <strong>of</strong> the mention <strong>of</strong> Allstate Canada in 75 per cent <strong>of</strong> generated coverage;<br />
• Result: 93 per cent prominence in coverage<br />
75 per cent <strong>of</strong> coverage in Tier 1 media<br />
• Result: 72 per cent in Tier 1 media<br />
Overall reach <strong>of</strong> earned media greater than previous most successful campaign<br />
(6,544,318)<br />
• Result: Reach <strong>of</strong> 53,899,803, 723.61 per cent increase in reach over<br />
previous most successful Allstate Canada media relations campaign<br />
• The Allstate Action Against Distraction campaign garnered 276 media stories<br />
across Canada, a volume <strong>of</strong> coverage that was not only the largest for a<br />
single Allstate Canada campaign, but was an increase in coverage by 78 per<br />
cent compared to the total number <strong>of</strong> media stories earned by Allstate<br />
Canada in 2009 (155 stories);<br />
• 61 earned media pieces in Alberta, a growth market for Allstate Canada, with<br />
a reach <strong>of</strong> 4,494,003.<br />
Overall MRP score <strong>of</strong> 70 per cent or more<br />
• Result: 73.19 per cent MRP score<br />
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OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget greater than $100K<br />
AWARD OF EXCELLENCE<br />
Entrant’s Name: Martine Lévy, Managing Director<br />
Organization: DDB Public Relations and Bosch Home Appliances<br />
Title <strong>of</strong> Entry: Bosch “Eco-Leadership” Brand Building Campaign<br />
Division 1: Communication Management / Category 4C: Media Relations with Budget<br />
greater than $100K<br />
Time Period: March 2009 – December 2010<br />
Brief Description: A two-year communications campaign designed to align Bosch’s inherent ecoleadership<br />
qualities with the values <strong>of</strong> their target consumers via the Canadian media and stakeholders in<br />
the area <strong>of</strong> environmental leadership and sustainability.<br />
1. <strong>Business</strong> Need/Opportunity:<br />
In early 2009, BSH Home Appliances Ltd., a subsidiary <strong>of</strong> the third largest manufacturer <strong>of</strong> home<br />
appliances in the world and the manufacturer <strong>of</strong> Bosch Home Appliances in Canada, approached DDB<br />
Public Relations (DDB PR) with the challenge <strong>of</strong> creating a campaign that would generate greater<br />
awareness around Bosch’s thought-leadership position in sustainable living. Although Bosch had a<br />
successful history in green thinking initiatives and environmental leadership presence prior to 2009, there<br />
were no new appliances being launched in Canada in 2009 or 2010. The brand required a PR program to<br />
help sustain and maintain its presence in the marketplace. DDB PR developed and executed a multitiered,<br />
two-pronged communications campaign to creatively engage a multitude <strong>of</strong> audiences, emphasize<br />
Bosch’s equity <strong>of</strong> high-quality and high-efficiency brand values and to reinforce Bosch’s legacy as a<br />
leader in environmental stewardship. The two-year strategy consisted <strong>of</strong> a creative and innovative<br />
national media relations campaign that employed a trend-forecasting consumer poll, leveraged a highly<br />
respected and relevant third-party spokesperson, and pioneered a consumer call to action for<br />
environmental grassroots projects and activities within Canadian communities, all augmented by targeted<br />
consumer touch points, strategic messaging with stakeholders, and social media seeding opportunities.<br />
Altogether, the 2009/2010 Bosch “Eco-Leadership” Brand Building Campaign established Bosch as<br />
being at the forefront in energy and water efficiency, innovation, quality and product diversity within the<br />
Canadian home appliance landscape and actively connected the brand with their audience by honouring<br />
Canadians initiating exceptional activities for the environment. The campaign effectively increased sales<br />
and the brand’s sustainable thought-leader equity within Canada, especially in the face <strong>of</strong> greenwashing<br />
warnings in the media and other home appliance competitors.<br />
2. Intended Audience:<br />
BSH Home Appliances identified the primary Bosch home appliance consumer as the suburban family,<br />
30 years <strong>of</strong> age and older and with a household income <strong>of</strong> over $75,000.<br />
Through proprietary market research obtained from BSH Group, DDB-led focus groups and survey<br />
results, DDB PR determined that Bosch consumers are extremely family-oriented, interested in creating a<br />
highly efficient, yet warm and natural environment for themselves and their children, and are always<br />
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attentive to quality and performance in regards to products for their home. They value creativity and<br />
ingenuity especially when it meets the needs <strong>of</strong> their family. They care for the environment and desire<br />
energy-efficient, water saving options for their homes. They are well educated and resourceful – looking<br />
to newspapers, magazines, online communities and to their family and friends for information and advice<br />
on eco-friendly solutions.<br />
DDB PR carefully selected a highly-targeted group <strong>of</strong> media outlets that would connect with the Bosch<br />
audience, including: community and regional newspaper outlets and their environmental and lifestyle<br />
writers (e.g. Misty Harris for CanWest News, National Post, Nanaimo Daily News, Brantford Expositor,<br />
etc.); community/regional broadcast outlets including talk radio stations (e.g. 680 News, Talk 820 AM,<br />
etc.); popular home décor and lifestyle magazines (e.g. Canadian Living, Style at Home); environmental<br />
blogs and forums and online news outlets (e.g. greenlivingonline.com, ecochick.ca, livegreenforum.com,<br />
canada.com, etc.)<br />
Finally, through in-depth research and analysis <strong>of</strong> the Canadian environmental landscape, DDB PR also<br />
isolated a target group <strong>of</strong> influencers in the environmental education and sustainable living realm –<br />
including former Dean <strong>of</strong> the Faculty <strong>of</strong> Environmental Studies at York University, Dr. David Bell and head<br />
<strong>of</strong> the research Chair in Social Responsibility and Sustainable Development at the University <strong>of</strong> Quebec<br />
in Montreal, Corinne Gendron – both who were ultimately utilized as spokespersons for the campaign.<br />
3. Goals/Objectives:<br />
The primary goal <strong>of</strong> the Bosch “Eco-Leadership” campaign was to highlight Bosch’s environmental<br />
philosophy thereby merging its strong eco-heritage and sustainable leadership characteristics with the<br />
environmental values <strong>of</strong> its target audience. To be successful, the program had to effectively<br />
communicate Bosch’s sustainable thought-leader equity within Canada, differentiating the brand from its<br />
chief competitors by spotlighting its longstanding heritage, leadership in sustainable practice, innovation<br />
and ‘green’ design. A number <strong>of</strong> quantifiable objectives were set out as part <strong>of</strong> the planning process to<br />
ultimately measure the success <strong>of</strong> this campaign, including:<br />
1. Assist Bosch in garnering an overall increase in sales targets for the 2009 and 2010 fiscal years<br />
2. Using the Media Relations Rating Points (MRP) evaluation system, obtain a quality score <strong>of</strong> 75<br />
per cent or better (industry standard) and a cost per contact <strong>of</strong> $0.02 or less (industry standard is<br />
0.03) via an aggressive media relations outreach<br />
3. Achieve a minimum audience reach <strong>of</strong> at least 20 million and obtain at least 70 articles in<br />
environmental, lifestyle or home décor tiered publications via media relations outreach<br />
4. Obtain a minimum traffic increase to the Bosch micro-site <strong>of</strong> at least 20 per cent<br />
5. Seed the Bosch brand and eco-leadership messaging, build awareness around its ecocredentials<br />
and product <strong>of</strong>fering with at least 50 target stakeholders (i.e. environmental groups,<br />
community eco-leaders, etc.) and at least 20 social media sites (i.e content-sharing and<br />
conversation-enabling platforms)<br />
4. Solution Overview:<br />
After defining Bosch’s target audiences, inherent brand attributes and 2009 and 2010 program objectives,<br />
DDB PR took the lead in crafting a comprehensive two-year brand building communications program for<br />
Bosch. In 2009, the campaign kicked <strong>of</strong>f with the Bosch Eco-lution Report, an Omnibus consumer poll,<br />
that served as a barometer <strong>of</strong> Canada’s mainstream “eco-culture” and highlighted Bosch’s response on<br />
future sustainability trends in correlation with the Canadian mindset <strong>of</strong> eco-conscious living. Furthermore,<br />
the brand’s continued use <strong>of</strong> respected Canadian environmentalist and advocate <strong>of</strong> education for<br />
sustainable development, Dr. David Bell, for media interviews and in viral video vignettes created further<br />
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talk-value for the brand. The 2009 “What’s Your Eco-lution?” viral vignettes coincided with a media<br />
relations campaign surrounding the consumer poll results and trends forecast, and spoke to Bosch’s<br />
position as a top resource for unique insights Canadians have regarding their environmental<br />
responsibilities. To ensure consistent and continuous messaging, this same thinking was replicated at the<br />
consumer level via the “What’s Your Eco-lution?” consumer contest.<br />
In 2010, to maintain and justify the brand’s position as a leader in the category, DDB PR put out a second<br />
call to action for community leaders and networks to nominate their own local ‘Eco-Leaders’ for the Bosch<br />
Canadian Eco-Leader Award. The award was a way to inspire Canadians while recognizing those who<br />
have set-up fantastic examples <strong>of</strong> environmental care in communities across the nation. Ongoing seeding<br />
activities on relevant partner websites, media relations, social media and outreach to key eco-leader<br />
stakeholders allowed Bosch to reach a maximum number <strong>of</strong> consumers, ensure Bosch’s own ‘Eco-<br />
Leader’ positioning and incite consumer participation and affinity with the brand.<br />
The two-pronged 2009/2010 Bosch “Eco-Leadership” National Brand Building Campaign consisted <strong>of</strong> the<br />
following tactics, specifically:<br />
1) Omnibus Consumer Poll<br />
- 2009 consumer-focused poll gauged Canadians’ insights into mainstream “eco-culture” -<br />
highlighting its fluctuations with a particular focus on how ‘green’ technology can help consumers<br />
become more sustainable<br />
- Data gathered from the survey, in addition to the expertise <strong>of</strong> environmental spokesperson and<br />
Bosch consultant Dr. Bell, was utilized as a media relations tool<br />
2) Campaign Microsite<br />
- The Bosch Eco-lution microsite (boschecolution.ca) was created as a hub <strong>of</strong> information <strong>of</strong><br />
Bosch’s ‘green’ initiatives in Canada including activities surrounding the 2009/2010 Bosch “Eco-<br />
Leadership” campaign; the English site featured Dr. Bell as the Bosch ‘Voice <strong>of</strong> Reason’ and<br />
included monthly blog entries, tips for environmental and sustainable lifestyle changes and links<br />
to well-known Canadian ‘Eco-Leaders’ – organizations such as Evergreen and the Canada Green<br />
Building Council, and individuals such as David Suzuki andVanessa Farquharson. The site was<br />
replicated for French Canada and featured Corinne Gendron, environmental and social<br />
responsibility expert, as the French-speaking host and voice <strong>of</strong> the campaign.<br />
2) Consumer Call-to-Action<br />
- Bosch “What’s Your Eco-lution?” contest (running from September 15, 2009 to December 31,<br />
2009); called on Canadians to share their best examples <strong>of</strong> water and energy-saving solutions;<br />
submissions were automatically entered for a chance to win an eco-friendly Bosch dishwasher<br />
and ultimately have their “Eco-lution” posted to the microsite as inspiration for other Canadians<br />
- Bosch Eco-Leader Award (running from May 18, 2010 to September 19, 2010); called for the<br />
nomination <strong>of</strong> Canadian community leaders who had formed extraordinary grassroots projects<br />
and made a significant environmental difference in their communities<br />
- The selected Eco-Leader winner received the Bosch Eco-lution Fund - a one-time monetary<br />
award <strong>of</strong> $5,000 to help advance their cause, as well as a mentorship opportunity with Dr. Bell<br />
and a panel <strong>of</strong> environment experts from the Bosch Group<br />
3) National Media Relations Outreach<br />
- Focus on Dr. Bell as Canada’s leading eco-culture trend forecaster with media interviews and<br />
blog posts<br />
- Consumer lifestyle and environmental news appeal built up through story angles that delved into<br />
the Canadian environmental landscape, supported by statistics gathered through the consumer<br />
poll in 2009 and via a Google Trends analysis in 2010<br />
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- Further news appeal garnered through the call for Eco-Leader Award nominations and the winner<br />
announcement<br />
4) Social Media Outreach<br />
- 2009 Bosch Lessons in Eco-Leadership vignettes; a series <strong>of</strong> one-minute playful videos featuring<br />
Dr. Bell as the ‘Voice <strong>of</strong> Reason’, sharing water and energy saving tips from a beautiful Boschoutfitted<br />
kitchen were distributed virally via the Bosch micro-site and key content-sharing sites<br />
(YouTube, Veoh, etc.)<br />
- To support the vignettes and the campaign, Dr. Bell contributed posts to the ‘Voice <strong>of</strong> Reason’<br />
blog hosted on the Bosch Eco-lution microsite<br />
5) Stakeholder Outreach<br />
- To further build brand awareness in relation to sustainable thinking, key stakeholders including<br />
regional and community-based environmental groups and various Canadian eco-leaders received<br />
a personalized letter outlining Bosch’s program initiatives and encouraging the sharing <strong>of</strong><br />
information through their internal networks<br />
5. Implementation and Challenges:<br />
BSH Home Appliances provided DDB PR with a total budget <strong>of</strong> $457,606 for the national 2009/2010 Eco-<br />
Leadership campaign. The budget included planning and program development, program management,<br />
measurement and evaluation, reporting, and all individual activities included in the program for both fees<br />
and disbursements. DDB PR encountered very few challenges during the planning and activation <strong>of</strong> this<br />
campaign; however, as can be expected when working on a long-term plan for any brand, the agency<br />
found that it needed to be flexible in making alterations to the program as needed along the way. Initially,<br />
the campaign plan involved launching a national search for the Bosch Eco-Leader Award in 2009;<br />
however, through focus groups and feedback from key environmental influencers, it was determined that<br />
although Bosch had been in the Canadian market for a few years, their target audience would benefit<br />
from a reminder <strong>of</strong> the brand’s eco-qualities and international environmental standing. With this<br />
foundation solidified in the first year <strong>of</strong> the campaign, the brand’s target audience registered that the call<br />
for Canadian Eco-Leader Award nominations in the second year <strong>of</strong> the campaign was coming from a<br />
trusted and reliable source.<br />
6. Measurement/Evaluation:<br />
Through highly impactful and innovative touch points, Bosch was effectively able to interact with its target<br />
audiences, providing clear and consistent messaging that truly made an impact with Bosch’s target<br />
consumers, key stakeholders and the media, successfully allowing the brand to gain ‘top <strong>of</strong> mind’ status.<br />
Measured against the quantifiable objectives as outlined in the Goals/Objectives category, key results<br />
were as follows:<br />
1. BSH Home Appliances exceeded their 2009 and 2010 sales targets, and have experienced an<br />
overall sales growth <strong>of</strong> 24 per cent since 2008<br />
2. The media relations campaign obtained an MRP score <strong>of</strong> 85.25 per cent in 2009, 85.35 per cent<br />
in 2010, with a total cost-per-contact <strong>of</strong> $0.006<br />
3. Media relations campaign far surpassed set goals, achieving an audience reach <strong>of</strong> 70,854,876<br />
with over 100 hits secured in national media outlets outside the traditional home décor beat<br />
4. Significant visits to the Canadian Bosch Eco-lution micro-site (www.boschecolution.ca); with over<br />
18,000 visits, an average time spent <strong>of</strong> 3:55 minutes and a 25 per cent traffic navigation to the<br />
micro-site from Canadian Bosch website - indicating relevant content and consumer engagement<br />
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5. Over 80 environmental groups and community eco-leaders received a personalized letter and<br />
shared the call to action among their members through internal newsletters, intranet and website<br />
mentions. The “What’s your Eco-lution?” and “Canadian Eco-Leader Award” web vignettes were<br />
uploaded to more than 20 content-sharing sites, environmental blogs and chat forums, with most<br />
noting a link to the Bosch Eco-lution microsite. Over 5,000 entries for the Bosch “What’s your<br />
Eco-lution?” consumer contest and 50 nominations for the “Canadian Eco-Leader Award” were<br />
received<br />
6. Increased media awareness and consumer understanding <strong>of</strong> the brand, measured through postprogram<br />
surveys, showed an increase in positive sentiment and brand awareness in relation to<br />
sustainable thinking by 10 per cent.<br />
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Entrant’s Name: Whitney Binns<br />
Organization: MSL Canada<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget greater than $100K<br />
AWARD OF EXCELLENCE<br />
Title <strong>of</strong> Entry: Always Plugged Into My Diabetes Care: Bayer CONTOUR USB Launch<br />
Division 1: Communication Management / Category 4C: Media Relations with Budget greater<br />
than $100K<br />
Time Period: September 2009 – May 2010<br />
Brief Description: Bayer HealthCare Diabetes Care Canada turned to MSL Canada for the Canadian<br />
launch <strong>of</strong> its CONTOUR USB – the first and only blood glucose meter with built-in USB technology.<br />
MSL’s subsequent two-phase, multi-faceted program generated more than 40 million media impressions<br />
over a nine-month period – nearly double the intended goal – significantly increasing consumer<br />
awareness <strong>of</strong> Health Canada’s product approval and the availability <strong>of</strong> CONTOUR USB while generating<br />
positive media coverage in connection to Bayer HealthCare Diabetes Care.<br />
1. <strong>Business</strong> Need / Opportunity:<br />
Diabetes is a growing concern in communities throughout Canada. There are over three million people<br />
with diabetes and, <strong>of</strong> those, approximately 300,000 Canadians live with type 1 diabetes. Vigilant care<br />
and management <strong>of</strong> their diabetes is required 24 hours a day, seven days a week to achieve an optimal<br />
quality <strong>of</strong> life and to delay or prevent traumatic complications.<br />
For people with diabetes who use insulin, effective diabetes management includes checking blood<br />
glucose levels with a blood glucose meter numerous times a day. The Canadian Diabetes <strong>Association</strong><br />
recommends that people with type 1 diabetes check at least three times a day, and those with type 2<br />
diabetes on an oral medication or insulin check at least once a day.<br />
While patients have traditionally relied on log books to help keep track <strong>of</strong> their blood sugar levels, demand<br />
has been growing for a more advanced, convenient option. In 2010, a new option came on the market:<br />
Bayer’s CONTOUR USB meter. Perceiving that diabetes patients were ready for and would be receptive<br />
to replacing an antiquated and cumbersome system <strong>of</strong> log books, Bayer felt the timing was ideal for its<br />
first foray into digital metering. A formidable and trusted leader in diabetes care, Bayer based its<br />
CONTOUR USB meter on the company’s trusted CONTOUR system. The new system immediately<br />
became the first and only blood glucose meter with built-in USB technology that can be plugged directly<br />
into a computer, allowing for instant access to blood glucose monitoring results.<br />
2. Intended Audiences:<br />
Target audiences for Bayer’s CONTOUR USB system included both consumers and healthcare<br />
pr<strong>of</strong>essionals (HCPs). The intended consumer audience was identified as people with diabetes, between<br />
the ages <strong>of</strong> 18-50, who are insulin-dependant (predominantly type 1), high-frequency testers and highly<br />
engaged in their diabetes management. In particular, the target audience was noted as being tech savvy.<br />
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Healthcare pr<strong>of</strong>essionals (HCPs) who were targeted included: endocrinologists, primary care, Diabetes<br />
Nurse Educators, and pharmacists (with a diabetes focus).<br />
3. Goals / Objectives:<br />
Goals:<br />
• Build awareness <strong>of</strong> Health Canada’s approval <strong>of</strong> Bayer’s CONTOUR USB system and the<br />
product’s consumer availability in order to drive sales<br />
• Communicate the innovative and functional benefits/attributes <strong>of</strong> Bayer’s CONTOUR USB and<br />
winGluc<strong>of</strong>acts Deluxe, while also connecting to the emotional, cool-factor appeal <strong>of</strong> the product<br />
• Engage spokespeople to advocate on behalf <strong>of</strong> CONTOUR USB and to provide program<br />
messages to target audiences<br />
• Reinforce the commitment <strong>of</strong> Bayer HealthCare Diabetes Care to innovation and its dedication to<br />
simplifying the lives <strong>of</strong> people with diabetes<br />
Objectives<br />
1. Generate at least 24.5 million combined media impressions.<br />
2. Achieve a cost per contact rating <strong>of</strong> $0.05 (based on a total budget <strong>of</strong> $197,510.00).<br />
3. Identify 2 – 3 media and 2 – 3 patients to participate in loaner program.<br />
4. Achieve an overall MRP Quality Rating <strong>of</strong> 85 per cent<br />
Rating based on the following mutually agreed criteria:<br />
o CONTOUR USB brand mention<br />
o Call to action (i.e., speak to your doctor/visit www.bayercontourusb.ca for more<br />
information)<br />
o Mention <strong>of</strong> key product features<br />
o Bonus Point: Product image<br />
5. Generate at least 500 pre-registrations through www.bayercontourusb.ca prior to availability <strong>of</strong><br />
product<br />
o Drive traffic to www.bayercontourusb.ca<br />
4. Solution Overview:<br />
Looking to capitalize on the emotional, cool-factor appeal <strong>of</strong> the high-tech medical device, Bayer and MSL<br />
took the CONTOUR USB campaign to another level. Traditional healthcare campaigns typically rely only<br />
on Key Opinion Leaders (KOLs) (health care providers) as third-party spokespersons. Bayer and MSL<br />
went beyond the traditional and integrated additional voices into the conversation. Capitalizing on the<br />
technology factor, MSL engaged two high-pr<strong>of</strong>ile technology experts with national consumer appeal.<br />
These experts served as campaign spokespeople for English and French Canada speaking to the<br />
technology innovation that really provided a point <strong>of</strong> differentiation and underscored the significance <strong>of</strong><br />
this new paradigm shift in blood glucose monitoring.<br />
The timing <strong>of</strong> the campaign, which would use multiple business and trade channels, traditional and online<br />
media and credible influencers, was to be phased in two steps:<br />
A. Approval by Health Canada<br />
B. Availability <strong>of</strong> the product<br />
An important part <strong>of</strong> the campaign messaging was Bayer HealthCare Diabetes Care’s commitment to<br />
innovation in its products and its reputation for simplifying the lives <strong>of</strong> people with diabetes.<br />
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This message needed to be continually reinforced throughout the campaign and regularly communicated<br />
by spokespeople.<br />
A. Health Canada Approval Media Campaign (Phase One): MSL announced the Health Canada<br />
approval <strong>of</strong> Bayer’s CONTOUR USB to medical trades, both traditional and online media, to raise<br />
awareness about CONTOUR USB, increase website traffic and drive early registration online.<br />
Spokespeople<br />
For the Phase One approval campaign, MSL partnered with five physicians, two Diabetes Nurse<br />
Educators and two high-pr<strong>of</strong>ile tech experts to act as program spokespeople. The physician<br />
spokespeople included: Dr. Amish Parikh (<strong>Toronto</strong>) and Dr. Jean-Francois Yale (Montreal), who served<br />
as the overall national campaign spokespeople. To complement the physicians, MSL engaged two<br />
Diabetes Nurse Educators as national spokespeople: Debbie Hollahan (<strong>Toronto</strong>) and Anne Royer<br />
(Montreal). In an effort to extend the reach <strong>of</strong> the story and generate coverage with Atlantic Canada<br />
media, MSL engaged Dr. John Dornan (Atlantic Canada). MSL worked with these leading diabetes<br />
experts to effectively tailor the campaign messages for their local audiences.<br />
Media Materials/Vehicles<br />
To announce the Health Canada approval, MSL issued English and French news releases and social<br />
media releases (SMRs), creating shareable content for the online audience and facilitating pick-up by<br />
traditional media.<br />
Since the CONTOUR USB meter has a strong visual appeal (as it is a diabetes meter at one end and a<br />
USB stick at the other), MSL used the following tools to showcase the visual appeal <strong>of</strong> the meter: a video<br />
news release (VNR), digital video news release (DVNR) and Broll. An audio news release (ANR) also<br />
was distributed.<br />
To seed interest and trial <strong>of</strong> the new CONTOUR USB during this phase, MSL initiated the CONTOUR<br />
USB loaner program with select media throughout Canada. As a teaser, MSL distributed a CONTOUR<br />
USB creative media mailer that was an enlarged custom-cut USB stick with endorsement quotes from two<br />
<strong>of</strong> the spokespeople. Attached to the mailer was a Bayer CONTOUR USB-branded USB stick loaded<br />
with the full media kit which contained the news release, fact sheet, product images, diabetes<br />
backgrounder as well as the DVNR and ANR.<br />
B. Product Availability Media Tour (Phase Two): To announce the availability <strong>of</strong> the CONTOUR USB<br />
to consumers, MSL conducted a four-city media tour (Montreal, <strong>Toronto</strong>, Calgary and Vancouver) from<br />
May 11 – 14, 2010 with local physician spokespeople and tech experts Marc Saltzman and David Lobjoie.<br />
Saltzman and Lobjoie, selected as spokespeople to set the campaign apart from traditional healthcare<br />
efforts, are recognizable industry leaders in technology reporting. Marc is considered a leading tech<br />
expert in English Canada. He hosts "Tech Talk with Marc Saltzman," a weekly technology segment on<br />
CTV News Channel in Canada, as well as a nationally syndicated radio show. To respond to the unique<br />
needs <strong>of</strong> the French media market, MSL engaged David Lobjoie, a blogger at Bell Sympatico and<br />
Techno, editor in chief at CES and Chef recherchiste at Trinome.<br />
MSL also leveraged the national KOLs from the approval announcement and identified additional key<br />
opinion leaders in each centre. To ensure local flavour in spokespeople, the following doctors were<br />
engaged: Dr. David Lau (Calgary); and Dr. Ehud Ur (Vancouver). The aforementioned doctors are<br />
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leaders in their field and have contributed to the Canadian Diabetes <strong>Association</strong> Clinical Practice<br />
Guidelines for Diabetes Management and Prevention.<br />
MSL also worked with Dr. Lau in Calgary to identify a suitable local patient who could serve as an<br />
advocate and provide a strong patient voice.<br />
5. Implementation and Challenges:<br />
Implementation: MSL executed the program elements with a strong focus on return on investment. A<br />
detailed critical path (GANT chart) and regular weekly meetings with the client ensured all team members<br />
were executing to rigorous timelines. The program was executed over a nine-month period from<br />
September 2009 (planning and media materials) to May 2010 (media tour).<br />
Budget: The program budget was $197,510.00. There was accommodation made for a Health Canada<br />
delay <strong>of</strong> four months and MSL negotiated fair and competitive rates for expert technology spokespeople<br />
on behalf <strong>of</strong> the client.<br />
Timeframe: The most significant challenge was the four-month delay in Health Canada approval.<br />
Throughout this period, there was constant communication between agency and client to ensure the<br />
success <strong>of</strong> the program. This included MSL liaising with the spokespeople to ensure availability for the<br />
approval announcement and media tour and to maintain familiarity with the campaign messages. Media<br />
materials also needed to be refined and distribution timelines with suppliers revised as appropriate.<br />
6. Measurement / Evaluation:<br />
In the grid below, MSL measured results as they related to the established program objectives for phase<br />
1 and 2:<br />
1. Achieve 24.5 million combined media<br />
impressions<br />
Objective Outcome<br />
2. Achieve a cost per contact rating <strong>of</strong> $0.05 (based<br />
on a total budget <strong>of</strong> $197,510.00)<br />
3. a) Identify 2 – 3 media to participate in loaner<br />
program<br />
b) Identify 2 – 3 patients to participate in loaner<br />
program<br />
4. Achieve an overall MRP Quality Rating 85 per<br />
cent<br />
- Rating based on the following mutually agreed<br />
criteria:<br />
CONTOUR USB brand mention<br />
Call to action (i.e., speak to your doctor/visit<br />
www.bayercontourusb.ca for more<br />
information)<br />
1. Generated more than 40 million media impressions to date<br />
in 188 pieces <strong>of</strong> coverage<br />
2. Generated a cost per contact rating <strong>of</strong> $0.005, a strong ROI<br />
well above the industry standard <strong>of</strong> $0.05 per contact<br />
3. a) MSL secured the participation <strong>of</strong> 3 media for the loaner<br />
program<br />
74<br />
b) MSL secured participation <strong>of</strong> 2 patients in loaner program<br />
4. Achieved an overall MRP Quality Rating <strong>of</strong> 111.05 per cent<br />
(bonus points included)<br />
Ninety-nine per cent <strong>of</strong> coverage included a<br />
CONTOUR USB brand mention<br />
Ninety-one per cent <strong>of</strong> coverage included a call to<br />
action<br />
A hundred per cent <strong>of</strong> coverage included a mention <strong>of</strong><br />
key product feature<br />
Bonus Point: Forty-three per cent <strong>of</strong> coverage
Mention <strong>of</strong> key product feature<br />
Bonus Point: Product image<br />
5. Generate at least 500 pre-registrations through<br />
www.bayercontourusb.ca prior to availability <strong>of</strong><br />
product<br />
- Drive traffic to www.bayercontourusb.ca<br />
75<br />
included a product image<br />
5. PR results helped to generate 574 pre-registrations<br />
- PR results assisted in driving more than 6,000 visitors to<br />
www.bayercontourusb.ca (as <strong>of</strong> May 18)<br />
- Increase to 700 site visitors per day around the pick-up <strong>of</strong><br />
the Canwest article in multiple media outlets (print/online)<br />
- Site visits increased more than 300 per cent per day during<br />
media tour activity<br />
1 http://www.diabetes.ca/about-diabetes/what/prevalence/.<br />
1 http://www.diabetes.ca/files/Standing%20Committee%20on%20finance.doc.
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget greater than $100K<br />
AWARD OF MERIT<br />
Entrants’ Names: Andrew Pelletier; Susan Schutta; Alex Roberton; Felicia Fefer: Walmart Canada<br />
Corp. Linda Andross; Stephanie Engel; Heather Hopkins; Lauren Baswick; Zoey<br />
Fiksel: APEX Public Relations Inc. Amély Tremblay; Nathalie Provost: Morin<br />
Relations Publiques<br />
Organization: Walmart Canada Corp. and APEX Public Relations Inc.<br />
Title <strong>of</strong> Entry: Re-Introducing George<br />
Division 1: Communications Managemen / Category 4C: Media Relations with Budget<br />
greater than $100K<br />
Time Period: July – December 2010<br />
Brief Description: To help reintroduce Walmart’s George clothing line to the Canadian marketplace,<br />
APEX worked with Walmart to reposition and elevate the brand with media and<br />
consumers via an upscale preview and supporting <strong>Toronto</strong> <strong>International</strong> Film<br />
Festival sponsorship opportunities<br />
BUSINESS NEED/OPPORTUNITY:<br />
Walmart Canada is Canada’s number one department store, serving more than one million customers<br />
every day. Although known as a price leader, the retailer has struggled to find an apparel <strong>of</strong>fer that<br />
appealed to its customers. While Walmart Canada sits in the number-two-spot in apparel – behind Sears<br />
Canada – its standing in this category was largely due to strong sales in basics (e.g. socks and<br />
underwear), not the clothing category as a whole. Through its proprietary Brand Health Monitor research<br />
from June 2008, Walmart knew that while its apparel <strong>of</strong>ferings were competitive on price, they lagged<br />
behind the competition on other preceptors such as style and quality. To grow market share, Walmart<br />
decided to retire 19 private-label brands and undertake a multi-million dollar expansion <strong>of</strong> its George<br />
brand, targeting late August 2010 for the relaunch. Billed as “one <strong>of</strong> the biggest expansions <strong>of</strong> an apparel<br />
brand in Canadian history,” Walmart retro-fitted 319 stores across the county to give customers a better<br />
shopping experience as it rolled out the newly-consolidated George line. The expansion plans also<br />
included store overhauls, hiring <strong>of</strong> additional associates, and bringing the George fashion design team inhouse.<br />
Given the significant investment, and because the George line had already been launched twice<br />
before - once with a large-scale flashy event - based on a competitive pitch, Walmart selected APEX and<br />
by extension its Quebec partner Morin Public Relations, to help relaunch George apparel, and to ensure<br />
this time the brand resonated with fashion and consumer lifestyle media, as well as other influencers.<br />
How then to build confidence in the reinvigorated George line, secure media and influencer buy-in, and<br />
ultimately increase apparel sales by Walmart’s existing customer base? After careful consideration and<br />
research, APEX recommended that the best course <strong>of</strong> action was to refresh the brand and introduce it to<br />
media in a way they would expect and understand. Generally, well-known, comparable fashion lines<br />
such as Gap, Joe Fresh and H&M – all <strong>of</strong> which Walmart had identified as key competitors – hold<br />
seasonal media previews to showcase their newest <strong>of</strong>ferings. To properly relaunch George, APEX<br />
recommended Walmart show the competition - and media - that they mean business this time, and hold a<br />
76
proper fall preview in a high-end setting. The one-day preview would allow for a seeing-is-believing<br />
approach, and enable media to experience the brand’s new direction.<br />
For the purposes <strong>of</strong> Quebec, Morin suggested a smaller, more intimate event be held over the cocktail<br />
hour for Montreal media and bloggers. The Montreal event was scheduled the day after <strong>Toronto</strong>’s to<br />
allow time for the samples and displays to be shipped and repurposed. Development <strong>of</strong> an e-look book,<br />
featuring the George collections, was recommended as a means <strong>of</strong> showcasing the line to media outside<br />
<strong>of</strong> <strong>Toronto</strong> and Montreal.<br />
As a means <strong>of</strong> further elevating the brand, Walmart and APEX decided to pursue a sponsorship<br />
opportunity for George with the prestigious <strong>Toronto</strong> <strong>International</strong> Film Festival (TIFF). In an effort to<br />
speak directly to consumers, the TIFF participation was leveraged into a promotional and contesting<br />
opportunity with Erica Ehm’s website, YummyMummyClub.ca, which was identified as having significant<br />
influence over the mom-focused target audience.<br />
This approach was successful and helped Walmart to reestablish and reintroduce the George line,<br />
generate significant media coverage and consumer engagement, and drive sales.<br />
Intended Audience<br />
Primary Audiences:<br />
• Tier one and two national, <strong>Toronto</strong> and Montreal-based fashion and consumer/lifestyle journalists<br />
o Editors, reporters and freelance writers from consumer magazines, daily newspapers,<br />
television shows and online outlets (both websites and blogs)<br />
o Main conduit between Walmart and its customers; important they accept Walmart’s<br />
refresh <strong>of</strong> the George line and report on it favourably<br />
• Retail/<strong>Business</strong> media at key national print outlets<br />
o Their reporting on the story would give credence to Walmart’s apparel expansion and<br />
help support the George repositioning<br />
• Canadian female consumers who shop regularly at Walmart<br />
o Loyal audience – already purchasing for their home and family at Walmart<br />
o Proprietary Walmart research showed this audience was largely brand aspirational, that<br />
is concerned about image and wanting to have the best/most popular brands and looks,<br />
but not necessarily able to afford them<br />
o Aged 25-55 with children<br />
o Live mainly in suburban and rural areas in close proximity to a Walmart store<br />
o Regular readers <strong>of</strong> lifestyle publications and websites, as well as mommy blogs<br />
Secondary Audience:<br />
• Stylists across Canada with a focus on those based in <strong>Toronto</strong> and Montreal<br />
o Select clothes for use in media purposes, such as photo shoots, and dress models and<br />
celebrities for television and other appearances<br />
77
Goals/Objectives<br />
• Increase sales <strong>of</strong> George by 25 per cent from the year prior by December 31, 2010, and increase<br />
awareness <strong>of</strong> the brand by 10 per cent between August 31 and December 31, 2010<br />
• Generate an overall Media Relations Rating Points (MRP) quality score <strong>of</strong> at least 75 per cent and a<br />
cost per contact <strong>of</strong> $0.03 or less from August 31 to December 31, 2010<br />
• Secure a total <strong>of</strong> 30 key fashion media and influencers to attend the George Fall Previews in <strong>Toronto</strong><br />
and Montreal<br />
• Generate 5,000 entries to the YummyMummyClub.ca contest between September 21 and October<br />
17, 2010<br />
• Secure a minimum <strong>of</strong> three stories around the George expansion in the retail/business section <strong>of</strong> toptier<br />
media outlets within two weeks <strong>of</strong> the August 31, 2010 launch, featuring interviews with the SVPs<br />
<strong>of</strong> apparel for English Canada and Eastern/French Canada<br />
Solution Overview<br />
Research<br />
To better understand Canadian media perceptions <strong>of</strong> George and what would encourage them to cover<br />
the brand, APEX conducted a media audit <strong>of</strong> key fashion and lifestyle reporters. Media approached<br />
included editors at tier-one publications such as Fashion, Flare and the Sun Media chain. Overall, media<br />
indicated that they were skeptical Walmart could produce quality, on-trend clothing, with many noting that<br />
they had covered George in the past and then heard nothing further from the brand. In terms <strong>of</strong> tools to<br />
make their jobs easier, media suggested previews were always an ideal way to present collections and<br />
had come to be expected from key apparel players. They also stressed the previews should showcase<br />
pieces that were actually available in store and could be found easily by shoppers, and that access to<br />
samples and images helped increase the propensity for pickup.<br />
APEX also conducted a media audit to determine an appropriate date for the event. Since July and<br />
August are typically saturated with fall fashion events, it was critical that APEX confirm the availability <strong>of</strong><br />
tier-one outlets prior to selecting a date for the preview. This outreach was done informally through email,<br />
phone and in-person lunch meetings.Based on media feedback, assessments <strong>of</strong> other brands, and<br />
Walmart’s launch schedule, August 31 st was chosen as the proposed date for the <strong>Toronto</strong> George<br />
preview, followed by the Montreal event on September 1 st .<br />
Planning, strategy and analysis<br />
Based on research, budget realities and timing, APEX’s recommended strategy was to relaunch the new<br />
George collection to media at a high-end preview in <strong>Toronto</strong>, and at a smaller, cocktail party setting in<br />
Montreal. The previews would allow several looks to be shown at once in a setting that helped to elevate<br />
the brand and allowed media to experience the clothes through touch, feel and trial. Having the <strong>Toronto</strong><br />
and Montreal events one day apart also provided ample time for the <strong>Toronto</strong> displays to be shipped to<br />
Montreal, in order to maximize the limited amount <strong>of</strong> samples available and to allow for consistency in the<br />
looks shown.<br />
One element that needed to be considered was that internally Walmart had chosen the end <strong>of</strong> August as<br />
the timeframe for the George launch. This meant that many <strong>of</strong> the elements, in particular the clothing<br />
samples, would only be available around this time. The proposed timing also meant that George would<br />
miss the fall deadlines for long-lead media who work three to five months in advance. To circumvent this,<br />
APEX recommended ensuring online media, particularly those from key consumer publications, were<br />
invited to and attended the event, as well as including the George holiday collection at the preview to<br />
78
encourage placement in long-lead publications currently working on their November and December<br />
issues.<br />
APEX conducted extensive venue research and site checks to find the ideal space to house the George<br />
Preview. The agency was looking to rent a raw space and transform it into an airy, sleek, open<br />
showroom as a backdrop to present George. The space needed to be premium enough to elevate the<br />
brand without seeming over-the-top or pretentious, have sufficient room for styled mannequin and<br />
clothing racks, and for live clothes models to circulate. It was also important that, if possible, additional<br />
funds not need to be paid for closing <strong>of</strong> the space during business hours.<br />
Ultimately, Twist Gallery on <strong>Toronto</strong>’s Queen Street West was chosen. The venue was ideal because it<br />
was located in a trendy part <strong>of</strong> <strong>Toronto</strong> and due to its downtown location, was easily accessible for media.<br />
Additionally, the gallery was in a transition time – between exhibits – so no extra fees would be incurred<br />
by shutting it down for the day. Twist was also a big, open space which allowed for transformation<br />
without having to move or remove any pieces or furniture. Based on APEX’s recommendation, Tammy<br />
Palmer, a local stylist and former fashion editor at Flare, was hired to help choose and present the key<br />
outfits to media. Similarly, Morin looked for a raw space in Montreal that could easily be transformed. A<br />
decision was made to hold the event at L<strong>of</strong>t le 4e, a bare space which could easily be made over, and<br />
due to its location in Old Montreal, was easily accessible and well known to local media.<br />
In terms <strong>of</strong> TIFF participation, APEX researched a number <strong>of</strong> opportunities which would allow for<br />
additional exposure for George. After reviewing several options, APEX recommended George enter an<br />
exclusive sponsorship arrangement with CIAO Wine Bar, an <strong>of</strong>ficial TIFF hotspot, centrally located in the<br />
heart <strong>of</strong> Yorkville. APEX negotiated a contract which included all staff wearing George clothing, as well<br />
as significant signage and branding opportunities.<br />
To extend on George’s TIFF participation and to ensure it reached consumers, APEX and Walmart<br />
decided to enter into an online paid editorial opportunity with an influential blogger, Erica Ehm <strong>of</strong><br />
YummyMummyClub.ca. A sponsorship was negotiated where Erica was challenged to pull together<br />
George outfits at Walmart, post photos <strong>of</strong> the looks on her website, and tweet about them while out at<br />
TIFF parties. Visitors to the site were encouraged to vote on their favourite outfits and enter into a<br />
contest to win George gift certificates.<br />
Implementation and Challenges<br />
Budget<br />
APEX and Morin were given a total budget <strong>of</strong> $245,000 in fees and expenses for the George program. Of<br />
the budget, $180,000 was applied to fees – a breakdown <strong>of</strong> $110,000 for English Canada and $70,000 for<br />
Quebec – for work including event planning, media material development, media training, media relations,<br />
ongoing product placement, as well as TIFF and Yummy MummyClub.ca negotiation and coordination.<br />
The remainder <strong>of</strong> the budget, $65,000, was applied to expenses to include event expenses, hard costs<br />
related to national outreach, photography, and TIFF and YummyMummyClub.ca participation.<br />
Challenges<br />
There were five major challenges associated with the relaunch <strong>of</strong> Walmart’s George clothing line:<br />
1. Walmart had identified end <strong>of</strong> August as the proposed time for launch, however, given that longlead<br />
publications work three to five months in advance, the proposed timing meant there would<br />
be little to no opportunity for George clothing to be featured in the upcoming fall pages <strong>of</strong> key<br />
fashion and consumer magazines.<br />
79
2. Walmart does not release hard facts or sales figures as a rule, so aside from The Globe & Mail,<br />
The National Post, The <strong>Toronto</strong> Star, Les Affaires and Le Journal de Montréal, outlets with whom<br />
Walmart had pre-existing relationships, it was difficult to secure coverage and interview<br />
opportunities with a broader list <strong>of</strong> business media.<br />
3. The George line was not new, but being relaunched for the third time in five years.<br />
4. Although Walmart identified TIFF as an area <strong>of</strong> interest, sponsors did not necessarily feel<br />
Walmart or the George brand were the right fit for the festival<br />
5. While a George-specific website (FashionByGeorge.ca) was being developed, it was delayed, so<br />
it was not possible to issue a direct call to action to media or consumers and drive them to a<br />
central hub for more immediate information at launch.<br />
Communication, execution and production<br />
Media Preview and Media Relations<br />
Once the George preview date was confirmed, a Save the Date was sent to media to media to create<br />
advance interest. The agencies then issued an email invitation to tier-one media in <strong>Toronto</strong> and Montreal<br />
with key event particulars and conducted follow-up to secure attendance. The agencies worked the<br />
phones hard and leveraged relationships to assure media the George collection was worth seeing and to<br />
encourage their attendance. For the <strong>Toronto</strong> event, editors were booked into one-hour time slots to go<br />
through the George Fall Preview.<br />
On event day, <strong>Toronto</strong> media were greeted at the door by APEX staff and Linda Fittler, the head <strong>of</strong> the<br />
George in-house design team. Prior to the arrival <strong>of</strong> each journalist, APEX briefed Linda and worked with<br />
her to select key looks and pieces they felt would resonate with the specific reporter/outlet. For example,<br />
runway-inspired looks would appeal to Flare and Fashion, while LouLou would be more interested in<br />
George streetwear. The media were then taken through different sections, where dressed mannequins<br />
and live models displayed the various apparel trends including denim, lingerie, holiday, work wear, and<br />
kids. In speaking with Linda Fittler, media had the opportunity to hear about the inspiration and influence<br />
behind the George clothing line directly from the source, and Walmart was able to reinforce the George<br />
key message <strong>of</strong> “style-right clothing at affordable prices.” Given the less-structured flow <strong>of</strong> the Montreal<br />
event, media were encouraged to browse the looks while Walmart and Morin representatives circulated<br />
around the room. Stylists were on hand to suggest outfits, which media then tried on, and each attendee<br />
received a hair and makeup touchup to see the full effect.<br />
Finally, as each editor left the previews, they were presented with a branded USB key containing the<br />
media materials to include a press release and an e-look book showcasing the George collection. Media<br />
were also given a fashionable branded tote bag and a George label winter hat. APEX and Morin<br />
conducted ongoing outreach and product placement with the media preview attendees, and coordinated<br />
the selection and shipment <strong>of</strong> all samples.<br />
Following the event, a press release was distributed over the national newswire and to a targeted list <strong>of</strong><br />
key personal contacts, and a follow-up was conducted. The e-look book, which brought the George<br />
collection to life for media not able to attend the previews, was also distributed. The agencies remained<br />
in constant contact with journalists to encourage them to write stories about the George line, and to look<br />
for ongoing product placement opportunities, or trend pieces to leverage for inclusion.<br />
In the weeks leading up to the launch, Walmart leveraged its relationships with key business and retail<br />
reporters to alert them to the George expansion and secure coverage around it. The decision to conduct<br />
advance outreach was a strategic one to ensure business articles would appear on the actual set launch<br />
date <strong>of</strong> August 31 st . Interested media were provided with the press materials under embargo and<br />
80
conducted advance interviews with the spokespersons. On launch day, APEX and Morin also worked<br />
together to conduct additional business outreach around the George expansion. APEX and Morin<br />
handled media training for the key Walmart spokespersons, as well as the SVPs <strong>of</strong> apparel for English<br />
Canada and Eastern Canada/Quebec, to ensure both were well-prepared to speak to business media<br />
about Walmart’s investment in George.<br />
TIFF Participation<br />
To identify the best platform for George at TIFF, APEX conducted significant research with different<br />
outlets. Based on the research, as well as past experience, APEX recommended CIAO Wine Bar, a wellknown<br />
property which had been designated as an <strong>of</strong>ficial hot-spot by TIFF. Due to its central and<br />
prominent location in Yorkville, CIAO <strong>of</strong>fered an ideal venue to showcase George and create an<br />
association for the brand with TIFF. APEX worked with CIAO to negotiate an exclusive partnership which<br />
included dressing servers and integrating the George logo and brand into the overall venue.<br />
Walmart selected key looks for the CIAO wait staff to choose from, and provided an assortment <strong>of</strong> shoes<br />
and accessories so the servers could create outfits that reflected their personal style. Buttons were made<br />
for the staff to wear to prompt questions from diners, and APEX worked with CIAO to message the staff<br />
so they were able to speak knowledgeably about George. Branding opportunities at CIAO included a<br />
George logo and television ads played on a looped video, signage placed in key locations around the<br />
three-storey venue as well as on the tent cards used to promote daily menu specials.<br />
APEX and Walmart also worked together to develop a promotional editorial opportunity for George with<br />
YummyMummyClub.ca to leverage the TIFF presence, as well as speak to consumers directly. The<br />
partnership was designed to position George as a fashion right, on style and affordable, and to show how<br />
George clothes could be worn anywhere and everywhere. As part <strong>of</strong> the agreement, Erica worked with a<br />
Walmart representative to select a series <strong>of</strong> outfits and accessories that best suited her look and style.<br />
Based on a pre-determined schedule, Erica then regularly posted photos <strong>of</strong> herself in the clothes on the<br />
site and encouraged her readers to vote on them for the chance to win George gift cards. She also sent<br />
out a series <strong>of</strong> tweets from TIFF venues, calling out her George outfits.<br />
Measurement/Evaluation<br />
The results <strong>of</strong> the campaign exceeded all <strong>of</strong> its goals, most notably in the quality <strong>of</strong> the coverage – all <strong>of</strong><br />
which was positive and included Walmart’s key messages.<br />
Objective 1: Increase sales <strong>of</strong> George by 25 per cent from the year prior by December 31, 2010 and<br />
increase awareness <strong>of</strong> the brand by 10 per cent between August 31 and December 31, 2010.<br />
Result 1: Walmart reported that September 2010 sales <strong>of</strong> George increased in the double digits, as<br />
compared to the previous month and year. MaPs Image Track data, a retail industry brand tracking tool,<br />
showed that brand awareness <strong>of</strong> George increased by 20 per cent – from 50 to 70 – over the timeframe.<br />
Objective 2: Generate an overall Media Relations Rating Points (MRP) quality score <strong>of</strong> at least 75 per<br />
cent and a cost per contact <strong>of</strong> $0.03 or less from August 31 to December 31, 2010.<br />
Result 2: The campaign generated an overall MRP quality score <strong>of</strong> 84.6 per cent and a cost per contact<br />
<strong>of</strong> $0.03 from August 31, to December 31, 2010.<br />
Objective 3: Secure a total <strong>of</strong> 30 key fashion media and influencers to attend the George Fall Previews in<br />
<strong>Toronto</strong> and Montreal.<br />
81
Result 3: Forty-eight media attended the previews – 30 in <strong>Toronto</strong> and 18 in Montreal. Key outlets<br />
represented included Elle Canada, Cityline, LouLou, Chatelaine, Flare, Sweetspot, <strong>Toronto</strong> Star, Today’s<br />
Parent, The Steven & Chris Show, and Le Journal de Montréal.<br />
Objective 4: Generate 5,000 entries to the YummyMummyClub.ca contest between September 21 and<br />
October 17, 2010.<br />
Result 4: The George YummyMummyClub.ca contest generated 9,500 entries in the set time period.<br />
Objective 5: Secure a minimum <strong>of</strong> three stories around the George expansion in the retail/business<br />
sections <strong>of</strong> top-tier media outlets within two weeks <strong>of</strong> the August 31 launch, featuring interviews with the<br />
SVPs <strong>of</strong> apparel for English Canada and Eastern/French Canada.<br />
Result 5: Stories were secured with the retail/business sections <strong>of</strong> Globe & Mail, National Post, <strong>Toronto</strong><br />
Star, Les Affaires and La Presse. The English Canada articles all ran on August 31, 2010 and the<br />
Quebec articles appeared the first week <strong>of</strong> September.<br />
82
Entrant’s Name: Kim Saunders<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget greater than $100K<br />
AWARD OF MERIT<br />
Organization: Fleishman-Hillard Canada<br />
Title <strong>of</strong> Entry: Doritos Viralocity<br />
Division 1: Communication Management / Category 4C: Media Relations with<br />
Budget greater than $100K<br />
Time Period: February - May 2010<br />
Brief Description: Fleishman-Hillard executed a strategic and comprehensive media and<br />
blogger relations campaign to support Doritos Viralocity, the follow up<br />
campaign to the very successful 2009 Become the Doritos Guru contest.<br />
1. <strong>Business</strong> Need/Opportunity<br />
In 2009, Frito Lay Canada (FLC) executed the Become the Doritos Guru contest to support the Doritos<br />
brand. The contest launched a mystery, unnamed chip flavour and allowed consumers the opportunity to<br />
name the product by posting a short video online with the winning entry being turned into the next Doritos<br />
commercial. The winner also received a $25,000 cash prize and one per cent <strong>of</strong> all future product sales<br />
from that flavour.<br />
Need:<br />
The 2009 Become the Doritos Guru program was extremely successful and Doritos wanted to leverage<br />
the concept for a second year in 2010. Doritos value themselves as a brand that has their “finger on the<br />
pulse” <strong>of</strong> their customers, and consumer insight demonstrated that online videos and activity were<br />
intensely popular amongst their target audience. Doritos decided to build on the consumer promotion in<br />
its second year and developed a concept that would explore the craze and popularity <strong>of</strong> online videos and<br />
the value <strong>of</strong> making them “go viral”. At the time, no other snack food brand had examined what makes a<br />
video go viral, why the public seems to obsess over the idea, and how “going viral” could be quantified.<br />
In order to truly examine the “go viral” concept, the Doritos brand developed a custom algorithm for 2010<br />
that would track each entrant’s viral footprint and calculate their entry with a “Doritos Viralocity” score. The<br />
entry with the highest score would be eligible to win a $100,000 cash prize and an additional $150,000<br />
should they achieve “Maximum Doritos Viralocity”, a score defined by their ability to reach a certain<br />
extreme level <strong>of</strong> “viral”. FLC needed to launch the Doritos Viralocity program to consumers in a way that<br />
would gain attention and generate consumer awareness and participation despite reintroducing a<br />
previous program concept.<br />
Opportunity:<br />
With this challenge in mind, FLC approached Fleishman-Hillard Canada (FH) to develop and execute a<br />
national media relations campaign that would support the Doritos Viralocity program through positive, onmessage,<br />
branded media coverage to drive consumer participation. Based on FH’s public relations<br />
success with the 2009 Become the Doritos Guru program, FH was selected to introduce Doritos Viralocity<br />
to Canadian consumers. FH developed a public and media relations campaign that would ensure the<br />
contest remained relevant and generated consumer participation.<br />
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2. Intended Audiences<br />
1. Primary consumer audience — Canadian males and females, 14-25-years-old with an interest in social<br />
media, specifically online videos;<br />
2. Secondary consumer audience — art and film production houses to generate early consumer<br />
participation;<br />
3. English and French media outlets, specifically marketing trade publications, consumer and technology<br />
print and broadcast media, as well as online outlets including consumer and technology bloggers.<br />
3. Goals / Objectives<br />
Goals:<br />
• Generate mass national consumer/lifestyle and technology media coverage for the campaign in order<br />
to drive consumer participation in the contest and trial <strong>of</strong> the unidentified Doritos flavour;<br />
• Generate media awareness amongst leading Canadian marketing trade publications and reporters for<br />
Doritos’ innovative marketing strategy behind the conception <strong>of</strong> Doritos Viralocity.<br />
Objectives:<br />
• Generate an overall minimum <strong>of</strong> 120 media stories with a minimum <strong>of</strong> 160 million MR 2 P audience<br />
reach and a cost per contact <strong>of</strong> $0.03;<br />
• Resulting coverage with a MR 2 P score <strong>of</strong> 90 per cent or better.<br />
4. Solution Overview:<br />
FH’s public and media relations strategy was designed to leverage the custom-designed Doritos Viralocity<br />
algorithm. The algorithm created the opportunity to present new ideas and innovation to both consumers<br />
and media, including the fact that Doritos was the first brand to develop and employ a tool that Canadians<br />
could use to measure their digital footprint. In order to reach the maximum number <strong>of</strong> consumers, FH<br />
developed a four-phase public and media relations program that would be executed between February<br />
and May 2010. By splitting the plan into four phases, FH was able to introduce Doritos Viralocity to a<br />
variety <strong>of</strong> media with unique messages and story angles specific to their beat and target audience. By<br />
executing the media relations activities throughout the duration <strong>of</strong> the contest, media and consumers<br />
were kept interested and engaged throughout the promotion across the country.<br />
To build a strong news hook for media, FH leveraged third-party endorsement <strong>of</strong> the custom-designed<br />
Doritos Viralocity algorithm from 10 th Power Technologies Corp. This element took the story beyond a<br />
consumer promotion by providing an in-depth look at what the algorithm truly represented. The story<br />
angle did not look at the idea <strong>of</strong> “going viral” but, instead, looked at the importance <strong>of</strong> Canadians being<br />
able to measure their online impact and the subject <strong>of</strong> social currency.<br />
5. Implementation and Challenges<br />
Budget: The total media relations campaign budget was $127,000 (service fees $100,000; expenses<br />
$27,000), and expenses included product samples for all public and media relations activities.<br />
Phase One: Tease<br />
FH developed an influencer outreach program tactic that targeted both media and consumers directly.<br />
To target marketing trade media, FH co-ordinated and executed in-depth marketing briefings with Doritos<br />
brand and agency representatives for three Canadian marketing publications. The media briefings<br />
provided a sneak peak exclusive <strong>of</strong> the program in order to generate advanced media coverage. Media<br />
relations tactics included:<br />
• Development <strong>of</strong> materials including key messages, FAQ sheet and issues statements;<br />
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• Creation <strong>of</strong> marketing trade media list;<br />
• Co-ordination and execution <strong>of</strong> face-to-face media briefings with marketing trade journalists.<br />
To expose key consumers to the program, FH outreached to industry pr<strong>of</strong>essionals at Canadian film and<br />
production houses. Public relations tactics included:<br />
• Creation <strong>of</strong> film industry influencer list;<br />
• Development and e-distribution <strong>of</strong> pitch letter in English and French to more than 85 Canadian film<br />
production houses;<br />
• Follow-up industry influencer relations with top film and production houses.<br />
Phase Two: Get Up<br />
FH developed the second phase <strong>of</strong> the program to generate maximum exposure for the program through<br />
media channels coast-to-coast across Canada. To encourage media coverage and therefore consumer<br />
awareness, FH’s media relations tactics included:<br />
• English and French consumer, lifestyle and technology media list development;<br />
• Developing and distributing English and French social media releases;<br />
• Executing aggressive national media relations;<br />
• Engaging third party spokesperson and social media expert/online personality, Billy Reid for GTA and<br />
Vancouver media tours;<br />
• Creation <strong>of</strong> Doritos Viralocity media co-promotion prize packs and proposed host chatter points that<br />
were leveraged for branded, on-message coverage with media outlets across Canada.<br />
Phase Three: Get Hype<br />
FH provided strategic counsel to the Doritos brand team on a variety <strong>of</strong> consumer issues that arose<br />
during the promotion. This included responses to consumer inquiries, and addressing entrants that were<br />
disqualified due to violating contest rules and regulations. All materials remain confidential and cannot be<br />
shared. This phase <strong>of</strong> the program was also utilized to tie up any outstanding media coverage and<br />
prepare for the fourth and final program phase.<br />
Phase Four: Nominate<br />
The final phase culminated the Doritos Viralocity program by announcing the top 14 Doritos Viralocity<br />
winners to regional media specific. Media relations tactics included:<br />
• Development <strong>of</strong> 14 regional news media lists;<br />
• Writing, translation and e-distribution <strong>of</strong> national English and French press releases announcing<br />
winners;<br />
• National media relations follow-up;<br />
• Traditional and social media blogger relations to local/regional media to secure interviews for the 14<br />
winners in their home towns.<br />
Issues / Challenges:<br />
Algorithm — The Doritos Viralocity campaign challenged FH to find a newsworthy story angle regarding the<br />
online viral concept. Media insight showed FH that journalists and reporters had become cynical towards<br />
viral concepts and the notion <strong>of</strong> “going viral”. To overcome this challenge, FH focused the story on the first<strong>of</strong>-its<br />
kind custom-algorithm to allow Canadians to quantify their social currency.<br />
Disqualifying Entrants — During phase three, it appeared that a number <strong>of</strong> program participants were<br />
engaging in a variety <strong>of</strong> promotional tactics that were clearly identified as violating contest rules and<br />
regulations. This included the use <strong>of</strong> celebrities, paying for votes, online tools for multiple votes and<br />
including minors in a video. FH worked with Doritos and the contestants to determine next steps and<br />
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esolutions on a case-by-case basis. Results and information for issues management surrounding illegal<br />
entrants remains confidential and cannot be shared.<br />
6. Measurement / Evaluation <strong>of</strong> Outcomes<br />
• 190 total hits across print, broadcast and online mediums, 70 stories more than program objectives;<br />
• More than 167 million MR 2 P reach, Seven million above program objectives;<br />
• MR 2 P cost per contact <strong>of</strong> $0.0001, 300 times better than program objectives;<br />
• 21 Broadcast stories including CP24 Breakfast, Citytv Breakfast Television <strong>Toronto</strong>, Citytv Breakfast<br />
Television Vancouver, CTV News Channel and TVA Salut Bonjour;<br />
• Doritos Viralocity features in the Globe & Mail and National Post, as well as additional print mentions<br />
in the Globe and Mail, <strong>Toronto</strong> Star, Journal de Montreal and IT <strong>Business</strong> Report;<br />
• 156 online stories including CTV.ca, MuchMusic.com, CassieStewart.com, FunnyorDie.com and<br />
Mashable.com;<br />
• Marketing trade coverage featured in Marketing Magazine, Strategy Magazine and Adnews.com;<br />
• More than 1,100 video entries, 7,000,000 video views, 3,500 YouTube subscribers, 66,000 Facebook<br />
fans and the number 1 spot on the Ad Age Viral Video Chart for 2 weeks.<br />
FH successfully exceeded the expectations held by Doritos for the Viralocity campaign. The Doritos<br />
Viralocity campaign both raised brand awareness and re-established Doritos ability to <strong>of</strong>fer their<br />
consumers cutting edge promotions and innovation.<br />
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Entrant’s Name: Matt Roth<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget greater than $100K<br />
AWARD OF MERIT<br />
Organization: MSL Canada and Rogers Communications<br />
Title <strong>of</strong> Entry: Rogers FIFA World Cup Three Screen Program<br />
Division 1: Communication Management / Category 4C: Media Relations with Budget greater<br />
than $100K<br />
Time Period: April – August, 2010<br />
Brief Description: Rogers Communications needed a creative launch solution that would break through<br />
the FIFA World Cup coverage clutter and draw attention to its Three Screen <strong>of</strong>fering, including: live<br />
streaming <strong>of</strong> every 2010 World Cup match online (via Rogers OnDemand.com), on demand (via Rogers On<br />
Demand, Channel 100) and on mobile devices (via Rogers On Demand Mobile). MSL Canada’s answer<br />
was a targeted multi-phase program that positioned the Three Screen <strong>of</strong>fering as a way to watch every<br />
match anytime and anyplace – even during the workday - and kept the Rogers solution top-<strong>of</strong>-mind<br />
throughout the 2010 tournament.<br />
1. <strong>Business</strong> Need / Opportunity:<br />
In early 2010 Rogers Communications approached MSL Canada with details <strong>of</strong> its biggest consumer<br />
mobile program <strong>of</strong> the year – the launch <strong>of</strong> a three screen <strong>of</strong>fering encompassing mobile, online and on<br />
demand services for the 2010 FIFA World Cup.<br />
With the 2010 tournament taking place in South Africa, the vast majority <strong>of</strong> matches were scheduled to<br />
occur during the workday. Since Rogers On Demand Online would allow live-streaming <strong>of</strong> every match<br />
from any computer with an internet connection, there was a strong opportunity to highlight the anytime,<br />
anyplace availability <strong>of</strong> Rogers’ <strong>of</strong>fering. This would drive new registrations to the site and encourage<br />
downloads <strong>of</strong> the Rogers On Demand Mobile iPhone, Android and BlackBerry apps that allowed users to<br />
watch live on their phones.<br />
Prior to launch, there was low market awareness for Rogers On Demand Online and Rogers On Demand<br />
Mobile. Given the relatively limited marketing efforts undertaken previously, the FIFA World Cup <strong>of</strong>fering<br />
presented an opportunity to target a 100% increase in registrations over the course <strong>of</strong> the tournament,<br />
which became a core goal for the program. MSL Canada also believed it could leverage Rogers’<br />
leadership position and history <strong>of</strong> innovation in the communications industry to generate awareness and<br />
positively influence consumer interest in Rogers 2010 FIFA World Cup <strong>of</strong>ferings.<br />
As such, MSL Canada set out to highlight Rogers’ three-screen approach to the 2010 FIFA World Cup<br />
with Rogers On Demand Online (RODO) as the hero product.<br />
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2. Intended Audiences:<br />
The intended audience for Rogers 2010 FIFA World Cup Three-Screen Program was identified as<br />
pr<strong>of</strong>essionals (18 – 49 years old) and soccer fans (any age). The gender split was evenly divided male<br />
and female.<br />
3. Objectives / Goals:<br />
Objectives<br />
Goals<br />
• Build pre-tournament excitement and drive media and consumer awareness for Rogers’ 2010<br />
FIFA World Cup <strong>of</strong>ferings<br />
• Generate balanced/positive media coverage and discussion for Rogers’ 2010 FIFA World cup<br />
<strong>of</strong>ferings<br />
• Drive consumer registrations for Rogers On Demand Online<br />
• Reinforce Rogers’ leadership position in the communications industry, <strong>of</strong>fering the best<br />
experience for Canadian soccer fans during the 2010 World Cup<br />
1. Highlight Rogers’ three-screen approach to the 2010 FIFA World Cup positioning RODO as the<br />
hero product<br />
2. Increase RODO registrations by 100% during the tournament<br />
3. Drive ‘Workplace’ messaging throughout launch<br />
4. Drive ongoing, sustainable coverage throughout the tournament<br />
5. Surpass 30 million media impressions in coverage, maintaining balanced/positive tone<br />
4. Solution Overview:<br />
To establish media and consumer awareness throughout the course <strong>of</strong> the 2010 FIFA World Cup, MSL<br />
Canada designed a comprehensive three-phased approach that included: a World Cup Workday Launch<br />
Event and Photo Opportunity with celebrity (World Cup hero Eusebio); the creation and distribution <strong>of</strong> the<br />
Rogers World Cup Workplace Survival Guide media mailer; and a month-long ongoing sustainable media<br />
relations program including strategic contesting.<br />
i) World Cup Workday Kick-Off<br />
To launch Rogers 2010 FIFA World Cup <strong>of</strong>ferings and highlight RODO in the workplace, a kick-<strong>of</strong>f photo<br />
opportunity was executed to gain media attention and coverage for Rogers, usingthe anytime, any place<br />
message. <strong>International</strong> soccer star Eusebio (World Cup 1966 sensation and Golden Boot winner) was<br />
onsite to help Rogers VP David Purdy announce the <strong>of</strong>ferings and provide details about the three screen<br />
approach, and how Canadians could break down the cubicle walls to enjoying the 2010 tournament.<br />
To visualize the ‘breaking down the cubicle walls’ theme, a branded cubicle was designed, complete with<br />
soccer net and a mock soccer field. After an introduction by Rogers VP David Purdy, four young soccer<br />
stars tore down the front walls <strong>of</strong> the cubicle, revealing Eusebio and Rogers’ complete line-up <strong>of</strong> World<br />
Cup <strong>of</strong>ferings. With a media alert distributed and extensive media relations conducted in the week<br />
leading up to the event, the World Cup Workday Kick-Off Event attracted key media from both<br />
mainstream consumer and sports outlets.<br />
88
Twenty-six media in total attended the morning launch event and conducted on-site interviews with<br />
Eusebio and/or David Purdy, including Canadian Press, CanWest News Service, <strong>Toronto</strong> Star, <strong>Toronto</strong><br />
Sun, CTV News, CityNews at Six, OMNI, Sportsnet, and Rogers Television. Post event interviews were<br />
also conducted with The Score (in studio), Fan 590 and Rogers Television Your World This Week.<br />
The media event was complemented by the distribution <strong>of</strong> a national launch release via Canada<br />
Newswire and targeted email to journalists. Aggressive media outreach also was conducted to secure<br />
additional opportunities and coverage.<br />
ii) Rogers World Cup Workplace Survival Guide:<br />
To complement the Workplace launch, the Workplace Survival Guide was designed and distributed to<br />
targeted media across Canada. Well received by media, the mailer gave the appearance <strong>of</strong> a confidential<br />
folder that, when opened, included a schedule <strong>of</strong> all <strong>of</strong> the matches during the tournament, tips on how to<br />
watch at work (including illustrations), details on each <strong>of</strong> Rogers <strong>of</strong>ferings and media contact information.<br />
The survival guide was designed to help break through the media clutter for key targets and was also<br />
leveraged later on during the program by Rogers Marketing.<br />
iii) Ongoing Sustainable Program<br />
Proactive post-launch pitching helped maintain Rogers share <strong>of</strong> voice long after the launch., It focused on<br />
the following themes: RODO in the workplace; the web shifting the way Canadians enjoy the World Cup;<br />
Rogers ‘anytime, anyplace’ access to World Cup coverage; ‘No Sports Allowed’; 3D Finals; and up to<br />
date viewership/user stats. Coverage appeared across Canada, including features in the Globe and Mail,<br />
Metro and <strong>Toronto</strong> Star.<br />
As the World Cup coverage shifted to games during the final few weeks <strong>of</strong> the tournament, contesting<br />
opportunities proved very successful in maintaining highly positive exposure <strong>of</strong> Rogers’ World Cup<br />
<strong>of</strong>ferings right up to the closing matches. Opportunities were secured with Breakfast Television <strong>Toronto</strong>,<br />
CityNews at 6 (Three Screen World Cup Package including 3DTV), Metro Canada (Rocket Stick, Sony<br />
Laptop and Soccer Jersey and Ball) and Canoe.ca (Rocket Stick and Laptop, Sony X10 and Rogers HD<br />
PVR). This effort helped the overall program reach nearly 100 million media impressions total (measured<br />
via MR2P) in roughly seven weeks.<br />
5. Implementation and Challenges:<br />
Implementation: MSL Canada executed the program on time and on budget. A detailed critical path and<br />
regular internal meetings (weekly team meetings moving to daily meetings closer to launch) ensured all<br />
team members were executing to strongly defined timeframes. The core program was executed over a<br />
six-week period from late April (planning) to June 2, 2010 (celebrity / consumer activation and launch<br />
event). Follow-up activities including ongoing proactive media relations to generate post-launch coverage<br />
continued through mid-July, 2010.<br />
Budget: The program budget was $167,790 in fees and expenses for all planning, program launch<br />
activities (including celebrity engagement), and ongoing proactive media relations support. Weekly<br />
budget reviews guaranteed that fees and expenses were tracked in near-real time, allowing MSL Canada<br />
to ensure that the program was tracking well to pre-defined budgetary parameters.<br />
89
Weekly meetings with both the client and partner agencies kept the program on track and on budget from<br />
conception to completion. MSL Canada identified efficiencies as the program progressed to find<br />
additional savings for the client. For example, aggressive celebrity contract negotiations led a lower than<br />
anticipated fee.<br />
Challenges: With very limited marketing push behind Rogers On Demand Online prior to the 2010 FIFA<br />
World Cup, media and consumer awareness was particularly low leading up to launch. A competing live<br />
web-streaming <strong>of</strong>fering by <strong>of</strong>ficial broadcaster CBC (which required no registration process) was also<br />
available for every tournament match. This made it very difficult to differentiate amongst media and<br />
consumers, leading to an increased outreach focus on Rogers’ exclusive On Demand Mobile <strong>of</strong>fering to<br />
sustain positive coverage. Additionally, once the 2010 FIFA World Cup tournament began the vast<br />
majority <strong>of</strong> media attention shifted towards the results <strong>of</strong> the matches themselves, making it increasingly<br />
challenging to secure media coverage for <strong>of</strong>ferings once the tournament was in full swing. As a result, this<br />
required additional efforts by MSL Canada to educate core audiences and meet program objectives<br />
including sustained media coverage and RODO registrations. MSL Canada worked swiftly and adeptly to<br />
solve challenges and potential issues, leading to the successful completion <strong>of</strong> this program.<br />
6. Measurement / Evaluation:<br />
MSL Canada measured results as they related to the established program objectives:<br />
Results Objectives Met<br />
As a result <strong>of</strong> targeted and aggressive media<br />
relations outreach, MSL Canada sustained media<br />
interest from pre-launch to post-launch,<br />
successfully generating coverage over a six-week<br />
period with 97,575,658 impressions (measured<br />
via MR2P) through 283 print, broadcast and online<br />
stories. This satisfies objectives #1, #2, #3 and #4:<br />
As a result <strong>of</strong> promoting Rogers on Demand online<br />
(RODO) as the hero product and strongly<br />
leveraging ‘anytime, anywhere’ messaging<br />
throughout all communications, RODO<br />
registrations increased by more than a 114%<br />
over the course <strong>of</strong> the 2010 FIFA World Cup. This<br />
satisfies objectives #1 and #3:<br />
90<br />
Objective #1: Build pre-tournament excitement<br />
and drive media and consumer awareness for<br />
Rogers’ 2010 FIFA World Cup <strong>of</strong>ferings<br />
Objective #2: Generate balanced/positive media<br />
coverage and discussion for Rogers’ 2010 FIFA<br />
World cup <strong>of</strong>ferings<br />
Objective #3: Drive consumer registrations for<br />
Rogers On Demand Online<br />
Objective #4: Reinforce Rogers’ leadership<br />
position in the communications industry, <strong>of</strong>fering<br />
the best experience for Canadian soccer fans<br />
during the 2010 World Cup<br />
Objective #1: Build pre-tournament excitement<br />
and drive media and consumer awareness for<br />
Rogers’ 2010 FIFA World Cup <strong>of</strong>ferings<br />
Objective #2: Generate balanced/positive media<br />
coverage and discussion for Rogers’ 2010 FIFA<br />
World cup <strong>of</strong>ferings<br />
Objective #3: Drive consumer registrations for<br />
Rogers On Demand Online<br />
MSL Canada executed the program on time and Objective #1: Build pre-tournament excitement
on budget. A detailed critical path and regular<br />
internal meetings (weekly meetings moving to daily<br />
meetings closer to launch) as well as weekly<br />
meetings with client and partner agencies ensured<br />
the program remained on track and on budget.<br />
This satisfies objectives #1, #2, #3 and #4:<br />
91<br />
and drive media and consumer awareness for<br />
Rogers’ 2010 FIFA World Cup <strong>of</strong>ferings<br />
Objective #2: Generate balanced/positive media<br />
coverage and discussion for Rogers’ 2010 FIFA<br />
World cup <strong>of</strong>ferings<br />
Objective #3: Drive consumer registrations for<br />
Rogers On Demand Online<br />
Objective #4: Reinforce Rogers’ leadership<br />
position in the communications industry, <strong>of</strong>fering<br />
the best experience for Canadian soccer fans<br />
during the 2010 World Cup
OVATION Awards Winning Entry<br />
Communication Management<br />
Media Relations with Budget greater than $100K<br />
AWARD OF MERIT<br />
Entrant’s Name: Lisa Bednarski, Weber Shandwick Canada<br />
Organization: Weber Shandwick (Canada) Worldwide (WS) and Barbados Tourism Authority<br />
(BTA)<br />
Title <strong>of</strong> Entry: Reigniting Canadians’ Love for Barbados<br />
Division 1: Communication Management / Category 4C: Media Relations with Budget<br />
greater than $100K<br />
Time Period: January – December 2010<br />
Brief Description: A program designed to drive Canadians’ awareness <strong>of</strong> -- and interest to travel to --<br />
Barbados. Research and analysis <strong>of</strong> the situation and key audience characteristics was the basis for the<br />
strategy to reposition Barbados as an all-inclusive experience over an all-inclusive destination. The<br />
strategy informed the tactical execution and was focused on reaching audiences in ways, and with<br />
messages that were most relevant and resonated with them, primarily using media relations, special<br />
events and consumer promotions as ways to achieve BTA’s business objectives.<br />
1. <strong>Business</strong> Need/Opportunity:<br />
Tourism is Barbados’ number one industry and its lifeblood. Its citizens rely on a steady stream <strong>of</strong><br />
visitors, primarily from the United States, United Kingdom and Canada. Travellers stay in the Island’s<br />
hotels, eat in its restaurants and visit its many attractions to keep its economy going. The Barbados<br />
Tourism Authority, which receives its funding from the Government <strong>of</strong> Barbados, is solely dedicated to<br />
attracting visitors to the island. Headquartered in Bridgetown, Barbados, it also has <strong>of</strong>fices and staff in<br />
the U.S., U.K., Western Europe, Brazil, the Caribbean and Canada. Each BTA regional <strong>of</strong>fice has a team<br />
dedicated to building local programs and relationships designed to promote the Barbados travel <strong>of</strong>fering.<br />
The BTA’s Canadian team is housed with the Consul General <strong>of</strong> Barbados <strong>of</strong>fice in <strong>Toronto</strong> and includes<br />
a sales and marketing team <strong>of</strong> 11 people, headed by senior business development manager, Cheryl<br />
Carter who has responsibility for Canada including regional representatives in Quebec, Western Canada<br />
and Atlantic Canada. The sales team focuses on educating Canadian travel agents and tour operators<br />
about the island and its <strong>of</strong>ferings, as well as outreach to meetings and incentive travel organizers and<br />
wedding planners to attract large groups to the island, and sales managers who target niche audiences<br />
that encouragesporting groups and associations, among others, to host events in Barbados. The<br />
marketing team develops specific in-market co-op programs, promotions and oversees the media<br />
planning and public relations efforts for English and French Canada.<br />
The 70s and 80s were the heyday for Canadian tourism to Barbados particularly from the provinces <strong>of</strong><br />
Ontario and French-speaking Quebec, but during the 90s and early 2000s the number <strong>of</strong> Canadians<br />
visiting the island on holiday decreased year-over-year. This was attributed to several factors:<br />
- Emerging ‘newer’ travel destinations <strong>of</strong>fering more all-inclusive youth and family-oriented holidays<br />
targeted to price-conscious travelers;<br />
- A perception that the island’s <strong>of</strong>fering was more suited to post-retirement Canadians;<br />
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- The lack <strong>of</strong> a French language website and budget cuts in the early 2000s which put a<br />
moratorium on printing French language marketing materials;<br />
- That although prior to 2000 there was a robust media and public relations program promoting the<br />
island and its attractions, there hadn’t been any proactive media and public relations outreach in<br />
many years and the marketing activities in place were focused on the typical sun, surf and sand<br />
imagery.<br />
In 2008, the BTA -- recognizing that it needed to reposition itself ‘beyond the beach’ in all markets,<br />
differentiate itself from other destinations and create a consistent brand and voice across all <strong>of</strong> its<br />
communication channels -- embarked on a new marketing campaign for the island under a new theme:<br />
Long. Live. Life., celebrating the unique people, way <strong>of</strong> life and <strong>of</strong>fering in Barbados. Then came the<br />
global financial crisis <strong>of</strong> Fall 2008, hitting the United States and Great Britain particularly hard and seeing<br />
visits to Barbados from those markets plummet in 2009. At the same time, visitors from Canada<br />
remained steady because its economy, though impacted by the recession, was not hurt nearly as deeply<br />
and the new marketing campaign resonated with Canadians. Based on this, the Barbados Tourism<br />
Authority worked with critical industry partners Air Canada and WestJet (critical as visitors to the island<br />
can only arrive by air) to sustain and, in some cases, increase airlift from Canada in 2010. The BTA<br />
viewed an increased investment in public relations as an opportunity to make up some <strong>of</strong> the expected<br />
US/UK visitor shortfall in 2010; reinforce its commitment to the Canadian market with its all-important<br />
airline partners; and solidly reposition Barbados with Canadians to build for the future.<br />
Opportunity<br />
In late 2009, Weber Shandwick Canada (WS) was hired to help Barbados reignite Canadians’ love for the<br />
island, working closely with Cheryl Carter at the Barbados Tourism Authority. The WS team is led by<br />
account director Dagmara Grabowski who oversees all client liaison, program planning and execution.<br />
She works with a national team from <strong>of</strong>fices in Calgary, Vancouver and Montreal, and reports to senior<br />
vice president, Lisa Bednarski, who provides ongoing senior counsel and works with Dagmara on<br />
strategic planning. WS also works closely with representatives from BTA’s North American advertising<br />
agency, MMG Worldwide and its US public relations agency, The Brandman Agency, as well as the<br />
marketing and communications team at BTA headquarters in Bridgetown, Barbados. This includes<br />
quarterly strategic planning meetings and brainstorming sessions, tailoring North American activities for<br />
Canadian audiences and developing uniquely Canadian programs to drive media coverage and<br />
awareness in this market.<br />
2. Intended Audiences:<br />
In evaluating the opportunity we looked at the following audience characteristics:<br />
- Psychographics<br />
o Travel industry research shows Canadians fall into the ‘Explorer’ psychographic – travelers who<br />
thrive on surprising, unexpected and out-<strong>of</strong>-the ordinary experiences that engage all <strong>of</strong> the<br />
senses and give them the opportunity to create personal stories. BTA’s own research shows that<br />
while some travelers are looking for an all-inclusive ‘fly and flop’ holiday to a sunny locale,<br />
Barbados is considered a premium destination and many Canadians, particularly those in higher<br />
income brackets, want a holiday that goes beyond surf, sun and sand. It’s an all-inclusive<br />
experience they crave, not an ‘all the fruity drinks you can drink, food you can eat and volleyball<br />
you can play’ all-inclusive destination. In Barbados, you can safely experience the local culture<br />
and it is also the only Zagat rated island in the Caribbean, <strong>of</strong>fering a plethora <strong>of</strong> top-notch<br />
restaurants, which the more affluent Canadian traveler wants in a holiday destination<br />
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- Demographics<br />
o Reaching those in their 30s and 40s who are starting to have more disposable income and have<br />
‘graduated’ from the all inclusive destinations (i.e. anything featuring a Señor Frogs) and boomers<br />
actively enjoying and spending their early retirement nest eggs<br />
- Regionality<br />
o Re-introducing French-speaking Canadians in Quebec to Barbados and all that it <strong>of</strong>fers, a market<br />
that hadn’t been targeted with public or media relations in years<br />
o Supporting other market development efforts in the west, particularly affluent travelers from the<br />
booming economies in Alberta and British Columbia<br />
We then identified media, as a conduit to reach these audiences<br />
- Traditional travel and travel trade; Consumer lifestyle and non-traditional travel verticals to<br />
communicate Barbados’ travel <strong>of</strong>ferings (e.g. food and wine, outdoor adventure, weddings, golf,<br />
entertainment etc.)<br />
3. Goals and Objectives:<br />
The public relations program goal was to drive Canadian awareness <strong>of</strong>, and interest in travelling to,<br />
Barbados, specifically supporting the BTA’s business objectives <strong>of</strong>:<br />
- Positioning Barbados as a destination <strong>of</strong> choice for the discerning ‘Explorer’ Canadian and<br />
increasing the number <strong>of</strong> visitors to Barbados from Canada by 12% over 2009;<br />
- Supporting the re-introduction <strong>of</strong> a direct Air Canada flight from Montreal to Barbados in summer<br />
2010 (cancelled during 2009);<br />
- Driving awareness and demand for holidays to Barbados originating from Calgary, Alberta and<br />
Vancouver, British Columbia, setting the stage to demonstrate to Air Canada and WestJet the<br />
need for increased airlift and/or a direct service from those markets over time.<br />
The Communications objectives were to:<br />
- Overall, generate high quality media coverage highlighting Barbados’ <strong>of</strong>fering beyond its beautiful<br />
beaches with lifestyle, travel and travel trade media across Canada but specifically in the target<br />
markets <strong>of</strong> Quebec, Ontario, Alberta and British Columbia, including mentions <strong>of</strong> key messages 1 :<br />
o Its status as a Zagat-rated island and many restaurant <strong>of</strong>ferings<br />
o The friendliness <strong>of</strong> the people and opportunity to experience local culture<br />
o The many <strong>of</strong>f-resort activities for adults and families<br />
o The different accommodation options from Bed & Breakfasts to full-service resorts,<br />
beyond all-inclusive<br />
o Its website www.visitbarbados.org for consumers to experience the Long. Life. Life brand<br />
and plan travel experiences<br />
- Generate media coverage highlighting Barbados ‘beyond the beach’ <strong>of</strong>ferings outside traditional<br />
travel sections and in vertical consumer lifestyle outlets or sections (i.e. parenting, entertainment,<br />
food and wine, outdoor adventure, weddings) to reach our target audiences in ways that are<br />
relevant to their lives<br />
- Specifically generate coverage in the province <strong>of</strong> Quebec reinforcing the Barbados travel <strong>of</strong>fering<br />
and mentioning the re-introduction <strong>of</strong> a weekly direct flight from Montreal on June 25 th<br />
- Generate media coverage <strong>of</strong> Barbados’ high-pr<strong>of</strong>ile consumer events and promotions outside the<br />
travel sections<br />
1 We specifically targeted an MRP score <strong>of</strong> 75 per cent across all programs with the criteria primarily focused on these quality<br />
parameters. MRP is a Canadian industry-endorsed process measuring quality <strong>of</strong> media relations program coverage (e.g. key<br />
outlets reached; key messages communicated)<br />
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4. Solution Overview: 2<br />
Looking at the objectives we needed to achieve and the audiences we needed to reach we developed a<br />
public relations program designed strategically focused on communicating to new generations <strong>of</strong><br />
Canadians that Barbados is an all-inclusive experience more than an all-inclusive destination. To do this<br />
we leveraged new and existing on-island activities and events to drive media coverage and awareness<br />
that includes traditional travel outlets, but goes well beyond to include non-traditional verticals in lifestyle<br />
outlets as well. Our efforts here have been focused on re-introducing Canadian media (travel, food &<br />
lifestyle, outdoors, family, etc.) to Barbados, providing journalists an opportunity to experience Barbados<br />
first-hand and maximizing on-island opportunities to tell its stories. We also focused on special events<br />
and consumer promotions:<br />
o News Bureau<br />
o In 2010, 19 news releases were distributed to a cross-section <strong>of</strong> travel and lifestyle media,<br />
creating awareness and a steady drumbeat <strong>of</strong> news about Barbados. Topics ranged from<br />
general information about festivals and events on-island to special travel packages and<br />
promotions strategically focused on communicating our key messages<br />
o Visiting Journalist Program<br />
o This was implemented specifically to highlight uniquely Barbadian attributes and travel<br />
experiences delivering media coverage outside the traditional travel sections. There were<br />
nine separate events/opportunities included in 2010, with the majority focused on existing onisland<br />
events or activities to pr<strong>of</strong>ile. Here are highlights:<br />
Today’s Parent – journalist and her family visited the island experiencing all the activities<br />
available for an entire family to enjoy, resulting in a five-page story with pictures in<br />
Today’s Parent and five entries on its blog<br />
Outdoor Canada – journalist visited the island to experience opportunities for anglers,<br />
resulting in a four-page feature in the print issue and a blog post on the website<br />
celebrating the experience.<br />
HELLO! Canada – journalist and photographer invited to attend a charity polo match<br />
featuring Prince Harry and experience Barbados’ ‘polo culture’; resulted in two feature<br />
articles (seven and four pages respectively)<br />
Vancouver Sun – writer invited to experience Barbados’ uniquely Jewish heritage<br />
(western hemisphere’s oldest synagogue is in Barbados) resulting in a full-page feature<br />
article<br />
Quebec Media Fam – three journalists from high-pr<strong>of</strong>ile Quebec outlets, La Presse, Le<br />
Lundi and Clin D’oeil, visited the island to experience all Barbados has to <strong>of</strong>fer. The trip<br />
was strategically timed to promote Air Canada’s reintroduction <strong>of</strong> weekly summer flights<br />
from Montreal and resulted in feature coverage pr<strong>of</strong>iling the island and highlighting the<br />
service. We also coordinated a separate trip for Mariage Quebec (Quebec’s leading<br />
weddings publication) to do a photo shoot and travel feature resulting in three editorial<br />
spreads and a travel feature (21 pages in total) in the Spring/Summer edition, which<br />
stays on the newsstand for six months<br />
o Events & Consumer Promotions<br />
o There are a number <strong>of</strong> new and existing programs we’ve leveraged this year. Highlights include:<br />
2<br />
Please note that Barbados’ US advertising agency has responsibility for spearheading its social media program. WS Canada<br />
sits on the advisory board and provides input on the social media editorial calendar and regularly provides content for the<br />
Barbados Facebook site and Twitter handle.<br />
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o Food & Wine and Rum Festival<br />
As part <strong>of</strong> its desire to position itself as a culinary travel destination, Barbados launched<br />
the inaugural Food & Wine and Rum Festival this year, in partnership with Food & Wine<br />
magazine and American Express Publishing. Weber Shandwick actively participated in<br />
the planning <strong>of</strong> the event’s promotion and worked closely with the organizing team to<br />
ensure Iron Chef Champion and Canadian, Rob Feenie, was included as one <strong>of</strong> the<br />
celebrity chefs. The agency also brought a number <strong>of</strong> high-pr<strong>of</strong>ile media to attend the<br />
November event and promote the island’s culinary attributes. The list <strong>of</strong> attendees was<br />
very impressive: Lucy Waverman for Food & Drink and The Globe and Mail, Jacob<br />
Richler for Zoomer Magazine, Sandra & John Nowlan for the <strong>Toronto</strong> Star, Anicka Quinn<br />
for Western Living and Lisa Kadane for the Calgary Herald. We also coordinated two<br />
consumer promotions to drive awareness <strong>of</strong> the festival in key markets: Breakfast<br />
Television in Calgary, Alberta and www.canoe.ca in Quebec<br />
o Breakfast in Barbados<br />
We undertook all project management for this national consumer two-month promotion<br />
(Feb/March) with seven CHUM radio stations across Canada, culminating in a week-long,<br />
on-island broadcast. This was complemented by morning shows from all seven stations,<br />
and a concert with Barenaked Ladies and New Kids on the Block. We brought<br />
MuchMoreMusic’s The Daily Fix and CTV’s eTalk with us that resulted in week-long<br />
Barbados features (five one-hour long episodes and five 3-5 minute segments<br />
respectively). The promotion is not new, but bringing MuchMore and Elaine Lui (from<br />
Laineygossip.com and eTalk) was our initiative to help re-position Barbados with a<br />
younger (but still relevant) demographic and amplify promotion value<br />
o Ongoing Event Support & Promotional Support<br />
• We’ve provided onsite support to help facilitate Barbados Tourism Authority radio<br />
partnerships and consumer promotions with JAZZFM, FLOW 93.5, Dreamscapes<br />
Magazine targeting American Express cardholders (an important traveler audience) and<br />
Zoomer Magazine (targeted at Canada’s boomers)<br />
• We’ve also provided event and media relations support to BTA for in-market events and<br />
sponsorships, including Barbados on the Water, a two-day event at <strong>Toronto</strong>’s<br />
Harbourfront Centre showcasing the music, cuisine and crafts <strong>of</strong> Barbados, EAT<br />
Vancouver and the Gourmet Food & Wine Show in <strong>Toronto</strong><br />
5. Implementation and Challenges:<br />
o The need to hit the ground running in January was urgent, but we weren’t handed the AOR mandate<br />
until late November 2009. The team immediately embarked on a five-day family trip to Barbados,<br />
viewing properties and attractions and meeting key on-island stakeholders. (Possibly the biggest<br />
challenge was convincing colleagues that our fact-finding mission was indeed ‘work’). We also met<br />
with all BTA partner agencies in December and from there developed an editorial calendar that<br />
started immediately in January 2010<br />
o Once journalists (particularly freelancers) saw BTA being more proactive in its outreach we were<br />
inundated with requests for trips and story pitches. We developed a triage document that allowed us<br />
to prioritize the opportunities to pursue and facilitate based on the BTA’s business and<br />
communication objectives which helped manage budget<br />
o Without a formal public relations program in place prior to 2010, we couldn’t set objectives for<br />
increased quantity or quality <strong>of</strong> coverage. We’ve tracked and measured carefully in 2010 to set very<br />
specific objectives for 2011<br />
6. Measurement/Evaluation:<br />
The program budget for 2010 was $240,000 (plus roughly $60,000 additional for special projects) and<br />
inclusive <strong>of</strong> out-<strong>of</strong>-pocket expenses (except for travel). This included strategic planning and development<br />
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including quarterly meetings in Barbados with the marketing and communications team, all proactive and<br />
reactive media relations in support <strong>of</strong> the News Bureau, the Visiting Journalist Program and Special<br />
Events & Promotions and including on-site agency representation (1-2 staff depending on size <strong>of</strong><br />
program) for all initiatives (10 separate multi-day trips in 2010). The BTA does not conduct research that<br />
specifies which marketing activities contribute to its overall business results, but widely acknowledges the<br />
role public relations has played in achieving its 2010 business objectives, including:<br />
o An increase in visitors to the Island <strong>of</strong> 15 per cent over 2009, exceeding objective by three per cent<br />
(Canada was the only market that saw an increase)<br />
o Air Canada and WestJet will not permit BTA to disclose information about its passenger loads, but<br />
both airlines are sustaining and, in some cases, expanding existing airlift. Both are also now taking<br />
meetings with BTA representatives to discuss inaugurating direct service from Calgary and<br />
Vancouver to Barbados in 2011 and beyond<br />
o Air Canada considers its daily summer flight from Montreal a success and will continue in Summer<br />
2011<br />
o A specific increase in airlift in April/May (typically <strong>of</strong>f-season) largely attributed to the consumer/media<br />
buzz and awareness generated Feb/March/April for Breakfast in Barbados<br />
Specifically, the public relations program generated the following results:<br />
o Total 2010 impressions for all our activities totaled: 187,444,175 impressions (CPM: $0.62). MRP<br />
scores averaged 85 per cent showing communication <strong>of</strong> our key messages in the coverage<br />
generated. Specific highlights include:<br />
o News Bureau: The News Bureau program generated more than 23 million impressions in key<br />
outlets including The Globe and Mail, EnRoute Magazine, Vancouver Province and <strong>Toronto</strong> Star.<br />
The quality <strong>of</strong> the coverage was excellent, highlighting what Barbados <strong>of</strong>fers beyond the beach –<br />
friendly people, full-range <strong>of</strong> activities for all interests, first-class restaurants etc.<br />
o Visiting Journalist Program: To date, this program has generated more than 24.3 million<br />
impressions in outlets where Barbados has not been included and in ways it’s not been pr<strong>of</strong>iled.<br />
The Quebec fam was particularly successful, generating coverage in all three key outlets timed to<br />
coincide with the announcement that daily summer service from Montreal was reinstated. As<br />
identified in the Solutions Overview, coverage was from a cross-section <strong>of</strong> lifestyle outlets<br />
including HELLO!, Today’s Parent, Outdoor Canada and Mariage Quebec<br />
o Special Events & Promotions: Food, wine and rum impressions to date number more than 30.7<br />
million with an additional 8.7 million anticipated. But it’s the quality <strong>of</strong> all <strong>of</strong> this coverage,<br />
positioning Barbados as a culinary destination in these target outlets (Food & Drink, Western<br />
Living) that is most important. Breakfast in Barbados generated 115 million impressions and<br />
critical lifestyle coverage on MuchMoreMusic, eTalk and www.laineygossip.com. Based on<br />
audience response to its Daily Fix pieces, MuchMoreMusic repackaged the segments into a half<br />
hour ‘Barenaked in Barbados’ special that aired in December over the holidays.<br />
97
OVATION Awards Winning Entry<br />
Communication Management<br />
Marketing and Communications with Budget up to $50K<br />
AWARD OF MERIT<br />
Entrant's Name: Martine Lévy, Managing Director, DDB Public Relations<br />
Organization: DDB Public Relations and Hennessy – Moët Hennessy<br />
Title <strong>of</strong> Entry: Hennessy Black Ontario Launch<br />
Division 1: Communication Management / Category 5A: Marketing Communication with<br />
Budget up to $50K<br />
Time Period: July 2010 – August 2010<br />
Brief Description: DDB PR developed and executed a multi-tiered communications program that<br />
included a traditional media relations campaign along with an inventive guerilla street activation that<br />
brought the Hennessy Black brand directly into the high-energy nightlife arena it was targeting.<br />
1. <strong>Business</strong> Need/Opportunity:<br />
In the summer <strong>of</strong> 2010, Hennessy, the luxury spirit from the number one selling cognac house in the<br />
world, unveiled its first major product innovation in almost 50 years, Hennessy Black. The “Hennessy<br />
Black Ontario Launch” was developed to provide communications support around this new and highly<br />
versatile, “done different” cognac, aiming to transition Hennessy from being enjoyed as a sip-alone drink<br />
to acting as the star ingredient in a variety <strong>of</strong> mixed drinks, similar to tequila and vodka. DDB PR was<br />
asked to create a unique program to bring the Hennessy Black brand to life and ensure the product would<br />
become a staple in the high-energy nightlife arena.<br />
DDB PR utilized proprietary consumer brand research to obtain the demographics and psychographic<br />
qualities <strong>of</strong> the Hennessy Black target audience, including age, gender, and household income. In<br />
addition, DDB PR conducted research to determine the hotspots most highly trafficked by Hennessy<br />
Black’s target demographic.<br />
2. Intended Audience:<br />
It was determined that Hennessy Black’s target demographic was trendsetting consumers primarily<br />
between the ages <strong>of</strong> 21 and 29 years old. Widening the “occasionality” <strong>of</strong> Hennessy while targeting its<br />
use for more urban, higher energy occasions, DDB PR also identified an extended group that could<br />
represent a secondary audience <strong>of</strong> consumers. They are between the ages <strong>of</strong> 30 and35, and denote the<br />
more traditional Hennessy consumer, in a less traditional setting. Hennessy Black could successfully<br />
build a reputation as a highly versatile cognac.<br />
DDB PR targeted its public relations efforts to media who communicated directly with the target<br />
demographic. Accordingly, the primary target media for the program included food and drink media,<br />
entertainment and lifestyle contacts at national daily and weekly papers, as well as key broadcast outlets.<br />
The campaign heavily focused on social media outlets, with an emphasis on entertainment and nightlife<br />
blogs and forums, as well as local influential Twitter and Facebook channels.<br />
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3. Goals and Objectives:<br />
The goal <strong>of</strong> this launch was to showcase Hennessy Black’s nightlife positioning and to generate buzz with<br />
consumers and influencers; gauged by qualitative articles written by top spirits media, online dialogue on<br />
key social media networks, and an increase in Hennessy Black sales figures. A number <strong>of</strong> quantifiable<br />
objectives were put in place during the planning process to measure the success <strong>of</strong> the program<br />
consisting <strong>of</strong>:<br />
o Maximizing social media impressions via community cultivation with a target reach <strong>of</strong> over five million.<br />
o Generating at least five articles from tier one spirits media.<br />
o Analyzing and document comments via tone and key message inclusion to determine impact.<br />
o Engaging influencers (VIP drinks and spirits media, community thought-leaders, etc.) to advocate and<br />
spread the word.<br />
o Using the Media Relations Rating Points (MRP) evaluation system, obtain a score <strong>of</strong> at least 75 per<br />
cent (industry standard) a total audience reach <strong>of</strong> at least 10 million and a cost-per-contact <strong>of</strong> $0.02<br />
(industry standard is 0.03) or less via an aggressive media relations campaign.<br />
o Assisting Hennessy Black to surpass sales targets for Ontario launch.<br />
4. Strategy:<br />
The “Hennessy Black Ontario Launch” marketing communications campaign was developed to bring<br />
Hennessy Black to life. Using an innovative approach to capitalize on existing brand recognition while<br />
distinguishing Hennessy Black from its well-known parent brand, a covert guerilla street activation was<br />
conceived to reach consumers and generate buzz surrounding the new brand. Research indicated that<br />
cognac was typically associated with an older audience at more refined venues or events. To combat this,<br />
Hennessy Black would be positioned as a symbol <strong>of</strong> innovation, distinction and nonconformity. Though<br />
there is an array <strong>of</strong> cognacs on the market, Hennessy Black would be the first to target a younger,<br />
trendsetting crowd in a high-energy setting. DDB PR was tasked with creating a launch that would both<br />
personify the brand and challenge the media and the public to take notice <strong>of</strong> the brand’s new qualities.<br />
DDB PR conceived <strong>of</strong> a chic guerilla activation designed to showcase Hennessy Black’s nightlife<br />
positioning; generating buzz with its targeted consumers, among social media communities and with key<br />
influencers.<br />
The activation featured celebrity choreographer Blake McGrath, <strong>of</strong> So You Think You Can Dance Canada<br />
fame, along with a crew <strong>of</strong> dancers, ambushing patio-revellers and club-goers at two <strong>Toronto</strong> hotspots,<br />
Brassaii and Tryst. They were accompanied by a street team who handed out branded glow bracelets<br />
and graffitied the Hennessy Black logo on the asphalt as an edgy leave-behind. Viral videos <strong>of</strong> the event<br />
were cultivated in social networking and video hosting sites and blogs. In coordination with the key<br />
messaging <strong>of</strong> living in an energetic, nightlife environment, the event embodied Hennessy Black’s core<br />
attributes with the lively street routine. Media had the opportunity to taste and experience the brand as<br />
guests at a special VIP lounge hosted by DDB PR in which Hennessy Black cocktails and mixers were<br />
served. Ongoing seeding activities and mentions from attending influencers created additional buzz.<br />
5. Solution Overview/Tactics:<br />
In order to amplify the “Hennessy Black Ontario Launch”, DDB PR developed and executed a multi-tiered<br />
communications program that consisted <strong>of</strong> a traditional media relations campaign in conjunction with a<br />
creative and innovative street activation that brought the brand directly into the high-energy nightlife<br />
arena.<br />
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The program consisted <strong>of</strong> the following tactics:<br />
1) Guerilla Street Activation<br />
- DDB conducted a highly covert guerilla activation to highlight Hennessy Black’s nightlife<br />
positioning, executed at two downtown <strong>Toronto</strong> hotspots, Brassaii and Tryst.<br />
- To engage influencers, an exclusive list <strong>of</strong> VIP media and influencer guests were sent limited<br />
edition Hennessy Black X Nooka watches along with a handwritten teaser-card discreetly<br />
informing them <strong>of</strong> a date, time and location <strong>of</strong> the event. A VIP lounge was hosted at Brassaii with<br />
exclusive Hennessy Black cocktails for these guests upon arrival.<br />
- To ensure the maximum number <strong>of</strong> bystanders were present for each performance, DDB PR<br />
liaised with key contacts (bar/club managers and security) at each location in advance to<br />
coordinate with staff to hold the line just prior to the activations.<br />
- Celebrity choreographer <strong>of</strong> So You Think You Can Dance Canada, Blake McGrath, and a group<br />
<strong>of</strong> his dancers, ambushed the crowds at each location – jumping out <strong>of</strong> two black branded<br />
Escalades and performing a specially-composed dance to Blake’s new single ‘The Night’ in the<br />
streets, while a street team handed out branded glow bracelets and graffitied the brand’s logo on<br />
the asphalt with non-permanent spray-paint as an edgy leave-behind. McGrath, his dancers, and<br />
the street team were outfitted in hip black branded Hennessy Black jackets.<br />
- Footage was captured at both locations for the creation <strong>of</strong> two “raw” videos.<br />
2) Social Media and Seeding Program<br />
- Footage and stills from the activation event were immediately tweeted and uploaded to<br />
Facebook, YouTube and key blogs, further enhancing the underground feel <strong>of</strong> the event.<br />
- Following the event, DDB PR seeded the two videos to targeted <strong>Toronto</strong> news, nightlife and<br />
spirits, music and So You Think You Can Dance Canada/Blake McGrath fan sites, extending the<br />
overall reach <strong>of</strong> the campaign.<br />
3) Media Relations<br />
- A media release, along with images and samples <strong>of</strong> the new Hennessy Black product, were sent<br />
to a targeted group <strong>of</strong> short lead print, online and freelance spirits media to announce the Ontario<br />
launch. One-on-one interviews were conducted between the Hennessy team and key journalists.<br />
- Outreach was also conducted with a highly targeted list <strong>of</strong> long lead media for fall and Holiday<br />
books.<br />
These activities ensured Hennessy Black was top <strong>of</strong> mind for nightclub goers. The online buzz generated<br />
in the period immediately following the activation created talk-value for the brand and further extended the<br />
overall reach <strong>of</strong> the campaign, ensuring a high number <strong>of</strong> consumers were reached. This ultimately<br />
affected the product’s high sales numbers.<br />
6. Implementation and Challenges:<br />
The total launch budget, including agency fees and disbursements, was $19,625. The budget included<br />
planning and program development, program management, measurement and evaluation, event<br />
production, media relations and social media seeding.<br />
A challenge existed with the brand’s existing perception. Typically, cognac is associated with an older<br />
generation and is not linked to the nightlife venue. DDB PR inspired a younger audience to embrace<br />
Hennessy Black as a new mixed drink staple in the after-dark realm.<br />
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Instead <strong>of</strong> a traditional media tasting to launch the new product, DDB PR created a memorable initiative<br />
that directly correlated Hennessy Black with a young hip demographic and succeeded in making<br />
Hennessy Black a staple in the nightlife venue.<br />
DDB PR was also challenged to create national coverage for a product that is only available in Ontario.<br />
DDB PR was able to foster such excitement for Hennessy Black that pick-up was generated in both<br />
provincial and national media outlets.<br />
DDB PR managed to overcome budget restraints by negotiating a strategic partnership with Canadian<br />
celebrity choreographer, Blake McGrath, <strong>of</strong>fering him a vehicle to create awareness <strong>of</strong> his new single with<br />
his key target and for the brand, it provided a good fit to infiltrate the dance and clubbing world.<br />
7. Measurement and Evaluation:<br />
DDB PR developed and executed an innovative program that was both timely and effective in making<br />
Hennessy Black the premium choice for the in-the-know consumer looking for an alternative to vodka or<br />
tequila mixed drinks. Success was measured by the following quantitative and qualitative objectives:<br />
o The two Hennessy Black videos on the YouTube channel surpassed viewer targets; generating a<br />
combined total <strong>of</strong> 4,778 views. Total impressions from the social media outreach generated an<br />
impressive 10,717,965, which helped contribute to the overall brand awareness.<br />
o Comments on social community sites were analyzed using MRP criteria and tone to measure<br />
positivity.<br />
o Using the Media Relations Rating Points (MRP) evaluation system, the Hennessy Black launch<br />
obtained a score <strong>of</strong> 84.85 per cent, with 10 individual articles from top spirits media, a total audience<br />
reach <strong>of</strong> 19,895,576 and a cost-per-contact <strong>of</strong> $0.001, far surpassing the pre-established goals.<br />
Hennessy Black exceeded sales targets for the Ontario launch.<br />
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OVATION Awards Winning Entry<br />
Communication Management<br />
Marketing and Communications with Budget greater than $100K<br />
AWARD OF EXCELLENCE<br />
Entrant’s Name: Ivana Tomas<br />
Organization: Brampton Transit (City <strong>of</strong> Brampton) and H2 Central Marketing and<br />
Communciations<br />
Title <strong>of</strong> Entry: BTZum - Building awareness and excitement for Brampton’s first Bus Rapid<br />
Transit (BRT) service, Züm Queen Street<br />
Division 1: Communication Management / Category 5C: Marketing Communications with<br />
Budget greater than $100K<br />
Time Period: April 2010 to October 2010<br />
Brief Description: Züm is Brampton Transit’s new Bus Rapid Transit (BRT) service and the City <strong>of</strong><br />
Brampton’s response to the need for improved transportation options within Canada’s fourth-fastest<br />
growing city. Launched in September 2010, Züm Queen Street runs from downtown Brampton to York<br />
University and is the first <strong>of</strong> three BRT lines to begin operation in Brampton.<br />
As a new Brampton Transit initiative, Züm works seamlessly in conjunction with Brampton Transit’s<br />
conventional service. Züm <strong>of</strong>fers reliable, all-day service with limited stops and a wide range <strong>of</strong> advanced<br />
customer service technologies to ensure riders arrive at their destinations on time and hassle-free.<br />
Need/Opportunity<br />
We identified two key needs/opportunities: increase Brampton Transit’s overall ridership and build<br />
awareness for Züm by creating excitement and anticipation for the Züm Queen Street launch.<br />
Our solution was to develop a marketing communications strategy that included events, advertising,<br />
public relations and social media initiatives. With each <strong>of</strong> these marketing and communications activities,<br />
we wanted to educate the public on Züm, its features and new customer-focused enhancements. By<br />
doing so, we felt we could address two <strong>of</strong> the major issues we faced: countering negative perceptions <strong>of</strong><br />
public transit and encouraging transit use in a mainly car-centric community.<br />
Focus group research revealed that transit riders felt they weren’t in control and were at the mercy <strong>of</strong><br />
transit schedules. As a result, it was critical that our marketing and communications plan highlight the new<br />
technologies <strong>of</strong> the BRT service. We also needed to keep our key messages focused on the “3Cs” <strong>of</strong><br />
Züm, which are control, comfort and convenience.<br />
Intended Audience(s)<br />
Our primary audience included: current Brampton Transit riders and transit riders that use GO Transit and<br />
YRT/VIVA; residents living along Queen Street and/or travelling to key destinations along the corridor (i.e.<br />
York University students, faculty and staff; Region <strong>of</strong> Peel staff; Bramalea City Centre shoppers and staff;<br />
high school students at the five high schools along the corridor). We also focused on targeting “choice<br />
riders,” those Brampton residents that drive and own a car, but can choose to take transit instead. We<br />
determined we would see the most ridership growth in our primary audience.<br />
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Our secondary audience included: Brampton Transit and City <strong>of</strong> Brampton employees; Mayor, City<br />
Council and senior management; local media and industry peers.<br />
A majority <strong>of</strong> our target audience had pre-conceived notions <strong>of</strong> public transit. Many had a negative<br />
perception <strong>of</strong> transit and/or thought it was for younger people and/or those without a car. Additionally,<br />
new “choice riders” needed to be convinced that Züm was a viable commuting option for them so they<br />
could leave their car at home and choose to ride transit instead.<br />
Some residents hadn’t taken transit in a while (or ever). Through our events, we wanted to let them see<br />
and touch the vehicle as we felt the bus was the No. 1 selling feature <strong>of</strong> the new service as it was<br />
modern, comfortable and included a wide-range <strong>of</strong> customer-focused features.<br />
Goals/Objectives<br />
The two main goals <strong>of</strong> the marketing communication program were to increase overall Brampton Transit<br />
ridership and increase awareness for Züm in order to create excitement for the Züm Queen Street launch.<br />
We established a target for ridership growth <strong>of</strong> 8-10 per cent by the end <strong>of</strong> 2010. Social media targets<br />
included 500 followers on Twitter, 300 fans on Facebook and 5,000 views on YouTube.<br />
From a public relations perspective, we targeted media in the Greater <strong>Toronto</strong> Area (GTA) to elevate<br />
Brampton Transit’s role in the community and position it as a leading transit authority.<br />
Solution Overview<br />
The overarching strategy <strong>of</strong> our marketing communications program focused on linking Züm to the<br />
Brampton community. We achieved this by creating a grassroots marketing campaign that included:<br />
advertising, events (i.e. Züm Zone), public relations and social media.<br />
By connecting Brampton Transit and Züm to the community, we wanted residents to see Züm as the<br />
answer to addressing the city’s transportation needs. To combat pre-conceived notions <strong>of</strong> transit, we felt<br />
we needed to let residents see the bus (the No. 1 feature <strong>of</strong> the service) at our events and give residents<br />
the chance to speak one-on-one with staff in order to connect the service to their individual experiences<br />
and see potential in the new BRT service.<br />
To combat the lack <strong>of</strong> media outlets in Brampton, a media relations strategy was created to target media<br />
in the Greater <strong>Toronto</strong> Area (GTA) and position Brampton Transit as a leading-edge transit authority.<br />
Our key messages included:<br />
• Züm is a reliable, cost-effective alternative for commuting<br />
• Züm is fresh and environmentally friendly<br />
• New system-wide technology features an efficient, reliable, smart service<br />
• Züm puts riders in charge <strong>of</strong> their travel (emphasis on control, comfort and convenience)<br />
• Züm provides first-class comforts – changing perceptions <strong>of</strong> public transit<br />
Advertising<br />
Two advertising campaigns were developed: one for York University students (one <strong>of</strong> our priority<br />
audiences); the second focused on introducing the Züm brand. The campaign for the brand targeted a<br />
wider audience, speaking specifically to new and “choice riders” as a way to attract them to the BRT<br />
service and grow Brampton Transit’s overall ridership.<br />
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The York University advertising campaign was featured in the York University student newspaper, the<br />
Excalibur, as well as the York University Student Centre. The Züm brand advertising campaign consisted<br />
<strong>of</strong> 10 portraits <strong>of</strong> Züm riders. Each advertisement presented a springboard for change – highlighting one<br />
<strong>of</strong> the reasons why choosing Züm is the smart choice. Each advertisement unveiled a unique trait <strong>of</strong> the<br />
Züm brand (for example vision or youth: “It’s what cars want to be when they grow up”). The campaign<br />
was featured in a number <strong>of</strong> newspapers and/or magazines in Brampton and York Region including the<br />
Brampton Guardian, South Asian News, York University’s Excalibur, etc.<br />
Events<br />
We created Züm Zone – a place (literally and figuratively) where Züm intersects with the community, both<br />
online and in person, to create a physical zone for Züm in the minds <strong>of</strong> Brampton residents. The events<br />
let residents experience the bus first-hand. In-person engagement gave residents the chance to speak<br />
one-on-one with staff and connect the new service with their individual experiences. The community<br />
engagement was also extended online, through social media, to maintain interest in between events.<br />
Züm Zone was highlighted on four Saturdays at the Brampton Farmers’ Market, two Brampton Transit<br />
Terminal visits – including the first day <strong>of</strong> service – and a visit to York University’s Student Centre. Each<br />
Züm Zone event featured a street team, entertainment, swag, video booth contest and signage. Brampton<br />
Transit staff were also on site with other giveaways, contests/games and service information.<br />
Public Relations<br />
Though our public relations initiatives, we created awareness for Züm and told its unique launch story. A<br />
customized backgrounder was created for the launch. Targeted media pitches were also presented to a<br />
wide-range <strong>of</strong> media in the GTA.<br />
Results were overwhelming with <strong>Toronto</strong>’s No. 1 morning show, City TV’s Breakfast Television<br />
broadcasting live from the Bramalea Transit Terminal on the first day <strong>of</strong> Züm service. The Züm launch<br />
was also featured in the <strong>Toronto</strong> Star and on Global TV, 680News and Newstalk1010.<br />
Social Media<br />
Custom-branded pages/channels were created to establish a social media community for Züm on Twitter,<br />
Facebook and YouTube. Each community was created to engage Brampton residents and key<br />
stakeholders as well as allow Züm street team members to speak directly with current and future transit<br />
riders on a one-on-one basis. Each social media community included Brampton residents, York University<br />
students, staff and faculty, as well as riders from a wide-range <strong>of</strong> transit authorities.<br />
Twitter featured “tweets” on a variety <strong>of</strong> subject matter: event listings, prize giveaways, Brampton Transit<br />
news and BRT best practices. Facebook featured strong community engagement with event listings,<br />
customer service Q&A’s, transit pass giveaways, contests and photo tags. YouTube featured a<br />
customized channel hosting Züm Zone video booth submissions and the Züm brand video.<br />
Implementation and Challenges<br />
Planning for the marketing communications plan began in April and most activities concluded following<br />
the Züm launch in the fall <strong>of</strong> 2010. Two agencies were involved in the marketing communications plan.<br />
One focused on advertising (budget: $75,000), while the other focused on Züm Zone, social media and<br />
public relations (budget: $210,000).<br />
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A majority <strong>of</strong> Brampton Transit staff volunteered their time to work at the Züm Zone events. This helped<br />
keep staffing costs low. City partners also reduced costs as much as possible (i.e. no charge for<br />
participating at each Farmers’ Market). The timeline for the marketing and communications plan was<br />
extremely condensed and all the initiatives needed to be achieved in a very short period <strong>of</strong> time.<br />
Buy-in from Brampton Transit staff and managers was required for all <strong>of</strong> the initiatives in the marketing<br />
and communications plan. Approval from City leaders, including the Mayor, Council and City Manager,<br />
was required during a busy election year.<br />
For Züm Zone events staff, we needed to anticipate questions or concerns from the public. A key<br />
messages document was created and circulated to assist staff. Tracking forms were also created to<br />
update the key messages on a weekly basis.<br />
The social media component <strong>of</strong> the marketing communications plan was the first City <strong>of</strong> Brampton<br />
initiative in this area. As a result, Brampton Transit staff set a standard for the City as it explored the<br />
opportunities and challenges <strong>of</strong> social media.<br />
Measurement/Evaluation<br />
Ridership numbers were the key measurement and evaluation tool for the success <strong>of</strong> the marketing and<br />
communications plan. Success was also measured by Facebook fans and Twitter followers as well as<br />
Züm Zone engagement and media coverage/impressions.<br />
Since the Züm launch, Brampton Transit’s ridership growth has been overwhelming. Ridership in<br />
November 2010 was up 21.5 per cent along the Züm Queen Street corridor compared to the same month<br />
in 2009. Brampton Transit also posted back-to-back all-time monthly ridership records with November<br />
2010 posting the highest monthly ridership recorded with 1.40 million riders. The highest previous record<br />
was set the month before, with October 2010 posting a ridership mark <strong>of</strong> 1.34 million riders. Overall yearto-date<br />
ridership growth was also at an all-time high by the end <strong>of</strong> 2010, increasing by 12.6 per cent,<br />
compared to the industry average <strong>of</strong> 3-5 per cent.<br />
Excitement and anticipation for Züm was created though social media as well as prize giveaways and<br />
handouts at the Züm Zone events (i.e. more than 4,000 water bottles and1,000 cups <strong>of</strong> c<strong>of</strong>fee given<br />
away). Online, the @BTZüm Twitter page earned more than 800 followers (one <strong>of</strong> the top in the Canadian<br />
transit industry) and more than 300 tweets were sent out, securing a tweet to message ratio <strong>of</strong> 1:2. On<br />
Facebook, the BTZum page boasted more than 400 fans (one <strong>of</strong> the top pages in the Canadian transit<br />
industry), more than 12,000 page views and 2,300 unique visitors. The page also had nearly 2,800 photo<br />
views and more than 150 user comments. On YouTube, more than 130 videos from the Züm Zone<br />
contest were uploaded with thousands <strong>of</strong> views. The Züm brand video, which premiered on the YouTube<br />
channel, earned several top honours including rankings for Top Favourited video, Top Rated video and<br />
Top Rated video <strong>of</strong> the week.<br />
The public relations campaign netted City TV’s Breakfast Television with 15+ minutes <strong>of</strong> live television<br />
across four segments and several Live Eye throwbacks. Along with other GTA media outlets, the<br />
campaign garnered 3.5 million impressions and close to $1 million worth <strong>of</strong> media coverage.<br />
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Entrant’s Name: Renée Baker<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Special Events with Budget <strong>of</strong> $50K up to $100K<br />
AWARD OF EXCELLENCE<br />
Organization: North Bay Regional Health Centre -- Includes North Bay General Hospital &<br />
Northeast Mental Health Centre<br />
Title <strong>of</strong> Entry: Open House for the new North Bay Regional Health Centre<br />
Division 1: Communication Management / Category 6B: Special Events with Budget <strong>of</strong><br />
$51K up to $100K<br />
Time Period: January 2010 – December 2010<br />
Brief Description:<br />
The newly constructed North Bay Regional Health Centre (NBRHC) is a co-location <strong>of</strong> partner hospitals:<br />
the North Bay General Hospital (NBGH) and the Northeast Mental Health Centre (NEMHC). NBRHC is a<br />
750,000 square foot, state-<strong>of</strong>-the-art new Health Centre that is scheduled to open for patient care on<br />
January 30, 2011.<br />
To <strong>of</strong>ficially open and celebrate this major community milestone, a three-day open-house was conducted<br />
and included three main audiences: staff and their families (December 2), donors (December 3); and the<br />
community-at-large (December 4).<br />
1. Need/Opportunity<br />
The community <strong>of</strong> North Bay has been advocating for a new state-<strong>of</strong>-the-art health centre for years. After<br />
more than a decade <strong>of</strong> planning, design and finally in 2007, construction start, the realization <strong>of</strong> a longheld<br />
dream is coming true when we open the doors for patient care on January 30, 2011.<br />
The new, 750,000 square foot North Bay Regional Health Centre is a $553M facility and is the first in<br />
Canada to house an acute care hospital and a specialized mental health centre on the same site. As well,<br />
the construction project was the largest infrastructure project ever in northeastern Ontario employing up<br />
to 500 workers a day during peak construction.<br />
Under hospital leadership, the communities served by these organizations were very involved in this<br />
development and, to garner government approval to proceed with construction, successfully raised over<br />
$20M from the local tax bases and $18M from donors to help cover the required local share <strong>of</strong> the costs<br />
<strong>of</strong> construction.<br />
The Public Relations Team served both the North Bay General Hospital and the Northeast Mental Health<br />
Centre and recommended open houses <strong>of</strong> the new Health Centre be conducted for three major<br />
audiences: one evening for staff to invite their family and friends; one evening for major donors to be<br />
recognized for their contributions to this new health centre; and one full day for the community-at-large.<br />
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The team also recommended that to protect patient privacy and confidentiality, it would be best to<br />
conduct these open houses in December 2010, prior to the facility being occupied and in full operation in<br />
late January 2011. This timing would also allow the audiences access to areas that will be restricted once<br />
the facility opens, such as operating rooms.<br />
Over the course <strong>of</strong> this 10-year project development, the Public Relations Department has kept the<br />
hospitals’ internal ‘families’ and external communities well informed <strong>of</strong> project progress through a wide<br />
variety <strong>of</strong> methods including a groundbreaking, mock patient room set-up in the local shopping centre,<br />
hand-over <strong>of</strong> the keys from the builder to administration, over 250 community presentations, hospital<br />
websites, Facebook, etc.<br />
2. Intended Audience/Stakeholders<br />
a. Staff and their Families and Friends<br />
Combined, both organizations have close to 2500 employees; hundreds <strong>of</strong> whom were directly<br />
involved in the planning <strong>of</strong> their department areas in the new Health Centre. This is an opportunity for<br />
staff to showcase their new workplace to family and friends.<br />
b. Individual and Corporate Donors <strong>of</strong> the Hospital<br />
Donors who have contributed $5000 and higher to the new Health Centre; many <strong>of</strong> whom solicited<br />
funds from others as well.<br />
c. Community-at-large in North Bay and surrounding area including:<br />
i. Boomers and Senior Citizens: our research indicated those most interested in learning about<br />
our Health Centre are over 45 years <strong>of</strong> age—also the age bracket <strong>of</strong> highest users <strong>of</strong> hospital<br />
services;<br />
ii. Families with small children: our research indicated that children are afraid <strong>of</strong> hospitals,<br />
particularly emergency rooms. We wanted to make this an enjoyable and fun experience for<br />
families and especially children;<br />
iii. Expectant Families: our research indicated that prospective parents were anxious about<br />
knowing where the labour and birthing area <strong>of</strong> the new hospital was located and protocols on<br />
accessing this area;<br />
iv. Community Partners: other service providers and health partners and practitioners have<br />
assisted us with the planning and design <strong>of</strong> the hospital; others <strong>of</strong> interest included: law<br />
enforcement personnel; and small community hospitals within the area served;<br />
v. Local, Provincial and Federal Politicians: Politicians who have played an active part in<br />
ensuring that North Bay received a brand new state-<strong>of</strong>-the-art facility;<br />
vi. Provincial Government and Infrastructure Ontario: Ministers and other government bodies<br />
who have been instrumental and provided funding and construction leadership for the North Bay<br />
Regional Health Centre.<br />
3. Goals and Objectives<br />
Goals<br />
♦ Provide an opportunity for target audiences to preview their new health centre.<br />
♦ Enhance target audiences’ knowledge <strong>of</strong> new health centre by:<br />
Conducte open houses specific to target audience needs<br />
Encourage expectant families to attend and visit the labour and birthing area<br />
Provide children a fun activity in the Emergency Department to decrease fear <strong>of</strong> coming to ER<br />
Provide all audiences the opportunity to visit areas <strong>of</strong> the hospital that will be restricted once<br />
open for patient care<br />
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Objectives<br />
1. Establish a program for the Open Houses by conducting over 25 focus groups and individual<br />
meetings between November 2009 and March 2010, with target audiences to get their input and<br />
feedback on what they expect to see at open house <strong>of</strong> the new health centre.<br />
2. Using information collected, conduct 10 follow-up focus groups with key target audiences to get<br />
agreement on plans.<br />
3. Using specially designed maps available to attendees upon entering, establish three self-guided<br />
tours throughout the facility where a total <strong>of</strong> 5000 - 8000 people from the target audiences over<br />
the course <strong>of</strong> December 2, 3 and 4, 2010, will view main areas <strong>of</strong> the facility and access<br />
information specifically designed for each area.<br />
4. With at least 500 staff participating in the December 2, 2010, Open House and 500 Donors at the<br />
December 3, 2010, Donor Recognition Open House, provide an opportunity to take home a<br />
framed photo <strong>of</strong> themselves/their guests holding sign depicting date and opening <strong>of</strong> the new<br />
NBRHC at a Photo Booth run by PR staff.<br />
5. Using a number <strong>of</strong> different approaches i.e. video stations, live presentations and poster<br />
presentations, provide information in at least 30 specific areas <strong>of</strong> the health centre so that while<br />
on self-guided tours on December 2, 3, and 4, 2010, participants can listen to, read or ask<br />
questions about specific features in each area.<br />
6. Conduct a Teddy Bear Clinic on Saturday, December 4, for at least 100 children where they will<br />
bring their personal teddy bears to the Emergency Department and put their teddy bears through<br />
a ‘check-up’.<br />
7. At the Community Open House on December 4, 2010, provide at least 200 participants with tour<br />
<strong>of</strong> the exterior <strong>of</strong> the building and grounds <strong>of</strong> the new Health Centre via horse-drawn wagon.<br />
8. Prepare special tour <strong>of</strong> the Labour, Delivery, Recovery and Post Partum areas <strong>of</strong> the new Health<br />
Centre on Saturday, December 4, 2010 for at least 25 expectant families.<br />
4. Solution Overview<br />
The Public Relations Department set out on a quest to provide the identified target audiences with an<br />
opportunity to tour the new Health Centre before it opens for patient care. In order to do this, we<br />
conducted research via focus groups with target audiences soliciting their feedback and input on their<br />
expectations <strong>of</strong> such an event. Once the initial planning work was complete, we went back to several<br />
original focus groups to validate that we had in fact understood their needs and wants. From there, the<br />
planning began for one <strong>of</strong> the most successful public events either hospital has ever hosted. Following is<br />
a breakdown <strong>of</strong> three separate Open Houses that were hosted with certain activities planned to meet<br />
needs <strong>of</strong> specific target-audience audiences.<br />
Staff and Family – Thursday, December 2, 2010<br />
Each staff person was sent a personal invitation to their home inviting them to show-<strong>of</strong>f their new<br />
workplace to their family and friends. Senior Administration and the Boards <strong>of</strong> Directors <strong>of</strong> both NBGH<br />
and NEMHC welcomed staff and their guests and provided tour maps. Guests took part in self-guided<br />
tours, watched the premiere <strong>of</strong> a “Goodbye Dance Video” that they participated in earlier in the year to<br />
honour the old facilities we would be leaving; posed for photos in the photo booth; signed the ‘guest book<br />
photo’ frame and were provided with a light snack as they familiarized their family and friends with their<br />
new Health Centre.<br />
Donor Recognition – Friday, December 3, 2010<br />
Each donor who pledged $5000 or more was sent a personal invitation to attend the Donor Recognition<br />
Celebration. Senior Administration, Boards <strong>of</strong> Directors from NBGH and NEMHC and the Fundraising<br />
Campaign Cabinet welcomed donors as they arrived and provided each with a tour survival kit that<br />
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included a bottle <strong>of</strong> water, tour map, gum and Kleenex. Donors proceeded on a self-guided tour, took part<br />
in the photo booth, viewed a 30-minute video produced by the Public Relations Department entitled “From<br />
the Ground Up--the creation <strong>of</strong> the North Bay Regional Health Centre” and signed the “Guest book photo”<br />
frames. Guests then gathered in one area for speeches and recognition as well as hot and cold hors<br />
d’oeuvres.<br />
Community – Saturday, December 4, 2010<br />
An extensive advertising and promotion campaign invited the community to an OpenHouse. Free city bus<br />
rides were provided all day to the new hospital from key points throughout the city. The day began with<br />
Aboriginal drumming and dancing welcoming the community, followed by a few key speakers and the<br />
<strong>of</strong>ficial ribbon cutting; followed by self-guided tours.<br />
Throughout the day: a Teddy-Bear Clinic was set up in the Emergency Department for children; special<br />
tours <strong>of</strong> the Labour and Birthing area with a prize package on display for the first baby born at the new<br />
hospital when it opens January 30, 2011; horse-drawn wagon rides with hot chocolate around the<br />
perimeter <strong>of</strong> the new Health Centre; four different choir performances in the Health Centre’s centralized<br />
area known as the Town Square; local art displayed from school drawing contest; self-guided tours to<br />
areas that will have restricted access once the centre is open—areas such as an Operating Room Suite,<br />
Mental Health lodge, Labour and Birthing area, Critical Care Unit and Medical Inpatient areas. *these<br />
were Cap’d earlier in document.<br />
Roles and Responsibility<br />
Planning and execution <strong>of</strong> these Open Houses were the responsibility <strong>of</strong> the Public Relations<br />
Department. Assigned as the lead Public Relations Officer, it was my responsibility to develop a<br />
communication plan to guide the department in implementing this event; assign tasks to PR department<br />
employees/others, identify and manage the budget, develop a critical path for the event and measure its<br />
success.<br />
5. Implementation and Challenges<br />
Implementation:<br />
Invitations, Advertising, Promotion and Online/Social Media<br />
Staff and donors had a personal invitation sent to their homes depicting the dates for their special Open<br />
House (December 2 and 3, 2010 respectively). The community’s all day Open House on December 4,<br />
2010 was promoted through an extensive ad campaign: Radio ads and interviews ran for two weeks prior<br />
to the open-house, five print ads (produced in-house) were purchased in the local daily newspaper, large<br />
neon signs were rented and placed strategically throughout the city to promote the OpenHouse and<br />
several live radio interviews were conducted leading up to the Open House. All four local radio stations<br />
were live on location all day, beginning an hour before the doors opened, to encourage the community to<br />
come out for a self-guided tour, attend the Teddy Bear Clinic, and/or grab a hot chocolate and take a<br />
wagon ride around the perimeter <strong>of</strong> the new Health Centre. Along with a number <strong>of</strong> activities surrounding<br />
our new Health Centre, the Community Open House was also advertised via our website and through our<br />
Facebook page.<br />
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Self-Guided Tours<br />
Each Open House was based on self-guided tours. Particularly at the Community Open House, we were<br />
very conscious <strong>of</strong> the fact that attendee’s might feel overwhelmed or lost, a reaction that we did not want<br />
for a first time visit. In order to ensure that attendees would not get lost, we established routes weeks in<br />
advance and provided an exact tour route map to all attendees as they entered the building. As well,<br />
throughout each Open House, volunteers were always walking the routes to provide assistance and to<br />
make sure that everyone was on route. Knowledgeable staff and volunteers were stationed in specific<br />
decision points and were available to provide guidance and information. Departmental staff were on site<br />
to provide more information <strong>of</strong> a specific clinical area in addition to 70 banners (designed in-house) along<br />
the route that had key facts about the new Health Centre available in English and French.<br />
Budget<br />
As this was considered a one-time event, a one-time fund in the amount <strong>of</strong> $60,000 was funneled to the<br />
Public Relations Department to execute the open-houses, below is a line-item budget for the North Bay<br />
Regional Health Centre Open-House Celebrations. Health care dollars are scarce and so it was<br />
extremely important to host a well attended and managed event without over spending or extravagance.<br />
Open House Expenses for all three events December 2, 3, and 4, 2010<br />
Invitations (produced in-house) $7000<br />
Advertising (Radio, Print, Signage) $16,336<br />
Catering and rentals (Food, Linens, Tables, etc.) $8714<br />
Signage $500<br />
Tour Routes (Maps, Barriers, Banners) $13,600<br />
Misc (Photographer, administrative, paper etc.) $1500<br />
Ribbon Cutting (Staging, screens for overflow room,<br />
live televising, ribbon, novelty scissors for photo op) $3500<br />
Activities (Teddy Bear Clinic, Sleigh Ride, Photo<br />
Booth) $6400<br />
Total Cost $57,550<br />
Although a $60,000 budget might seem large, it was rather difficult to keep within its perimeters. We had<br />
to find creative ways to stay within the budget and work with the community and our partners to come up<br />
with cost-effective or free services and ideas. Examples <strong>of</strong> this include paying for some advertising and<br />
getting additional advertising for free; approaching local choirs to perform at no cost in the new Health<br />
Centre throughout the day on December 4, 2010; as well as encourage local schools to participate in a<br />
colouring contest depicting Grade Three students’ thoughts <strong>of</strong> what the hospital means to them. This<br />
helped us add participation <strong>of</strong> our younger community citizens and some ‘life’ to the walls in the<br />
gymnasium—the children who participated also made a point to bring their families to view their art in the<br />
new facility.<br />
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Challenges<br />
Hospital not open for Patient Care Until January 30, 2011<br />
In hospitals we deal with life and death situations. The most significant challenge we faced was to ensure<br />
that it was understood that, although we were hosting these open houses on December 2, 3 and 4, 2010,<br />
the new Health Centre would NOT be open for patient care until January 30, 2011. With this in mind,<br />
instead <strong>of</strong> naming our event a “grand-opening” celebration, we referred to it as an “open-house and<br />
ribbon cutting celebration” and ensured that in all <strong>of</strong> our communications, it was clear that we were NOT<br />
open for business until January 30, 2011.<br />
Timing<br />
The City <strong>of</strong> North Bay is a relatively small city (about 54,000), therefore it was important to select a date<br />
that did not interfere with other local happenings. Our original date had been a week sooner, but, through<br />
research and focus groups we discovered that this date was already occupied by a popular local<br />
Christmas Walk in the downtown core that attracts thousands. We did not wish to compete with this<br />
event. As well, December is a cold month and <strong>of</strong>ten the weather is unpredictable. We took this into<br />
account by contacting a local seasonal floor covering company to ensure carpets would be available<br />
should there be a significant amount <strong>of</strong> slush or snow. With all this in mind, we also contacted a local<br />
snow removal company to be on site should we require snow removal, clearing <strong>of</strong> parking lots or<br />
walkways.<br />
6. Measurement/Evaluation <strong>of</strong> Outcomes<br />
We relied heavily on attendance, feedback and comments to evaluate the outcomes and success <strong>of</strong> the<br />
Open House.<br />
Objective # 1: Over 45 focus groups and individual meetings were conducted garnering input for the<br />
Open House plans<br />
Objective # 2: Once a plan was developed we had 12 focus groups and individual meetings to ensure<br />
our plans were meeting expectations.<br />
Objective # 3: Over 16,000 people attended the three open houses we had planned. We printed 10,000<br />
maps in anticipation we might surpass our expected 5000 - 8000 visitors and had to do a rush second<br />
print to ensure we had enough maps to meet these overwhelming numbers over the course <strong>of</strong> the three<br />
day Open House events—3000 for the staff night, 750 for the Donor night and over 13,000 for Saturday’s<br />
Community Open House! This is close to 12% <strong>of</strong> the citizens <strong>of</strong> the City <strong>of</strong> North Bay and is more than<br />
double our expectations. Many comments were provided to NBGH and NEMHC Board members and staff<br />
who were meeting and greeting visitors—participants liked their new Health Centre, many learned things<br />
about the Emergency Department, Diagnostic Imaging, Outpatient Services, Mental Health Services,<br />
Operating Room protocols, etc. that they did not know before. Many expressed their delight in the design<br />
<strong>of</strong> this new Health Centre and their gratitude to us for holding such an event.<br />
Objective # 4: Over 3200 photos were taken in the very successful Photo Booth we had set up for the<br />
staff and donor Open Houses. The Photo Booth was moved to the Emergency Department for Saturday’s<br />
Community Open House where over 200 more photos were taken <strong>of</strong> children with their teddy bears and<br />
our volunteer ‘Dr. Simon Says’ who provided oodles <strong>of</strong> fun for the kids as they toured the Emergency<br />
Department.<br />
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Objective #5: Successfully placed over 70 banners in more than 50 locations throughout the facility along<br />
the self-guided tour routes; as well, produced short videos <strong>of</strong> specific areas and strategically placed eight<br />
flat screen TVs and DVDs looping these informational videos for viewing by participants; over 50 clinical<br />
staff volunteered to provide face-to-face descriptions <strong>of</strong> their specific departments along the tour routes.<br />
Participants acknowledged all <strong>of</strong> these different approaches <strong>of</strong> sharing information when discussing their<br />
positive experiences during the Open Houses—particularly when chatting with staff who volunteered to<br />
help provide this information and when chatting with NBGH and NEMHC Board members and senior<br />
staff.<br />
Objective #6: Over 200 children went through the Teddy Bear Clinic, had their photos taken and met and<br />
played with ‘Dr. Simon Says’ in the Emergency Department. We ended up extending the time allotted for<br />
this special event by two hours and in the final days prior to the event, arranged to have some stuffed<br />
animals available for sale through our Hospital Gift Shop for those who may want to participate but may<br />
not have brought a teddy bear along.<br />
Objective #7: The weather cooperated with us and we had a nice winter day so over 3000 people took<br />
advantage <strong>of</strong> the horse-drawn wagon ride around the perimeter <strong>of</strong> the new health centre, far surpassing<br />
our expected 100 – 200 participants and giving our local farmer and his teams <strong>of</strong> horses a full days work!<br />
Objective #8: Fifty-three expectant families toured the Labour, Delivery, Recovery and Post Partum<br />
special tours <strong>of</strong>fered on Saturday, December 4, more than doubling our objective <strong>of</strong> having 25 families<br />
take this tour.<br />
General Comments:<br />
This was a great event, which far surpassed our expectations and provided our community with the<br />
viewing <strong>of</strong> its new Health Centre that it wanted. Our initial efforts researching people’s expectations and<br />
then reviewing our plans with them were instrumental in making this the successful event it was.<br />
We are proud and pleased with our efforts and look forward to approaching future projects with the same<br />
vigour and enthusiasm.<br />
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OVATION Awards Winning Entry<br />
Communication Management<br />
Special Events with Budget greater than $100K<br />
AWARD OF MERIT<br />
Entrant’s Name: Ken Evans, Jennifer Stein, Lauren Baswick, Julie Smithers, Erick<br />
Bauer, APEX Public Relations Inc.; Ken Price, Jennifer Groh,<br />
Samsung Electronics Canada<br />
Organization: Samsung Electronics Canada / APEX Public Relations<br />
Title <strong>of</strong> Entry: Bringing Samsung’s Galaxy to the Street<br />
Division 1: Communication Management / Category 6C: Special Events with<br />
Budget greater than $100K<br />
Time Period: June - August 2010<br />
Brief Description: With the August 2010 launch <strong>of</strong> the Samsung Galaxy S Vibrant, Samsung sought to<br />
become the number one manufacturer <strong>of</strong> Android-powered mobile devices in Canada. At the beginning <strong>of</strong><br />
2010, Samsung Mobile Canada had the leading market share in the handset cellphone market, but had<br />
not made significant inroads within the smartphone or premium mobile phone category (smartphones<br />
<strong>of</strong>fer much more multimedia features than regular handsets). Given that the market was moving fast<br />
towards premium smartphones, Samsung had to make an aggressive technology and marketing play to<br />
ensure that it sustained its competitiveness against smartphone stalwarts Apple and Research in Motion<br />
(RIM). The company’s “hero” device in 2010 was the Samsung Galaxy S Vibrant and APEX was given<br />
the strategic responsibility <strong>of</strong> making it a knock-out with young adult Canadians.<br />
BUSINESS NEED / OPPORTUNITY<br />
Samsung Mobile is the leading mobile phone vendor in Canada. However, until the third quarter <strong>of</strong> 2010,<br />
its market share was predominantly in traditional cellphones with no products and little reputation in the<br />
smartphone category — an area dominated by Apple and Research in Motion (RIM). According to IDC<br />
Market Research, Samsung shipped 579,900 mobile handset units during the first quarter <strong>of</strong> 2010, which<br />
represented 38 per cent more units than the number two mobile phone manufacturer.<br />
However, given the mobile phone market was moving precipitously towards more multimedia smartphone<br />
devices, Samsung needed to secure a quick and strong foothold in the category to remain competitively<br />
viable in the industry.<br />
The Samsung Galaxy S Vibrant was the company’s 2010 “hero” phone: a device manufactured to be the<br />
best and closest rival to the Apple iPhone in style, screen size and resolution, speed and multimedia<br />
options. This was achieved via Google’s Android platform, a smartphone operating system that provided<br />
user-friendly navigation, access to Google’s most popular features and tens <strong>of</strong> thousands <strong>of</strong> mobile<br />
applications. Google Android, Apple and RIM all compete for platform or application dominance.<br />
Given Samsung’s ambitions and the unprecedented buzz surrounding Apple’s iPhone 4 — to say nothing<br />
<strong>of</strong> the bold attempts by other manufacturers, such as LG, Motorola and Nokia, to break Apple’s<br />
smartphone hold — Samsung would face numerous obstacles as it attempted to make a name for itself in<br />
the smartphone market.<br />
After analysing the issue and researching the target audience and market, the primary approach APEX<br />
and Samsung settled on was to create a very loud bang via an impromptu street concert that would help<br />
Samsung highlight the Galaxy S Vibrant’s key multimedia features and demonstrate its competitiveness<br />
with Apple’s soon-to-be-launched iPhone 4.<br />
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INTENDED AUDIENCE<br />
The primary audience for the Samsung Galaxy S Vibrant was young adults between the ages <strong>of</strong> 18-30,<br />
both male and female, who consume substantial entertainment and gaming content via mobile devices.<br />
This target group also tends to champion the more open and diversified Google Android platform (versus<br />
the more closed Apple OS and RIM platforms), which at launch <strong>of</strong>fered over 60,000 mobile applications<br />
(apps). As this group is influenced by social media, pop culture media and technology blogs, APEX<br />
devised a campaign that reached all three <strong>of</strong> these key influencers while highlighting the device’s<br />
entertainment features and Android platform. As this target group is constantly inundated with messages<br />
on new technology launches, the big bang event featuring talent popular with this demographic ensured<br />
Samsung would secure their attention.<br />
GOALS/OBJECTIVES<br />
1) Attract 4,000 consumers to a free street concert on August 4, 2010<br />
2) Help meet 2010 sales projections (i.e. deplete Canada’s inventory within two months)<br />
3) Secure a minimum 50 per cent increase in media reach over the previously most successful<br />
Samsung Mobile launch (Omnia II)<br />
4) Increase Twitter traffic by 100 per cent between July 28 and August 4 th<br />
5) Generate five positive blogger reviews <strong>of</strong> the Galaxy S Vibrant and a minimum <strong>of</strong> 50 percent positive<br />
media reviews within six weeks <strong>of</strong> seeding<br />
SOLUTION OVERVIEW<br />
Research<br />
APEX conducted extensive research to determine methods that would cut-through the noise in the<br />
oversaturated mobile phone market to reach the target audience. The most effective were informal focus<br />
groups conducted with young adult gamers who participated in the recent World Cyber Games<br />
Tournament. Their insights into how they use their mobile devices, what features make the experience<br />
particularly effective and who or what influence their opinions and buying decisions proved invaluable<br />
when building a Samsung and Android specific narrative. Their input and intelligence compelled APEX to<br />
put a significant emphasis on the device’s exceptional screen (nerve centre <strong>of</strong> the device’s entertainment<br />
features), its one gigahertz processor that improves the user experience for application and gaming uses,<br />
and its sleek design, as well as the direction to create a guerrilla style pop-up event.<br />
Planning and strategy<br />
Traditionally, electronics companies have launched new mobile devices via relatively intimate events<br />
where the audience tends to be limited to company executives, retailers, partners and a small number <strong>of</strong><br />
technology media. In order to usurp Apple’s dominant pr<strong>of</strong>ile in the media and social media spheres in<br />
summer 2010 and shift sales momentum towards Android-powered smartphones, APEX would need a<br />
“big bang” launch event that would go well beyond the more intimate styled event and capture mass<br />
target audience (and mass media) attention. But volume and spectacle would not be enough. To<br />
genuinely get the respect <strong>of</strong> the target audience the event had to have an element <strong>of</strong> subversion and<br />
surprise. Moreover, sustaining consumer excitement long enough to drive them to retail required the<br />
endorsement <strong>of</strong> bona fide Canadian celebrities with supplemental support from the social media<br />
community. And, to bring consumers full circle to retail, consumers had to touch and test the device<br />
(particularly its Super AMOLED screen – the highest quality resolution screen on the market) and what<br />
better way to demo a multimedia mobile phone than in a throng <strong>of</strong> thousands listening to your favourite<br />
indie rock band? To achieve this, APEX solicited the support <strong>of</strong> popular indie rock band Metric to perform<br />
a short concert outside <strong>of</strong> <strong>Toronto</strong>’s Union Station — a high-traffic area and central hub that was easily<br />
accessible via public transit. The band’s popularity would help draw in a large crowd, while the<br />
audio/visual-nature <strong>of</strong> the event would allow concert goers to test and experience first-hand the full range<br />
<strong>of</strong> the Galaxy S Vibrant’s multimedia features.<br />
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As the target demographic is strongly influenced by social media and bloggers, APEX worked with Rocket<br />
XL (a digital media agency) to create and implement tactics that would secure attention through these<br />
mediums. Social media elements were woven through all elements <strong>of</strong> the plan in order to maximize the<br />
impact.<br />
Tactics:<br />
1) National media/influencer tour: Get positive reviews out early<br />
Six weeks before commercial launch, APEX conducted an influencer tour in <strong>Toronto</strong>, Montreal and<br />
Vancouver to showcase the Samsung Galaxy S Vibrant to technology media and bloggers. The<br />
influencers were given the opportunity to preview the device and speak to executives from Samsung.<br />
The fundamental purpose <strong>of</strong> the initiative was to secure positive reviews and online chatter prior to<br />
the launch to build advanced public anticipation and demand, as well as to compel comparisons with<br />
Apple’s iPhone 4 which launched in July 2010.<br />
2) Teaser campaign: Build public anticipation<br />
To create buzz and anticipation for the pop-up concert, working with Rocket XL, APEX issued a<br />
series <strong>of</strong> media and social media teasers the week leading up to the event (via Twitter, Facebook and<br />
local radio) providing hints to the whereabouts <strong>of</strong> the concert and the featured talent. The teasers<br />
proved very effective as witnessed on the final day when Twitter lit up with chat about the concert and<br />
Metric (a chart topping Canadian indie band that is hugely popular with the target audience according<br />
to our research).<br />
3) Guerrilla-style pop-up concert: Muzzle the competition<br />
On August 4th, two days before the retail launch <strong>of</strong> the Samsung Galaxy S Vibrant, Samsung hosted<br />
a free pop-up 45 minute street concert by chart topping band Metric on <strong>Toronto</strong>’s Front Street, directly<br />
in front <strong>of</strong> Union Station. Samsung street teams engaged consumers with demos <strong>of</strong> the Samsung<br />
Galaxy S Vibrant. Massive crowds gathered on the intersection, media choppers flew overhead and<br />
media across the GTA descended on the VIP area to capture a glimpse <strong>of</strong> the band. The subsequent<br />
activity at retail outlets, media coverage and social media chatter temporarily gave Samsung the<br />
much needed share <strong>of</strong> voice to meet its goals.<br />
IMPLEMENTATION and CHALLENGES<br />
Budget:<br />
APEX was given a budget <strong>of</strong> $210,000 including fees and expenses for the project as follows:<br />
• Fees: $55,000 (event planning, media relations and client counsel)<br />
• Expenses: $155,000 (band fees, street permits, staging and AV street teams, digital media support<br />
and venue costs)<br />
Challenges:<br />
There were three main challenges that Samsung and APEX would have to overcome to reach and<br />
impress young Canadians:<br />
1) Impromptu free street concerts in downtown <strong>Toronto</strong> done guerrilla style require extraordinary<br />
logistics — from police and city permits to emergency medical staff to highly sophisticated<br />
audio/visual troubleshooting and talent negotiations.<br />
a. Overcoming this challenge as any event planning team can attest, requires sheer effort,<br />
persistence, charm and more persistence, but ultimately it required the concerted effort <strong>of</strong><br />
a trusted team <strong>of</strong> suppliers and agency partners to ensure that all logistical elements were<br />
meticulously completed.<br />
2) Indie rock bands are independent for a reason. They generally shun corporate endorsements and<br />
the messaging requirements that go with them. Despite the stipulations <strong>of</strong> the contract, it took until<br />
the 11 th hour to compel the members <strong>of</strong> Metric (a top indie band in Canada) to conduct 30 minutes <strong>of</strong><br />
media interviews in a Samsung branded VIP space prior to the concert.<br />
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a. The product spoke for itself in this case. The band members enjoyed the Samsung<br />
Galaxy S Vibrant experience so much that they finally endorsed the product on the record<br />
(each member had been given a phone one week prior to the concert).<br />
3) The iPhone 4 launched approximately four weeks prior to the Galaxy S Vibrant, creating a lot more<br />
competition for the hearts and minds <strong>of</strong> Canadian young adults.<br />
a. APEX initiated an influencer preview and seeding program with media and bloggers six<br />
weeks prior to the launch <strong>of</strong> the Samsung Galaxy S Vibrant to start to generate positive<br />
reviews and chatter about the smartphone.<br />
MEASUREMENT / EVALUATION<br />
The results <strong>of</strong> the Samsung Galaxy S Vibrant launch greatly surpassed all objectives, making it the most<br />
successful launch to date for Samsung Mobile Canada.<br />
1. Objective: Attract 4,000 consumers to the concert. Result: According to <strong>Toronto</strong> Police estimates,<br />
10,000 consumers attended the event.<br />
2. Objective: Help meet 2010 sales projections.<br />
Result: Sales and pre-registrations exceeded 2010 projections by 30 per cent, depleting Samsung’s<br />
back-to-school inventory completely. By Q4 2010, Samsung was the top selling Android powered<br />
smartphone in Canada with shipments in excess <strong>of</strong> 450,000 units.<br />
3. Objective: Secure a minimum 50 per cent increase in media reach over the previously most<br />
successful Samsung Mobile launch.<br />
Result: The launch resulted in more than five times greater reach than the previous most successful<br />
launch for the company. Overall the campaign resulted in a reach <strong>of</strong> more than 80 million (25 million via<br />
technology media and bloggers, including gaming media, 10 million via lifestyle media and 45 million<br />
through conventional news and business media).<br />
4. Objective: Increase Twitter traffic by 100 per cent between July 28 - Aug 4 th<br />
Result: Twitter traffic increased 150 per cent during the key timing.<br />
5. Objective: Generate five positive blogger reviews <strong>of</strong> the Galaxy S Vibrant and a minimum <strong>of</strong> 50<br />
per cent positive media reviews within six weeks <strong>of</strong> seeding.<br />
Result: 6 bloggers and over 85 per cent <strong>of</strong> the more than 65 media reviews were positive endorsements<br />
<strong>of</strong> the device.<br />
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Entrant’s Name: Ivana Tomas<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Special Events with Budget greater than $100K<br />
AWARD OF MERIT<br />
Organization: Brampton Transit (City <strong>of</strong> Brampton) and H2 Central Marketing and<br />
Communications<br />
Title <strong>of</strong> Entry: Zum Zone - Building awareness for Brampton’s first BRT line, Züm Queen Street<br />
Division 1: Communication Management / Category 6C: Special Events with Budget greater<br />
than $100K<br />
Time Period: May 2010 – October 2010<br />
Brief Description: Züm is Brampton Transit’s new Bus Rapid Transit (BRT) service and the City <strong>of</strong><br />
Brampton’s response to the need for improved transportation options within Canada’s fourth-fastest<br />
growing city. Launched in September 2010, Züm Queen Street runs from downtown Brampton to York<br />
University and is the first <strong>of</strong> three BRT lines to begin operation in Brampton.<br />
As a new Brampton Transit initiative, Züm works seamlessly in conjunction with Brampton Transit’s<br />
conventional service. Züm <strong>of</strong>fers reliable, all-day service with limited stops and a wide range <strong>of</strong> advanced<br />
customer service technologies to ensure riders arrive at their destinations on time and hassle-free.<br />
Need/Opportunity<br />
Increasing Brampton Transit’s overall ridership was our key need/opportunity. To do this, we needed to<br />
create excitement and anticipation for the Züm Queen Street launch <strong>of</strong> Brampton’s first BRT service.<br />
Our solution was to create a special event that grabbed residents’ attention – called Züm Zone – that<br />
worked within a limited budget and a tight timeline. Through Züm Zone, we wanted to educate the public<br />
on Züm, its features and new customer-focused enhancements. By doing so, we felt we could address<br />
two <strong>of</strong> the major issues we faced: countering negative perceptions <strong>of</strong> public transit and encouraging<br />
transit use in a mainly car-centric community.<br />
Focus group research revealed that transit riders felt they weren’t in control and were at the mercy <strong>of</strong><br />
transit schedules. As a result, it was critical that our marketing and communications program highlight the<br />
new technologies <strong>of</strong> the BRT service. We also needed to keep our key messages focused on the “3Cs” <strong>of</strong><br />
Züm, which are control, comfort and convenience.<br />
Intended Audience(s)<br />
Our primary audience included: current Brampton Transit riders and transit riders that use GO Transit and<br />
YRT/VIVA; residents living along Queen Street and/or travelling to key destinations along the corridor (i.e.<br />
York University students, faculty and staff; Region <strong>of</strong> Peel staff; Bramalea City Centre shoppers and staff;<br />
high school students at the five high schools along the corridor). We also focused on targeting “choice<br />
riders,” those Brampton residents that drive and own a car, but can choose to take transit instead. We<br />
determined we would see the most ridership growth in our primary audience.<br />
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Our secondary audience included: Brampton Transit and City <strong>of</strong> Brampton employees; Mayor, City<br />
Council and senior management; local media and industry peers.<br />
Word-<strong>of</strong>-mouth marketing and grassroots community engagement, plus a stronger online presence<br />
through social media, were key to reaching these audiences for Züm Zone. This was due to the small<br />
number <strong>of</strong> media outlets available within the city (i.e. we couldn’t rely on local media alone to get the word<br />
out).<br />
A majority <strong>of</strong> our target audience had pre-conceived notions <strong>of</strong> public transit. Many had a negative<br />
perception <strong>of</strong> transit and/or thought it was for younger people and/or those without a car. Additionally,<br />
new “choice riders” needed to be convinced that Züm was a viable commuting option for them so they<br />
could leave their car at home and choose to ride transit instead.<br />
Goals/Objectives<br />
Our two main goals for the Züm Zone were to increase overall Brampton Transit ridership and increase<br />
awareness for Züm in order to create excitement for the Züm Queen Street launch. We established a<br />
target for ridership growth <strong>of</strong> 8-10% by the end <strong>of</strong> 2010. Social media targets included 500 followers on<br />
Twitter, 300 fans on Facebook and 5,000 views on YouTube.<br />
We also wanted to educate the public on Züm, its features and new customer-focused enhancements<br />
and target media in the Greater <strong>Toronto</strong> Area (GTA) to tell the Züm launch story and elevate the<br />
perception <strong>of</strong> Brampton Transit as a leading-edge transit authority.<br />
Solution Overview<br />
The overarching strategy was to tie Züm to the Brampton community. Our solution was to create Züm<br />
Zone – the place where Züm intersects with the community. Züm Zone exists in person and online,<br />
creating a physical and metaphorical space for Züm in the minds <strong>of</strong> residents.<br />
Züm Zone Synopsis<br />
Downtown Brampton Farmers’ Market: July 31, August, 21 and September 18<br />
• Street team, entertainment, swag, video booth contest, signage; Brampton Transit<br />
staff on site with other giveaways, popsicles, contests/games and service information<br />
Transit Terminal Visit: September 7<br />
• Street team, entertainment, c<strong>of</strong>fee/cookies, signage; Brampton Transit staff on site<br />
with service information<br />
Züm Service Launch: September 20<br />
• Street team, entertainment, c<strong>of</strong>fee/cookies, swag, signage; Brampton Transit staff on<br />
site with service information<br />
• City TV’s Breakfast Television live broadcast (Kindle; monthly pass giveaways)<br />
York University Student Centre: September 29<br />
• Street team, DJ and MC, games and prize giveaways, video booth contest, signage;<br />
Brampton Transit staff on site with service information<br />
Social Media Campaign: Twitter, Facebook and YouTube Channel<br />
• Custom-branded pages/channels; cross-promotion <strong>of</strong> contests and events; prize<br />
giveaways and Züm Zone video information<br />
• Engagement key to getting information out; Züm team able to speak to<br />
residents/potential riders one-on-one in an online format<br />
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• Twitter (@BTZum): followers from Brampton, York University and other transit<br />
authorities; variety <strong>of</strong> subject matter; content: events, promotions, BRT news and<br />
best practices<br />
• Facebook (BTZum): strong community engagement; event postings, customer<br />
service, transit pass giveaways, contests, photo tags<br />
• YouTube (www.youtube.com/btzum): customized channel hosting video booth<br />
submissions, Züm brand video<br />
Media Relations Campaign: create awareness for Züm and tell unique launch story<br />
• Customized backgrounders for launch; targeted pitches to GTA media<br />
Supporting Tactics<br />
• Signage/collateral: to frame the space and literally create a physical “zone,”<br />
included retractable banners, tabletop display, backpack banner, wing banner,<br />
branded c<strong>of</strong>fee dispenser, chalk stencils, floor decals, video booth, video booth<br />
contest flyers<br />
• Prizes/giveaways: Züm-branded water bottles and colouring books, Brampton<br />
Transit swag, cookies, c<strong>of</strong>fee, popsicles, balloons<br />
• Street team: high-energy team to engage residents in the Züm Zone; branded highend<br />
uniforms<br />
• Video booth contest: Kindle was a/top? prize; residents answered a series <strong>of</strong><br />
unique questions related to Züm; videos merchandised on a customized YouTube<br />
channel<br />
• Live entertainment: ranging from a DJ to a balloon artist<br />
• Interactive support: web banners for contest/event cross-promotion, outbound<br />
emails to video booth participants; custom Facebook, Twitter and YouTube pages<br />
By connecting Brampton Transit and Züm to the community, we wanted residents to see Züm as the<br />
answer to addressing the transportation needs within the city. To combat pre-conceived notions <strong>of</strong> transit,<br />
we felt we needed to let residents see the bus (the number one feature <strong>of</strong> the service) at our events and<br />
give residents the chance to speak one-on-one with staff in order to connect the service with their<br />
individual experiences and see the potential <strong>of</strong> the new BRT service.<br />
To combat the lack <strong>of</strong> media outlets in Brampton, a media relations strategy was created to target media<br />
in the GTA and position Brampton Transit as a leading-edge transit authority.<br />
Our key messages included:<br />
• Züm is a reliable, cost-effective alternative for commuting<br />
• Züm is fresh and environmentally friendly<br />
• New system-wide technology features an efficient, reliable, smart service<br />
• Züm puts riders in charge <strong>of</strong> their travel (emphasis on control, comfort and convenience)<br />
• Züm provides first-class comforts – changing perceptions <strong>of</strong> public transit<br />
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Implementation and Challenges<br />
Planning for Züm Zone began in April and concluded in September with a budget <strong>of</strong> $210,000. To keep<br />
staffing costs low, Brampton Transit staff volunteered their time. City partners also reduced costs as much<br />
as possible (i.e. no charge for participating at Farmers’ Market).<br />
Buy-in from Brampton Transit staff and managers was key. Approval from city leaders, including Mayor,<br />
Council and City Manager, was required during a busy election year.<br />
Züm Zone event staff needed to anticipate questions or concerns from the public. As a result, a key<br />
messages document was created and circulated to assist staff working at the events and a tracking form<br />
was created to update the key messages on a weekly basis.<br />
The social media component <strong>of</strong> Züm Zone was the City <strong>of</strong> Brampton’s first foray into this new form <strong>of</strong><br />
communication. As a result, transit staff set a standard for the city as it explored the opportunities and<br />
challenges <strong>of</strong> social media.<br />
Measurement/Evaluation <strong>of</strong> Outcomes<br />
Ridership numbers were the key measurement and evaluation tool for the success <strong>of</strong> Züm Zone.<br />
Additional measures included Facebook fans and Twitter followers as well as Züm Zone engagement and<br />
media coverage/impressions.<br />
Since the Züm launch, Brampton Transit’s ridership growth has been overwhelming. Ridership in<br />
November 2010 was up 21.5 per cent along the Züm Queen Street corridor compared to the same month<br />
in 2009. Brampton Transit also posted back-to-back all-time monthly ridership records with November<br />
2010 posting the highest monthly ridership recorded with 1.40 million riders. The highest previous record<br />
was set the month before, with October 2010 posting a ridership mark <strong>of</strong> 1.34 million riders. Overall yearto-date<br />
ridership growth was also at an all-time high by the end <strong>of</strong> 2010, increasing by 12.6 per cent,<br />
compared to the industry average <strong>of</strong> 3-5 per cent. This surpassed the initial target <strong>of</strong> an 8-10 per cent<br />
overall increase in Brampton Transit ridership.<br />
Excitement and anticipation for Züm was created though social media as well as prize giveaways and<br />
handouts at the Züm Zone events (i.e. more than 4,000 water bottles 1,000 cups <strong>of</strong> c<strong>of</strong>fee given away).<br />
Online, the BTZüm Twitter page earned more than 800 followers (one <strong>of</strong> the top in the Canadian transit<br />
industry) and more than 300 tweets were sent out, securing a tweet to message ratio <strong>of</strong> 1:2. On<br />
Facebook, the BTZum page boasted more than 400 fans (one <strong>of</strong> the top in the Canadian transit industry),<br />
more than 12,000 page views and 2,300 unique visitors. The page also had nearly 2,800 photo views and<br />
more than 150 user comments. On YouTube, more than 130 videos from the Züm Zone video booth were<br />
uploaded with thousands <strong>of</strong> views. The Züm brand video, which premiered on the YouTube channel,<br />
earned several top honours including rankings for Top Favourited video, Top Rated video and Top Rated<br />
video <strong>of</strong> the week.<br />
The media relations campaign netted City TV’s Breakfast Television with 15+ minutes <strong>of</strong> live television<br />
across four segments and several Live Eye throwbacks. Stories were also seen in the <strong>Toronto</strong> Star,<br />
METRO, 24 Hours and a variety <strong>of</strong> radio stations. In total, the campaign garnered 3.5 million impressions<br />
and close to $1 million worth <strong>of</strong> media coverage.<br />
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Entrant’s<br />
Name:<br />
Organization:<br />
Title <strong>of</strong> Entry:<br />
Division 1:<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Issues Management and Crisis Communication<br />
AWARD OF EXCELLENCE<br />
Nadine Jahangir<br />
RBC Dexia Investor Services<br />
Managing through the G20 Summit security crisis<br />
Communication Management / Category 7: Issues Management and Crisis<br />
Communication<br />
Time Period: February 2010 to June 2010<br />
Brief<br />
Description:<br />
<strong>Business</strong> Need/Opportunity<br />
RBC Dexia prepared employees to maintain their safety and the continuity <strong>of</strong> our<br />
business during the G20 Summit security crisis.<br />
RBC Dexia’s <strong>Toronto</strong> <strong>of</strong>fice consists <strong>of</strong> more than 2,200 employees who provide institutional investor<br />
services globally. Our Corporate & Employee Communications team builds client and employee<br />
engagement through effective communication and works to improve communications across RBC Dexia.<br />
The G20 Summit was held at Metro <strong>Toronto</strong> Convention Centre (MTCC) from June 26-27, 2010. Police<br />
set up security perimeters downtown, including an inner security gate, or the “red zone,” which was in<br />
place from June 23-28 around the MTCC and nearby buildings. Our <strong>of</strong>fice was enclosed in the “red zone,”<br />
presenting us with a challenge unique from other companies in downtown <strong>Toronto</strong>. The gate had policecontrolled<br />
entry points that restricted clients and couriers from accessing our building and left employees<br />
with limited or no access to the <strong>of</strong>fice. This impacted some <strong>of</strong> our daily processing, such as time sensitive<br />
deliveries for clients and regulators. Given this, we needed to determine how to redirect work to other<br />
<strong>of</strong>fices and keep employees safe if riots occurred.<br />
To maintain client service and employee safety, RBC Dexia invoked its business continuity plan (BCP)<br />
from June 23-28. This was the first time we had invoked a contingency plan and especially one <strong>of</strong> this<br />
scope and magnitude. Employees did not know how to prepare for BCP, business processes needed to<br />
be fine-tuned and we needed to determine how to disperse employees between back-up locations. RBC<br />
Dexia’s performance, client service and reputation depended on our successful preparation for BCP.<br />
Our communications team needed to equip employees to prepare for the BCP period, reinforce our<br />
commitment to maintaining employee safety and assure clients <strong>of</strong> continued service during this time. We<br />
worked with our Managing Director (MD) and Canadian Management Committee (CMC) to develop a<br />
plan. To avoid alarming clients, we only issued two proactive letters highlighted our planning efforts. This<br />
work plan addresses the employee communications plan we developed and executed.<br />
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Research/analysis<br />
To start, we established an infrastructure for crisis and communication management and conducted<br />
research to understand the facts and impacts. This involved:<br />
• Creating a steering committee: In the media, police changed security details daily and we received<br />
conflicting reports on what to expect once the perimeter was set up. Internal system access and<br />
logistical information were also revised daily. This challenged us to stay informed and collaborate<br />
across the company. Led by our MD, we created a steering committee <strong>of</strong> business leaders from all<br />
areas <strong>of</strong> the organization to address this. We met twice a week for four months before the Summit and<br />
multiple times a week in the weeks before the event.<br />
• Establishing a communications council: To stay updated on employees’ inquiries, we established<br />
and co-led a communication council with HR, which reported to the steering committee and was<br />
comprised <strong>of</strong> representatives from HR, Risk Management, IT, BCP Coordinators and direct reports <strong>of</strong><br />
steering committee members. We met twice a week for four months prior to the Summit and once a<br />
week in the weeks before the event. Members provided subject matter expertise on IT systems, risk<br />
management and human resources policies and BCP processes, supplying key messages for our<br />
communications efforts. The council enabled us to escalate, investigate and address employee<br />
concerns through proactive communications.<br />
Through these channels, we learned that employees and managers did not know how to prepare for<br />
BCP; were not aware <strong>of</strong> or did not understand our contingency plans; and feared for their safety at work.<br />
Entrant’s roles<br />
As Manager, Employee Communications, I advised the steering committee and communications council<br />
and developed and executed the communications plan. Katherine Church provided input on the plan’s<br />
client communications components and developed the client tactics. Brigette Kocijancic was Director,<br />
Corporate & Employee Communications, and oversaw the project, advised the steering committee, led<br />
the communications council and guided and advised on the plan and tactics.<br />
Intended Audiences<br />
Audience Key characteristics<br />
2,200 <strong>Toronto</strong> employees Unfamiliar with our BCP and how to prepare; sceptical <strong>of</strong> how work would continue.<br />
300 <strong>Toronto</strong> managers Had to communicate to direct reports and functional managers in <strong>Toronto</strong> and other<br />
countries.<br />
Global business heads Needed to know on an FYI basis that the <strong>Toronto</strong> <strong>of</strong>fice would be in BCP mode.<br />
Employees globally Needed to know on an FYI basis that the <strong>Toronto</strong> <strong>of</strong>fice would be in BCP mode.<br />
Goals/Objectives<br />
RBC Dexia’s goal was to be well prepared to manage the business with minimal client service disruptions<br />
and maintain employee safety during the BCP period. We planned to achieve this goal through the<br />
following objectives:<br />
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1. Ensure employees understood and were aware <strong>of</strong> what they needed to do during the BCP period.<br />
2. Equip managers to help employees prepare for BCP through consistent and reliable information.<br />
3. Enable two-way dialogue with employees and be a principal resource to help them prepare for BCP.<br />
4. Reinforce RBC Dexia’s commitment to maintaining employee safety through consistent messages.<br />
Solution Overview<br />
We leveraged proactive email, online and face-to-face communications. Planning began in February 2010<br />
and we ran the campaign from April 2010 to July 2010. To meet our goal and objectives, we implemented<br />
these tactics:<br />
Tactic Timing<br />
G20 intranet page<br />
We launched this site, which was updated daily, to give <strong>Toronto</strong> employees a central page with<br />
G20 updates, BCP contacts and resources. An intranet homepage ad tile gave easy access to<br />
the page.<br />
Proactive emails<br />
Proactive email was our primary channel to reach <strong>Toronto</strong> employees. Manager emails<br />
advised on required actions and key messages. We sent three FYI update emails to global<br />
business heads.<br />
Intranet news updates<br />
When proactive emails were sent, we posted them on intranet homepage for employees in<br />
“What’s new” section for visibility. We occasionally posted FYI updates for employees globally.<br />
FAQs<br />
We launched various FAQs to address <strong>Toronto</strong> employee questions that were escalated<br />
through the council. These FAQs were launched through proactive emails and posted on the<br />
intranet under “What’s new” and the G20 intranet page. The FAQs served as “living”<br />
documents that were updated regularly as information changed or as additional questions were<br />
raised.<br />
Executive-hosted G20 information sessions<br />
We worked with our Events team to organize floor-by-floor, face-to-face information sessions<br />
hosted by our Canadian Management Committee members for <strong>Toronto</strong> employees. They<br />
heard updates on BCP planning and had a chance to ask questions. We used proactive email<br />
to inform employees about the sessions, all were well attended with standing room only.<br />
Technology guides for employees<br />
To ensure <strong>Toronto</strong> employees took necessary actions to prepare their systems, check their<br />
VPN accessibility and ensure technologies were up to date, we worked with IT to develop<br />
technology guides. These were launched via email and were posted on the G20 intranet page.<br />
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Launched April.<br />
Updated daily<br />
from April-June.<br />
Launched April &<br />
continued<br />
regularly as info<br />
changed.<br />
Launched April &<br />
continued<br />
regularly as info<br />
changed.<br />
Launched April &<br />
continued<br />
regularly as info<br />
changed.<br />
Seven sessions<br />
held from June 3-<br />
4.<br />
May-June
Canada town hall meeting<br />
We leveraged our local employee town hall event, hosted by our MD, and held a special G20focused<br />
session for <strong>Toronto</strong> employees. The event, which normally provides a business<br />
update, was instead devoted to discussing our BCP planning and preparation.<br />
Employee hotline<br />
We created a <strong>Toronto</strong> employee phone hotline, which was co-managed with RBC, where<br />
employees could call in to receive regular G20 updates. Our employees received their own<br />
number and recording message that updated them on our G20 situation daily.<br />
BCP wallet cards<br />
We provided <strong>Toronto</strong> employees with a BCP wallet card containing an employee hotline<br />
number, where to direct media inquiries and a checklist <strong>of</strong> required BCP actions.<br />
Voicemail and email scripts for employees<br />
To address <strong>Toronto</strong> employee inquiries, we issued voicemail and email out-<strong>of</strong>-<strong>of</strong>fice scripts.<br />
These were launched through a proactive email and were later made available on the G20<br />
intranet page.<br />
Employee Communications mailbox<br />
We leveraged our existing Employee Communications mailbox to provide <strong>Toronto</strong> employees<br />
with a channel to send questions, raise concerns or make comments.<br />
Manager conference calls<br />
To keep <strong>Toronto</strong> managers informed <strong>of</strong> actions required, understand core key messages and<br />
provide information they needed to answer employee questions, we set up two manager<br />
conference calls, hosted by our MD. We provided him with key messages and FAQs .<br />
Regular steering committee meetings<br />
Hosted by Risk Management and Communications, we instated regular steering committee<br />
and communications council meetings to stay updated on BCP planning, escalate inquiries or<br />
concerns and determine next steps to communicate with employees/managers.<br />
Global employee information session<br />
Our team leveraged our existing global employee information session to inform employees<br />
globally on our BCP planning and preparation. Our CEO addressed the plans, how we would<br />
maintain client service and reinforced our commitment to maintaining employee safety.<br />
Implementation and challenges<br />
124<br />
End <strong>of</strong> May.<br />
Activated &<br />
launched June<br />
16, updated twice<br />
daily June 23-28.<br />
Distributed June.<br />
Launched June.<br />
Ongoing from<br />
April-June.<br />
Two calls held<br />
May-June.<br />
Twice a week<br />
from Feb-May.<br />
Multiple times per<br />
week from May to<br />
June.<br />
Held in May.<br />
• No budget was allotted for this project. We leveraged existing internal channels, vehicles and<br />
resources to execute our plan. There were 10 full-time resources dedicated to the project and 25 more
that provided support. We spent about 9,500 hours over six months to develop and execute the<br />
campaign.<br />
• Difficult to ensure managers communicated consistent key messages with employees. Executivehosted<br />
G20 information sessions helped us avoid mixed messages by providing consistent information.<br />
• Security perimeter details, types <strong>of</strong> access the police would permit and potential threat <strong>of</strong> protesters<br />
changed constantly, <strong>of</strong>ten multiple times a day. Authorities only released security details the day before<br />
the event. Regular, frequent committee and council meetings helped overcome this and kept us<br />
informed throughout the planning process so we could communicate effectively.<br />
• Technology constraints limited our ability to disperse employees between back-up locations. Our VPN<br />
server could not support all employees so we asked non-critical employees to work from home without<br />
VPN access. Through our council, we learned that employees were sceptical <strong>of</strong> what they could<br />
accomplish without VPN. To address this, we sent an update to employees with tips <strong>of</strong> work-from-home<br />
projects that was well received.<br />
Measurement/evaluation<br />
Communication efforts helped RBC Dexia reach its goal and we managed the business with no client<br />
service disruptions. After the campaign, we conducted an employee survey to understand our<br />
effectiveness in achieving our objectives. Online statistics, anecdotal feedback and attendance and<br />
engagement at face-to-face sessions also measured the campaign’s success. Results were<br />
communicated to the steering committee and communications council during a feedback meeting to help<br />
improve processes for the future. We met our communications objectives with no hard costs to RBC<br />
Dexia and with the following results:<br />
Objective 1: Ensure employees understand and are aware <strong>of</strong> what they need to do during the BCP<br />
period.<br />
• In the survey, employees rated communications favourably, 8.4 out <strong>of</strong> 10, in helping them know what to<br />
do and how to prepare for RBC Dexia’s contingency plans. They also indicated that Employee<br />
Communications updates they received were their primary source <strong>of</strong> G20 information.<br />
• The G20 intranet page was viewed more than 11,000 times by our 2,200 <strong>Toronto</strong> employees.<br />
• Employees at the <strong>of</strong>fice during the Summit needed to evacuate due to protestors. They evacuated<br />
without issues within an hour. In a management call after the evacuation, leaders comments that<br />
employees knew what to do and had no problems evacuating.<br />
• Examples <strong>of</strong> some anecdotal feedback employees provided through the survey include:<br />
• “Prior Preparation and Planning Prevents Poor Performance. This is a good example <strong>of</strong> good<br />
planning.”<br />
• “RBC Dexia did a great job in preparing employees and clients for this unique event. I'm certain our<br />
early start and response, from a planning and communication perspective, contributed to our<br />
successful outcome in managing this business disruption.”<br />
• “Very well informed before and during the G20.”<br />
Objective 2: Equip managers to help employees prepare for BCP through consistent and reliable<br />
information.<br />
• In the survey, employees indicated they relied on their managers as a resource for G20 information.<br />
• Examples <strong>of</strong> some anecdotal feedback employees provided through the survey include:<br />
• “I liked the idea <strong>of</strong> upper management taking the time to communicate to staff and clarifying the<br />
information received from our managers. We felt much better knowing that we will be compensated<br />
for out <strong>of</strong> pocket expenses and our safety was high on the managers list.”<br />
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• We also received general feedback from senior leaders, such as:<br />
• Derek Hutchison, Head, Marketing & Communications, RBC Dexia: “You and your team have done<br />
an outstanding job on the communications planning and execution.”<br />
Objective 3: Enable two-way dialogue with employees and be a principal resource to help them<br />
prepare for BCP.<br />
• Attendance at the seven executive-hosted information sessions was at maximum capacity with<br />
standing room only. Roughly 1,050 employees attended the sessions over two days with good<br />
engagement determined by the quality and quantity <strong>of</strong> questions and concerns raised that resulted<br />
in most sessions going over time. Executive hosts reported at a steering committee meeting that<br />
they received positive feedback during the sessions and that the events had significant impact on<br />
employees. To date, these sessions were the most well-received and successful tactic conducted<br />
with any internal communication program at RBC Dexia. These were truly two-way, face-to-face,<br />
intimate events where employees could speak directly with executives.<br />
• The town hall, which was hosted by our MD, was the most well-attended town hall session to date.<br />
• Employees used our Employee Communications email box to provide comments and feedback.<br />
Below are a few <strong>of</strong> the comments we received:<br />
• Jo’Anna Calleja Gera, Project Manager, RCT (RBC employee receiving our<br />
communications):“The updates from Dexia are astounding. I am an RBC employee. I have to say<br />
that I really appreciate the quality <strong>of</strong> information coming from your team. This was a very good<br />
source <strong>of</strong> information for me as I am in the light red zone and was also sharing it with my peers<br />
here at RBC. It’s all good. My comments to my peers about the G20 communication is nothing<br />
short <strong>of</strong> impressive. So thank you, and keep it coming.”<br />
• Bambi Alvia, Senior Analyst, RBC Dexia: “... just a quick note to let you know how much I<br />
appreciate this email. This has to be one <strong>of</strong> the best communication pieces that I've received.”<br />
(We received this comment as a direct reply to the proactive email we issued on tips for working<br />
from home without VPN access.)<br />
Objective 4: Reinforce RBC Dexia’s commitment to maintaining employee safety through<br />
consistent messages.<br />
• Anecdotal feedback from the survey indicated that employees felt employee safety was RBC Dexia’s<br />
top priority. Some examples <strong>of</strong> this feedback includes:<br />
• “Overall I felt that employee safety was the number one concern.”<br />
• “Kudos all round for a situation well handled. Our employees' safety came first and that was<br />
appreciated!”<br />
• “At first I thought having 4 days away from the <strong>of</strong>fice was a bit much but after seeing the Fencing and<br />
Police presence on Mon and Tues leading up to the Summit I am very thankful that we were<br />
requested not to come into the <strong>of</strong>fice during those days. Thank you for caring for your employee's<br />
safety.”<br />
• “Great job overall. This was taken seriously as it was a serious event with employee safety at the<br />
utmost concern! Well done.”<br />
• “Hats <strong>of</strong>f to RBC Dexia. People were nervous after the RBC bombing in Ottawa. I was extremely<br />
grateful that RBC Dexia allowed employees time away from the <strong>of</strong>fice so that we would not have to<br />
sit at our desks, wondering if our building was going to be their next target. Thanks for looking out<br />
for us.”<br />
• “It was very well organized and even though I worked in RBC Centre during the G20, I felt safe and<br />
our clients’ daily business flows were not interrupted and we were able to keep up the same level <strong>of</strong><br />
service.”<br />
• “The concern RBC Dexia portrayed in regards to staff's safety was exceptional. There was a lot <strong>of</strong><br />
fear as to "what happens if ... " and I think those fears were dispelled with the various and<br />
continuous communications we received.”<br />
126
Our MD was so pleased with the campaign that he held a G20 “survival” celebration for the project team<br />
and all parties involved in the planning. The campaign we developed for the G20 period is now used as a<br />
best practice in managing other campaigns across the company.<br />
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Entrant’s Name: Martine Lévy<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Issues Management and Crisis Communication<br />
AWARD OF MERIT<br />
Organization: DDB Public Relations and British Columbia Salmon Farmer’s <strong>Association</strong><br />
(BCSFA)<br />
Title <strong>of</strong> Entry: The Salmon Farming Industry Speaks Out as the Cohen Commission Launches<br />
Division 1: Communications Management / Category 7: Issues Management and Crisis<br />
Communication<br />
Time Period: October – November 2010<br />
Brief Description: The British Columbia Salmon Farmers <strong>Association</strong> (BCSFA) set out to tell their side <strong>of</strong><br />
the salmon farming story to Vancouverites on the heels <strong>of</strong> the Cohen Commission launch in October<br />
2010. Embroiled in a long-standing battle with anti-salmon farming NGOs for well over a decade, the<br />
industry felt they were losing the fight with a relatively silent voice. It was time for the BCSFA to show<br />
confidence to its internal stakeholders, show support to its external ones, and lay the foundation to win<br />
back the favour <strong>of</strong> BC residents. This issues management program was designed to do just that, and<br />
DDB PR rolled it out with excellent results – minimizing risk and maximizing its proactive industry voice.<br />
1. <strong>Business</strong> Need/opportunity: The British Columbia Salmon Farmers <strong>Association</strong> (BCSFA), based in<br />
the coastal community <strong>of</strong> Campbell River on north central Vancouver Island, is the voice <strong>of</strong> British<br />
Columbia’s (BC) environmentally sustainable farmed salmon industry. The BCSFA is a forum for<br />
communication and cooperation within the salmon farming sector, and the focal point for liaison between<br />
the industry and the Canadian government. The association provides public information on salmon<br />
farming, coordinates industry-wide activities and research initiatives, and spearheads various community<br />
events.<br />
Salmon farming is BC’s largest agricultural export, bringing in $500 million a year to the province and<br />
employing more than 6,000 workers. Moreover, BC’s sustainable aquaculture practices boast having the<br />
highest standards in the world. Still, salmon farming is an issue <strong>of</strong> contention and great, passionate<br />
debate among the public in BC, and specifically within its key urban centre, Vancouver. For more than a<br />
decade, several non-pr<strong>of</strong>it and non-governmental organizations (NGOs) that have been well-funded by<br />
organizations/foundations with international interests, have organized highly effective anti-salmon farming<br />
PR and media relations campaigns to “de-market” farmed salmon in BC. Inaccurate claims <strong>of</strong> excessive<br />
sea lice infestations on farmed salmon, dyes given to farmed salmon to obtain a pink hue, “toxic waste”<br />
from fish farms being dumped into the ocean, etc. abound among these NGO campaigns. All <strong>of</strong> this was<br />
presented as science, and used to build a case that open net salmon farms in the ocean were depleting<br />
BC’s beloved wild salmon stocks.<br />
The salmon farming industry was initially slow to respond to these campaigns, and momentum quickly<br />
built up against the industry. When salmon farmers did eventually respond, their voices were vilified by<br />
the NGOs, and the industry was portrayed as “big corporations looking for big pr<strong>of</strong>its” at the expense <strong>of</strong><br />
BC’s environment and its wild salmon. A lot <strong>of</strong> misinformation and myths were therefore accepted as<br />
128
facts by members <strong>of</strong> the public and industry members not only felt gun-shy about speaking out, they also<br />
felt battered and bruised by such highly organized campaigns against them.<br />
BC’s wild salmon stock sees greatly fluctuating returns year over year – with some years that produce big<br />
numbers <strong>of</strong> wild salmon returning to the coast while other years see depleting stock. Though history over<br />
the past 50 years show these fluctuations are a normal course <strong>of</strong> nature, many NGOs have capitalized on<br />
the depleting numbers and positioned them as pro<strong>of</strong> that salmon farms are to blame for the demise <strong>of</strong><br />
BC’s great wild salmon.<br />
Within this context, in 2009, the Fraser River sockeye salmon saw a very disappointing return in BC (only<br />
1 million <strong>of</strong> an anticipated 10.6 million fish returned to the Fraser) generating a lot <strong>of</strong> public concern. The<br />
NGO’s campaigning efforts in Vancouver put so much pressure on the Canadian government, that the<br />
federal government launched an <strong>of</strong>ficial investigation into the 2009 decline. The government appointed<br />
Justice Bruce Cohen to lead the probe, and thus the Cohen Commission was formed. While the Cohen<br />
Commission identified a number <strong>of</strong> possible factors into the decline <strong>of</strong> the Fraser River sockeye, including<br />
ocean currents, global warming, other industries’ effects on ocean health, etc., the salmon farming<br />
industry continued to be at the heart <strong>of</strong> public debate in the media.<br />
Ironically in the midst <strong>of</strong> the Cohen Commission investigation, the 2010 Fraser River sockeye salmon<br />
returned in record numbers – 25 million – the best sockeye returns in nearly a century. Many NGOs<br />
argued the record returns away as a one-<strong>of</strong>f incident. The BCSFA however, saw this as an opportunity to<br />
re-introduce the industry’s voice with confidence into the public debate, reinforcing its position that BC’s<br />
salmon farms have a minimal impact on wild salmon.<br />
In October 2010, as the Commission prepared to hold public hearings in Vancouver, a few high-pr<strong>of</strong>ile<br />
anti-salmon activists planned a multi-day “paddle” across the waters <strong>of</strong> various coastal communities all in<br />
the name <strong>of</strong> protecting BC’s wild salmon from fish farms. Their efforts would culminate into a photoopportunity<br />
in downtown Vancouver, and based on past history, the event was poised to attract a lot <strong>of</strong><br />
local media attention. In light <strong>of</strong> this upcoming event, the BCSFA retained DDB Public Relations (DDB<br />
PR) to help guide the BCSFA’s communication efforts – to ensure the association could justly share their<br />
point <strong>of</strong> view among the “salmon” stories that would be reported in editorials during this time without being<br />
vilified once again.<br />
This communications effort was essential on the part <strong>of</strong> the association in order to provide support to the<br />
more than 6,000 industry workers, and to show confidence from the industry to its key external<br />
stakeholders including local coastal community politicians, federal and provincial government <strong>of</strong>ficials and<br />
regulators, farmed salmon distributors, retailers, etc. All <strong>of</strong> these audiences had a vested interest in<br />
farmed salmon but the BCSFA’s internal research, via quantitative surveys and qualitative focus groups<br />
and interviews, indicated these groups felt the industry wasn’t doing enough to defend itself from such<br />
blatant public attacks. They reported feeling public pressure from these campaigns and felt left to defend<br />
their positions by themselves. Recognizing that, from an issues management and crisis communications<br />
point <strong>of</strong> view, the BCSFA couldn’t win over public hearts overnight, DDB PR set out to implement a<br />
focused, local Vancouver-based media relations campaign designed to insert the BCSFA’s key messages<br />
into editorials that were going to report on the NGOs PR/photo-opportunity efforts and the Cohen<br />
Commission. In this way, amidst the media discussions on salmon farming and the 2009 decline <strong>of</strong> the<br />
Fraser River sockeye salmon, the public would have the opportunity to hear both sides <strong>of</strong> the story. This<br />
campaign would serve as the first stepping stone in building the foundation for positively-focused future<br />
industry communications with the media.<br />
129
2. Intended audience(s): Recognizing how polarized people are over salmon farming, the BCSFA<br />
conducted extensive research to identify who among Vancouver’s public audience would be most<br />
receptive to the industry’s messages. The BCSFA’s key stakeholders including distributors, retailers,<br />
municipal politicians and government regulators all wanted the BCSFA to work on garnering more public<br />
support for the salmon farming industry. But the BCSFA also recognized that swaying public opinion to<br />
look favourably upon the salmon farming industry could only be done in baby steps, with a long term<br />
investment, so it was pivotal for the BCSFA to find the right audience to outreach to as a first step in order<br />
to set itself up for success.<br />
After conducting extensive research using opinion polls among local Vancouver residents, BC residents<br />
and those from other North American cities (for comparison) such as San Francisco and Los Angeles, the<br />
key BCSFA consumer audience was identified as: male Vancouver residents over the age <strong>of</strong> 40, who<br />
likely grew up fishing with their fathers in BC and who have some familiarity with the fishing economy in<br />
BC. This group was shown to most likely approach media discussions with an open mind – meaning they<br />
would be open to listening to what the salmon farming industry had to say before passing judgment. In<br />
their current opinion, they say they’ve heard that salmon farms harm wild salmon, though they are not<br />
exactly sure why. They are not emotionally tied to this issue and they like to evaluate facts and take a<br />
rational versus emotional approach to their decision-making.<br />
Armed with this descriptor, DDB PR identified local Vancouver based media who were most likely to<br />
speak to this group, since media relations would be used as a strategic communications vehicle to reach<br />
this audience. The agency consulted with its media buying sister agency, OMD in order to confirm, based<br />
on audited research data, which publications, broadcast shows and online sources this target group<br />
interacted with. Then, the agency conducted in-depth media audits to identify local media figures who<br />
were clearly and passionately “anti-salmon farms” versus those reporters and editors who held a more<br />
neutral view. Many prominent members <strong>of</strong> the media in Vancouver appeared to hold clear biases against<br />
the salmon farming industry, based on their editorials, so the agency zoomed in on those media who, in<br />
the past, had reported more balanced stories. They would be this campaign’s key target audience. For<br />
example, Global television in BC is the most-watched station in Vancouver. Through DDB PR’s editorial<br />
audits, the agency found that within Global’s news team, compared to other reporters who <strong>of</strong>ten focused<br />
on environment and sustainability, Brian Coxford had a history <strong>of</strong> reporting on the underdogs <strong>of</strong> various<br />
issues. This included many industry-focused stories that spoke to economical contributions to BC. So,<br />
as part <strong>of</strong> DDB PR’s media relations strategy, the team tailored its media relations pitch specifically to<br />
Brian, and <strong>of</strong>fered him an exclusive broadcast story opportunity from the industry’s side, in the midst <strong>of</strong><br />
the NGO’s Cohen Commission news generating efforts. In this way, the agency identified key media<br />
influencers who were more neutrally positioned, and who would likely be most receptive to the industry's<br />
messages.<br />
3. Goals and objectives: The BCSFA’s business objective was to represent the industry’s voice among<br />
public discussions in the media; to show confidence through its messaging on leadership, sustainability<br />
and transparency; and to build the foundation for future communications designed to slowly win back<br />
public trust. As such, this campaign’s goal was to insert its voice into upcoming editorials reporting on the<br />
anti-salmon farming NGO’s publicity stunts, and the commencement <strong>of</strong> the Cohen Commission public<br />
hearings. This campaign needed to counteract the NGO’s vilification <strong>of</strong> the industry by <strong>of</strong>fering its own<br />
side <strong>of</strong> the story with a fair journalistic voice, while showing the public that BC’s salmon farming industry<br />
was committed to complete and total transparency. This campaign’s quantifiable communications<br />
objectives were identified at the onset <strong>of</strong> the program as:<br />
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• At least 10 media hits in mainstream and community-based newspapers, online news sites,<br />
television and radio outlets across the greater Vancouver area (also including national media<br />
reaching a Vancouver audience – e.g. the Globe and Mail) quoting the BC salmon farming industry<br />
in October 2010; or industry inclusion in at least 50 per cent <strong>of</strong> the mainstream editorials generated<br />
on the NGO publicity stunts and Cohen Commission launch – whichever is greater.<br />
• Using the Media Relations Rating Points (MRP) evaluation system, obtain a total audience reach <strong>of</strong><br />
at least 3,500,000 and a cost-per-contact <strong>of</strong> $0.01 (with the industry standard being set at $0.03).<br />
• Under the MRP evaluation system, the target MRP score was set at 85 per cent (with the industry<br />
standard being set at 75 per cen). The pre-determined rating criteria included: 1) association/brand<br />
mention; 2) spokesperson quote; 3) key message inclusion.<br />
• At least 80 per cent <strong>of</strong> the editorials from this campaign should have a neutral tone towards the<br />
industry (<strong>of</strong>fering fair balanced coverage), and the remaining 20 per cent is to be allocated for<br />
editorials with a negative tone.<br />
• Post-campaign evaluation among BCSFA communications committee must yield a minimum<br />
satisfactory rating (categories: needs improvement, satisfactory, above average performance);<br />
each committee member was to obtain qualitative feedback from their stakeholders and apply their<br />
findings to the agency and campaign rating.<br />
• Post-campaign public opinion poll must show a 2 per cent lift in favourable impressions about the<br />
salmon farming industry from target residents <strong>of</strong> the greater Vancouver area – compared to<br />
existing pre-campaign opinion poll results.<br />
Measurable objectives in this campaign were purposely not sales driven or financial because this was an<br />
issues management campaign. For too long, the industry`s voice was silent among public discussions in<br />
the media, therefore, this campaign served as a first step towards rectifying this situation. This was part<br />
<strong>of</strong> the BCSFA`s long term issues management strategy, showing its key stakeholders (industry workers,<br />
distributors, retailers, municipal politicians and government <strong>of</strong>ficials) that the industry is taking proactive<br />
steps to defend itself and educate the public on its industry – this campaign demonstrated that first step.<br />
4. Solution overview: DDB PR methodically implemented a strategic issues management program that<br />
included the following:<br />
Key services provided: DDB PR’s role in this project included complete project development,<br />
messaging development and full project implementation. The agency worked seamlessly with its<br />
advertising counterparts from the DDB Vancouver <strong>of</strong>fice (who were preparing a mass advertising<br />
campaign to be rolled out in the winter <strong>of</strong> 2011) to ensure messaging continuity. Overall, DDB PR’s<br />
services to the BCSFA included: project management, strategic counsel, customized media training,<br />
liaison with retail partners and other stakeholders as required, media materials development, media<br />
relations, on-site support for media relations and issues management, and measurement and evaluation.<br />
Research: In the first phase <strong>of</strong> this campaign, DDB PR conducted an exhaustive industry analysis,<br />
researching every player in the BC salmon controversy, from BCSFA members and their performance<br />
history (from a sustainable and transparency perspective), to key influencers in the field in Vancouver and<br />
in Canada, who are either pro or anti-salmon farming (including university pr<strong>of</strong>essors, aquamarine<br />
biologists, field researchers, regulators, etc). The agency researched every claim for and against salmon<br />
farming, combed through government transcripts from regulators, to gain a thorough understanding <strong>of</strong> the<br />
scientific facts at hand. Moreover, in addition to conducting a media audit as mentioned above, the<br />
agency worked with its sister social media division (Radar DDB) to utilize social media listening modules<br />
to gauge and analyze online conversations and sentiment around BC salmon on various user-generated<br />
sites. Alerts were set up to monitor all anti-salmon farming NGO activities online, so the team could<br />
develop defense strategies in real time as they arose during this campaign.<br />
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The agency then presented the BCSFA communications committee with a recommendation for the<br />
campaign’s tone <strong>of</strong> voice and ensured all parties were in full agreement before proceeding. Based on this<br />
direction, a comprehensive key messages and Q&A document was developed. Key messages focused<br />
on moving the spotlight away from the “big bad corporation” claim and redirecting it to the 6,000 working<br />
men and women and their families that rely on salmon farming. It also focused on highlighting how the<br />
BC salmon farming industry has developed the highest aquaculture standards in the world, and how it<br />
has a record <strong>of</strong> transparency with the government and the public when it comes to regular reporting <strong>of</strong><br />
fish farm data. These messages were developed to counter the NGOs key messages and accusations<br />
directly.<br />
The agency then worked with the BCSFA to identify and designate key media spokespeople on behalf <strong>of</strong><br />
the BCSFA, namely Mary Ellen Walling, Executive Director <strong>of</strong> the BCSFA and Clare Backman,<br />
Sustainability Director for Marine Harvest. The agency also identified back up spokespeople in case<br />
Ellen or Clare were occupied on-site on the day <strong>of</strong> the NGO’s publicity stunt. All team members received<br />
focused media and issues management training that focused on both messaging and crisis preparedness<br />
processes. In this way, all members <strong>of</strong> the BCSFA, whether speaking externally on behalf <strong>of</strong> their own<br />
companies, or internally to their employees, would be able to stay precisely on message, speaking the<br />
same language for consistency and credibility.<br />
From a media relations standpoint, the agency pre-pitched an exclusive broadcast story for Global TV in<br />
BC focused on the industry, which resulted in an excellent, favourable segment. Media materials were<br />
then disseminated to select target media and these included:<br />
• A press release sent out over the weekend to select target news media before the <strong>of</strong>ficial NGO<br />
publicity stunt launch pre-empting any NGO media activity, which announced the BCSFA had just<br />
submitted years’ worth <strong>of</strong> raw data to the Cohen Commission as requested. This message<br />
directly negated the NGOs claims that fish farms were holding back data because they had<br />
something to hide.<br />
• A second release was distributed on Monday morning (the day <strong>of</strong> the NGO publicity stunt) to<br />
assignment desks and reporters in Vancouver – as the Cohen Commission launched its public<br />
hearings. Its message focused on how the 6,000+ voices from the industry felt they were being<br />
vilified, and that they were relieved that the Cohen Commission will be fairly investigating all<br />
possible triggers for the 2009 depleting sockeye. Taking the argument away from an “us against<br />
them” standpoint – in terms <strong>of</strong> “evil salmon farmers from big international companies” to “we are<br />
all British Columbians – we have the same vested interests as you” – this messaging strategy<br />
<strong>of</strong>fered a different perspective for media to juxtapose against the NGO’s messaging.<br />
• A fact sheet also accompanied the second release that demonstrated the global need for farmed<br />
salmon, the salmon farming industry’s impact on the BC economy and how BC is a global leader<br />
in sustainable salmon farming practices.<br />
The agency then drafted compelling email pitches and conducted aggressive media phone follow-up to<br />
encourage industry message inclusion with either a neutral or positive tone – appealing to journalistic<br />
integrity in presenting both sides <strong>of</strong> a story to their audience. Where select media purposefully chose to<br />
exclude the industry’s voice based on their pre-existing bias, the DDB PR team developed tactfully written<br />
letters to the editor and the clients submitted them to the respective media outlets.<br />
Moreover, agency and client representatives were on-site at the NGO anti-salmon farming demonstration<br />
(photo-op/stunt) and at the courts where public hearings for the Cohen Commission were being held.<br />
The agency had pre-planned that if any media interviewed the NGOs, the team would speak to them<br />
afterwards and <strong>of</strong>fer up an industry spokesperson to share the “other side <strong>of</strong> the story”. In preparation for<br />
the anti-salmon farming demonstration, the agency also provided a heads up to one retailer who was<br />
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eing targeted in the publicity stunt. The agency assisted this store’s management team with developing<br />
stand-by plans <strong>of</strong> action in order to maximize a positive portrayal <strong>of</strong> the industry against a backdrop <strong>of</strong><br />
propaganda-style NGO messaging. The agency and BCSFA also provided crisis management support to<br />
this retailer (e.g. in the event that TV cameras show up at the store and start asking customer questions,<br />
advise store employees to take them to DDB PR, etc.) Thanks to meticulous pre-planning and a<br />
conscientious team, the events from this launch day rolled out without any substantial glitches.<br />
Following the launch day, DDB PR carefully monitored media coverage both <strong>of</strong>fline and online to identify<br />
any inaccuracies about the industry that may have been reported as news. In such instances, the agency<br />
immediately contacted editors to notify them <strong>of</strong> the error (and backed it up with scientific, peer-reviewed<br />
facts). Where warranted, the agency developed letters to the editor for the client to submit correcting<br />
myths, and <strong>of</strong>fering up facts around this campaign.<br />
The agency also shared regular media updates with key industry stakeholder representatives in real time<br />
– so they could, in turn, share it with their audiences – showing internal stakeholders that momentum was<br />
building for the industry. This process assisted the BCSFA communications committee with obtaining<br />
industry-wide feedback and accurately rating the campaign’s performance during the wrap-up phase.<br />
5. Implementation and challenges: This campaign’s issues management budget was $35,000,<br />
including both fees and out-<strong>of</strong>-pocket expenses. The campaign’s planning and roll-out all happened<br />
during the month <strong>of</strong> October 2010, with the post-campaign wrap-up and evaluation taking place in early<br />
November. The agency was cognizant <strong>of</strong> maximizing this campaign’s budget at all times and strategically<br />
used the funds to make programming go further. For example: to save on travel costs from multiple trips<br />
from <strong>Toronto</strong> to Vancouver and back for the agency team, DDB PR booked several client/stakeholder<br />
meetings and media training for industry representatives on back-to-back days. There were also some<br />
limitations and challenges to this campaign. Due to the extremely tight turn-around from campaign<br />
development and approval to roll-out (all within a matter <strong>of</strong> weeks) the agency had limited flexibility in<br />
developing optimal programming for niche media pitches. For example, for the pitch to Global TV in BC,<br />
the agency would have ideally liked to <strong>of</strong>fer up personal interviews with regular, everyday BC families<br />
who work and thrive in the salmon farming industry, alongside some interviews with mayors and First<br />
Nations representatives in BC`s coastal regions who could speak to the economic impact <strong>of</strong> salmon<br />
farming in their communities. The challenge, however, was that due to the winter weather and rough<br />
waters, a boat tour <strong>of</strong> salmon farms was not possible (taking the visual excitement away from the<br />
segment), and even if the agency could have coordinated interviews with industry workers at the very last<br />
minute, the flight time to go out to Campbell River from Vancouver would have been too demanding on<br />
the media’s time. As a result, the agency worked with the clients to have them come down to Vancouver<br />
and worked around the Global TV producer’s and reporter’s schedules in order to solidify the broadcast<br />
segment. The agency provided existing industry-focused b-roll to the station too, to <strong>of</strong>fer up stand-by<br />
visuals <strong>of</strong> salmon farmers at work.<br />
The final key challenge in this campaign was developing consensus among the BCSFA on how<br />
aggressive the association should be in their “fight back” against the NGOs. Working with representatives<br />
from different companies within the industry, some individuals wanted to be much more aggressive than<br />
others in their messaging and overall tactics. The DDB PR team tactfully guided the team and provided<br />
strategic counsel, discussing possible ramifications if the industry’s messaging was too harsh and where<br />
the optimal middle ground would be. This process provided excellent learnings for the core BCSFA group<br />
and is now being used to guide future communication campaigns on behalf <strong>of</strong> the industry.<br />
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6. Measurement/evaluation <strong>of</strong> outcomes: Measured against the quantifiable objectives as outlined in<br />
the Goals and Objectives section above, this campaign performed as follows:<br />
6. Overall, the media relations campaign generated 37 (target was 10) editorial stories that <strong>of</strong>fered<br />
up the industry’s perspective, across print, broadcast and online mediums in October 2010. Over<br />
90 per cent <strong>of</strong> all editorials generated on this topic in October 2010 included the industry voice<br />
(target was 50 per cent). Highlights included an exclusive, favourable three-minute broadcast<br />
segment on Global TV (BC’s most-watched news station) about BC’s salmon farming industry;<br />
prominent feature articles in the Vancouver Sun, Victoria Times-Colonist, Globe and Mail and<br />
National Post. Overall, over 90 per cent <strong>of</strong> all editorials about BC salmon during this period<br />
included quotes from BCSFA spokespeople (target was 50 per cent).<br />
7. The media relations campaign generated a total reach <strong>of</strong> 24,792,726 (target was 3.5 million) and<br />
a cost-per-contact <strong>of</strong> $0.001 (target was $0.01).<br />
8. Under the MRP evaluation system, the MRP score was 99 per cent (target was 85 per cent) far<br />
surpassing the industry standard for success <strong>of</strong> 75 per cent. The pre-determined rating criteria<br />
that was met included: 1) brand mention, 2) spokesperson quote, 3) key message inclusion.<br />
When measuring tone, 100 per cent <strong>of</strong> the editorial pieces <strong>of</strong>fered a neutral tone for the industry<br />
(target was 80 per cent).<br />
9. The BCSFA communications committee rated results from this campaign as above average –<br />
based on the results that were generated in the editorials. They attributed this success to<br />
strategic thinking, tactful execution and excellent reporting that built value for this initiative.<br />
10. A public opinion poll is currently being rolled out to gauge movement in favourable impressions<br />
among the target residents within the greater Vancouver area. Results will be released in early<br />
spring <strong>of</strong> 2011.<br />
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Entrant’s Name: Josephine Quercia<br />
Organization: TD Bank Group<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Employee, Member or HR Communication<br />
AWARD OF EXCELLENCE<br />
Title <strong>of</strong> Entry: TD Bank Group Careers Site – A Passion for Opportunity<br />
Division 1: Communication Management / Category 8: Employee, Member or HR<br />
Communication<br />
Time Period: April 2009 – December 2010<br />
Brief Description: TD enhanced its careers site to tell compelling stories and differentiate itself from<br />
the competition. The number <strong>of</strong> pr<strong>of</strong>iles submitted has tripled over the past three<br />
years.<br />
1. <strong>Business</strong> Need/Opportunity<br />
“Our employment brand is about giving employees opportunity – the ability to grow<br />
and develop in their career. To be satisfied and engaged in their work. It’s about<br />
developing tomorrow’s leaders. We want to be the employer <strong>of</strong> choice.”<br />
Ed Clark, Group President and CEO, TD Bank Group<br />
TD Bank Group has achieved significant growth in the past several years, and is now one <strong>of</strong> the top six<br />
banks in North America. TD’s mission is to be the best run, customer-focused, integrated financial<br />
institution with a unique and inclusive employee culture. To deliver on that mission as the bank continues<br />
to grow and the demand for talent increases, TD needs to attract the best potential candidates from the<br />
broadest possible talent pool.<br />
There is a real business need to maintain and strengthen the bank’s pr<strong>of</strong>ile as an employer <strong>of</strong> choice<br />
among target audiences, both internally and externally. The bank’s success depends on having the right<br />
team in place – now and in the future – to support and sustain continued growth.<br />
To meet this need, TD worked with DraftFCB to redesign and enhance the TD careers site to build<br />
employment brand equity, increase site interaction, tell compelling stories and differentiate TD from the<br />
competition.<br />
2. Intended Audiences<br />
TD’s careers site aims to reach all segments <strong>of</strong> potential external job candidates, as well as internal<br />
audiences:<br />
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Young adults and students looking full- or part-time work<br />
New graduates starting their career and seeking an opportunity to grow<br />
Experienced hires who are seasoned pr<strong>of</strong>essionals ready for a new challenge<br />
Newcomers to Canada with transferrable experience and skills; and<br />
Current TD employees at all levels and all career stages.<br />
3. Goals / Objectives<br />
Drive awareness <strong>of</strong> TD’s employment brand among target audiences<br />
Hiring the best possible employees requires reaching the widest possible pool <strong>of</strong> qualified candidates,<br />
and providing valuable and compelling information about working for TD. A career site needs to build<br />
employment brand equity and awareness among all segments <strong>of</strong> the bank’s audiences.<br />
Establish and promote TD as an “Employer <strong>of</strong> Choice”<br />
For both active and passive qualified job seekers, TD <strong>of</strong>fers a wide range <strong>of</strong> jobs and careers. TD is<br />
focused on creating an extraordinary workplace, providing opportunity to all employees to develop and be<br />
successful, and providing an inclusive and diverse work environment. TD wanted to build on brand<br />
awareness to clearly communicate to employees and prospects what the bank stands for – an opportunity<br />
to become part <strong>of</strong> a unique and inclusive employee culture. Ultimately, the goal is to drive action among<br />
qualified candidates to choose TD as an employer.<br />
Measurements <strong>of</strong> success include:<br />
Increased visits to the td.com career website, compared to 2008 / 2009 visits<br />
Increased personal pr<strong>of</strong>iles (candidate applications) submitted online, particularly candidates who<br />
identify td.com as their source<br />
Positive anecdotal response to the initiative from TD Bank Group employees<br />
4. Solution Overview<br />
Bringing TD’s careers site to life<br />
To build awareness and drive action, the redesign project had to improve both functionality and content <strong>of</strong><br />
the site. Overall, TD’s career web site was enhanced to be more dynamic and engaging, with a consistent<br />
flow and a focus on streamlining visitors towards the most important areas <strong>of</strong> the site, including job<br />
pr<strong>of</strong>iles and job search. The site is now more user friendly, as new features have been added – tools and<br />
resources, keyword job search and information on U.S. and global opportunities. Candidates can even<br />
find resumé and interview tips to help them in their career search.<br />
One <strong>of</strong> the key elements <strong>of</strong> the site is the video content, which really brings to life the wide range <strong>of</strong><br />
career opportunities at TD. The video content has two key themes – answering candidates’ questions and<br />
telling employees’ stories.<br />
Answering common questions in a compelling way<br />
When considering a potential employer, the first question many candidates have is, “Why should I work<br />
there?” On TD’s web site, a video features Group President and CEO Ed Clark answering the question<br />
himself – explaining that TD is the smart choice for those who are passionate about pursuing an exciting<br />
and fulfilling career with a leading North American company. Other questions answered by TD executives<br />
and employees include:<br />
What makes TD The Better Bank?<br />
Do I need financial services experience?<br />
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Will my voice be heard?<br />
How can I be sure if I’m a good fit?<br />
Is TD hiring?<br />
How committed is TD to diversity?<br />
Employees create a clear picture <strong>of</strong> opportunities at TD<br />
One <strong>of</strong> the key differentiators that sets TD apart is its people. Who is more suited to inspire and inform<br />
potential employees about the opportunities and benefits TD <strong>of</strong>fers than the people who drive the success<br />
<strong>of</strong> the organization? The enhanced web site features a broad range <strong>of</strong> TD employees and shows the<br />
passion and energy they bring to TD every day. Their enthusiasm to succeed as individuals and as a<br />
team is an important part <strong>of</strong> TD’s positive culture and makes TD an exciting place to work.<br />
And if there’s one key ingredient that inspires and motivates people to consider a career or life change,<br />
it’s passion. That passion is even more potent when it’s delivered by individuals from all levels <strong>of</strong> an<br />
organization – not just the top. As ambassadors <strong>of</strong> the possibilities within TD, regular employees convey<br />
this passion by giving powerful “day in the life” insights to prospects considering TD as the first or next<br />
step in their career.<br />
Shown sitting in TD’s famous comfortable green chair, each employee gives an overview <strong>of</strong> their role,<br />
speaking in their own words about what it’s like to work at TD. The 31 videos cover a wide variety <strong>of</strong> both<br />
banking and non-banking roles such as:<br />
MBA Management Associate<br />
Senior Auditor, Investment Banking<br />
Easyline Specialist, Phone Channel<br />
<strong>Business</strong> Development Manager, ATM Strategic Initiatives<br />
Senior Account Manager, TD Private Trust<br />
Customer Service Representative, TD Canada Trust<br />
The employees pr<strong>of</strong>iled reflect TD Bank’s diverse employee base. These pr<strong>of</strong>iles are all accompanied by<br />
a description <strong>of</strong> the role and an agenda outlining typical daily activities. The site also includes 15 photo<br />
pr<strong>of</strong>iles, which cover similar content in a static format.<br />
Supporting campaign materials<br />
Printed postcards in English, French and Braille were distributed at on-campus recruitment events to<br />
drive traffic to the site. The cards reflected the website’s theme – A Passion for Opportunity – and<br />
described the highlights available on the site, such as videos, job opportunities and tools.<br />
5. Implementation and challenges<br />
Creating a better site<br />
The work began with a site audit in April 2009 conducted by DraftFCB to understand how best to improve<br />
upon both the user flow and site experience, removing any inefficiencies and dead-ends and ensuring<br />
that content was organized in a logical and intuitive way. DraftFCB established a plan around the theme<br />
<strong>of</strong> “passion for opportunity” to reflect the enthusiasm <strong>of</strong> employees, the passion they feel for the work they<br />
do and the support and opportunity that TD <strong>of</strong>fers them.<br />
In September 2009, the site was redesigned to simplify the navigation, create more emphasis on TD’s<br />
values, and enable a more consistent flow with a focus on streamlining visitors towards the most<br />
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important areas <strong>of</strong> the site. In the first phase <strong>of</strong> the site redesign, the first set <strong>of</strong> questions and videos<br />
were added to the site (Why join TD? Is TD hiring? etc.). The second phase <strong>of</strong> the redesign in September<br />
2010 included the “day in the life” employee pr<strong>of</strong>ile videos.<br />
Meeting challenges, on time and within budget<br />
All videos on the site were created in English, French, closed captioning, American Sign Language (ASL)<br />
and Quebec sign language (langue des signes québécoise - LSQ). Coordinating the delivery <strong>of</strong> all<br />
language options required strong project management discipline to ensure the content was consistent,<br />
complete and ready at the same time. Making the site interactive for the community and also having<br />
content available in French, English, ASL, LSQ and closed captioning required moving beyond the<br />
standard format for websites and thinking outside the box. TD is one <strong>of</strong> the few organizations <strong>of</strong>fering this<br />
level <strong>of</strong> accessibility for its careers site.<br />
The team worked with a $175,000 budget and was able to leverage TD’s relationships with external<br />
vendors to obtain preferred pricing for the redesign. A large portion <strong>of</strong> the video scripting was written by<br />
the individual employees themselves and reviewed by TD’s Corporate and Public Affairs team. This not<br />
only added authenticity to the videos, but also reduced the cost <strong>of</strong> the project.<br />
6. Measurement / Evaluation<br />
Increased web site visits<br />
One measurement <strong>of</strong> the success <strong>of</strong> the project was the increase in unique visits to the TD.com careers<br />
site. The site experienced an increase <strong>of</strong> 23,227 unique monthly visits between July 2008 and July 2009,<br />
and a further bump <strong>of</strong> 9,309 visits between July 2009 and July 2010. The total increase in monthly visits<br />
was over 56% between July 2008 and July 2010. (Note: the highlighted rows below signify when TD Bank<br />
is recruiting on college and university campuses).<br />
Unique web site visits<br />
Month-Year Unique visits Month-Year Unique visits<br />
July-08 58,037<br />
August-08 54,906 January-10 89,907<br />
September-08 66,681 February-10 87,797<br />
October-08 57,341 March-10 111,619<br />
November-08 65,796 April-10 98,259<br />
December-08 53,997 May-10 102,375<br />
138<br />
June-10 91,547<br />
July-09 81,264 July-10 90,573<br />
August-09 88,194 August-10 91,500
September-09 97,014<br />
October-09 97,562<br />
November-09 79,533<br />
December-09 65,119<br />
Increased online pr<strong>of</strong>ile submissions<br />
Visitors to the careers site are encouraged to create a personal pr<strong>of</strong>ile, either to apply for a specific role or<br />
to express their interest in job opportunities. The number <strong>of</strong> pr<strong>of</strong>iles submitted has tripled over the<br />
past three years. This increase can be linked to many factors, including advertising and partnerships<br />
with career organizations, along with the number <strong>of</strong> jobs available at TD. The number <strong>of</strong> candidates<br />
identifying td.com as their source has increased significantly as well.<br />
Year<br />
Total Pr<strong>of</strong>ile<br />
Submissions<br />
Submissions listing td.com as source<br />
(How did you hear about TD?)<br />
139<br />
% submissions listing<br />
td.com as source<br />
2008 37,394 11,138 30%<br />
2009 65,650 24,880 38%<br />
2010 282,472 111,814 40%<br />
The increase in both unique visits and pr<strong>of</strong>ile submissions reinforces the importance <strong>of</strong> an effective<br />
careers site to attract and engage qualified candidates, regardless <strong>of</strong> how they learn about TD.<br />
Positive internal response<br />
Qualitative measurement included employee responses to the new site, particularly the employee videos.<br />
Following an intranet article about the new “day in the life” videos, employees’ posts reflected a positive<br />
reaction. Comments included:<br />
“I absolutely LOVE this site! What a great way to experience the variety <strong>of</strong> roles and businesses at TD.<br />
Featuring our employees promotes the talent that we already have while highlighting the opportunities<br />
available for all <strong>of</strong> us.” Carey F., London, ON<br />
“This is an awesome way to get a lot <strong>of</strong> insight into other jobs and business lines at TD. I have shadowed<br />
a position in the retail world and found it rewarding and deeply educational. This is similar but the<br />
remarkable difference is that you can go over the various positions in one sitting, or do it all over again at<br />
your leisure. What a great idea!” Emma B., <strong>Toronto</strong>, ON<br />
“This is a great opportunity for our career development. I love this site and the videos.” Christopher S.,<br />
Victoria, BC<br />
“This is simply awesome!! What a great way to learn about the roles within the bank. I know this will help<br />
my team better understand career opportunities within the TD Bank. Love it!” Ron P., <strong>Toronto</strong>, ON
Entrant’s Name: Dave Bourne<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Employee, Member or HR Communication<br />
AWARD OF EXCELLENCE<br />
Organization: The Scarborough Hospital<br />
Title <strong>of</strong> Entry Development <strong>of</strong> New Mission, Vision and Values<br />
Division 1: Communication Management / Category 8: Employee, Member or HR<br />
Communication<br />
Time Period: February 2008 – December 2010<br />
Brief Description: The Scarborough Hospital developed a new corporate Mission, Vision and Values<br />
in consultation with hundreds <strong>of</strong> internal and external stakeholders, in response to<br />
poor employee satisfaction scores surrounding awareness <strong>of</strong> the organization’s<br />
mission and vision. The result was a double-digit improvement in satisfaction<br />
scores within a year post-launch.<br />
<strong>Business</strong> Need/Opportunity<br />
In 2008, The Scarborough Hospital was just beginning to emerge from a period <strong>of</strong> tremendous upheaval and<br />
negative publicity surrounding a very public legal battle between the hospital’s Board <strong>of</strong> Directors and an organized<br />
group <strong>of</strong> community members. At issue was the Board’s decision to modify the composition <strong>of</strong> the hospital voting<br />
membership—a move some annual members felt diminished their community voice in hospital decision-making.<br />
Following two years <strong>of</strong> court battles, a provincial supervisor was appointed to restructure the governance <strong>of</strong> the<br />
hospital and to put The Scarborough Hospital on a stable footing, to the benefit <strong>of</strong> its patients and the community as<br />
a whole.<br />
The lengthy public tumult had a significant negative impact on employees <strong>of</strong> the hospital—morale, retention and staff<br />
commitment were low, while turnover was at an all-time high. Disputes between employees were increasing in<br />
frequency. There was also a feeling that the organization lacked a vision, and needed to refocus on its people and its<br />
patients.<br />
To measure the level <strong>of</strong> satisfaction <strong>of</strong> employees, a benchmark survey was conducted between February and July<br />
2008. The anonymous survey was mailed to the homes <strong>of</strong> each hospital employee by a respected third-party<br />
research firm. Results were compiled to give an organizational overview as well as departmental breakdownsand the<br />
feedback was clear. Employees indicated they did not feel well informed about corporate plans. There was no clarity<br />
around the organization’s mission and goals. They said staff did not treat each other with respect.<br />
A strategy was required to address the weaknesses identified by staff and to produce measureable gains in future<br />
employee satisfaction surveys. Management also viewed the strategy as an opportunity to begin changing the<br />
culture <strong>of</strong> The Scarborough Hospital for the better. It was felt that developing a Mission, Vision and Values for the<br />
hospital could resolve many <strong>of</strong> the challenges identified.<br />
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Intended Audiences:<br />
The more than 3,300 employees at The Scarborough Hospital represent a diverse group <strong>of</strong> both clinical and nonclinical<br />
staff members. It is a highly educated demographic, with the vast majority holding, at minimum, university<br />
degrees or college diplomas. Many are accredited members <strong>of</strong> national or provincial pr<strong>of</strong>essional healthcare<br />
associations. Approximately 80 per cent <strong>of</strong> all staff is unionized, and 85 per cent are female. The majority <strong>of</strong><br />
employees work at one <strong>of</strong> two main hospital campuses, with a small number located at one <strong>of</strong> six satellite locations.<br />
Communication with staff is an ongoing challenge, as only about one-third <strong>of</strong> all employees have dedicated access to<br />
a computer. Additionally, the necessity <strong>of</strong> having multiple shifts in a 24/7 organization makes timely communication<br />
more difficult. As a result, printed documents and face-to-face communications are considered critical for<br />
successfully reaching the masses.<br />
Goals/Objectives:<br />
The overall goal <strong>of</strong> this project was to work in consultation with internal and external stakeholders to define the<br />
organization’s Mission, Vision and Values, with the aim <strong>of</strong> improving staff satisfaction results and the overall culture<br />
<strong>of</strong> the hospital.<br />
Our objectives included:<br />
1. To bring the percentage <strong>of</strong> employees who indicate clarity <strong>of</strong> the organization’s mission/goals to the All-<br />
Hospital Average (AHA, based on a survey <strong>of</strong> 22 Ontario hospitals). This would require a 22 per cent<br />
improvement.<br />
2. To achieve a 10 per cent increase in employee commitment scores (as measured by a second employee<br />
survey in late 2010).<br />
3. To raise by 15 per cent the number <strong>of</strong> employees who feel well informed about corporate plans.<br />
4. To improve the percentage <strong>of</strong> employees who say people treat each other with respect in the workplace by<br />
at least 5 per cent.<br />
Solution Overview:<br />
While the scope <strong>of</strong> employee discontent could be considered quite large, with a commitment level <strong>of</strong> just 37.8 per<br />
cent, several recurring themes emerged that were directly related to the organization’s culture. These were selected<br />
as strategic areas <strong>of</strong> focus to be addressed in the new Mission, Vision and Values:<br />
• Defining the organization’s corporate direction<br />
• Fostering an expectation and culture <strong>of</strong> respect in the workplace<br />
• Improving overall corporate communication<br />
• Increasing employee commitment<br />
Engagement began with both internal and external stakeholders to define the hospital’s Mission, Vision and Values.<br />
Blackstone Partners were retained to help guide the process, and to conduct dozens <strong>of</strong> focus groups for staff,<br />
physicians and external stakeholders. Visioning sessions for staff, physicians and volunteers were heavily promoted<br />
in all hospital communication vehicles, and <strong>of</strong>fered at convenient times for employees <strong>of</strong> all shifts and locations.<br />
External stakeholders, including Board members, community leaders and healthcare partners, were personally<br />
invited to attend the sessions by the hospital CEO.<br />
Additionally, a survey was conducted with staff and external stakeholders to gather further input. Following a year <strong>of</strong><br />
engagement sessions and survey review, Blackstone Partners presented a draft document that was shared publicly<br />
on the website. Feedback was encouraged to help shape the final document. In October 2009, the Board <strong>of</strong> Directors<br />
141
<strong>of</strong> the hospital approved the final version <strong>of</strong> the Mission, Vision and Values. An extensive roll-out was employed in<br />
November 2009 to ensure maximum visibility and impact <strong>of</strong> messaging.<br />
Key messages:<br />
The tagline used for the launch <strong>of</strong> the Mission, Vision and Values — “It’s a new day” — became the key message<br />
used to link all our efforts to improve staff satisfaction. The phrase was meant to indicate that The Scarborough<br />
Hospital was no longer the organization it used to be, and that changes represented a major shift in the way we<br />
operate as an organization, care for our patients, and interact with our colleagues and community.<br />
Tactics:<br />
Throughout this strategy, a full range <strong>of</strong> hospital communication vehicles were used to communicate with staff and<br />
seek feedback: newsletters, intranet, screensavers, town hall meetings, staff meetings and visioning sessions were<br />
all successfully used to reach the broad internal audience. In many instances, managers were given toolkits to<br />
enable them to share key information with their direct reports—staff unable to attend a Mission, Vision and Values<br />
launch session, for instance, were able to receive standardized training from their manager.<br />
The launch <strong>of</strong> the Mission, Vision and Values also provided an opportunity to graphically showcase the hospital’s<br />
new strategic focus. We used a number <strong>of</strong> vehicles to do this, including large-scale wall tattoos, lapel buttons for<br />
staff, and a launch booklet and video that featured unscripted testimonials from our own staff and physicians. The<br />
booklet and video were particularly important for achieving buy-in, since the use <strong>of</strong> familiar faces helped demonstrate<br />
the grassroots approach to developing the Mission, Vision and Values. The purpose <strong>of</strong> all these tactics was to make<br />
the new Mission, Vision and Values highly visible, using repetition to drive awareness and familiarity with the<br />
messaging.<br />
Throughout the entire development process, staff received regular progress updates from the president using his<br />
print and online newsletter. Even staff members who chose not to be involved directly in consultation sessions were<br />
able to follow the progress <strong>of</strong> the project from its inception to its launch.<br />
Implementation Challenges:<br />
Budget:<br />
No communication/marketing budget was initially allocated to this project, so Corporate Communications absorbed<br />
the cost <strong>of</strong> all materials related to the roll-out <strong>of</strong> the Mission, Vision and Values. Corporate Communications<br />
committed $15,000 toward the marketing, broken down as follows:<br />
Video $7,500<br />
Booklet (It’s a new day) $3,500<br />
Lapel buttons $950<br />
Wall tattoos $1,900<br />
Elevator posters/snap frames $1,100<br />
142<br />
Total: $14,950<br />
Several departments opted to have their own posters and wall tattoos printed after the launch, which was paid for<br />
from their own operating budget.
Timeframe:<br />
Management’s commitment to moving this strategy forward made such a complex undertaking possible in a relatively<br />
short period <strong>of</strong> time. The span <strong>of</strong> this project extended from the release <strong>of</strong> the first survey results in July 2008 until<br />
the most recent results in December 2010.<br />
Challenges:<br />
Succinctly defining a common mission, vision and values document that incorporated the feedback from hundreds <strong>of</strong><br />
internal and external stakeholders required a significant amount <strong>of</strong> organization.<br />
Simply scheduling visioning sessions to accommodate as many participants as possible in a 24/7 operation was a<br />
challenging feat as well. Still, interest in the process was high, and attendance at visioning sessions was impressive.<br />
And while it was challenging to distill all feedback into just five values, there was a great deal <strong>of</strong> consensus among<br />
stakeholders on those key values—integrity, compassion, accountability, respect and excellence.<br />
Budget was another challenge in terms <strong>of</strong> unveiling the Mission, Vision and Values. While we wanted maximum<br />
visibility and repetition, we were limited by what we could afford. No additional budget was allocated specifically for<br />
the communication portion <strong>of</strong> the project, so existing Corporate Communication resources and budget were<br />
leveraged. That involved looking for inexpensive ways to broadly share the new Mission, Vision and Values with<br />
stakeholders; in the end, that meant making extensive use <strong>of</strong> existing vehicles and being creative in terms <strong>of</strong> tactics<br />
that would be attention-getting, yet not costly. Vinyl-adhesive wall tattoos were one example <strong>of</strong> an inexpensive, yet<br />
highly visible and impactful communication tactic.<br />
Measurement/Evaluation:<br />
Though we always believed we would successfully meet our targets in the follow-up survey, the results were<br />
remarkable. NRC Picker, who administered the survey on our behalf, told us they had never seen such<br />
improvements in a healthcare setting. Across the board, our results showed incredible improvements, in many cases<br />
posting double-digit increases. Some <strong>of</strong> the key metrics related to our identified objectives included:<br />
• Clarity <strong>of</strong> Organization’s mission/goals improved from 69.4 to 88.4 per cent—nearly four points above the All-<br />
Hospital Average, representing a 27.4 per cent increase.<br />
• In all, our corporate employee commitment percentage jumped from 37.8 to 50.1 per cent—that’s a 32 per<br />
cent increase in just over two years.<br />
• Additionally, the percentage <strong>of</strong> employees very likely to leave within the year decreased from 10.6 to 5.2 per<br />
cent—a whopping 51 per cent improvement.<br />
• The percentage <strong>of</strong> employees who now feel well informed about corporate plans has climbed from 43.1 to<br />
57.9 per cent—a 34.3 per cent improvement, and more than double our target.<br />
• The percentage <strong>of</strong> employees who said people treated each other with respect in the workplace (a key<br />
value) improved from 65.9 to 70 per cent—a 6.2 per cent improvement.<br />
• One other metric <strong>of</strong> note that we believe reflects an overall change in the employee culture is the increase in<br />
staff and physician donations to our Foundation. Total staff and physician gifts in 2010 were $394,287, up<br />
135 per cent from the $167,812 donated in 2008.<br />
We will continue to monitor these indicators in future surveys, to be conducted every two years, and are still working<br />
on improving results further. While we are thrilled with such unprecedented improvements, The Scarborough<br />
Hospital remains slightly below the All-Hospital Average (AHA) in most categories. We have closed the gap<br />
considerably, and are now seeking opportunities to meet and exceed that AHA threshold.<br />
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Entrant’s<br />
Name:<br />
Nadine Jahangir<br />
Organization: RBC Dexia Investor Services<br />
Title <strong>of</strong> Entry:<br />
Division 1:<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Employee, Member or HR Communication<br />
AWARD OF MERIT<br />
Preparing employees for the G20 Summit security crisis<br />
Communication Management / Category 8: Employee, Member and HR<br />
Communication<br />
Time Period: February 2010 - June 2010<br />
Brief<br />
Description:<br />
<strong>Business</strong> Need/Opportunity<br />
RBC Dexia prepared employees to maintain their safety and the continuity <strong>of</strong> our<br />
business during the G20 Summit security crisis.<br />
RBC Dexia’s <strong>Toronto</strong> <strong>of</strong>fice consists <strong>of</strong> more than 2,200 employees who provide institutional investor<br />
services globally. Our Corporate & Employee Communications team builds client and employee<br />
engagement through effective communication and works to improve communications across RBC Dexia.<br />
The G20 Summit was held at Metro <strong>Toronto</strong> Convention Centre (MTCC) from June 26-27, 2010. Police<br />
set up security perimeters downtown, including an inner security gate, or the “red zone,” which was in<br />
place from June 23-28 around the MTCC and nearby buildings. Our <strong>of</strong>fice was enclosed in the “red zone,”<br />
presenting us with a challenge unique from other companies in downtown <strong>Toronto</strong>. The gate had policecontrolled<br />
entry points that restricted clients and couriers from accessing our building and left employees<br />
with limited or no access to the <strong>of</strong>fice. This impacted some <strong>of</strong> our daily processing, such as time sensitive<br />
deliveries for clients and regulators. Given this, we needed to determine how to redirect work to other<br />
<strong>of</strong>fices and keep employees safe if riots occurred.<br />
To maintain client service and employee safety, RBC Dexia invoked its business continuity plan (BCP)<br />
from June 23-28. This was the first time we had invoked a contingency plan and especially one <strong>of</strong> this<br />
scope and magnitude. Employees did not know how to prepare for BCP, business processes needed to<br />
be fine-tuned and we needed to determine how to disperse employees between back-up locations. RBC<br />
Dexia’s performance, client service and reputation depended on our successful preparation for BCP.<br />
Our communications team needed to equip employees to prepare for the BCP period, reinforce our<br />
commitment to maintaining employee safety and assure clients <strong>of</strong> continued service during this time. We<br />
worked with our Managing Director (MD) and Canadian Management Committee (CMC) to develop an<br />
employee communications plan.<br />
Research/analysis<br />
To start, we established an infrastructure for crisis and communication management and conducted<br />
research to understand the facts and impacts. This involved:<br />
144
• Creating a steering committee: In the media, police changed security details daily and we received<br />
conflicting reports on what to expect once the perimeter was set up. Internal system access and<br />
logistical information were also revised daily. This challenged us to stay informed and collaborate<br />
across the company.<br />
Led by our MD, we created a steering committee <strong>of</strong> business leaders from all areas <strong>of</strong> the organization<br />
to address this. We met twice a week for four months before the Summit and multiple times a week in<br />
the weeks before the event.<br />
• Establishing a communications council: To stay updated on employees’ inquiries, we established<br />
and co-led a communication council with HR, which reported to the steering committee and was<br />
comprised <strong>of</strong> representatives from HR, Risk Management, IT, BCP Coordinators and direct reports <strong>of</strong><br />
steering committee members. We met twice a week for four months prior to the Summit and once a<br />
week in the weeks before the event. Members provided subject matter expertise on IT systems, risk<br />
management and human resources policies and BCP processes, supplying key messages for our<br />
communications efforts. The council enabled us to escalate, investigate and address employee<br />
concerns through proactive communications.<br />
Through these channels, we learned that employees and managers did not know how to prepare for<br />
BCP; were not aware <strong>of</strong> or did not understand our contingency plans; and feared for their safety at work.<br />
Entrant’s roles<br />
As Manager, Employee Communications, I advised the steering committee and communications council<br />
and developed and executed the communications plan. Brigette Kocijancic was Director, Corporate &<br />
Employee Communications, and oversaw the project, advised the steering committee, led the<br />
communications council and guided and advised on the plan and tactics.<br />
Intended Audiences<br />
Audience Key characteristics<br />
2,200 <strong>Toronto</strong> employees Unfamiliar with our BCP and how to prepare; sceptical <strong>of</strong> how work would continue.<br />
300 <strong>Toronto</strong> managers Had to communicate to direct reports and functional managers in <strong>Toronto</strong> and other<br />
countries.<br />
Global business heads Needed to know on an FYI basis that the <strong>Toronto</strong> <strong>of</strong>fice would be in BCP mode.<br />
Employees globally Needed to know on an FYI basis that the <strong>Toronto</strong> <strong>of</strong>fice would be in BCP mode.<br />
Goals/Objectives<br />
RBC Dexia’s goal was to be well prepared to manage the business with minimal client service disruptions<br />
and maintain employee safety during the BCP period. We planned to achieve this goal through the<br />
following objectives:<br />
1. Ensure employees understood and were aware <strong>of</strong> what they needed to do during the BCP period.<br />
2. Equip managers to help employees prepare for BCP through consistent and reliable information.<br />
3. Enable two-way dialogue with employees and be a principal resource to help them prepare for<br />
BCP.<br />
4. Reinforce RBC Dexia’s commitment to maintaining employee safety through consistent messages.<br />
145
Solution Overview<br />
We leveraged proactive email, online and face-to-face communications. Planning began in February 2010<br />
and we ran the campaign from April 2010 to July 2010. To meet our goal and objectives, we implemented<br />
these tactics:<br />
Tactic Timing<br />
G20 intranet page<br />
We launched this site, which was updated daily, to give <strong>Toronto</strong> employees a central page with<br />
G20 updates, BCP contacts and resources. An intranet homepage ad tile gave easy access to<br />
the page.<br />
Proactive emails<br />
Proactive email was our primary channel to reach <strong>Toronto</strong> employees. Manager emails<br />
advised on required actions and key messages. We sent three FYI update emails to global<br />
business heads.<br />
Intranet news updates<br />
When proactive emails were sent, we posted them on intranet homepage for employees in<br />
“What’s new” section for visibility. We occasionally posted FYI updates for employees globally.<br />
FAQs<br />
We launched various FAQs to address <strong>Toronto</strong> employee questions that were escalated<br />
through the council. These FAQs were launched through proactive emails and posted on the<br />
intranet under “What’s new” and the G20 intranet page. The FAQs served as “living”<br />
documents that were updated regularly as information changed or as additional questions were<br />
raised.<br />
Executive-hosted G20 information sessions<br />
We worked with our Events team to organize floor-by-floor, face-to-face information sessions<br />
hosted by our Canadian Management Committee members for <strong>Toronto</strong> employees. They<br />
heard updates on BCP planning and had a chance to ask questions. We used proactive email<br />
to inform employees about the sessions, all were well attended with standing room only.<br />
Technology guides for employees<br />
To ensure <strong>Toronto</strong> employees took necessary actions to prepare their systems, check their<br />
VPN accessibility and ensure technologies were up to date, we worked with IT to develop<br />
technology guides. These were launched via email and were posted on the G20 intranet page.<br />
Canada town hall meeting<br />
We leveraged our local employee town hall event, hosted by our MD, and held a special G20focused<br />
session for <strong>Toronto</strong> employees. The event, which normally provides a business<br />
146<br />
Launched April.<br />
Updated daily<br />
from April-June.<br />
Launched April &<br />
continued<br />
regularly as info<br />
changed.<br />
Launched April &<br />
continued<br />
regularly as info<br />
changed.<br />
Launched April &<br />
continued<br />
regularly as info<br />
changed.<br />
Seven sessions<br />
held from June 3-<br />
4.<br />
May-June<br />
End <strong>of</strong> May.
update, was instead devoted to discussing our BCP planning and preparation.<br />
Employee hotline<br />
We created a <strong>Toronto</strong> employee phone hotline, which was co-managed with RBC, where<br />
employees could call in to receive regular G20 updates. Our employees received their own<br />
number and recording message that updated them on our G20 situation daily.<br />
BCP wallet cards<br />
We provided <strong>Toronto</strong> employees with a BCP wallet card containing an employee hotline<br />
number, where to direct media inquiries and a checklist <strong>of</strong> required BCP actions.<br />
Voicemail and email scripts for employees<br />
To address <strong>Toronto</strong> employee inquiries, we issued voicemail and email out-<strong>of</strong>-<strong>of</strong>fice scripts.<br />
These were launched through a proactive email and were later made available on the G20<br />
intranet page.<br />
Employee Communications mailbox<br />
We leveraged our existing Employee Communications mailbox to provide <strong>Toronto</strong> employees<br />
with a channel to send questions, raise concerns or make comments.<br />
Manager conference calls<br />
To keep <strong>Toronto</strong> managers informed <strong>of</strong> actions required, understand core key messages and<br />
provide information they needed to answer employee questions, we set up two manager<br />
conference calls, hosted by our MD. We provided him with key messages and FAQs.<br />
Regular steering committee meetings<br />
Hosted by Risk Management and Communications, we instated regular steering committee<br />
and communications council meetings to stay updated on BCP planning, escalate inquiries or<br />
concerns and determine next steps to communicate with employees/managers.<br />
Global employee information session<br />
Our team leveraged our existing global employee information session to inform employees<br />
globally on our BCP planning and preparation. Our CEO addressed the plans, how we would<br />
maintain client service and reinforced our commitment to maintaining employee safety.<br />
Implementation and challenges<br />
147<br />
Activated &<br />
launched June<br />
16, updated twice<br />
daily June 23-28.<br />
Distributed June.<br />
Launched June.<br />
Ongoing from<br />
April-June.<br />
Two calls held<br />
May-June.<br />
Twice a week<br />
from Feb-May.<br />
Multiple times per<br />
week from May to<br />
June.<br />
Held in May.<br />
• No budget was allotted for this project. We leveraged existing internal channels, vehicles and<br />
resources to execute our plan. There were 10 full-time resources dedicated to the project and 25 more<br />
that provided support. We spent about 9,500 hours over six months to develop and execute the<br />
campaign.<br />
• Difficult to ensure managers communicated consistent key messages with employees. Executivehosted<br />
G20 information sessions helped us avoid mixed messages by providing consistent information.
• Security perimeter details, types <strong>of</strong> access the police would permit and potential threat <strong>of</strong> protesters<br />
changed constantly, <strong>of</strong>ten multiple times a day. Authorities only released security details the day before<br />
the event. Regular, frequent committee and council meetings helped overcome this and kept us<br />
informed throughout the planning process so we could communicate effectively.<br />
• Technology constraints limited our ability to disperse employees between back-up locations. Our VPN<br />
server could not support all employees so we asked non-critical employees to work from home without<br />
VPN access. Through our council, we learned that employees were sceptical <strong>of</strong> what they could<br />
accomplish without VPN. To address this, we sent an update to employees with tips <strong>of</strong> work-from-home<br />
projects that was well received.<br />
Measurement/evaluation<br />
Communication efforts helped RBC Dexia reach its goal and we managed the business with no client<br />
service disruptions. After the campaign, we conducted an employee survey to understand our<br />
effectiveness in achieving our objectives. Online statistics, anecdotal feedback and attendance and<br />
engagement at face-to-face sessions also measured the campaign’s success. Results were<br />
communicated to the steering committee and communications council during a feedback meeting to help<br />
improve processes for the future. We met our communications objectives with no hard costs to RBC<br />
Dexia and with the following results:<br />
Objective 1: Ensure employees understand and are aware <strong>of</strong> what they need to do during the BCP<br />
period.<br />
• In the survey, employees rated communications favourably, 8.4 out <strong>of</strong> 10, in helping them know what to<br />
do and how to prepare for RBC Dexia’s contingency plans. They also indicated that Employee<br />
Communications updates they received were their primary source <strong>of</strong> G20 information.<br />
• The G20 intranet page was viewed more than 11,000 times by our 2,200 <strong>Toronto</strong> employees.<br />
• Employees at the <strong>of</strong>fice during the Summit needed to evacuate due to protestors. They evacuated<br />
without issues within an hour. In a management call after the evacuation, leaders comments that<br />
employees knew what to do and had no problems evacuating.<br />
• Examples <strong>of</strong> some anecdotal feedback employees provided through the survey include:<br />
• “Prior Preparation and Planning Prevents Poor Performance. This is a good example <strong>of</strong> good<br />
planning.”<br />
• “RBC Dexia did a great job in preparing employees and clients for this unique event. I'm certain our<br />
early start and response, from a planning and communication perspective, contributed to our<br />
successful outcome in managing this business disruption.”<br />
• “Very well informed before and during the G20.”<br />
Objective 2: Equip managers to help employees prepare for BCP through consistent and reliable<br />
information.<br />
• In the survey, employees indicated they relied on their managers as a resource for G20 information.<br />
• Examples <strong>of</strong> some anecdotal feedback employees provided through the survey include:<br />
• “I liked the idea <strong>of</strong> upper management taking the time to communicate to staff and clarifying the<br />
information received from our managers. We felt much better knowing that we will be compensated<br />
for out <strong>of</strong> pocket expenses and our safety was high on the managers list.”<br />
• We also received general feedback from senior leaders, such as:<br />
• Derek Hutchison, Head, Marketing & Communications, RBC Dexia: “You and your team have done<br />
an outstanding job on the communications planning and execution.”<br />
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Objective 3: Enable two-way dialogue with employees and be a principal resource to help them<br />
prepare for BCP.<br />
• Attendance at the seven executive-hosted information sessions was at maximum capacity with<br />
standing room only. Roughly 1,050 employees attended the sessions over two days with good<br />
engagement determined by the quality and quantity <strong>of</strong> questions and concerns raised that resulted<br />
in most sessions going over time. Executive hosts reported at a steering committee meeting that<br />
they received positive feedback during the sessions and that the events had significant impact on<br />
employees. To date, these sessions were the most well-received and successful tactic conducted<br />
with any internal communication program at RBC Dexia. These were truly two-way, face-to-face,<br />
intimate events where employees could speak directly with executives.<br />
• The town hall, which was hosted by our MD, was the most well-attended town hall session to date.<br />
• Employees used our Employee Communications email box to provide comments and feedback.<br />
Below are a few <strong>of</strong> the comments we received:<br />
• Jo’Anna Calleja Gera, Project Manager, RCT (RBC employee receiving our<br />
communications):“The updates from Dexia are astounding. I am an RBC employee. I have to say<br />
that I really appreciate the quality <strong>of</strong> information coming from your team. This was a very good<br />
source <strong>of</strong> information for me as I am in the light red zone and was also sharing it with my peers<br />
here at RBC. It’s all good. My comments to my peers about the G20 communication is nothing<br />
short <strong>of</strong> impressive. So thank you, and keep it coming.”<br />
• Bambi Alvia, Senior Analyst, RBC Dexia: “... just a quick note to let you know how much I<br />
appreciate this email. This has to be one <strong>of</strong> the best communication pieces that I've received.”<br />
(We received this comment as a direct reply to the proactive email we issued on tips for working<br />
from home without VPN access.)<br />
Objective 4: Reinforce RBC Dexia’s commitment to maintaining employee safety through<br />
consistent messages.<br />
• Anecdotal feedback from the survey indicated that employees felt employee safety was RBC Dexia’s<br />
top priority. Some examples <strong>of</strong> this feedback includes:<br />
• “Overall I felt that employee safety was the number one concern.”<br />
• “Kudos all round for a situation well handled. Our employees' safety came first and that was<br />
appreciated!”<br />
• “At first I thought having 4 days away from the <strong>of</strong>fice was a bit much but after seeing the Fencing and<br />
Police presence on Mon and Tues leading up to the Summit I am very thankful that we were<br />
requested not to come into the <strong>of</strong>fice during those days. Thank you for caring for your employee's<br />
safety.”<br />
• “Great job overall. This was taken seriously as it was a serious event with employee safety at the<br />
utmost concern! Well done.”<br />
• “Hats <strong>of</strong>f to RBC Dexia. People were nervous after the RBC bombing in Ottawa. I was extremely<br />
grateful that RBC Dexia allowed employees time away from the <strong>of</strong>fice so that we would not have to<br />
sit at our desks, wondering if our building was going to be their next target. Thanks for looking out<br />
for us.”<br />
• “It was very well organized and even though I worked in RBC Centre during the G20, I felt safe and<br />
our clients’ daily business flows were not interrupted and we were able to keep up the same level <strong>of</strong><br />
service.”<br />
• “The concern RBC Dexia portrayed in regards to staff's safety was exceptional. There was a lot <strong>of</strong><br />
fear as to "what happens if ... " and I think those fears were dispelled with the various and<br />
continuous communications we received.”<br />
Our MD was so pleased with the campaign that he held a G20 “survival” celebration for the project team<br />
and all parties involved in the planning. The campaign we developed for the G20 period is now used as a<br />
best practice in managing other campaigns across the company.<br />
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Entrant‘s Name:<br />
Organization Name:<br />
Title <strong>of</strong> Entry:<br />
Category 1:<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Employee, Member or HR Communication<br />
AWARD OF MERIT<br />
Patricia Burton<br />
<strong>Toronto</strong> Star<br />
Moving to bi-weekly pay<br />
Communication Management / Category 8: Employee, Member or<br />
HR Communication<br />
Time Period: October to December 2008<br />
Brief Description: We introduced this internal communications program to prepare<br />
employees at the <strong>Toronto</strong> Star for a move from a weekly pay<br />
schedule to a bi-weekly pay period (paid every two weeks). There<br />
was a need, from both a legally binding labour law perspective and<br />
from an organizational effectiveness viewpoint, to communicate to<br />
staff the change from weekly to bi-weekly pay.<br />
<strong>Business</strong> Need/Opportunity<br />
The <strong>Toronto</strong> Star is a largely unionized organization with diverse employee groups, working in a<br />
variety <strong>of</strong> knowledge-based and production roles. Five separate unions make up the workforce,<br />
representing journalists, advertising sales staff, pre-press operators, production and press<br />
workers. The company has two primary locations – One Yonge Street (head <strong>of</strong>fice) and the<br />
Press Centre in Vaughan (production).<br />
In recent years, the organization has embarked on a variety <strong>of</strong> cost-cutting measures resulting<br />
from economic pressures affecting the publishing industry as a whole. As part <strong>of</strong> those ongoing<br />
transformational changes, the company and its unions agreed in early 2008 to move to a biweekly<br />
pay schedule as one <strong>of</strong> many initiatives to reduce costs across the organization. The<br />
Finance department decided that it would be best, from a logistical point <strong>of</strong> view, to implement<br />
the changeover with the first pay period <strong>of</strong> 2009. The timing meant the internal communications<br />
program would roll out beginning in October 2008 and continuing through to the end <strong>of</strong> that year.<br />
To usher in the change to bi-weekly pay, the <strong>Toronto</strong> Star HR department needed to create a<br />
campaign to not only inform about a program expected to be greeted with some push-back, but<br />
also to use appropriate messaging to reach employees spanning a variety <strong>of</strong> diverse roles. It<br />
was equally important to resonate with press workers at the production centre in Vaughan, as it<br />
was to reach journalists working at One Yonge Street.<br />
We were concerned that, if not properly communicated, the move would contribute to a growing<br />
150
climate <strong>of</strong> disengagement, as cost-cutting measures across the organization were pervasive.<br />
Clearly, we needed to execute a campaign that would help to achieve buy-in, mitigate concerns<br />
from employees, contain costs and avoid possible delays in rolling out the changeover. In<br />
addition, the creative approach needed to speak to all employees, unionized and otherwise,<br />
working at all levels within the organization, since the move to bi-weekly pay affected all staff.<br />
Entrants’ Role in the Project<br />
As the Senior Communications Advisor within the HR department, Patricia Burton’s role was to<br />
work in collaboration with the Finance (Ed Cockburn) and Labour Relations (Myfanwy Marshall)<br />
departments, to lead, design, write and execute a multi-platform communications campaign for<br />
the move to bi-weekly pay. In addition to managing the campaign, Patricia was responsible for<br />
writing, photography and layout for collateral materials used in the campaign. She met with<br />
Director <strong>of</strong> HR (Iain McMeekin) and VP, HR (Brian Daly) to gain feedback and buy-in throughout<br />
the process.<br />
Audience Description Expected Point <strong>of</strong><br />
View/Barriers<br />
Primary<br />
Audience:<br />
Unionized<br />
employees<br />
Secondary<br />
Audience:<br />
Management<br />
salaried<br />
employees<br />
• More than 70 per<br />
cent <strong>of</strong> staff<br />
members are<br />
unionized,<br />
represented by five<br />
separate unions.<br />
• Unionized<br />
employees work in a<br />
wide variety roles,<br />
ranging from<br />
journalists to<br />
production workers.<br />
• Opinionated and<br />
quick to show<br />
dissatisfaction.<br />
• Resistant to change.<br />
• Management<br />
employees make up<br />
30 per cent <strong>of</strong> staff<br />
structure.<br />
• Includes a 70/30<br />
mix <strong>of</strong> those with<br />
direct reports, and<br />
those without.<br />
• Weary <strong>of</strong> costcutting<br />
initiatives<br />
and concerned<br />
about impact on<br />
• Less than accepting<br />
<strong>of</strong> the move to biweekly<br />
pay.<br />
• Focused on<br />
personal financial<br />
implications <strong>of</strong> the<br />
change.<br />
• Production workers<br />
do not have access<br />
to personal<br />
workstation<br />
computers.<br />
• Accepting <strong>of</strong> the<br />
move to bi-weekly<br />
pay --<br />
understanding <strong>of</strong><br />
need to reduce<br />
costs and improve<br />
efficiencies.<br />
• Focused on<br />
personal financial<br />
implications <strong>of</strong> the<br />
change.<br />
• Somewhat intolerant<br />
151<br />
Desired Outcome<br />
a) Mitigate<br />
disengagement<br />
and increase<br />
understanding<br />
amongst<br />
employees;<br />
b) Reduce the<br />
negative<br />
financial impact<br />
resulting from<br />
delays and hours<br />
spent addressing<br />
questions and<br />
diffusing<br />
negative<br />
sentiment.<br />
• Become<br />
ambassadors <strong>of</strong><br />
the need for the<br />
move to biweekly<br />
pay in an<br />
effort to stymie<br />
disengagement<br />
and reduce<br />
costs.
Objective/goals<br />
staff engagement.<br />
<strong>of</strong> “griping” from<br />
unionized staff on<br />
this issue since<br />
union leadership<br />
agreed to it during<br />
bargaining.<br />
Objective: Inform and prepare employees for the move to bi-weekly pay<br />
Goals:<br />
1) Reduce delays and time spent by front-line Payroll staff in answering questions from<br />
employees to no more than one call/email per day between October and December<br />
2008.<br />
2) Reduce number <strong>of</strong> calls and emails from employees to Labour Relations and HR to no<br />
more than one per day between October and December 2008.<br />
3) Avoid potential costs associated with inadequately preparing employees for the change,<br />
including formal union grievances that could arise. Time period: January to June 2009.<br />
Solution Overview<br />
With the focus on achieving the objective and goals as set out above, a variety <strong>of</strong><br />
communication vehicles were use to parlay the messages to our target audiences. We had<br />
gleaned anecdotal information about the expected point <strong>of</strong> view <strong>of</strong> our audiences – unionized<br />
employees and management staff – which helped us to plan our communications, as well as<br />
prepare us for an “on the fly” adjustment in our approach. Based on specific feedback from<br />
employees following the first communiqué, we sensed that a shift in our approach was<br />
necessary.<br />
HR Update<br />
The first piece in our communications program was a vehicle entitled HR Update, which has<br />
traditionally served as an established periodic communiqué devoted to HR-related issues.<br />
Distribution is via desktop drop and bulletin board posting. In this version <strong>of</strong> HR Update, we<br />
outlined the five Ws (what, when, why, who and where) related to the move to bi-weekly pay.<br />
People-managers email messaging:<br />
We sent the HR Update piece in advance, via email, to all people managers. The body <strong>of</strong> the<br />
email included a message from the Publisher asking for their support in the move to bi-weekly<br />
pay and imploring them to act as ambassadors for the change.<br />
All-staff email blast: Additionally, all staff members with workplace email accounts (non-<br />
Production workers) received HR Update in an e-newsletter format.<br />
StarWeb Intranet site: The Intranet was used as an additional communications channel for HR<br />
Update.<br />
Informal upward feedback channels: With the Directors <strong>of</strong> Finance and HR and the Payroll<br />
152
Manager serving as employee-sensing channels (management by walking around) we were<br />
able to gain intelligence and feedback following our initial communications efforts through the<br />
HR Update vehicles.<br />
Following the deployment <strong>of</strong> HR Update, news <strong>of</strong> “grumbling” from employees began to filter<br />
back. Primarily, two complaints were gathering speed:<br />
• First, the sentiment that the company had chosen a hurtful time <strong>of</strong> year to implement the<br />
change to bi-weekly pay – the first pay period <strong>of</strong> January, when employees would be<br />
faced with bills after the Christmas holidays. Staff questioned “why then?”<br />
• Second, it was evident that employees needed further clarification on the business<br />
reason(s) behind the move to bi-weekly pay, regardless <strong>of</strong> the unions agreeing to the<br />
change during labour negotiations.<br />
Poster Campaign<br />
Tact and diplomacy was needed in addressing concerns in order to mitigate further<br />
disengagement among staff. Accordingly, we came up with a creative approach for a poster<br />
campaign featuring our Payroll Manager, Carlos Ferreira, who is widely known and highly<br />
regarded at the Star. Adding to the appeal, Carlos was in the spotlight during this period as he<br />
was preparing to retire after 40 years <strong>of</strong> service. Putting a friendly face on the move to bi-weekly<br />
pay by featuring our well-known and personable Payroll Manager Carlos was an effective<br />
means to deliver our message and address the concerns <strong>of</strong> employees. Positioned in high-traffic<br />
areas at our One Yonge Street and Vaughan locations and on video display terminals at the<br />
Press Centre, the Carlos campaign made an impact.<br />
Employee newspaper: We reworked the posters campaign as full-page house ads on the<br />
outside back cover <strong>of</strong> our bi-monthly employee newspaper StarBeat.<br />
Implementation and Challenges<br />
Timeline: Our timeline was very tight, having created and rolled out the campaign within two<br />
months.<br />
Budget: The budget for this campaign was $1,000. An opportunity was realized to utilize our inhouse<br />
creative talent and delivery methods to roll out the entire campaign, which meant out-<strong>of</strong>pocket<br />
expenses were kept to a minimum, with just $470 spent on printed materials.<br />
Challenges: It was clear, we needed to approach the “why is the company doing this?” question<br />
with considerable tact. The savings the company was set to recoup from the move to bi-weekly<br />
were modest, at least in the short term. It was decided that the approximate $10,000 saved<br />
annually from the change was not significant enough to highlight in our communications<br />
campaign. After considerable deliberation, we decided upon a key message for the second<br />
poster: “Moving to bi-weekly payroll will streamline operations and processes, reducing the<br />
company’s administration costs.” We felt this explanation was honest, believable and<br />
transparent.<br />
On the question <strong>of</strong> why the change must take place with the first pay period <strong>of</strong> the year, we<br />
sought to avoid drawing attention to the fact that changing over at any other time <strong>of</strong> year would<br />
153
increase the risk <strong>of</strong> errors.<br />
It was critical that we did not draw into question the integrity <strong>of</strong> the payroll preparation process.<br />
Accordingly, we developed the following key message: “Our payroll system is very complex.<br />
Making the move to bi-weekly with the first pay period <strong>of</strong> 2009 simplifies the changeover.” The<br />
message was simple, clear and likely to resonate with our “journalistically skeptical” audience.<br />
Measurement/Evaluation<br />
The program was an outright success, serving to achieve our overall objective to inform and<br />
prepare employees for the move to bi-weekly pay, and delivering measurable results against our<br />
goals, which were:<br />
1. Reduce delays and time spent by front-line Payroll staff to no more than one call/email<br />
per day – October to December 2008.<br />
2. Reduce number <strong>of</strong> calls and emails from employees to Labour Relations and HR to no<br />
more than one per day between October and December 2008.<br />
3. Avoid potential costs associated with inadequately preparing employees for the change<br />
– such as formal union grievances that could arise. Period: January to June 2009.<br />
In addition, by equating “hours saved” by Payroll, HR/Labour Relations staff and managers in<br />
dealing with employee concerns and questions about the changeover, had we not done the<br />
communications, we were also able to attribute a dollar-value to the campaign, as shown below<br />
in the results section.<br />
Finally, people managers were asked to keep an "ear out" for feedback following the change in<br />
an effort to determine if the move to bi-weekly pay had affected employee engagement.<br />
Results:<br />
1. Following our poster campaign, there was a dramatic drop in questions coming into the<br />
Payroll and Finance departments. No inquiries were received during the month <strong>of</strong><br />
December. Prior, through October and November, the Payroll department received<br />
approximately one inquiry per day. We estimate that without the campaign, the Payroll<br />
department would have been distracted with inquiries from September, right on through<br />
to the middle <strong>of</strong> January 2009. If we assume that the Payroll manager would be dealing<br />
with just one caller per day, requiring 15 minutes <strong>of</strong> time over 85 working days we’re<br />
looking at a savings <strong>of</strong> $1,065.50 dollar in hours spent* in his time alone.<br />
2. Throughout the measurement period, as specified in Goal #2 above, no inquiries were<br />
received by the HR and Labour Relations department. Without the communications,<br />
we can assume that the issue would have generated inquiries to Labour Relations and<br />
the HR Service Centre, likely at a rate <strong>of</strong> about two calls per week during the same<br />
period. Working on a similar formula <strong>of</strong> cost per hour <strong>of</strong> staff time, for two staff<br />
members, over 38 days, we could add another $950.*<br />
3. No grievances were lodged through Labour Relations as a result <strong>of</strong> the move to biweekly<br />
pay – either during the defined measure period (Jan. to June 2009), or<br />
afterwards. The costs associated with dealing with a grievance can run into many<br />
thousands <strong>of</strong> dollars.<br />
Additionally, we can assume further savings <strong>of</strong> $2,500* related to time spent by management in<br />
dealing with employee concerns, and $7,630** in potential lost time as a result <strong>of</strong> disengaged<br />
staff, had we not done the communications. The estimated total value <strong>of</strong> our communications<br />
154
program, calculated in terms <strong>of</strong> savings, is therefore $12,145.50.<br />
Anecdotal information received from people managers following the move to bi-weekly pay<br />
revealed that the majority <strong>of</strong> employees were neutral about the change, providing evidence <strong>of</strong><br />
minimal impact on employee engagement.<br />
* The calculation for hourly rate is based on a cost per hour <strong>of</strong> $50 for the Payroll, HR and<br />
management staff based on average annual salary and benefits, assuming 200 management<br />
staff, approximately half <strong>of</strong> our total number, devoting 15 minutes <strong>of</strong> time to just one question.<br />
** The calculation for hourly rate is based on a cost per hour $40 per hour for employees<br />
including salary and benefits, assuming 15 minutes in lost productivity over 100 working days if<br />
just half <strong>of</strong> the workforce were somewhat disengaged as a result <strong>of</strong> the move to bi-weekly.<br />
155
OVATION Awards Winning Entry<br />
Communication Management<br />
Brand Communication<br />
AWARD OF MERIT<br />
Entrant’s Names: Andrew Pelletier; Susan Schutta; Alex Roberton; Felicia Fefer: Walmart Canada<br />
Corp. Linda Andross; Stephanie Engel; Heather Hopkins; Lauren Baswick; Zoey<br />
Fiksel: APEX Public Relations Inc. Amély Tremblay; Nathalie Provost: Morin<br />
Relations Publiques<br />
Organization: Walmart Canada Corp. and APEX Public Relations Inc.<br />
Title <strong>of</strong> Entry: Re-Introducing George<br />
Division 1: Communication Management / Category 10: Brand Communications<br />
Time Period: July – December 2010<br />
Brief Description: To help reintroduce Walmart’s George clothing line to the Canadian marketplace,<br />
APEX worked with Walmart to reposition and elevate the brand with media and<br />
consumers via an upscale preview and supporting <strong>Toronto</strong> <strong>International</strong> Film<br />
Festival sponsorship opportunities.<br />
BUSINESS NEED/OPPORTUNITY<br />
Walmart Canada is Canada’s number one department store, serving more than one million customers<br />
every day. Although known as a price leader, the retailer has struggled to find an apparel <strong>of</strong>fer that<br />
appealed to its customers. While Walmart Canada sits in the number-two-spot in apparel – behind Sears<br />
Canada – its standing in this category was largely due to strong sales in basics (e.g. socks and<br />
underwear), not the clothing category as a whole. Through its proprietary Brand Health Monitor research<br />
from June 2008, Walmart knew that while its apparel <strong>of</strong>ferings were competitive on price, they lagged<br />
behind the competition on other preceptors such as style and quality. To grow market share, Walmart<br />
decided to retire 19 private-label brands and undertake a multi-million dollar expansion <strong>of</strong> its George<br />
brand, targeting late August 2010 for the relaunch. Billed as “one <strong>of</strong> the biggest expansions <strong>of</strong> an apparel<br />
brand in Canadian history,” Walmart retro-fitted 319 stores across the county to give customers a better<br />
shopping experience as it rolled out the newly-consolidated George line. The expansion plans also<br />
included store overhauls, hiring <strong>of</strong> additional associates, and bringing the George fashion design team inhouse.<br />
Given the significant investment, and because the George line had already been launched twice<br />
before - once with a large-scale flashy event - based on a competitive pitch, Walmart selected APEX and<br />
by extension its Quebec partner Morin Public Relations, to help relaunch George apparel, and to ensure<br />
this time the brand resonated with fashion and consumer lifestyle media, as well as other influencers.<br />
How then to build confidence in the reinvigorated George line, secure media and influencer buy-in, and<br />
ultimately increase apparel sales by Walmart’s existing customer base? After careful consideration and<br />
research, APEX recommended that the best course <strong>of</strong> action was to refresh the brand and introduce it to<br />
media in a way they would expect and understand. Generally, well-known, comparable fashion lines<br />
such as Gap, Joe Fresh and H&M – all <strong>of</strong> which Walmart had identified as key competitors – hold<br />
seasonal media previews to showcase their newest <strong>of</strong>ferings. To properly relaunch George, APEX<br />
recommended Walmart show the competition - and media - that they mean business this time, and hold a<br />
proper fall preview in a high-end setting. The one-day preview would allow for a seeing-is-believing<br />
approach, and enable media to experience the brand’s new direction. For the purposes <strong>of</strong> Quebec, Morin<br />
156
suggested a smaller, more intimate event be held over the cocktail hour for Montreal media and bloggers.<br />
The Montreal event was scheduled the day after <strong>Toronto</strong>’s to allow time for the samples and displays to<br />
be shipped and repurposed. Development <strong>of</strong> an e-look book, featuring the George collections, was<br />
recommended as a means <strong>of</strong> showcasing the line to media outside <strong>of</strong> <strong>Toronto</strong> and Montreal.<br />
As a means <strong>of</strong> further elevating the brand, Walmart and APEX decided to pursue a sponsorship<br />
opportunity for George with the prestigious <strong>Toronto</strong> <strong>International</strong> Film Festival (TIFF). In an effort to<br />
speak directly to consumers, the TIFF participation was leveraged into a promotional and contesting<br />
opportunity with Erica Ehm’s online website, YummyMummyClub.ca, which was identified as having<br />
significant influence over the mom-focused target audience.<br />
This approach was successful and helped Walmart to reestablish and reintroduce the George line,<br />
generate significant media coverage and consumer engagement, and drive sales.<br />
INTENDED AUDIENCE<br />
Primary Audiences:<br />
• Tier one and two national, <strong>Toronto</strong> and Montreal-based fashion and consumer/lifestyle journalists<br />
o Editors, reporters and freelance writers from consumer magazines, daily newspapers,<br />
television shows and online outlets (both websites and blogs)<br />
o Main conduit between Walmart and its customers; important they accept Walmart’s<br />
refresh <strong>of</strong> the George line and report on it favourably<br />
• Retail/<strong>Business</strong> media at key national print outlets<br />
o Their reporting on the story would give credence to Walmart’s apparel expansion and<br />
help support the George repositioning<br />
• Canadian female consumers who shop regularly at Walmart<br />
o Loyal audience – already purchasing for their home and family at Walmart<br />
o Proprietary Walmart research showed this audience was largely brand aspirational, that<br />
is concerned about image and wanting to have the best/most popular brands and looks,<br />
but not necessarily able to afford them<br />
o Aged 25-55 with children<br />
o Live mainly in suburban and rural areas in close proximity to a Walmart store<br />
o Regular readers <strong>of</strong> lifestyle publications and websites, as well as mommy blogs<br />
Secondary Audience:<br />
• Stylists across Canada with a focus on those based in <strong>Toronto</strong> and Montreal<br />
o Select clothes for use in media purposes, such as photo shoots, and dress models and<br />
celebrities for television and other appearances<br />
GOALS/OBJECTIVES<br />
• Increase sales <strong>of</strong> George by 25 per cent from the year prior by December 31, 2010 and increase<br />
awareness <strong>of</strong> the brand by 10 per cent between August 31 and December 31, 2010<br />
• Generate an overall Media Relations Rating Points (MRP) quality score <strong>of</strong> at least 75 per cent and a<br />
cost per contact <strong>of</strong> $0.03 or less from August 31 to December 31, 2010<br />
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• Secure a total <strong>of</strong> 30 key fashion media and influencers to attend the George Fall Previews in <strong>Toronto</strong><br />
and Montreal<br />
• Generate 5,000 entries to the YummyMummyClub.ca contest between September 21 and October<br />
17, 2010<br />
• Secure a minimum <strong>of</strong> three stories around the George expansion in the retail/business section <strong>of</strong> toptier<br />
media outlets within two weeks <strong>of</strong> the August 31, 2010 launch, featuring interviews with the SVPs<br />
<strong>of</strong> apparel for English Canada and Eastern/French Canada<br />
SOLUTION OVERVIEW<br />
Research<br />
To better understand Canadian media’s perceptions <strong>of</strong> George and what would encourage them to cover<br />
the brand, APEX conducted a media audit <strong>of</strong> key fashion and lifestyle reporters. Media approached<br />
included editors at tier-one publications such as Fashion, Flare and the Sun Media chain. Overall, media<br />
indicated that they were skeptical Walmart could produce quality, on-trend clothing, with many noting that<br />
they had covered George in the past and then heard nothing further from the brand. In terms <strong>of</strong> tools to<br />
make their jobs easier, media suggested previews were always an ideal way to present collections and<br />
had come to be expected from key apparel players. They also stressed the previews should showcase<br />
pieces that were actually available in store and could be found easily by shoppers, and that access to<br />
samples and images helped increase the propensity for pickup.<br />
APEX also conducted a media audit to determine an appropriate date for the event. Since July and<br />
August are typically saturated with fall fashion events, it was critical that APEX confirm the availability <strong>of</strong><br />
tier-one outlets prior to selecting a date for the preview. This outreach was done informally through email,<br />
phone and in-person lunch meetings and, based on media feedback, assessments <strong>of</strong> other brands, and<br />
Walmart’s launch schedule, August 31 st was chosen as the proposed date for the <strong>Toronto</strong> George<br />
preview, followed by the Montreal event on September 1 st .<br />
Planning, strategy and analysis<br />
Based on research, budget realities and timing, APEX’s recommended strategy was to relaunch the new<br />
George collection to media at a high-end preview in <strong>Toronto</strong>, and at a smaller, cocktail party setting in<br />
Montreal. The previews would allow several looks to be shown at once in a setting that helped to elevate<br />
the brand and allowed media to experience the clothes through touch, feel and trial. Having the <strong>Toronto</strong><br />
and Montreal events one day apart also provided ample time for the <strong>Toronto</strong> displays to be shipped to<br />
Montreal, in order to maximize the limited amount <strong>of</strong> samples available and to allow for consistency in the<br />
looks shown.<br />
One element that needed to be considered was that internally Walmart had chosen the end <strong>of</strong> August as<br />
the timeframe for the George launch. This meant that many <strong>of</strong> the elements, in particular the clothing<br />
samples, would only be available around this time. The proposed timing also meant that George would<br />
miss the fall deadlines for long-lead media who work three to five months in advance. To circumvent this,<br />
APEX recommended ensuring online media, particularly those from key consumer publications, were<br />
invited to and attended the event, as well as including the George holiday collection at the preview to<br />
encourage placement in long-lead publications currently working on their November and December<br />
issues.<br />
APEX conducted extensive venue research and site checks to find the ideal space to house the George<br />
Preview. The agency was looking to rent a raw space and transform it into an airy, sleek, open<br />
showroom as a backdrop to present George. The space needed to be premium enough to elevate the<br />
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and without seeming over-the-top or pretentious, have sufficient room for styled mannequin and<br />
clothing racks, and for live clothes models to circulate. It was also important that, if possible, additional<br />
funds not need to be paid for closing <strong>of</strong> the space during business hours.<br />
Ultimately, Twist Gallery on <strong>Toronto</strong>’s Queen Street West was chosen. The venue was ideal because it<br />
was located in a trendy part <strong>of</strong> <strong>Toronto</strong> and due to its downtown location, was easily accessible for media.<br />
Additionally, the gallery was in a transition time – between exhibits – so no extra fees would be incurred<br />
by shutting it down for the day. Twist was also a big, open space which allowed for transformation<br />
without having to move or remove any pieces or furniture. Based on APEX’s recommendation, Tammy<br />
Palmer, a local stylist and former fashion editor at Flare, was hired to help choose and present the key<br />
outfits to media. Similarly, Morin looked for a raw space in Montreal that could easily be transformed. A<br />
decision was made to hold the event at L<strong>of</strong>t le 4e, a bare space which could easily be made over, and<br />
due to its location in Old Montreal, was easily accessible and well known to local media.<br />
In terms <strong>of</strong> TIFF participation, APEX researched a number <strong>of</strong> opportunities which would allow for<br />
additional exposure for George. After reviewing several options, APEX recommended George enter an<br />
exclusive sponsorship arrangement with CIAO Wine Bar, an <strong>of</strong>ficial TIFF hotspot, centrally located in the<br />
heart <strong>of</strong> Yorkville. APEX negotiated a contract which included all staff wearing George clothing, as well<br />
as significant signage and branding opportunities.<br />
To extend on George’s TIFF participation and to ensure it reached consumers, APEX and Walmart<br />
decided to enter into an online paid editorial opportunity with an influential blogger/website, Erica Ehm <strong>of</strong><br />
YummyMummyClub.ca. A sponsorship was negotiated where Erica was challenged to pull together<br />
George outfits at Walmart, post photos <strong>of</strong> the looks on her website, and tweet about them while out at<br />
TIFF parties. Visitors to the site were encouraged to vote on their favourite outfits and enter into a<br />
contest to win George gift certificates.<br />
IMPLEMENTATION AND CHALLENGES<br />
Budget<br />
APEX and Morin were given a total budget <strong>of</strong> $245,000 in fees and expenses for the George program. Of<br />
the budget, $180,000 was applied to fees – a breakdown <strong>of</strong> $110,000 for English Canada and $70,000 for<br />
Quebec – for work including event planning, media material development, media training, media relations,<br />
ongoing product placement, as well as TIFF and Yummy MummyClub.ca negotiation and coordination.<br />
The remainder <strong>of</strong> the budget, $65,000, was applied to expenses to include event expenses, hard costs<br />
related to national outreach, photography, and TIFF and YummyMummyClub.ca participation.<br />
Challenges<br />
There were four major challenges associated with the relaunch <strong>of</strong> Walmart’s George clothing line:<br />
1. Walmart had identified end <strong>of</strong> August as the proposed time for launch, however, given that longlead<br />
publications work three to five months in advance, the proposed timing meant there would<br />
be little to no opportunity for George clothing to be featured in the upcoming fall pages <strong>of</strong> key<br />
fashion and consumer magazines.<br />
2. Walmart does not release hard facts or sales figures as a rule, so aside from The Globe & Mail,<br />
The National Post, The <strong>Toronto</strong> Star, Les Affaires and Le Journal de Montréal, outlets with whom<br />
Walmart had pre-existing relationships, it was difficult to secure coverage and interview<br />
opportunities with a broader list <strong>of</strong> business media.<br />
3. The George line was not new, but being relaunched for the third time in five years.<br />
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4. Although Walmart identified TIFF as an area <strong>of</strong> interest, sponsors did not necessarily feel<br />
Walmart or the George brand were the right fit for the festival<br />
5. While a George-specific website (FashionByGeorge.ca) was being developed, it was delayed, so<br />
it was not possible to issue a direct call to action to media or consumers and drive them to a<br />
central hub for more immediate information at launch.<br />
COMMUNICATION, EXECUTION AND PRODUCTION<br />
Media Preview and Media Relations<br />
Once the George preview date was confirmed, a Save the Date was sent to media to media to create<br />
advance interest. The agencies then issued an email invitation to tier-one media in <strong>Toronto</strong> and Montreal<br />
with key event particulars and conducted follow-up to secure attendance. The agencies worked the<br />
phones hard and leveraged relationships to assure media the George collection was worth seeing and to<br />
encourage their attendance. For the <strong>Toronto</strong> event, editors were booked into one-hour time slots to go<br />
through the George Fall Preview.<br />
On event day, <strong>Toronto</strong> media were greeted at the door by APEX staff and Linda Fittler, the head <strong>of</strong> the<br />
George in-house design team. Prior to the arrival <strong>of</strong> each journalist, APEX briefed Linda and worked with<br />
her to select key looks and pieces they felt would resonate with the specific reporter/outlet. For example,<br />
runway-inspired looks would appeal to Flare and Fashion, while LouLou would be more interested in<br />
George streetwear. The media were then taken through different sections where dressed mannequins<br />
and live models displayed the various apparel trends including denim, lingerie, holiday, work wear, and<br />
kids. In speaking with Linda Fittler, media had the opportunity to hear about the inspiration and influence<br />
behind the George clothing line directly from the source, and Walmart was able to reinforce the George<br />
key message <strong>of</strong> “style-right clothing at affordable prices.” Given the less-structured flow <strong>of</strong> the Montreal<br />
event, media were encouraged to browse the looks while Walmart and Morin representatives circulated<br />
around the room. Stylists were on hand to suggest outfits, which media then tried on, and each attendee<br />
received a hair and makeup touchup to see the full effect.<br />
Finally, as each editor left the previews, they were presented with a branded USB key containing the<br />
media materials to include a press release and an e-look book showcasing the George collection. Media<br />
were also given a fashionable branded tote bag and a George label winter hat. APEX and Morin<br />
conducted ongoing outreach and product placement with the media preview attendees, and coordinated<br />
the selection and shipment <strong>of</strong> all samples.<br />
Following the event, a press release was distributed over the national newswire and to a targeted list <strong>of</strong><br />
key, personal contacts, and follow-up was conducted. The e-look book, which brought the George<br />
collection to life for media not able to attend the previews, was also distributed. The agencies remained<br />
in constant contact with journalists to encourage them to write stories about the George line, and to look<br />
for ongoing product placement opportunities, or trend pieces to leverage for inclusion.<br />
In the weeks leading up to launch, Walmart leveraged its relationships with key business and retail<br />
reporters to alert them to the George expansion and secure coverage around it. The decision to conduct<br />
advance outreach was a strategic one to ensure business articles would appear on the actual set launch<br />
date <strong>of</strong> August 31 st . Interested media were provided with the press materials under embargo and<br />
conducted advance interviews with the spokespersons. On launch day, APEX and Morin also worked<br />
together to conduct additional business outreach around the George expansion. APEX and Morin<br />
handled media training for the key Walmart spokespersons, as well as the SVPs <strong>of</strong> apparel for English<br />
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Canada and Eastern Canada/Quebec, to ensure both were well-prepared to speak to business media<br />
about Walmart’s investment in George.<br />
TIFF Participation<br />
To identify the best platform for George at TIFF, APEX conducted significant research with different<br />
outlets. Based on the research, as well as past experience, APEX recommended CIAO Wine Bar, a wellknown<br />
property which had been designated as an <strong>of</strong>ficial hot-spot by TIFF. Due to its central and<br />
prominent location in Yorkville, CIAO <strong>of</strong>fered an ideal venue to showcase George and create an<br />
association for the brand with TIFF. APEX worked with CIAO to negotiate an exclusive partnership which<br />
included dressing servers and integrating the George logo and brand into the overall venue. Walmart<br />
selected key looks for the CIAO wait staff to choose from, and provided an assortment <strong>of</strong> shoes and<br />
accessories so the servers could create outfits that reflected their personal style. Buttons were made for<br />
the staff to wear to prompt questions from diners, and APEX worked with CIAO to message the staff so<br />
they were able to speak knowledgeably about George. Branding opportunities at CIAO included a<br />
George logo and television ads played on a looped video, signage placed in key locations around the<br />
three-storey venue as well as on the tent cards used to promote daily menu specials.<br />
APEX and Walmart also worked together to develop a promotional editorial opportunity for George with<br />
YummyMummyClub.ca to leverage the TIFF presence as well as speak to consumers directly. The<br />
partnership was designed to position George as fashion right, on style and affordable, and to show how<br />
George clothes could be worn anywhere and everywhere. As part <strong>of</strong> the agreement, Erica went to a<br />
Walmart and worked with a representative to select a series <strong>of</strong> outfits and accessories that best suited<br />
her look and style. Based on a pre-determined schedule, Erica then regularly posted photos <strong>of</strong> herself in<br />
the clothes on the site and encouraged her readers to vote on them for the chance to win George gift<br />
cards. She also sent out a series <strong>of</strong> tweets from TIFF venues, calling out her George outfits.<br />
MEASURMENT/EVALUATION<br />
The results <strong>of</strong> the campaign exceeded all <strong>of</strong> its goals, most notably in the quality <strong>of</strong> the coverage – all <strong>of</strong><br />
which was positive and included Walmart’s key messages.<br />
Objective 1: Increase sales <strong>of</strong> George by 25 per cent from the year prior by December 31, 2010 and<br />
increase awareness <strong>of</strong> the brand by 10 per cent between August 31 and December 31, 2010.<br />
Result 1: Walmart reported that September 2010 sales <strong>of</strong> George increased in the double digits, as<br />
compared to the previous month and year. MaPs Image Track data, a retail industry brand tracking tool,<br />
showed that brand awareness <strong>of</strong> George increased by 20 per cent – from 50 to 70 – over the timeframe.<br />
Objective 2: Generate an overall Media Relations Rating Points (MRP) quality score <strong>of</strong> at least 75 per<br />
cent and a cost per contact <strong>of</strong> $0.03 or less from August 31 to December 31, 2010.<br />
Result 2: The campaign generated an overall MRP quality score <strong>of</strong> 84.6 per cent and a cost per contact<br />
<strong>of</strong> $0.03 from August 31, to December 31, 2010.<br />
Objective 3: Secure a total <strong>of</strong> 30 key fashion media and influencers to attend the George Fall Previews in<br />
<strong>Toronto</strong> and Montreal.<br />
Result 3: Forty-eight media attended the previews – 30 in <strong>Toronto</strong> and 18 in Montreal. Key outlets<br />
represented included Elle Canada, Cityline, LouLou, Chatelaine, Flare, Sweetspot, <strong>Toronto</strong> Star, Today’s<br />
Parent, The Steven & Chris Show, and Le Journal de Montréal.<br />
Objective 4: Generate 5,000 entries to the YummyMummyClub.ca contest between September 21 and<br />
October 17, 2010.<br />
Result 4: The George YummyMummyClub.ca contest generated 9,500 entries in the set time period.<br />
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Objective 5: Secure a minimum <strong>of</strong> three stories around the George expansion in the retail/business<br />
sections <strong>of</strong> top-tier media outlets within two weeks <strong>of</strong> the August 31 launch, featuring interviews with the<br />
SVPs <strong>of</strong> apparel for English Canada and Eastern/French Canada.<br />
Result 5: Stories were secured with the retail/business sections <strong>of</strong> Globe & Mail, National Post, <strong>Toronto</strong><br />
Star, Les Affaires and La Presse. The English Canada articles all ran on August 31, 2010 and the<br />
Quebec articles appeared the first week <strong>of</strong> September.<br />
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OVATION Awards Winning Entry<br />
Communication Management<br />
Brand Communication<br />
AWARD OF MERIT<br />
Entrant’s Name: Carol Moore (Manager, Communication Services)<br />
Organization: The Corporation <strong>of</strong> the Town <strong>of</strong> Richmond Hill<br />
Title <strong>of</strong> Entry: “Richmond Hill Has a New Look!” – Branding Our Town<br />
Division 1: Communication Management / Category 10: Brand Communication<br />
Time Period: September 2009 – December 2010<br />
Brief Description: A project to develop and implement a new municipal brand more representative<br />
<strong>of</strong> the people who live and work in the community.<br />
<strong>Business</strong> Need/Opportunity<br />
Municipalities are no different from private companies in that they require a strong brand to support and<br />
maintain their reputation, using visual images or a recognizable icon that can help tell their story locally<br />
and beyond. Richmond Hill is a town <strong>of</strong> 186,000 residents with a rich history that has changed<br />
dramatically in the last 20 years in terms <strong>of</strong> population, ethnicity, education, economy and housing. It was<br />
time for a new, strong and consistent brand that better represented the municipality and the community it<br />
serves.<br />
In 2007, a corporate-wide communications audit was conducted with recommendations including the<br />
development <strong>of</strong> a new brand to help strengthen the corporation's position as a respected municipality and<br />
reflect its mission and values. The community also expressed the need for a new, distinctive brand or<br />
logo during public consultation for People Plan Richmond Hill (Strategic Plan and Official Plan) in 2009, to<br />
represent the Richmond Hill as it is today and envisioned in the future. The need for a new brand was<br />
also a recommendation in the Economic Development Strategy, stating that developing a new brand<br />
would assist the municipality in its marketing efforts as well as raise the pr<strong>of</strong>ile and impact <strong>of</strong> the<br />
community regionally as well as internationally. In support, funding was approved in the 2009 budget to<br />
hire a consultant, MacMillan Marketing Group, to assist an inter-departmental team <strong>of</strong> municipal staff in<br />
developing a branding strategy.<br />
Prior to the development <strong>of</strong> the new brand, the municipality was using a heraldic crest as the corporate<br />
logo. The crest had evolved over the years since incorporation in 1873, with many out-<strong>of</strong>-date versions <strong>of</strong><br />
the crest still being used to represent the corporation in many instances such as signage and<br />
publications. The municipality lacked having strong, consistent brand recognition amongst the community<br />
as well as with staff who were <strong>of</strong>ten confused about correct logo usage or were even completely<br />
unaware. In some cases, staff used just their department name and even developed logos to brand<br />
themselves separately from the corporation on clothing, promotional items and communication materials<br />
to residents. This resulted in a disjointed message to the public as to who was delivering their services,<br />
further adding to confusion by residents as to which level <strong>of</strong> government is responsible for what services.<br />
Best practice research showed that extensive research along with consultation with staff and the public<br />
was essential to the successful development and acceptance <strong>of</strong> the new brand. Research also showed<br />
that key to the implementation and acceptance <strong>of</strong> the brand was that once a logo had been selected, it<br />
would have to be used in a calculated and consistent manner to help ensure that the brand is protected<br />
as a symbol <strong>of</strong> the corporation’s reputation and all it represents to its audiences.<br />
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Intended Audiences<br />
When considering creating and implementing a new brand for the municipality, it was important to not<br />
only identify the many audiences, but also recognize and respect the relationships they have with the<br />
community, the corporation and the old brand. It was important to acknowledge the community’s historic<br />
past while also creating a brand that better reflected the people who now lived here, from long-time<br />
residents who have lived in Richmond Hill for most <strong>of</strong> their lives and recognized the heraldic crest as<br />
representing the town to young families from many different ethnic backgrounds who have made<br />
Richmond Hill their home in recent years.<br />
Internal audiences included: Mayor and Council, and staff at all levels in all departments (e.g. senior<br />
management, <strong>of</strong>f-site staff, employees who are also residents, etc.). Public audiences included: residents<br />
(e.g. youth, families, seniors, all ethnic groups, etc.), business/industry (e.g. owners and employees),<br />
media (including ethnic media to reach diverse populations, print and electronic), and specific partners<br />
such as other levels <strong>of</strong> government (e.g. Region <strong>of</strong> York, Province <strong>of</strong> Ontario, Federal Government <strong>of</strong><br />
Canada, surrounding municipalities, etc.), associated organizations and associations (e.g. Richmond Hill<br />
Chamber <strong>of</strong> Commerce, Evergreen, TRCA, FCM, etc.), advertisers, vendors and contractors.<br />
Goal<br />
To develop and implement a strong, consistent brand for the municipality that represents the community’s<br />
perception <strong>of</strong> what Richmond Hill means to them and is widely accepted by them.<br />
Objectives<br />
1. Learn from other credible sources as to how to successfully create and launch a new brand.<br />
2. Develop a new brand and logo for the municipality based on the opinions and values <strong>of</strong> the<br />
community.<br />
3. Implement the new brand across corporation (website, signage, facilities, publications, etc.) to<br />
ensure consistency.<br />
4. Introduce and raise awareness <strong>of</strong> the new brand both publicly and internally to staff to build<br />
recognition and acceptance.<br />
5. Be fiscally responsible and manage resources wisely throughout the development and<br />
implementation processes.<br />
Solution Overview<br />
Success <strong>of</strong> the project depended upon accomplishing two main tasks: building a brand based on the<br />
values <strong>of</strong> the community by consulting with them, and ensuring staff know how to implement and use the<br />
new brand through education.<br />
Research & Consultation<br />
To achieve the first objective, the consultant conducted detailed research, which included reviewing the<br />
corporation’s materials and recent public engagement results, benchmarking, best practices analysis <strong>of</strong><br />
comparable municipal branding, Council interviews, an online public survey and staff focus groups.<br />
The research found a general consensus that it would be important to “honour the past while looking to<br />
the future” when developing a new brand. Common themes described by Council included the evolution<br />
into a more progressive urban environment from the bedroom community it was as well as the need to<br />
respect Richmond Hill's multiculturalism and the quaintness <strong>of</strong> a small town with amenities and<br />
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conveniences <strong>of</strong> a large city. There was also a preference for retaining some <strong>of</strong> the elements <strong>of</strong> the crest<br />
and a connection to its history.<br />
The online public survey provided insight into how the public perceives Richmond Hill, helping to direct<br />
theme and design possibilities. Over 180 residents took part in the survey in September 2009. The top<br />
five words that were identified as describing Richmond Hill were: Diverse (51.4 per cent), Communityminded<br />
(48 per cent), Environmental (47 per cent), Multi-cultural (38.9 per cent) and Welcoming (38.9 per<br />
cent).<br />
Brand Development<br />
Many logo concepts were developed based on the research and key findings to fulfill the second<br />
objective. These concepts provided graphic interpretations <strong>of</strong> the key findings into a variety <strong>of</strong> ideas and<br />
themes, including elements <strong>of</strong> the old crest, urban/environmental, diverse/multicultural,<br />
connectivity/convergence, landmarks and people.<br />
Criteria were established to help structure the selection process. Possible design elements that were<br />
considered included people, places, current crest elements, colour options and typefaces. All options<br />
were considered thoroughly and evaluated based on research findings and benchmarking. These initial<br />
concepts were presented to Council in two separate workshops where Council expressed their views.<br />
Although opinions and preferences varied from person to person, there seemed to be a common<br />
reluctance to “toss out” the crest. These workshops helped the team narrow the field down to the chosen<br />
logo and gave them the opportunity to suggest retaining the crest for Council business as many other<br />
municipalities do.<br />
The new logo is more representative <strong>of</strong> the community that lives here today and is used to promote<br />
programs and services <strong>of</strong>fered by the municipality. Keeping but modifying the crest acknowledges<br />
Richmond Hill’s past and is to be used only by Council for <strong>of</strong>ficial municipal business.<br />
Brand Implementation Strategy<br />
In order to achieve the last three objectives, an implementation strategy was developed. This set out the<br />
guiding principles and key messages, identified audiences, outlined launch events and associated tasks,<br />
identified procedures for Brand Ambassadors, and contained frequently asked questions to assist Council<br />
and senior staff in responding to potential questions from the public and media.<br />
Key Messages<br />
Best practices and comparisons to similar municipalities showed that the key to building and maintaining<br />
the new brand was consistency. The overarching message, which supports the corporation’s Strategic<br />
Plan, is a general representation <strong>of</strong> who we are: Richmond Hill is a unique community that values its<br />
diversity, celebrates its history, protects its environment and encourages innovation and inspires change.<br />
Execution<br />
Because it can take several years to change all promotional material when municipalities change their<br />
logo, a three-phased approach was adopted with those items having the greatest impact being replaced<br />
first (e.g. stationery, forms, website, print publications, etc.) and other items having a lesser impact and<br />
urgency would be phased in during their regular replacement cycles (e.g. vehicles, uniforms, etc.).<br />
Phase 1 – Brand Launch (September 28, 2010 – December 31, 2010)<br />
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Launch events for the public and media as well as for staff were held over two days to <strong>of</strong>ficially introduce<br />
the new brand. The events were designed as celebrations rather than formal meetings and consisted <strong>of</strong><br />
showing a video to explain the new brand, unveiling materials and promotional items displaying the new<br />
brand (e.g. cake, pens, tear-drop banners, clothing, shopping bags, lanyards, waterless tattoos, etc.), and<br />
outlining the next steps.<br />
Specific to the two internal staff launch events was an education portion on how the brand was to be<br />
used, including the introduction <strong>of</strong> trained departmental representatives who will act as “Brand<br />
Ambassadors” to assist staff using the new brand, developing new electronic templates and answering<br />
general questions about the Brand Guidelines.<br />
On the same day, to introduce the new brand to those who could not attend the launch events, the<br />
municipality launched a totally re-branded website. On the homepage was an announcement banner<br />
linking to the new brand section on the website at RichmondHill.ca/brand that explained the new changes<br />
and was included on all promotional materials.<br />
Also part <strong>of</strong> Phase 1 was the facelift <strong>of</strong> the Bulletin Board, a weekly two-page advertisement in the local<br />
newspaper The Liberal that the municipality has used for many years to promote news, services and<br />
programs. In addition to being one <strong>of</strong> the mostly highly preferred methods for receiving information from<br />
the municipality, every household in Richmond Hill receives a copy <strong>of</strong> The Liberal free <strong>of</strong> charge.<br />
Advertisements were also purchased in other local and ethnic media, including Ming Pao, SNAP<br />
Richmond Hill and Richmond Hill Post.<br />
Large-scale community events were also used to promote the new brand such as the Fire Department<br />
Open House, Tastes <strong>of</strong> the Hill Food Festival and the Santa Claus Parade where the tear-drop banners<br />
were displayed and temporary tattoos distributed to attendees.<br />
Phase 2 – Transitional Brand Implementation & Awareness Building (October 1, 2010 – March 31,<br />
2012)<br />
Phase 2 has focused more on the transition to the new brand on the remaining communication pieces as<br />
they were created, updated or replaced such as electronic templates, signage, advertisements,<br />
publications, uniforms, etc. so as nothing goes to waste. The Brand Ambassadors help identify and/or<br />
change these pieces themselves and seek input from Communication Services on more specific brand<br />
questions and requests.<br />
Phase 3 – Ongoing Brand Implementation & Education (March 31, 2012 – onward)<br />
Phase 3 will see staff continue to replace the old brand with the new one as items are created or ordered.<br />
Communication Services will continue to meet with Brand Ambassadors to monitor logo usage, educate,<br />
answer questions, and deal with any unexpected issues. Public consultation or a survey to gauge<br />
understanding and recognition <strong>of</strong> the new brand may be a part <strong>of</strong> this phase as well depending on budget<br />
commitments in future years.<br />
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Implementation and Challenges<br />
Budget & Timing<br />
Budget Deliverable Timeline<br />
$25,000 Research, consultation, design and artwork<br />
$10,000 Develop Brand Guidelines<br />
$10,000 Develop Implementation Strategy<br />
$40,000<br />
Execute Implementation Strategy (i.e. launch,<br />
promotional items, video, signage, decals, etc.)<br />
$85,000 TOTAL (+ taxes)<br />
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September 2009 –<br />
June 2010<br />
August – October<br />
2010<br />
August – September<br />
2010<br />
September 2010 –<br />
December 2011<br />
The project also had costs absorbed into normal business practices such as writing, editing, web and<br />
graphic design done in-house by Communication Services. Additionally, most advertisements were<br />
published in the pre-paid Bulletin Board space in The Liberal.<br />
Special Circumstances<br />
In developing and implementing the brand, a few challenges were experienced and addressed:<br />
• Unexpected compressed implementation timeline – It was not expected that the launch <strong>of</strong> the<br />
new brand would take place prior to the municipal election only four months after Council approval,<br />
but Council requested the launch take place before then. This gave staff a much shorter time frame to<br />
prepare for and execute the implementation and awareness campaign, however, all tasks were still<br />
completed on time and on budget.<br />
• New logo launched while old one still exists would be confusing to public and staff – The team<br />
decided to brand some well-used and obvious communication pieces to ensure a broader public<br />
awareness. Although not originally planned to undergo changes to minimize costs, the municipal<br />
website, Bulletin Board and Connector were re-branded to strengthen the transition and make it more<br />
obvious.<br />
• Reaching all sectors <strong>of</strong> staff in one day – Over 625 full-time and 800 part-time staff are spread out<br />
across dozens <strong>of</strong> facilities, many without regular email access. To ensure that most staff received<br />
consistent messaging on the same day, two staff launch presentations were held at the two largest<br />
facilities at convenient times to fit most staff schedules (i.e. break times, end <strong>of</strong> shifts, etc.).<br />
• Acceptance and proper use <strong>of</strong> new logo – 15 staff were trained as “Brand Ambassadors” to ensure<br />
that the new brand is consistently and accurately reflected in their departments develops.<br />
• Explaining the new brand to the community – A simple slideshow was insufficient to explain why<br />
the corporation developed a new logo and a revised crest. Instead, a video was produced to<br />
introduce and explain the history and meaning behind the new logo and crest as well as the<br />
implementation process. The video delivered consistent messaging and, by using YouTube, was<br />
much farther reaching than a slideshow by being able to be seen by anyone with an interest in<br />
Richmond Hill.
Measurement/Evaluation<br />
The success <strong>of</strong> the branding project exceeded expectations on many levels, particularly in the way <strong>of</strong><br />
public, Council and staff’s acceptance. Several surrounding municipalities recently introduced new brands<br />
to much public criticism over the design and for lack <strong>of</strong> public input. Richmond Hill was concerned that the<br />
new brand could receive the same reaction. However, by ensuring that there were opportunities for public<br />
input and creating a brand that was representative <strong>of</strong> the community’s beliefs and values, the new brand<br />
did not receive any negative public feedback. In fact, most comments to date have been predominantly<br />
positive as has the media coverage.<br />
Although Council approved the new brand, a few members still had reservations about its implementation<br />
and acceptance by the public. However, after watching the video at the public launch, one <strong>of</strong> the<br />
Councillors who had reservations declared in front <strong>of</strong> the media, “At first I wasn’t sure about this logo, but<br />
now I think it’s just great!” The team was also aware <strong>of</strong> the Mayor’s trepidation about implementing a new<br />
brand, but in the months that followed the launch, he too began to publicly share his enthusiasm and<br />
pride in the project.<br />
Another more qualitative measure not explained in numbers alone is the acceptance by staff, many <strong>of</strong><br />
whom have become un<strong>of</strong>ficial ambassadors for the brand. Over a third <strong>of</strong> staff have requested a pin with<br />
the new logo to wear on their clothing, something not seen with the old crest. Through the promotion <strong>of</strong><br />
the new brand internally, departments have eagerly come forward wanting assistance in converting<br />
forms, applications and ordering new promotional merchandise. Also, staff who used to order and wear<br />
clothing branded only with their departmental logo have instead embraced the new corporate logo and<br />
have voluntarily discontinued use <strong>of</strong> any other logos or branding they once used.<br />
Below is a list <strong>of</strong> performance measures used to evaluate the success <strong>of</strong> the project by how they<br />
achieved the objectives:<br />
Success <strong>of</strong> Development<br />
• Heraldry (on history <strong>of</strong> Richmond Hill and crest) and municipal benchmarking research –<br />
Objective 1<br />
• 183 respondents to Online Survey – Objectives 1, 2<br />
• 32 staff from varying departments, facilities and pr<strong>of</strong>essions interviewed – Objectives 1, 2<br />
• 100 per cent participation (9 attendees) at Mayor & Council Interviews – Objectives 1, 2<br />
• Logo and crest created representing the values <strong>of</strong> the community gained from consultation<br />
sessions – Objective 2<br />
Success <strong>of</strong> Launch<br />
• 97.5 per cent MRP Quality Score from 10 instances <strong>of</strong> favourable media coverage <strong>of</strong> new brand<br />
from all media advisories, news releases and pitches in both English and ethnic publications –<br />
Objective 4<br />
• 1,776 visits to Brand Section on website – Objectives 3, 4<br />
• 555 views (and increasing) <strong>of</strong> “Richmond Hill has a new look” video on Youtube – Objectives 3, 4<br />
• 125 attendees at Staff Launch Events held at two locations – Objectives 3, 4<br />
• 52 attendees at Public Launch Event – Objectives 3, 4<br />
• 50 posters announcing the new brand displayed at all Richmond Hill facilities, including<br />
community centres, arenas and libraries – Objective 4<br />
• 6 advertisements announcing the new brand published in English and ethnic publications,<br />
including The Liberal delivered to every household in Richmond Hill – Objective 4<br />
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Success <strong>of</strong> Implementation & Awareness<br />
• 14 Brand Ambassadors engaged and trained on proper brand usage – Objectives 3, 4, 5<br />
• 5 stories educating staff about new brand in monthly newspaper Connector – Objectives 3, 4, 5<br />
• 50 copies <strong>of</strong> Brand Guidelines to educate staff on proper brand usage distributed to staff and<br />
vendors – Objectives 3, 4<br />
18 population signs displaying the new brand and Strategic Plan vision at all major entry roads<br />
into Richmond Hill – Objectives 3, 4<br />
• 35,000 business cards displaying the new brand and common format and template ordered and<br />
used for all future orders – Objectives 3, 4, 5<br />
• 30 online forms updated with the new brand<br />
• Conversion <strong>of</strong> all internal computer applications with new brand (e.g. payroll, recreation<br />
programming, maps, etc.) – Objectives 3, 4<br />
• Conversion <strong>of</strong> Council Chambers with new crest displayed on large wooden wall plaques, desk<br />
plaque and monitors – Objectives 3, 4<br />
• Promotional items displaying the new brand (careful consideration was made in choosing items<br />
that were as environmentally friendly, charitable and fiscally responsible as possible such as<br />
using corn plastic in the pens, reusable shopping bags, Me to We charity t-shirts)– Objectives 3,<br />
4, 5<br />
o 56 shirts were distributed to staff who have high internal and public exposure (Brand<br />
Ambassadors, Council, Senior Management Team and Access Richmond Hill contact<br />
centre staff)<br />
o 4 large tear-drop banners displayed at the municipal <strong>of</strong>fice when not being used at local<br />
and staff events<br />
o 200 clothing pins voluntarily picked up by staff wanting to proudly wear the new logo<br />
o 400 lanyards distributed to staff to hold their identification badges and wear daily<br />
o 144 mugs placed for use in meeting rooms<br />
o 5,000 temporary tattoos distributed to public at community events (e.g. Tastes <strong>of</strong> the Hill)<br />
o 200 tabletop and large flags for corporate meetings and events<br />
o 100 reusable shopping bags distributed to public at community events (e.g. Santa Claus<br />
Parade)<br />
o 25 chocolates distributed during media conference<br />
o Other departments, who used to have clothing with their own department names, have<br />
instead ordered their own clothing and promotional items displaying the new brand and<br />
have consulted with Communication Services staff to ensure brand consistency<br />
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Entrant’s Name: Cathy Bogaart<br />
Organization: MaRS Discovery District<br />
OVATION Awards Winning Entry<br />
Communication Management<br />
Electronic Digital and Interactive Communications<br />
AWARD OF EXCELLENCE<br />
Title <strong>of</strong> Entry: MaRSDD Website Re-design<br />
Division 1: Communication Management / Category 12: Electronic, Digital and Interactive<br />
Communications<br />
Time Period: 2009<br />
Brief Description: MaRS Discovery District relaunched MaRSDD.com in 2009 to better support<br />
entrepreneurs and scale our services to amplify the economic and social impact <strong>of</strong> important new ideas<br />
and discoveries.<br />
<strong>Business</strong> Need/Opportunity:<br />
MaRS is a not-for-pr<strong>of</strong>it registered charity. As a large scale, mission-driven innovation centre, we are<br />
focused on building Canada’s next generation <strong>of</strong> technology companies. We accomplish this by not only<br />
providing expert insights that drive business decisions but also helping entrepreneurs and early-stage<br />
start-ups better communicate their vision to key stakeholders – customers, partners and capital providers.<br />
Our mandate is to amplify the economic and social impact <strong>of</strong> important new ideas and discoveries.<br />
To deliver on our mandate, MaRS provides high-impact one-on-one advisory services to entrepreneurs<br />
and produces in-person group educational events. Given the large number <strong>of</strong> active clients, and the<br />
increasing demand for these specialized services, MaRS is faced with the challenge <strong>of</strong> scaling its<br />
services effectively. The core “high-touch” model is well-suited to later-stage start-ups that require either<br />
very targeted unique services or specific networking opportunities related to partnering or capital.<br />
However, to meet the needs <strong>of</strong> all early-stage start-ups or provide these services for those in far-flung<br />
locations a more global, self-serve approach to insight and education was needed – a role tasked to the<br />
growing MaRS website.<br />
Previous research showed that the website did not resonate with our target audience, Ontario<br />
entrepreneurs. The MaRS website talked about MaRS in a language used by funding and partner<br />
stakeholders, which was academic and included buzzwords that users found difficult to understand.<br />
Information was organized according to internal understanding. The public typically misunderstood what<br />
MaRS did and entrepreneurs <strong>of</strong>ten did not know about our free services.<br />
The solution had to be innovative to align with our organization’s mandate and ensure our target audience<br />
would trust us to advise them on their own innovative initiatives.<br />
The opportunity arrived when we received funding to create online educational content for entrepreneurs.<br />
To highlight these valuable resources, we decided to redesign the website after consulting our target<br />
audience as well as internal and external stakeholders.<br />
Analysis <strong>of</strong> the data gathered showed that site information should be re-architected according to an<br />
entrepreneur’s hierarchy <strong>of</strong> needs and that content should be more simple, yet engaging, and solve the<br />
typical business problems faced by entrepreneurs.<br />
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Intended Audience:<br />
Primary Audience:<br />
- Ontario entrepreneurs, who are typically highly educated, have little time but good access to the<br />
internet. They’re undaunted by the fact that their knowledge in many areas is limited; they learn in<br />
order to solve problems for their business as they arise.<br />
Secondary Audience:<br />
- MaRS partner and funding stakeholders who want to read about the successes <strong>of</strong> MaRS clients<br />
- MaRS Advisors and employees who want to use the website to make their job easier<br />
- Community members who want to know about innovation trends and new technologies they can<br />
use to benefit their businesses<br />
Goals and Objectives:<br />
Goal: Scale MaRS advisory and educational activities to the online space and communicate the MaRS<br />
mission clearly through a variety <strong>of</strong> media including expert blogs, downloadable educational materials,<br />
and custom produced video.<br />
Objectives:<br />
1. Increase annual website pageviews by 50 per cent<br />
2. Increase event attendance by 20 per cent, demonstrating interest and awareness <strong>of</strong> MaRS as an<br />
educational institution.<br />
3. Increase client intake numbers by 5 per cent.<br />
4. Increase video views by 20 per cent.<br />
Solution Overview:<br />
Providing an exceptional web user experience that clearly maps user needs to our business goals was a<br />
key element in demonstrating MaRS’ Leadership – both in building high-potential companies and<br />
stimulating a culture <strong>of</strong> innovation.<br />
Rationale:<br />
We conducted extensive research, Interviewing users and stakeholders to investigate their needs <strong>of</strong><br />
MaRS. Analysis <strong>of</strong> these interviews revealed that the website should speak to entrepreneurs in a way that<br />
aligned with the MaRS mission. Entrepreneurs needed a clear understanding <strong>of</strong> what MaRS does.<br />
Key Messages:<br />
- MaRS helps builds great companies<br />
- MaRS is vibrant innovation hub<br />
- MaRS is strengthening Canada’s global innovation brand<br />
Tactics: Website<br />
Content was written, addressing entrepreneurs directly, using short, punchy sentences to make for easy<br />
scanning. Simple words were used. A library <strong>of</strong> over 400 business articles for entrepreneurs was<br />
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developed and called the Entrepreneur’s Toolkit. Advisor bios were written to help users identify the<br />
people and expertise behind our core services.<br />
Information architecture: Information architecture and labels were user tested with entrepreneurs to<br />
ensure that it met their expectations and mental models.<br />
Design: The site design highlighted business content on the homepage so it was immediately evident<br />
that MaRS has expertise in business. This content was designed to refresh daily, highlighting the variety<br />
<strong>of</strong> topics to show users the breadth and depth <strong>of</strong> articles available. Designs included innovative<br />
interactive functionality such as sliders and blog carousels and an integration <strong>of</strong> social media in the site<br />
search to align with the MaRS brand. Advisors were displayed as stars, highlighting our experts to help<br />
entrepreneurs understand the value MaRS brings to client companies and to encourage users to feel they<br />
are engaging with a person and not an organization.<br />
Videos – A set <strong>of</strong> video series were developed (representing almost 400 videos) to align with the various<br />
stages <strong>of</strong> company growth and amount <strong>of</strong> time available.<br />
1. Entrepreneurship 101 – 1 hour – Targeted at beginner entrepreneurs, these lectures deliver an<br />
<strong>of</strong>fline event series to online users.<br />
2. Best Practices – 1 hour – Targeted at mid- to later-stage entrepreneurs, , these lectures deliver<br />
an <strong>of</strong>fline event series to online users.<br />
3. Hot tips for start-ups – 3-4 minutes – Targeted at mid-stage entrepreneurs, these are tips that<br />
can be quickly applied to a business.<br />
4. Meet the entrepreneurs - Targeted at early-stage entrepreneurs, these videos are designed to<br />
inspire and encourage those new to running a company.<br />
Implementations and Challenges<br />
Budget: The budget for the website re-design was $129,000. This budget included strategy, user testing,<br />
planning, design, content development, photography, development and quality assurance testing <strong>of</strong> the<br />
new site.<br />
Planning: MaRS had a small online team, including just two full-time resources, one <strong>of</strong> whom was<br />
impacted by a family emergency during the project life cycle. This same team had to support the old<br />
website and service the ongoing needs <strong>of</strong> the organization while building the new initiatives. The<br />
planning was made more complicated due to multiple approvals made necessary by the funding structure<br />
<strong>of</strong> the project.<br />
Technology: MaRS was contractually obligated to continue utilizing a content management system that<br />
had very little support, few in the open-source community, and expensive vendors for customizing the<br />
technology.<br />
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Measurement/Evaluation <strong>of</strong> Outcomes<br />
Objective 1 – Increase number <strong>of</strong> page views by 50 per cent through the website.<br />
Measurable Outcome: Website page views increased from 976,494 in 2009 to 1,637,610 in 2010. This<br />
represents an over 67 per cent increase. Included in this increase was an over 140 per cent increase in<br />
Canadian visits.<br />
Objective 2 – Increase event registrations by 20 per cent.<br />
Measurable Outcome: Total event attendance rose to 16,528 from 12,637. This represents a 30.79 per<br />
cent increase. This includes an over 35 per cent increase in educational event attendance.<br />
Objective 3 – Increase client intake numbers by five per cent.<br />
Measurable Outcome: The project 423 clients added to the roster in 2009 climbed to 457 in 2010. This<br />
represents an eight per cent increase for the year.<br />
Objective 4 – Increase video views by 20 per cent.<br />
Measurable Outcome: Video views increased from 49,108 in 2009 to 68,722 in 2010. This represents an<br />
over 28 per cent increase in video viewership.<br />
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OVATION Awards Winning Entry<br />
Communication Management<br />
Electronic Digital and Interactive Communications<br />
AWARD OF EXCELLENCE<br />
Entrant’s Name: Jo Langham, ABC<br />
Organization: Thornley Fallis Communications and RBC, Royal Bank <strong>of</strong> Canada<br />
Title <strong>of</strong> Entry: RBC’s Fall Student Program Goes Digital<br />
Division 1: Communication Management / Category 12: Electronic, Digital and<br />
Interactive Communications<br />
Time Period: July 2010 – September 2010<br />
Brief Description:<br />
RBC’s Student Banking group sought to use social media channels to create awareness for and drive<br />
traffic to its Fall 2010 promotion encouraging students to sign up for RBC Student Banking products. With<br />
little to no existing RBC audience or relationships in social media and without the option <strong>of</strong> starting to<br />
develop that online presence, our solution was to encourage students to use their social networks to<br />
spread the word about the promotion. The campaign used Facebook’s “Like” widget to spread RBC’s<br />
content throughout a student’s Facebook network.<br />
<strong>Business</strong> Need/Opportunity<br />
Royal Bank <strong>of</strong> Canada and its subsidiaries operate under the master brand name RBC. It is Canada’s<br />
largest bank as measured by assets and market capitalization and among the largest banks in the world<br />
based on market capitalization. The 18-24 year-old college and university student population is key to<br />
RBC’s larger customer acquisition plan. They represent a group <strong>of</strong> young adults taking their first steps<br />
toward adulthood and financial accountability. Building a connection with these individuals at this critical<br />
stage in their lives gives RBC the opportunity to turn those connections into life-long client relationships.<br />
At the start <strong>of</strong> each school year, RBC’s Student Banking group executes a Fall Campus Program with<br />
messaging and contests/promotions targeted at college and university students. The program consists <strong>of</strong><br />
a number <strong>of</strong> elements, including on-campus events, a promotional microsite, advertising campaigns in<br />
<strong>of</strong>fline and online media, in-branch collateral, as well as media relations. In 2010, RBC’s ultimate goal<br />
was to drive college and university students to a microsite at rbcroyalbank.com/studentpromo to sign up<br />
for student banking products (the incentive for which was a chance to win $1,000 daily).<br />
Thornley Fallis’ role in the Fall 2010 campaign was to develop and execute a social media plan to create<br />
awareness among 18-24 year-old college and university students regarding the annual campaign. The<br />
challenge was amplified by the fact that the social media plan had to be implemented within a two-month<br />
time frame, within the context <strong>of</strong> RBC having little to no existing audience or relationships in social media<br />
and without the option <strong>of</strong> starting to develop that online presence.<br />
Intended Audience(s)<br />
The target audience for the RBC Student Banking group is 18-24 year-old college and university<br />
students. In developing our solution, we focused on three key insights about this target audience.<br />
1. They are on Facebook.<br />
For organizations needing to reach younger consumers, social media – and Facebook, in particular –<br />
is an opportunity that cannot be ignored. Social media has entered the mainstream globally, and in<br />
Canada the most recently available data indicates that approximately 64 per cent <strong>of</strong> Canadians who<br />
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are online are on Facebook, arguably the world’s largest social networking site. The 18-24 year-old<br />
demographic, in particular, comprises 30 per cent <strong>of</strong> Canadian Facebook pr<strong>of</strong>iles. Although there is<br />
no data available to break out college and university students among the 18-24 year-old demographic<br />
on Facebook, it is reasonable to surmise that a social networking site that originated for university<br />
students would continue to have significant representation from that group. Indeed, a search in<br />
Facebook revealed that nearly all major Canadian universities have a Facebook page, managed by<br />
either students or staff.<br />
2. They favour video over text-based content.Current research in the United States indicates that the<br />
18-29 year-old demographic are the heaviest consumers <strong>of</strong> online video and those with a college<br />
education skew even higher for video consumption. While Canadian-specific data is not available, it is<br />
reasonable to believe that Canadians would be similar.<br />
3. They are not shy about expressing themselves, nor are they shy about talking about themselves.<br />
Anecdotally, we know that this age group is a generation that enjoys sharing information about their<br />
thoughts, adventures, and exploits. Not surprisingly, Pew Research published in February 2010<br />
suggests that they have “look-at-me tendencies”.<br />
Goals / Objectives<br />
<strong>Business</strong> goal: Get college and university students to sign up for RBC Student Banking products at<br />
rbcroyalbank.com/studentpromo, measured through the number <strong>of</strong> product sign-ups during fall campaign<br />
timeframe.<br />
Communication objective: Drive 18-24 year-old college and university students to RBC’s online<br />
promotion at rbcroyalbank.com/studentpromo measured by:<br />
• Achieve 3,600 Facebook “Likes” (50 per cent <strong>of</strong> the estimated 7,200 individuals likely to be<br />
reached by 60 student videos as measured through Facebook “Likes”)<br />
o The total potential reach through Facebook for 60 videos was estimated at 7,200<br />
individuals: 60 individuals multiplied by 120, which is the estimated number <strong>of</strong> friends per<br />
Facebook user, according to Facebook’s blog.<br />
• Achieve 7,200 views <strong>of</strong> the videos on rbcroyalbank.com/studentpromo<br />
o This would provide a distinct metric from Facebook “Likes” in that would prove that the<br />
campaign drove students to the campaign microsite<br />
Solution Overview<br />
The core <strong>of</strong> the Fall Campus Program was the message: open an RBC Student Banking account and get<br />
a daily chance to win $1,000.<br />
Because <strong>of</strong> its conservative nature as a large bank, RBC did not have an existing social media presence<br />
and was restricted from establishing one. We realized that our strategy had to centre around getting<br />
students to use their social networks to spread the word about the promotion.<br />
Based on our insights into the target audience, we proposed an online experience that would appeal to<br />
the “video generation”. This online experience would consist <strong>of</strong> a contest microsite at<br />
rbcroyalbank.com/studentvideos (the Video Contest microsite) featuring humorous videos, each starring<br />
one student within our target demographic group. To provide the incentive for them to participate in the<br />
contest and share information with their network, each <strong>of</strong> the students who participated would be<br />
encouraged to get their friends to “Like” his or her video: the video with the most number <strong>of</strong> “Likes” would<br />
win a $1,000 prize, mirroring the messaging <strong>of</strong> the Fall Campus Program.<br />
The mechanic to garner these votes through social media was the Facebook “like” widget. Using the<br />
Facebook’s “like” widget was key. It allowed RBC’s content to spread throughout a student’s Facebook<br />
network without requiring RBC to have a Facebook presence.<br />
Each time someone clicked “like”, it would trigger a status update from that person, which would get<br />
pushed onto their network’s news feeds. Each friend who “liked” a performance in turn would spread that<br />
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message to his or her network, widening the scope a little further. With the average Facebook user<br />
having an estimated 120 friends, the potential reach using this strategy was exponential.<br />
Implementation and challenges<br />
To create the English and French videos, we took to the streets <strong>of</strong> <strong>Toronto</strong> and Montreal with a small and<br />
mobile camera crew. We canvassed downtown hot spots and invited 18-24 year-old college and<br />
university students to participate.<br />
The challenge for each <strong>of</strong> them was to act out a performance that they selected from a list that we<br />
<strong>of</strong>fered. These challenges were all humourous and entertaining and ranged from rapping about what they<br />
would do with a $1,000 to break-dancing.<br />
The intent was to create entertaining videos that the performers would be happy to share with their social<br />
networks, thereby spreading the RBC message.<br />
Given our tight timeframe, the need to ensure the quality <strong>of</strong> the videos, and knowing we would have to<br />
create opening and closing screen messages for each video with RBC, we stopped filming when we had<br />
60 performances in which we were confident. Because the videos were shot impromptu and relied on<br />
spontaneity to be entertaining, our production team included a key decision maker from RBC to manage<br />
any potential risks and liabilities.<br />
These videos became links that the participants could share and spread throughout their online networks.<br />
To host the videos online, we took advantage <strong>of</strong> YouTube’s popularity as a top destination for our target<br />
audience to view videos and set up a YouTube channel to host the 60 RBC videos at<br />
YouTube.com/RBCVideoLabs. Using YouTube as a host for the videos also gave the videos some<br />
search engine optimization (SEO) benefits. To pull those videos back into the Video Contest microsite at<br />
rbcroyalbank.com/studentvideos was a simple matter <strong>of</strong> embedding them using YouTube’s embed code.<br />
To ensure the students remembered to tell their friends about their videos, we gave each video<br />
participant a post card with the contest web site address and the date on which the site would be live. On<br />
our counsel, emails were sent to participants mid-way through the promotion period to remind them to get<br />
their friends to vote for them and to keep the promotion top <strong>of</strong> mind for the participants.<br />
Given our objective to drive traffic to RBC’s Program microsite at rbcroyalbank.com/studentpromo, which<br />
was managed by another agency, Thornley Fallis worked with that partner agency to design and integrate<br />
the Video Contest microsite into the Program microsite. Specifically, we provided:<br />
• The technical requirements to guide the Program microsite agency in designing the user interface<br />
for the Video Contest microsite;<br />
• User interface recommendations to guide the Program microsite agency on how to integrate the<br />
Video Contest microsite into the Program microsite;<br />
• Technical advice and support to the Program microsite agency on implementing the Facebook<br />
“like” widget.<br />
In terms <strong>of</strong> challenges, we faced one in particular around technical constraints on the Video Contest<br />
microsite – unknowable at the time <strong>of</strong> planning – that required us to find compromises to solve web<br />
usability and other user experience best practices. Thornley Fallis worked with RBC’s microsite agency to<br />
optimize those designs from a usability and overall user experience perspective, while ensuring that our<br />
requirements and recommendations respected the time and budgetary constraints that RBC’s web<br />
agency was working within.<br />
Our budget for the social media program was $29,000, which included:<br />
• The development <strong>of</strong> the strategy<br />
• Usability, user experience, and technical consultation on the design <strong>of</strong> video contest microsite to<br />
RBC’s web development agency partner<br />
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• The design and production <strong>of</strong> the 60 videos<br />
• Overall program management.<br />
The project was delivered from brief to results in a three month time frame and within budget.<br />
Measurement/evaluation <strong>of</strong> outcomes<br />
Communication Objectives: Drive 18-24 year-old college and university students to RBC’s online<br />
promotion at rbcroyalbank.com/studentpromo measured by:<br />
• Achieve 3,600 Facebook “likes” (50 per cent <strong>of</strong> the estimated 7,200 individuals likely to be<br />
reached by 60 student videos as measured through Facebook “likes”)<br />
• Our program also generated 3,595 Facebook “Likes”, each representing a unique individual who<br />
had viewed a contest video. With 60 individuals generating 3,595 “likes,” each video averaged 60<br />
“likes”, representing a 50 per cent conversion rate per user. In other words, assuming each<br />
Facebook user has 120 friends, 60 <strong>of</strong> those friends, or 50 per cent <strong>of</strong> them, were persuaded to<br />
“Like” their friend’s video, thereby sharing that content to more friends.<br />
• As a matter <strong>of</strong> interest, the top rated video garnered 914 Facebook “likes”, which is well above<br />
the average <strong>of</strong> 120 friends per Facebook user.<br />
• Achieve 7,200 views <strong>of</strong> the videos on rbcroyalbank.com/studentpromo<br />
• We achieved 19,253 video views on the program microsite, more than 267 per cent above our<br />
target goal <strong>of</strong> 7,200 views. These 19,253 views represented a total <strong>of</strong> 4,813 minutes or 80.2<br />
hours <strong>of</strong> time spent viewing RBC-branded content in RBC’s intended environment (the microsite<br />
at rbcroyalbank.com/studentpromo). I<br />
• n addition, our decision to host the videos on YouTube garnered an additional 543 video views on<br />
RBC’s YouTube channel, representing incremental consumer impressions.<br />
• 85 per cent <strong>of</strong> the total views <strong>of</strong> the video took place in RBC’s intended environment<br />
• Based on self-reported demographic data by YouTube users, analytics confirmed that our videos<br />
reached the right demographic: 30 per cent <strong>of</strong> the views were in the 18-24 year-old age group<br />
and appealed equally to both male and female audiences, and 85 per cent <strong>of</strong> the video views<br />
were by users residing in Canada.<br />
<strong>Business</strong> goal: Get college and university students to sign up for RBC Student Banking products at<br />
rbcroyalbank.com/studentpromo, measured through the number <strong>of</strong> product sign-ups during fall campaign<br />
timeframe.<br />
Our program was deemed by RBC to have contributed successfully to the business goal, although<br />
specific data cannot be shared due to fact that total traffic to the Program microsite and sales data are<br />
proprietary to RBC.<br />
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Entrant's Name: Alison George<br />
OVATION Awards Winning Entry<br />
Communication Skills<br />
Publications<br />
AWARD OF MERIT<br />
Organization: Argyle Communications and American Peanut Council<br />
Title <strong>of</strong> Entry: American Peanut Council Trade Communications Package<br />
Division 2: Communication Skills / Category 15: Publications<br />
Time Period: December 2009 – April 2010<br />
Brief Description: On behalf <strong>of</strong> the American Peanut Council (APC), Argyle’s task was to strengthen<br />
relationships with key Canadian customers by educating them about the quality <strong>of</strong> U.S.-grown peanuts.<br />
The team worked to develop a memorable and customizable marketing communications package <strong>of</strong><br />
information about the American Peanut Council and quality U.S. peanuts for distribution to new and<br />
existing trade, retail and manufacturer contacts.<br />
1. <strong>Business</strong> Need/Opportunity:<br />
The American Peanut Council administers a broad-based export development program for the U.S. peanut<br />
industry with the objective <strong>of</strong> increasing exports <strong>of</strong> all types <strong>of</strong> U.S. grown peanut and peanut products. Its<br />
resources are devoted exclusively to the market development and dissemination <strong>of</strong> trade information on<br />
behalf <strong>of</strong> the U.S. peanut industry.<br />
Canada is the largest single country importer <strong>of</strong> U.S. peanuts, and critical to overall demand for U.S. peanut<br />
products. U.S. export statistics for 2009 show shipments <strong>of</strong> all peanut products to Canada at 87,640 MT<br />
valued at $106 million, accounting for 84 per cent <strong>of</strong> the value <strong>of</strong> all imports.<br />
The APC’s overarching marketing goal is to justify the premium price for U.S. peanuts by demonstrating<br />
value over other origins such as China or Argentina. The APC’s Canadian trade specialist requires<br />
informative and flexible communications tools to demonstrate this superior quality and value to Canadian<br />
manufacturers <strong>of</strong> products containing peanut and peanut butter; retailers that sell peanuts and peanut<br />
butter; and other influential trade contacts.<br />
As the APC’s communications agency, Argyle Communications determined that current trade<br />
communications were insufficient. The information was outdated, the content was stagnant, and the format<br />
lacked a pr<strong>of</strong>essional appearance. Argyle recommended, conceived, wrote and oversaw the design <strong>of</strong> the<br />
American Peanut Council Trade Communications Package.<br />
Research: Argyle began the development process with research. This involved:<br />
♦ Reviewing the market research highlighted above, showing overall demand and market trends;<br />
♦ Interviewing the APC about the desired focus <strong>of</strong> marketing in 2010;<br />
♦ Reviewing materials being used to promote peanuts in other export markets;<br />
♦ Working with the APC's trade specialist -- the person who would be using and delivering the information<br />
package to prospective buyers -- to understand what he needed; and<br />
♦ Sourcing and reviewing the trade materials <strong>of</strong> other U.S. commodity groups to gain insight into the<br />
format and quality <strong>of</strong> information packages that are made available to this target audience.<br />
Analysis: Argyle analyzed this research and identified three key requirements for the APC communications<br />
package:<br />
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♦ Flexibility: Some information was mandatory for all recipients, other information needed to be<br />
customized for specific audiences. The final product had to allow for flexibility.<br />
♦ Print and electronic versions: The trade specialist advised this audience responds to traditional print<br />
format -- so information can be pulled easily from a bookshelf or file. However, materials also had to be<br />
made available in an electronic format, so it could be distributed to wider audiences (e.g. store<br />
managers) and ultimately posted online.<br />
♦ Quality standards: Our audit <strong>of</strong> materials created by other commodity groups ensured we understood<br />
the competitive set and helped us understand the quality standards required for the APC's trade<br />
communications package -- and how we could make our package unique.<br />
2. Intended Audiences:<br />
The retail trade target audience is a very specialized and influential group:<br />
Audience Characteristics<br />
Key customers Six key customers, such as Kraft and Krispy Kernels, account for the bulk <strong>of</strong><br />
U.S. peanuts imported into Canada. Because <strong>of</strong> their dominant role in the<br />
market, they are considered key customers, defined as those utilizing a<br />
majority <strong>of</strong> U.S. origin products. At present, these buyers import most <strong>of</strong> their<br />
requirements from the U.S. However, due to aggressive marketing efforts by<br />
Chinese and other exporters, some <strong>of</strong> these key customers are less able to<br />
differentiate value and have begun to import shipments from other sources.<br />
Retail customers Grocery stores, such as Loblaws, Sobeys, and Metro, that would specify<br />
USA peanuts when purchasing private label peanut butter and private label<br />
packed peanuts. Of note, private label product sales in Canada have<br />
increased dramatically in the past few years, and opportunity to expand sales<br />
for U.S. peanuts exists in this arena.<br />
Other trade audiences This category includes food service and restaurant trade companies, such as<br />
Gordon Food Service, which purchase bulk peanuts or peanut butter as<br />
ingredients in meal preparation.<br />
3. Goals/Objectives:<br />
Goals:<br />
♦ Strengthen relationships with existing customers, and initiate and nurture relationships with new<br />
potential customers in Canada.<br />
♦ Deliver informative, appealing communications materials to educate customers about the quality <strong>of</strong><br />
USA-grown peanuts.<br />
♦ Increase imports <strong>of</strong> USA-grown peanuts to Canada.<br />
Objective & Rationale:<br />
♦ Objective: The 2010 objective, set very precisely in the APC’s U.S. Department <strong>of</strong> Agriculture<br />
documentation, was to convince at least one retailer to specify U.S.-grown peanuts from its private<br />
label suppliers, due to the superior quality <strong>of</strong> U.S. peanuts.<br />
♦ Rationale: The American Peanut Council is funded by the U.S. Department <strong>of</strong> Agriculture's Market<br />
Access Program (MAP). The MAP-funding application includes a problem statement that is referred<br />
to as a constraint. The APC's trade-focused constraint is: Justification <strong>of</strong> Price Premium for US<br />
Peanuts as Adding Value for Key Customers. One way to increase demand for USA-grown peanuts<br />
is to convince retailers (supermarket chains and banners) to specify USA peanuts from the<br />
companies that make private label/store branded products. At the end <strong>of</strong> 2009, no Canadian retailers<br />
used USA-grown peanuts in their private label brands.<br />
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4. Solution Overview:<br />
Strategies: Argyle’s creative strategies in developing the content and presentation <strong>of</strong> the APC’s<br />
trade/retail marketing communications package were to:<br />
a) Deliver universal appeal and a lasting legacy and that would resonate with the APC’s existing and<br />
potential customers for years to come.<br />
b) Make it visually and intellectually stimulating in order to stand out in an industry saturated with<br />
information targeted to the APC’s key customers.<br />
c) Reach key customers across Canada with cohesive, consistent and compelling messaging.<br />
Tactics: Our tactics included:<br />
a) Drafting and distributing a creative brief to graphic designers to select an appropriate partner for the<br />
project. This document outlined the creative approach Argyle developed to best suit our key<br />
strategies:<br />
♦ Create a versatile hybrid <strong>of</strong> both constant and customizable content in order to deliver important,<br />
consistent APC messaging, as well as new, updated information as it becomes available.<br />
♦ Go beyond the typical pocket folder format widely used in the retail and trade industries by providing<br />
important general information about peanuts and the APC in an information book format, with the<br />
customizable content inserted in a pocket, and supplementary information provided on an enclosed<br />
USB drive.<br />
♦ Deliver a cohesive look and feeling across all elements <strong>of</strong> the communications package, including<br />
the constant and customizable content.<br />
b) Selecting and collaborating with a designer to create a high-quality communications package that is<br />
unique and differentiated from the competition.<br />
c) Researching and writing all copy for both the fixed book portion <strong>of</strong> the package, as well as a series <strong>of</strong><br />
custom information sheets. We determined what unchanging information is most important for<br />
customers to have, as well as what current peanut-related topics were <strong>of</strong> particular interest and<br />
importance to the specific trade contact.<br />
d) Making supplementary information, including research, images and presentations, available for key<br />
customers electronically on a branded USB drive to suit varying needs.<br />
The overall key message ties back to the trade constraint: Justification <strong>of</strong> Price Premium for US Peanuts<br />
as Adding Value for Key Customers.<br />
5. Implementation and Challenges:<br />
Budget: The budget to write, design and print 500 booklets was $22,155. Here is a breakdown.<br />
Activity Fees Expenses<br />
Research and analyze requirements, develop a creative<br />
recommendation, source and oversee design, UBS key<br />
and print suppliers, write all copy, source appropriate<br />
photography, obtain additional background and research<br />
for the USB key, and manage all booklet approvals,<br />
development and production.<br />
$7,500 -<br />
USB key - Including logo design, printing, shipping - $4,200<br />
APC trade communications package design, including<br />
stock photography costs<br />
- 3,870<br />
Printing costs (500 copies, including cover stock, glossy<br />
inserts, stitching and shipping)<br />
- 6,585<br />
TOTAL $7,500 $14,655<br />
Timeline: In December 2009, Argyle completed the research and analysis and developed the creative<br />
overview. In January, we obtained quotes for and secured design and print partners. Copy writing and<br />
editing occurred in January-February 2010. Layout and design <strong>of</strong> the print piece was completed and<br />
180
approved, and the USB key was sourced and ordered in March 2010. Printing, stitching and USB production<br />
was completed in April 2010.<br />
Challenge: Argyle faced two challenges:<br />
♦ Paper stock: The initial concept was to develop a hard-back booklet. We sourced quotes and<br />
deemed this option too expensive. The final design featured thick cover stock with the look and feel <strong>of</strong><br />
a peanut shell. (We actually searched for, but could not find, a supplier <strong>of</strong> paper stock made from<br />
peanut husks). The look was clean and compelling and well received.<br />
♦ USB key contents: We ordered the USB key 'pre-loaded' with information, including an electronic<br />
copy <strong>of</strong> the communications package as well as additional research. When the USB supplier<br />
delivered the order, we reviewed random keys to ensure the information was accurate. Unfortunately,<br />
the supplier included an extra unrelated file on every key. Facing tight timelines, Argyle meticulously<br />
removed the incorrect file and checked content accuracy before any materials were distributed.<br />
6. Measurement/Evaluation:<br />
The APC's trade communication package is a sales tool, and one tactic among many used by the APC's<br />
trade specialist to address the market constraint: to justify the price premium <strong>of</strong> USA-grown peanuts.<br />
Though not all outcomes can be attributed directly to this communications piece, the results at the end <strong>of</strong><br />
2010 were very encouraging. In particular:<br />
11 out <strong>of</strong> 26 (or 42 per cent) <strong>of</strong> Canada's major supermarket chains / banners and key independent<br />
retailers switched from Chinese to U.S. origin in-shell peanuts for their store brand listings.<br />
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Entrant’s Name: Anna Larson<br />
OVATION Awards Winning Entry<br />
Communication Skills<br />
Multimedia or Digital Content<br />
AWARD OF EXCELLENCE<br />
Organization: The Regional Municipality <strong>of</strong> Halton<br />
Title <strong>of</strong> Entry: Nick Goes Nowhere/Joules on Juice – Halton Region’s Air Quality Video Public<br />
Service Announcements<br />
Division 2: Communication Skills / Category 16: Multimedia or Digital Content<br />
Time Period: 2008 – 2010<br />
Brief Description:<br />
This submission focuses on two video public service announcements (PSAs) produced as part <strong>of</strong> an<br />
education and awareness-raising program designed to inform Halton residents about the links between<br />
air quality and human health, and about the actions they can take to improve air quality and address<br />
climate change in Halton. With close to 2,000,000 viewings to date, the videos have played a key role in<br />
our efforts to shift attitudes toward energy use and modes <strong>of</strong> transportation, and have encouraged<br />
residents’ behaviour change.<br />
1. <strong>Business</strong> Need/Opportunity:<br />
Located on the north shores <strong>of</strong> Lake Ontario, the Regional Municipality <strong>of</strong> Halton serves more than<br />
500,000 residents in the City <strong>of</strong> Burlington, the Towns <strong>of</strong> Halton Hills, Milton, and Oakville. Protecting and<br />
enhancing the natural environment is a key theme in Halton Region’s Strategic Plan. This comes in<br />
response to the growth expected in the Region over the next 25 years, which will add stress to local air<br />
quality as new vehicles, homes and workplaces are introduced into the community.<br />
One goal <strong>of</strong> the Halton Region Health Department (HRHD) is to develop and implement a plan to protect<br />
and enhance Halton’s air quality. In 2007, the HRHD policy paper, Air Quality, Human Health and the<br />
Built Environment: Protecting Air Quality, identified actions to address air quality issues associated with<br />
growth and development patterns in the Region. Based on the paper’s recommendations, HRHD<br />
established a program that aims to reduce air emissions and protect Halton residents’ health. The<br />
program includes airshed modelling, air monitoring, policy development, planning application reviews,<br />
education and awareness rising.<br />
The issue: Many people are unaware <strong>of</strong> the health impacts associated with air quality and climate<br />
change. This leads to poor decision-making, resulting in short and long-term health impacts suffered by<br />
individuals and neighbourhoods (and an increased burden on the health care system). Air quality has<br />
worsened in Halton: For the eight years from 1993 to 2000, there were 43 smog alerts issued; for the next<br />
eight years (2001-2008), that number rose to 166.<br />
Impact: A report from the Canadian Medical <strong>Association</strong> (CMA) indicated that in 2008, as many as<br />
21,000 Canadians would die prematurely from the effects <strong>of</strong> air pollution.<br />
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While most <strong>of</strong> those deaths would be due to chronic exposure over a number <strong>of</strong> years, almost 3,000<br />
would be the result <strong>of</strong> acute, short-term exposure. 3 Data released by the Ontario Medical <strong>Association</strong><br />
(OMA) shows that air pollution is a contributing factor in almost 9,500 premature deaths per year in<br />
Ontario. 4 The OMA also estimated that there would be 336 premature smog deaths in Halton in 2008.<br />
Research: This submission focuses on two video public service announcements (PSAs) (Work samples<br />
1 and 2) produced as part <strong>of</strong> the Region’s air quality education and awareness raising program. To help<br />
guide communications around the health promotion program, the Communications Specialist worked with<br />
the Health Department to better understand current awareness levels. The research uncovered the fact<br />
that some Canadians do recognize and acknowledge that air pollution has a significant impact on health.<br />
Fewer take action to mitigate its effects. In 2001, 53 per cent felt air pollution affected their health a great<br />
deal. 5 In 2004, this increased to 56 per cent. In a Heart and Stroke Foundation survey, seven out <strong>of</strong> 10<br />
(69 per cent) Canadians said they thought air pollution tends to be worse during the summer. Only three<br />
per cent recognized that air pollution is a year-round problem. 6 A recent CMA poll suggested that eight <strong>of</strong><br />
10 Canadians expressed concern about climate change and its impact on health.<br />
Locally:<br />
• 50 per cent (+ four per cent) <strong>of</strong> Halton adults 18 and older think that outdoor air quality has a<br />
somewhat or very negative effect on the health <strong>of</strong> people living in Halton Region (RRFSS 2007).<br />
• 27 per cent (+ three per cent) <strong>of</strong> Halton adults 18 and older have made changes to their normal daily<br />
activities in the past 12 months because they thought that outdoor air quality could affect their<br />
health. 7<br />
• When asked how they ranked Halton Region’s measures to improve air quality in a 2008 Environics<br />
survey 8 , residents responded as follows: Excellent 0 per cent; Good 24 per cent; Adequate 23 per<br />
cent; Fair 16 per cent; Poor 19 per cent; Don’t use 1 per cent; Don’t know 18 per cent.<br />
2. Intended Audience(s):<br />
Primary audiences<br />
• Halton homeowners (No. <strong>of</strong> occupied private dwellings in Halton:<br />
156,945)<br />
• Halton residents, 18 and older (about 300,000 people)<br />
• Women aged 25-49 (about 67,000 women) – especially those with<br />
children and living parents, residing in the Region – research shows they<br />
are catalysts for change in their communities<br />
3 http://www.cma.ca/index.cfm?ci_id=10042903&la_id=1<br />
4<br />
Ontario’s Doctors: Thousands <strong>of</strong> Premature Deaths due to Smog<br />
http://www.oma.org/media/news/pr080606a.asp<br />
183<br />
Secondary audiences<br />
• Halton Region Staff<br />
• Regional Council<br />
• Local Municipalities<br />
• Media<br />
5 http://www.hc-sc.gc.ca/ewh-semt/pubs/air/pollution/health-sante-eng.php#6_1 (Environics – 2002: Air<br />
Pollution - Information Needs and the Knowledge, Attitudes and Behaviour <strong>of</strong> Canadians - Final Report)<br />
6 http://www.heartandstroke.com/site/c.ikIQLcMWJtE/b.3848067/k.EC3B/2008_Report_Card__Air_Pollution.htm<br />
7 2007 Rapid Risk Factor Surveillance System (RRFSS)<br />
8 Focus GTA: the pulse <strong>of</strong> public opinion in the greater <strong>Toronto</strong> Area (Report 2008-1).
• High school and older students<br />
Halton’s population is relatively young with only 12.5 per cent over the age <strong>of</strong><br />
65. More than one-half <strong>of</strong> Halton residents are under the age <strong>of</strong> 40. Halton<br />
residents have a higher median family income ($92,416) than the rest <strong>of</strong><br />
Ontario and are well educated (52 per cent have college or university<br />
education). Ninety per cent <strong>of</strong> the population speaks English as their first<br />
language.<br />
3. Goals / Objectives:<br />
Goal: Support HRHD’s plan to protect and enhance Halton’s air quality by educating Halton residents about<br />
the links between air quality and human health, and about the actions they can take to improve air quality and<br />
retard climate change in Halton.<br />
Objectives: As part <strong>of</strong> Halton’s Air Quality/Climate Change Health Promotion Program, develop a multi-media<br />
resource targeted to Halton residents that makes the link between air quality and human health and<br />
encourages residents to make small changes to improve air quality and mitigate climate change, so that by<br />
December 2010:<br />
Obj. 1 At least 4,000 Halton residents view the PSA<br />
Obj. 2 At least 10 organizations provide a link to or show the PSA<br />
Obj. 3 At least 70 per cent <strong>of</strong> residents surveyed agree that the PSA makes them think about how they<br />
use energy<br />
4. Solution Overview:<br />
Solution developed: The Communications Specialist worked with the Health Department’s<br />
Environmental Policy and Promotion Team to design and implement a communication plan to support the<br />
objectives <strong>of</strong> the Department’s Air Quality/Climate Change Health Promotion and Communication<br />
Program. In developing the overall plan, the Communications Specialist reviewed best practices.<br />
Experience with environmental education and promotion initiatives over the past 20 years (e.g., the<br />
federal government’s One Tonne Challenge) has demonstrated that reliance on public education and the<br />
right messaging is not enough. According to Environics, “<strong>Business</strong>es and government need to<br />
demonstrate strong leadership by creating the appropriate structures, economics and policies that both<br />
tell people what is expected <strong>of</strong> them, and firmly guide them in these directions…mobilizing significant and<br />
sustained consumer action on the environment will require that attention be given to the social<br />
component…This means designing initiatives that tap into community networks and peer pressure, which<br />
can act as powerful re-inforcers to socially responsible actions. People are much more influenced by the<br />
people they know and trust than they ever will be by even the slickest marketing campaign.<br />
In the end, mobilizing public action on the environment is less about getting the product design and<br />
marketing right, and more about activating consumers’ sense <strong>of</strong> responsibility to their community.” 9<br />
9 http://erg.environics.net/media_room/default.asp?aID=667<br />
184
Halton’s program was designed to “keep it local,” focus on small actions and use multi-media tools such<br />
as video. Two short video PSAs were developed to highlight the link between air quality and human<br />
health, activate resident’s sense <strong>of</strong> responsibility by showcasing the local community in the videos and<br />
encourage viewers to take small steps to change.<br />
Why video? Community Based Social Marketing also tells us that messages need to be delivered in a<br />
layered-approach, in multiple ways, using multiple means and strategies, therefore reaching a number <strong>of</strong><br />
different audiences, as is required in this case where our target market essentially includes all Halton<br />
residents. Video, and nowadays, especially online videos, can be a powerful channel for engaging and<br />
informing audiences. According to Com Score, “the combined forces <strong>of</strong> reach, high engagement and<br />
‘sight, sound and motion’ make online video a particularly attractive brand building vehicle” and Canada<br />
does rank as a global leader in online video viewing. Studies show that 30-second videos are more<br />
persuasive than shorter clips and able to convey more complex messages. Because our videos serve as<br />
PSAs, we elected to aim for a slightly longer clip – just over a minute. The two PSAs make the link<br />
between air quality and human health, and encourage residents to make small changes to improve air<br />
quality.<br />
The Environmental Health Specialist drafted several scripts, playing on the energy addiction theme.<br />
These went through an extensive approval process; feedback was gathered from staff and addiction<br />
experts to ensure messages were effective and non-<strong>of</strong>fensive. With support from an external vendor, we<br />
used two <strong>of</strong> the scripts, one featuring a young man “addicted” to his car and the other a young women,<br />
“addicted” to energy use in her home, to develop and produce the two short PSAs. Staff members were<br />
recruited as actors and props acquired at no cost from staff and the local community (including use <strong>of</strong> a<br />
Smart Car). We developed a promotion and distribution plan, which we implemented once the videos<br />
were complete, beginning with a screening for the “actors”, for management and Council before an <strong>of</strong>ficial<br />
launch to the public with a media release.<br />
Strategy Tactics<br />
Develop thought- provoking<br />
PSAs.<br />
Promote PSAs to drive<br />
homeowners/residents to<br />
additional tools and<br />
resources (website). (Obj. 1)<br />
Use the PSAs to<br />
educate/build support<br />
among staff/elected<br />
<strong>of</strong>ficials/local organizations.<br />
(Obj. 2.)<br />
• Draft script that uses humour to educate, shift attitude and change behaviour<br />
towards energy use and modes <strong>of</strong> transportation; build on existing social<br />
marketing program messaging such as 20/20 Way to Clean Air (i.e., message<br />
<strong>of</strong> reducing energy use at home and on the road).<br />
• Recruit staff to act in the production, hire outside firm to film and produce.<br />
• Create and implement direct mail postcard to Halton residents/homeowners<br />
during Energy Conservation Week.<br />
• Post on Halton website/YouTube.<br />
• Screen at local theatres/cable TV during summer months.<br />
• Book paid placement on local TV station CHCH (focus on times when women<br />
watch).<br />
• Reuse clips from the PSAs in future campaigns.<br />
• Showcase at Friday Video Lunches for Halton Region staff.<br />
• Screen at Management, Committee and Council Meeting (as part <strong>of</strong> AQ<br />
update-Council Report). Provide Council with copies <strong>of</strong> DVD, including<br />
designed jewelcase; communicate periodic updates on progress <strong>of</strong> the<br />
campaign.<br />
• Promote to related networks through email/presentations/link sharing, e.g.,<br />
Halton Environmental Network (HEN).<br />
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Promote PSAs through<br />
media relations. (Obj. 1)<br />
• Issue media release to “launch campaign.”<br />
• Highlight in “free space” provided to the Region by local media.<br />
Survey residents. (Obj. 3.) • Post survey on website.<br />
• Promote survey and link to videos with contest/direct mail postcard (<strong>of</strong>fer<br />
energy audit as a prize).<br />
The videos were produced on time and on budget. There was no cost for actors or props and all filming<br />
was done on site and in the local community. The PSAs are posted on Halton’s website and YouTube,<br />
were shared with regional councillors, libraries, local environmental organizations (e.g., Halton Partners<br />
for Clean Air), Region education co-ordinators, school board curriculum staff, as part <strong>of</strong> a Tools for<br />
Schools kit, health and environmental networks.<br />
After the initial screening with regional councillors, we obtained approval to book several paid placements<br />
at local cinemas and television stations, which substantially increased views. We also approached a local<br />
cinema owner who <strong>of</strong>fered to screen the videos at no cost to the Region. In 2010, we further leveraged<br />
the investment by incorporating clips from the two videos in a new Daily WebTV campaign.<br />
5. Implementation and Challenges:<br />
Keeping to budget, meeting timelines, handling logistics and managing the approvals process were all<br />
challenges met along the way. Good up front planning, detailed schedules and good communication with<br />
volunteer actors, facilities staff, management and the external vendor kept issues to a minimum.<br />
Because <strong>of</strong> the addiction theme used in both videos, care was taken to ensure viewers would react<br />
positively by pre-screening with health care and other community experts.<br />
Budget: Video Production $25,000.<br />
Related costs: Direct Mail Postcard (Work Sample 3) $19,500 (includes printing, mailing and contest<br />
prizes), theatre PSA booking: $9,000 x 2 (2009 and 2010), CHCH TV PSA booking: $11,000 x 2 (2009<br />
and 2010), DVD cover (Work Sample 4) and related materials printing: $6,300.<br />
In 2010, we learned that subtitles had been added on the YouTube version <strong>of</strong> the Nick Goes Nowhere<br />
video, through YouTube’s interactive transcript function. Though the initial transcript contained errors,<br />
thanks to the vigilance <strong>of</strong> our web team, these were quickly corrected, making the video even more<br />
accessible.<br />
6. Measurement / Evaluation:<br />
Track number <strong>of</strong> views, web visits, online survey and informal feedback<br />
Objective Result<br />
1. At least 4,000 Halton<br />
residents view the PSA<br />
2. At least 10 organizations<br />
provide a link to or show the<br />
PSA<br />
• Estimate close to 2,000,000 viewings in first two years through all channels<br />
• 90 regional staff attended screening <strong>of</strong> the videos at lunch & learn sessions<br />
• Estimate at least 30 links or showings<br />
• Videos were aired regularly at Encore Cinemas in 2008 (at no cost)<br />
• Halton Green Screens added link and played the videos as part <strong>of</strong> their film<br />
series<br />
• Cogeco cable aired the videos on That Green Show<br />
• Oakville Smart Car added a link to the Nick Goes Nowhere video<br />
186
3. At least 70 per cent <strong>of</strong><br />
residents surveyed agree<br />
that the PSA makes them<br />
think about how they use<br />
energy<br />
• Town <strong>of</strong> Oakville featured a link in its Energy and Conservation Newsletter<br />
• HEN, WalkON, Green Communities Canada, 4Grounds Media, Icannwalk,<br />
Walk & Bike for Life, and local municipalities added links<br />
• Video featured on WeConserveTV<br />
• Copies provided to Halton public libraries, public health networks, Clean Air<br />
Council, environmental staff at provincial and local levels, key academics,<br />
community and environmental groups<br />
• Nick Goes Nowhere (96 responses) 87 per cent <strong>of</strong> respondents agreed that<br />
the video made them think about how they use energy<br />
• Joules on Juice (110 responses) 86 per cent agreed that the video made<br />
them think about how they use energy<br />
Other PSA success • PSAs won an Apex Award <strong>of</strong> Excellence (Energy Efficiency 2009)<br />
• Nominated in the INCHES Environmental Film Competition, screened at the<br />
Netherlands Film Festival<br />
• Featured in Smog Summit video in <strong>Toronto</strong><br />
• 2010 Strategic Video Award top winner in environmental communications<br />
• Visits to Halton Region’s air quality web pages were up by 458 per cent in<br />
March 2009 compared to March 2008. (March 2009 – 408 visits) (March 2008<br />
– 89 visits) (March 2010 - 308 visits) In total for 2009, there were 906 visits to<br />
the home page and 2,012 to the energy use page. Total visits to the air quality<br />
pages in 2010: 3,122.<br />
• Articles have appeared in all local municipalities, (includes one TV segment);<br />
campaign overall achieved a MRP © score <strong>of</strong> 93% in 2009<br />
• 100 sign-outs <strong>of</strong> air quality videos screened at staff sessions<br />
• Number <strong>of</strong> Air Quality/Climate Change Resources distributed in 2009: 13,030.<br />
Other overall campaign<br />
success<br />
In 2010: 20,000<br />
• 77 per cent <strong>of</strong> Halton survey respondents agree that air quality has an impact<br />
on the health <strong>of</strong> Halton residents (Region <strong>of</strong> Halton FOCUS GTA Survey<br />
2009/1 and 2010/1)<br />
• A 2009 Environics survey showed that the percentage <strong>of</strong> residents who ranked<br />
the Region’s air quality efforts as good or excellent increased from 24 per cent<br />
in 2008 to 34 per cent in 2009 (a 10 per cent increase)<br />
Though difficult to make a direct link, it is encouraging to note that according to Ontario's 2009 Air Quality<br />
Report, emissions <strong>of</strong> common air pollutants are now decreasing across the province. The PSAs are a key<br />
component <strong>of</strong> Halton’s overall air quality campaign. We believe they have made a significant impact:<br />
more people in Halton are thinking about their energy use, about how their energy use affects air quality<br />
and climate change, and how air quality affects their health.<br />
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Award <strong>of</strong> Distinction<br />
<strong>IABC</strong>/<strong>Toronto</strong> Student <strong>of</strong> the Year Award<br />
Social Media Release<br />
Thursday, March 31, 2011<br />
Regis Dudley<br />
Humber College Public Relations Graduate Certificate Student<br />
416-888-6335<br />
Regis.Barbara.Dudley@gmail.com<br />
About.Me/Regis.Dudley<br />
Attention: Social Media Writers, PR Writers, <strong>Business</strong> Editors<br />
ACCESSIBLE AND WEB-FRIENDLY BRANDS ARE BETTER<br />
Emerging PR leader explains why<br />
TORONTO (March 31, 2011) - Online engagement is shrinking the PR world. This is why Humber<br />
public relations student Regis Dudley advises PR practitioners to sharpen their tweeting skills,<br />
practice their web writing and embrace online newsrooms.<br />
“If you’re not connecting online, you’re missing opportunities to make a name for yourself and<br />
your organization,” Dudley states. “Communicators need to be connected to keep their<br />
organizations connected. Since we, as PR practitioners, are relationship managers for brands, it’s<br />
up to us to understand and work the social media landscape.”<br />
Living largely <strong>of</strong>f-the-grid in an Oregonian ecovillage, Dudley never expected to wind up in praise<br />
<strong>of</strong> the online world. It was only after she began participating in tweetups and Twitter chats that<br />
she realized the true power <strong>of</strong> being plugged-in. Dudley has built valuable connections, learned<br />
about new trends and received advice from industry leaders through social media. She has used<br />
social networking as a stepping stone to real-life interactions. She will carry her recognition <strong>of</strong><br />
the power <strong>of</strong> online networking into her PR career.<br />
“I look forward to harnessing new ways to connect digitally and using this knowledge to benefit<br />
the PR community,” states Dudley. “I blog and tweet about PR trends and share knowledge<br />
openly with my networks through face-to-face and virtual interaction. That’s what this industry<br />
is all about.”<br />
Dudley is particularly interested in using the internet to increase information accessibility for<br />
audiences. Because journalists, bloggers and producers face tight deadlines, Dudley sees online<br />
platforms such as social media newsrooms as a necessity.<br />
“Why would someone call a contact for information if a competitor has everything laid out in a<br />
one-stop online shop? They wouldn’t, point-blank,” says Dudley. “Even the general public is<br />
getting their information online. If you don’t get your newsworthy nuggets online, you’re doing<br />
your organization a disservice.”<br />
According to Dudley, it’s not enough to simply put information online; communicators must<br />
tailor content to the online audience. This means making information easy to find, summarize,<br />
understand and share. Dudley recognizes this process takes time but states that once a project<br />
workflow is defined, making content web-friendly is easy.<br />
“Communications teams should agree on web writing best practices,” advises Dudley. “When<br />
shared, a web writing guidelines document can streamline content. It’s important that all<br />
writers abide by the guidelines and that an editor familiar with web writing acts as an extra set<br />
<strong>of</strong> eyes.”<br />
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Dudley’s tips for designing web-friendly content:<br />
• Use short words, sentences and paragraphs. Web readers typically scan text for<br />
meaning, rather than read pieces word-for-word.<br />
• Use a sans-serif font. It’s easier for web readers to read.<br />
• Break text up with links to reference material and photos. These keep the reader’s<br />
attention.<br />
Dudley plans to draw on her experience in education and mediation to assist organizations in<br />
transitioning their processes and workflows to make their content web-friendly and accessible.<br />
She will continue to advise PR practitioners to use social media to interact as a representative <strong>of</strong><br />
their organizations.<br />
About Regis Dudley<br />
A dynamic communicator, Dudley mixes focus with ingenuity for clever, thorough, punctual projects.<br />
Dudley is a student <strong>of</strong> Humber College’s Public Relations Graduate Certificate program and has a B.A. in<br />
Communications and Environmental Studies from Wilfrid Laurier University. Her rare combination <strong>of</strong><br />
communications and environmental knowledge positions Dudley for a career in green PR and<br />
communications advising. Dudley credits her background in academic, government and non-pr<strong>of</strong>it<br />
communications for planting her seed <strong>of</strong> curiosity and looks forward to a future <strong>of</strong> growing her PR<br />
abilities.<br />
189
OVATION Awards Winning Entry<br />
BOBBIE RESNICK PHILANTHROPY AWARD<br />
Jane-Finch.com, founded by Paul Nguyen<br />
Jane-Finch.com is a community broadcaster, digital library, and the first website about <strong>Toronto</strong>'s Jane-<br />
Finch community. The website is the vision <strong>of</strong> Paul Nguyen, filmmaker, community activist and journalist,<br />
and has made an incredible impact in transforming public perception and local engagement.<br />
Inspiration for the site<br />
Jane-Finch is a community just north <strong>of</strong> <strong>Toronto</strong>, named after the intersection <strong>of</strong> Jane Street and Finch<br />
Avenue. Jane-Finch is internationally known for its ethnically diverse population, crime rate and poverty.<br />
The community's socio-economic status is attributed to inadequate urban planning and social<br />
infrastructure.<br />
At just 23 years old, Paul Nguyen decided that he wanted to change the negative perceptions around his<br />
neighbourhood by showcasing its strengths. A resident <strong>of</strong> the Jane and Finch corridor since he was five<br />
years old, Paul was passionate about the potential <strong>of</strong> his surroundings. Paul loved making movies and<br />
wanted to leverage multimedia to better inform, engage and empower local residents. He launched Jane-<br />
Finch.com in 2004.<br />
The creation <strong>of</strong> a community<br />
Paul created custom content for the site including a short film, “You Got Beef?” that quickly went viral.<br />
The film and many other videos, pr<strong>of</strong>ile up-and-coming local talent, to launch their careers and inspire<br />
other youth.<br />
Paul immediately attracted media attention. Within a year he was interviewed by prominent media outlets<br />
discussing politics, violence and always, advocating for his community. Paul spoke out on the Jordon<br />
Manners murder and the prevalence <strong>of</strong> illegal guns.<br />
In 2008, Jane-Finch.com took on a more political direction and actively promoted multiculturalism and<br />
civic awareness. The growing team produced more community news coverage and took clear positions<br />
on local political issues, prompted by challenges such as the installation <strong>of</strong> police cameras, as well as<br />
<strong>of</strong>fering alternative coverage to the death <strong>of</strong> Junior ‘Tubs’ Manon in police custody. Jane-Finch.com<br />
produced longer form video productions, including the 60 minute ‘Know Your Rights’ educational<br />
documentary.<br />
The landing page features news videos produced by Jane-Finch.com, as well as music videos from local<br />
artists. More videos document success story interviews with well-known individuals who originated from<br />
the area including CBC’s Dwight Drummond. Community forums have been set up to encourage<br />
discussions. The website showcases art and poetry from local artists, along with a large gallery <strong>of</strong> local<br />
rappers.<br />
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The impact<br />
• Getting message out through speaking engagements<br />
• Guest speaker at 2010 Innoversity Summit (<strong>Toronto</strong>)<br />
• Guest speaker at 2010 Ukrainian National Federation Convention (Montreal)<br />
• Guest speaker at 2010 Vietnamese Canadian Federation Youth Conference (Ottawa)<br />
Prominent media coverage<br />
Efforts resulted in consistent, quality mainstream media coverage, receiving recognition from prestigious<br />
government and media award programs. Efforts were also recognized in the House <strong>of</strong> Commons in<br />
Ottawa. The Jane-Finch.com enhanced brand trust and maintained their number one search engine<br />
ranking. Jane-Finch.com continues to be the de facto resource about the community.<br />
Media Coverage<br />
<strong>Toronto</strong> Star Jane-Finch activist wins multiple awards for community website 03/04/11<br />
OMNI Television 32nd Annual Canadian Ethnic Media <strong>Association</strong> Awards 12/05/10<br />
Here and Now (CBC) Ontario Medal for Good Citizenship 11/23/10<br />
Metro Morning (CBC) Mayoral Candidates' Debate – Metro Morning 10/06/10<br />
<strong>Toronto</strong> Star Mayor Miller "very sorry" for G20 jailings 07/09/10<br />
The Link (RCI) Multiculturalism Award Winner 07/05/10<br />
Goldhawk Live (Rogers) How can we improve safety in the GTA? 04/27/10<br />
Canoe Live (Sun TV) Escaping the Stigma 01/12/10<br />
Metro Morning (CBC) Unsolved Murder Rate 01/08/10<br />
<strong>Toronto</strong> Sun From rap to race award 12/26/09<br />
Goldhawk Live (Rogers) What’s in the future for Jane-Finch? 06/18/09<br />
Now Magazine Black History Month: High 5 02/01/09<br />
<strong>Toronto</strong> Star Different name, same place 01/08/09<br />
The Link (RCI) Setting the Record Straight 11/24/08<br />
The Link (RCI) Residents Talk About Life in Tough <strong>Toronto</strong> Neighborhood 11/12/08<br />
<strong>Toronto</strong> Sun Jane-Finch dot-com Website opens community to the world 05/12/08<br />
Now Magazine 9 things we love about Jane-Finch 02/01/08<br />
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Awards<br />
• 2010 Ontario Medal for Good Citizenship – Ontario Ministry <strong>of</strong> Citizenship and Immigration<br />
• 2010 CEMA Award for internet journalism – Canadian Ethnic Media <strong>Association</strong><br />
• 2010 Paul Yuzyk Award for Multiculturalism ($20,000) – Citizenship & Immigration Canada<br />
• 2009 William Hubbard Award for Race Relations – City <strong>of</strong> <strong>Toronto</strong> Human Rights Awards<br />
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2011 OVATION Awards Judges<br />
Linda Andross, ABC, President, APEX Public Relations Inc.<br />
With more than 17 years experience in public relations, Linda’s role as President <strong>of</strong> APEX includes being<br />
responsible for relationships with a multitude <strong>of</strong> diverse senior-level clients. Linda’s expertise<br />
encompasses such areas as marketing communications programs, product launch strategies, media<br />
relations and C2C planning. She oversees the effectiveness <strong>of</strong> APEX’s many capabilities, enhancing<br />
client service and bolstering innovation to provide added value to clients. At APEX, Linda provides<br />
strategic public relations advice, counsel and services to key Canadian and multi-national clients such as<br />
We Care, Walmart Canada, GSK, Samsung Electronics Canada, Primus and Google. A winner <strong>of</strong><br />
numerous industry awards, both national and international, Linda is the current Vice President <strong>of</strong><br />
<strong>Association</strong> Management for <strong>IABC</strong> (<strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators)/<strong>Toronto</strong> and a<br />
member <strong>of</strong> the board <strong>of</strong> directors for Centennial College’s public relations program.<br />
Iliana Arapis, MA, ABC, Senior Director, Advancement, The Michener Institute for Applied Health<br />
Sciences<br />
Ms. Arapis is a strategic communications pr<strong>of</strong>essional, consensus-builder and results-oriented leader with<br />
a background in corporate communications and public relations extending through the private, public, and<br />
not-for-pr<strong>of</strong>it sectors. With over 20 years experience Ms. Arapis has led award-winning communications<br />
teams and is well-regarded for her leadership strengths in communications policy and strategic planning,<br />
brand and identity development, knowledge management and stakeholder communications.<br />
At The Michener Institute, she leads the Office <strong>of</strong> Advancement and is responsible for Communications<br />
and PR, Events, Fundraising and Alumni Relations. A member <strong>of</strong> the <strong>IABC</strong> since 1997, Ms. Arapis<br />
earned her <strong>IABC</strong> accreditation in 2010. She holds a Master <strong>of</strong> Arts degree (History) from Queen’s<br />
University and Corporate Communications Diploma from Seneca College <strong>of</strong> Applied Arts & Science.<br />
Louise Armstrong<br />
Louise Armstrong, an expert in consumer marketing, has managed national product launches and<br />
influencer campaigns for some <strong>of</strong> North America’s largest consumer goods companies. She has two<br />
decades <strong>of</strong> public relations experience including serving as public relations <strong>of</strong>ficer for Canada’s largest<br />
public school board and a speechwriter for the Ontario Government. Louise is a co-founder <strong>of</strong> Palette<br />
Public Relations and co-managed the agency for seven years. Louise is passionate about the ethics and<br />
protocol <strong>of</strong> the communications field and previously served as director <strong>of</strong> the ethics committee for the<br />
<strong>Toronto</strong> chapter <strong>of</strong> the <strong>IABC</strong>. She has also served as the VP <strong>of</strong> Networking and Special Events. She is a<br />
pr<strong>of</strong>essional etiquette consultant certified by the Protocol School <strong>of</strong> Washington to teach corporate<br />
etiquette and international protocol. Louise’s views can be found on her blog, A Call For Class. Louise<br />
graduated from Humber College in <strong>Toronto</strong> with an Honours Diploma in Public Relations.<br />
Nancy Bagworth, President, BWW<br />
<strong>IABC</strong>/<strong>Toronto</strong> Past President 1993/1994.<br />
193
Shari Balga, Manager, Agency Media Relations and Internal Communications, BBDO<br />
<strong>Toronto</strong>/Proximity Canada<br />
Shari is an accomplished PR pr<strong>of</strong>essional with more than ten years <strong>of</strong> combined public relations,<br />
marketing communications and corporate communications experience in the advertising, not-for-pr<strong>of</strong>it,<br />
lifestyle, government, technology and hospitality sectors. She currently manages the agency media<br />
relations and internal communications for BBDO <strong>Toronto</strong> and Proximity Canada. An active member <strong>of</strong><br />
the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators (<strong>IABC</strong>/<strong>Toronto</strong>) chapter for more than fifteen<br />
years, she has volunteered her time on a number <strong>of</strong> projects. Shari has held two board positions leading<br />
both the Networking and Special Events and Volunteer Services portfolios for the chapter and also<br />
volunteers her time as a mentor and awards judge. Originally from Essex, Ontario, Shari pursued her<br />
post-secondary education in <strong>Toronto</strong>. She holds a Bachelor <strong>of</strong> Applied Arts degree in Radio and<br />
Television Arts and a post-graduate certificate in public relations management from Ryerson University.<br />
Lisa Bednarski, ABC, SVP, Brand Strategy & Insights, Weber Shandwick Canada<br />
Lisa brings her expertise in brand strategy to develop program platforms for Weber Shandwick clients<br />
based on key consumer insights, specializing in the food and beverage; consumer health and wellness;<br />
and retail sectors.<br />
Eric Bergman, ABC, APR, MC, Principal, Bergman & Associates<br />
Eric has judged accreditation portfolios and award submissions at local, national and international levels<br />
for more than 20 years. Over the years, he has seen a steady improvement in submissions for<br />
<strong>IABC</strong>/<strong>Toronto</strong>'s OVATION awards. Congratulations to all the winners!<br />
Amanda Brewer, ABC, Senior Account Director, Edelman<br />
Amanda is responsible for leading corporate and public affairs communications programs at Edelman for<br />
a wide range <strong>of</strong> clients including Amex Small <strong>Business</strong> and Scotts Canada, and provides issues<br />
management counsel for J&J and a number <strong>of</strong> Unilever brands. This includes establishing the strategic<br />
direction, managing projects, and representing the PR interests <strong>of</strong> clients as part <strong>of</strong> a wider integrated<br />
agency team. Prior to joining Edelman, Amanda was an account director at Hill & Knowlton Canada<br />
where she led the Canadian change & internal communications <strong>of</strong>fering. She has held communications<br />
roles with the Canadian Broadcasting Corporation (CBC), AGF Funds Inc., and mining and metals giant<br />
Noranda Inc., (now Xstrata), in addition to working with a division <strong>of</strong> Health Canada in Ottawa. Amanda<br />
is fluently bilingual (French) and holds an MA in Journalism from the University <strong>of</strong> Western Ontario and a<br />
BA in English from Wilfrid Laurier University. She has also successfully completed the Canadian<br />
Securities Course. Amanda is an accredited member with the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong><br />
Communicators (<strong>IABC</strong>) and is a past-president <strong>of</strong> the <strong>Toronto</strong> chapter.<br />
Paulina Callaghan, ABC, Manager, Strategic Communications and Marketing, Ontario Ministry <strong>of</strong><br />
Revenue<br />
Paulina is an accredited business communicator with over a decade in both the private and public sectors<br />
leading a multitude <strong>of</strong> internal and external communication functions. Currently, Paulina is the manager<br />
<strong>of</strong> strategic communications and marketing at the Ontario Ministry <strong>of</strong> Revenue. In her spare time, Paulina<br />
keeps busy with writing/editing, networking, guest speaking, and attending seminars. Paulina also<br />
volunteers her time as a mentor, exam proctor, and awards judge.<br />
194
John Cappelletti, ABC, Manager, Stakeholder Relations, CAAT Pension Plan<br />
John is an experienced corporate communications pr<strong>of</strong>essional with achievements in building and<br />
managing the reputations <strong>of</strong> high-pr<strong>of</strong>ile pension funds. He has worked for the Ontario Teachers’ Pension<br />
Plan, the CPP Investment Board and OMERS. He is currently manager <strong>of</strong> Stakeholder Relations for the<br />
Colleges <strong>of</strong> Applied Arts and Technologies (CAAT) Pension Plan. John is a proven manager with a<br />
collaborative approach to leadership. He acts strategically and uses prudence, diplomacy and discretion<br />
to manage the reputation risk <strong>of</strong> an organization. John earned his M.Ed. in educational administration<br />
from the University <strong>of</strong> <strong>Toronto</strong>, is an accredited business communicator and has been a member <strong>of</strong> <strong>IABC</strong><br />
since 1984.<br />
Brent Carey, ABC, Director, Communications, Mattamy Homes<br />
Brent Carey, ABC, has more than 16 years <strong>of</strong> experience at leading organizations, across a wide range <strong>of</strong><br />
communications disciplines, including employee communication and engagement, issues and reputation<br />
management, media relations and marketing communications. He is currently Director <strong>of</strong><br />
Communications at Mattamy Homes, based in Oakville, and has held roles with KPMG <strong>International</strong>,<br />
Deloitte Canada, CIBC, TD Bank, and Imperial Oil. Brent is the immediate past president <strong>of</strong><br />
<strong>IABC</strong>/<strong>Toronto</strong>. He graduated from York University with an honours degree in Communications and<br />
English, and is also an accredited financial planner.<br />
Yvonne M Catty, MSc, RD, Managing Director, Vitamin-3 Communications<br />
As founder and principal <strong>of</strong> Vitamin-3 Communications, Yvonne brings 20+ years <strong>of</strong> international<br />
corporate strategic communications, regulatory affairs and leadership in highly-regulated industries.<br />
Yvonne’s career is characterized by senior appointments across North America, Europe and Asia. As<br />
Vice-President (Americas Region) <strong>of</strong> Corporate Affairs and Communications for JTI-MacDonald Corp.,<br />
Yvonne led all aspects <strong>of</strong> corporate reputation, stakeholder relations, crisis communications and media<br />
relations across Canada, U.S. and Latin America. Prior to JTI, Yvonne was VP Corporate and Regulatory<br />
Affairs for BAT China, based in Hong Kong with responsibility for Greater China. Especially skilled in<br />
issues and crisis management Yvonne managed crisis communications during SARS and led<br />
Sustainability commitment including Social Reporting. Earlier, Yvonne joined communications<br />
consulting agencies in Australia and England, providing strategic counsel to the pharmaceutical industry.<br />
Prior to that, Yvonne held progressively senior positions in corporate affairs at Kraft Foods in Germany,<br />
Switzerland and Canada.<br />
Vivian Chan, MA, ABC<br />
Vivian Chan is a marketing communications specialist whose career has taken her across a broad range<br />
<strong>of</strong> industries and environments, including two years in Afghanistan. During her short time there, she<br />
quickly established the marketing communications department and launched the communications<br />
strategy, programs, and award-winning brand for a telecommunications wireless company, and later led<br />
the media implementation efforts with the United Nations for the first Afghanistan Parliamentary elections.<br />
More recently, Vivian has deepened her specialization in digital communications, working with a leading<br />
global digital marketing agency, Critical Mass. There, she has assisted clients such as Dell, Gucci,<br />
Nutella, and Theodore Alexander on their digital communications, marketing, and social media strategy<br />
and programs.<br />
195
Suzanna Cohen, Manager, Corporate Communications (Diversity), TD Bank Group<br />
Suzanna has 15 years <strong>of</strong> experience in internal and external communications marketing, market<br />
research, and event management in industries ranging from financial services to residential construction<br />
and pr<strong>of</strong>essional services. Currently, Suzanna works for TD Bank Group supporting internal and<br />
external communications for the bank's focus on fostering a diverse and inclusive culture for the bank's<br />
employees, customers and the communities it serves. She also has extensive experience in <strong>IABC</strong><br />
awards judging, having served as a director <strong>of</strong> the <strong>IABC</strong>/Canada Silver Leaf awards and OVATIONS<br />
judging co-ordinator. In her spare time, Suzanna volunteers with a number <strong>of</strong> charities and has had the<br />
privilege <strong>of</strong> providing communications support for visits by two members <strong>of</strong> the Canadian Royal Family<br />
and Pope John Paul II.<br />
Janet Comeau, ABC, Director, Corporate Communications, The Canadian Depository for<br />
Securities Limited<br />
Janet has been with CDS since 2002 with responsibility for all aspects <strong>of</strong> the company’s communications<br />
programs, encompassing internal, external, media, crisis and web disciplines. She is a strong advocate<br />
for strategic approaches that link communications to business objectives. Previous to CDS, she worked<br />
as a communications project manager for a Montreal-based investor relations firm that pioneered new<br />
approaches to IR communications with the use <strong>of</strong> shareholder meeting webcasts and online annual<br />
reports. Janet is a longtime volunteer with <strong>IABC</strong>/<strong>Toronto</strong> and served as 2007/2008 chapter president.<br />
Mario Crespi, Vice President, BCS Group<br />
Communication experience spans over 30 years in Canada, USA and Italy, including marketing<br />
management, advertising and other creative communication responsibilities with multinational<br />
organizations including Nestlé, Colgate‐Palmolive and Gillette (now Procter & Gamble).<br />
Associated with the BCS Group for 24 years, as vice‐president and partner, Mario is responsible for<br />
achieving his clients’ communication objectives. This consists <strong>of</strong> helping clients establish their specific<br />
communication needs, translating them to designers and content creators at the BCS Group. Mario<br />
oversees the work <strong>of</strong> the creative and production teams to ensure that their output meets or overachieves<br />
project requirements. Deliverables consist <strong>of</strong> magazines, journals, newsletters, websites, annual reports<br />
and marketing literature. <strong>IABC</strong> member since 1990.<br />
Tanya Elliott-Briden, Vice President, APEX Public Relations Inc.<br />
With more than 12 years <strong>of</strong> public relations experience, Tanya helps manage the consumer technology<br />
and corporate practices at APEX Public Relations. Her expertise includes media relations strategies,<br />
product launches, event execution, executive and corporate pr<strong>of</strong>iling and internal communications for her<br />
clients. Having led award winning media campaigns and events, Tanya and her teams generate creative<br />
ideas to promote today’s newest products and services for clients such as Google Canada, Samsung<br />
Electronics Canada and UPS Canada to name a few. Tanya is a member <strong>of</strong> the <strong>International</strong> <strong>Association</strong><br />
<strong>of</strong> <strong>Business</strong> Communicators and sits on the Public Relations Advisory Board <strong>of</strong> Durham College.<br />
Stephanie Engel, Vice President, APEX Public Relations Inc.<br />
A consumer marketing specialist with 16 years <strong>of</strong> experience, Stephanie applies her expertise in media<br />
relations, event management and stakeholder relations to help her clients achieve their business<br />
development goals.<br />
196
As a Vice President at APEX, she is involved in the strategic planning and execution <strong>of</strong> consumer<br />
campaigns for a number <strong>of</strong> leading brands, including Walmart, Coty, Kellogg’s and Samsung. Prior to<br />
joining APEX, Stephanie ran the consumer practice at a <strong>Toronto</strong>-based agency where she led major<br />
accounts, such as Evian, Coca-Cola and ING Direct. In addition, Stephanie spent several years as PR<br />
Manager at a pharmaceutical company, managing both corporate and product communications.<br />
Stephanie holds an Honours B.A. in English Literature from McGill University, and is a graduate <strong>of</strong> the<br />
post-secondary program in public relations at Humber College. She recently joined the Board <strong>of</strong><br />
Volunteers <strong>Toronto</strong> to provide strategic counsel on their communications initiatives.<br />
Morag Farquharson, ABC, Manager, Risk & Treasury Communications, Scotiabank<br />
Morag Farquharson is a communication pr<strong>of</strong>essional with 20 years’ experience specializing in human<br />
resources and employee communication. She built a foundation <strong>of</strong> pension communication expertise<br />
working for one <strong>of</strong> Canada’s largest multi-employer pension plans, then worked for over eight years in HR<br />
communication consulting, developing and executing communication programs related to pension,<br />
retirement and stock savings plans, as well as traditional and flex benefit plans. Currently, she works for<br />
one <strong>of</strong> Canada’s leading financial institutions, where she develops and executes multi-faceted<br />
communication programs related to salary and incentive pay, performance management, employee and<br />
leadership development, employee satisfaction surveys, and talent recruitment.<br />
Morag holds a Certified Employee Benefits Specialist (CEBS) designation and has been an accredited<br />
member <strong>of</strong> the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators (<strong>IABC</strong>) since 2008. Her work has<br />
been honoured by the Benefits Canada Communications Awards, <strong>IABC</strong>/<strong>International</strong>’s Gold Quill Awards,<br />
<strong>IABC</strong>/<strong>Toronto</strong>’s Ovation Awards, and CPRS/<strong>Toronto</strong>’s ACE Awards.<br />
Marie Fitzpatrick-Hall, ABC, Manager, Corporate Marketing and Promotions, City <strong>of</strong> Mississauga<br />
Marie handles corporate marketing and promotions for the City <strong>of</strong> Mississauga and helps internal and<br />
external clients surpass their communication goals. With stints at the Canadian Press and Global TV, by<br />
26, she was TV anchor/producer for a CTV News affiliate. She then worked for some <strong>of</strong> <strong>Toronto</strong>’s biggest<br />
brands, directing marketing and communications for leading companies. Marie is an accredited business<br />
communicator, holds a Bachelor <strong>of</strong> Arts in Broadcast Journalism and a certificate in Public Relations from<br />
Ryerson University. She is Vice President <strong>of</strong> Volunteer Services for <strong>IABC</strong>/<strong>Toronto</strong>, founding Director <strong>of</strong><br />
Communications & Marketing for the Mississauga Wolverines Basketball <strong>Association</strong> and writes a<br />
business communications column for the Mississauga Board <strong>of</strong> Trade magazine.<br />
Cheryl Fletcher, ABC, Senior Manager, Internal Communications, RBC Insurance<br />
As Senior Manager, Internal Communications at RBC Insurance (part <strong>of</strong> Royal Bank <strong>of</strong> Canada), Cheryl<br />
is responsible for employee and leadership communications for the organization’s 4,000 employees<br />
around the globe, as well as the corporate intranet for that business. In her 16 years with RBC, Cheryl<br />
has held a variety <strong>of</strong> communications positions?, including several years in the company’s Organizational<br />
Change Communications team, working on major change projects such as restructures and divestitures.<br />
Prior to joining RBC, Cheryl was manager, Public Relations at Rogers Cantel (now Rogers Wireless). She<br />
earned her ABC in 2010 and is co-author <strong>of</strong> the <strong>IABC</strong> manual “The Complete Guide to Integrated Change<br />
Communication: Best Practices for Major Announcements”.<br />
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Nancy Gale, ABC, Director, Strategic Communications and Public Relations, Mississauga Halton<br />
Community Care Access Centre (CCAC)<br />
Nancy Gale is the Director <strong>of</strong> Strategic Communications and Public Relations at the Mississauga Halton<br />
Community Care Access Centre that serves over 1-million citizens in the communities <strong>of</strong> Mississauga,<br />
South Etobicoke, Halton Hills, Georgetown and Milton, connecting discharged hospital patients, citizens<br />
and caregivers in the community with health and community support services. Nancy has spent more<br />
than 20 years in the communications field, from all aspects <strong>of</strong> corporate communications, including media<br />
relations, issues and crisis management and marketing communications. Her experience spans both<br />
private and public sector. She was director <strong>of</strong> marketing communications for BCE Nexxia, director <strong>of</strong><br />
communications at Trillium Health Centre, industry marketing manager for the heath and education<br />
sectors and the head <strong>of</strong> corporate communications for Canada’s largest public school board. An<br />
accredited ABC from the <strong>IABC</strong> Accreditation college, she is a recipient <strong>of</strong> two <strong>IABC</strong> Ovation Awards and a<br />
Marketing Excellence Award from BCE.<br />
John Gemmell, Web Communications Specialist, Barrick Gold Corporation<br />
Leslie Hetherington, APR, MBA, Principal, LASH Communications Group<br />
Leslie is an award-winning, versatile communicator and quick study with more than 20 years agency and<br />
client-side experience in PR, marketing and technical communications for diverse sectors. As an<br />
independent consultant, she conceives and delivers integrated marketing communications and PR<br />
strategies to meet various clients’ external communication needs. Leslie was <strong>IABC</strong>/<strong>Toronto</strong>’s president<br />
for 2008/2009 – a year for which the chapter earned 11 Chapter Management Awards, as well as <strong>IABC</strong>’s<br />
<strong>International</strong> Chapter <strong>of</strong> the Year. She has also won <strong>IABC</strong> OVATION and CPRS (<strong>Toronto</strong>) ACE awards,<br />
as well as Packaging <strong>Association</strong> <strong>of</strong> Canada awards. Leslie earned her APR designation in 2002 and has<br />
an MBA in PR and Communications Management from Royal Roads University.<br />
Nandy Heule, MA, ABC, Director, Communications & Resource Development; Principal, Heule<br />
Communications, Senior Peoples Resource in North <strong>Toronto</strong> (SPRINT)<br />
At SPRINT, Nandy is responsible for all external and internal communication programs, including grant<br />
development and proposal writing for a wide range <strong>of</strong> funders. Her consulting clients include the<br />
<strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Analysts, a Michigan-based airline, and several non-pr<strong>of</strong>its. She is a<br />
board member <strong>of</strong> Oikocredit Canada Central, an international micr<strong>of</strong>inance lender based in the<br />
Netherlands.<br />
Trell Huether, Account Director, Advantis Communications<br />
Trell Huether is an experienced communications practitioner with more than 10 years <strong>of</strong> agency<br />
experience. He specializes in strategic communications planning, project management and media<br />
relations. From opening large-scale entertainment venues to launching national campaigns to hosting<br />
media in foreign countries, Trell has worked closely with business, trade and consumer media across<br />
North America. Additionally, he has served as the national media relations contact for several<br />
organizations. A well-known volunteer in the <strong>Toronto</strong> communications community, he is currently<br />
<strong>IABC</strong>/<strong>Toronto</strong>’s Executive Vice President and he will step into the role <strong>of</strong> President in July 2011. In his<br />
previous work with the organization, he has led three chapter portfolios, Marketing Communications,<br />
Volunteer Services and Awards.<br />
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Mary-Ellen Hynd, MBA, Social Responsibility Strategist and Educator, Mary-Ellen Hynd &<br />
Associates<br />
Mary-Ellen Hynd, MBA, specializes in moving ideas to meaningful action. She works with organizations <strong>of</strong><br />
all types and sizes across the corporate and nonpr<strong>of</strong>it sectors providing research, education, stakeholder<br />
engagement, strategy and communication solutions to support the integration and implementation <strong>of</strong><br />
social responsibility.<br />
Mary-Ellen represented <strong>IABC</strong> <strong>International</strong> as one <strong>of</strong> 400 + global stakeholders contributing to the<br />
development <strong>of</strong> the ISO 26000 international standard for social responsibility and is a member <strong>of</strong> the<br />
Canadian Advisory Committee for Social Responsibility. She teaches on the topic <strong>of</strong> CSR/Sustainability at<br />
Nipissing University and Humber College and was the inaugural chair <strong>of</strong> <strong>IABC</strong>/<strong>Toronto</strong>’s Social<br />
Responsibility Committee.<br />
Sue Johnston, MBA, ABC, IAC-CC, Head Coach, It's Understood Communication, Inc.<br />
Since 2004, Sue has been helping managers and project teams develop their workplace communication<br />
skills as Head Coach at It's Understood Communication. She is currently on assignment as acting<br />
Manager, Marketing & Communication at Unity Life/Foresters. Before establishing It's Understood, she<br />
served as Manager, Employee Communication at TD Bank, held senior communication roles in Public<br />
Affairs and Operations/Technology at BMO and was Senior Communication Specialist with Aardvark<br />
Communications (Bermuda) and Director for Development with the Bermuda National Trust. Sue is based<br />
in Waterloo, Ontario and is incoming president <strong>of</strong> <strong>IABC</strong> Grand Valley.<br />
Corinne LaBossiere, ABC, APR, CGL Communications<br />
Corinne LaBossiere, ABC, APR, is an experienced communications specialist with more than two<br />
decades <strong>of</strong> experience planning and implementing communications, marketing and public relations<br />
strategies for diverse clients. After working in public relations and marketing for a corporation, marketing<br />
board, pr<strong>of</strong>essional service firm and an agency, Corinne launched her own consulting practice, CGL<br />
Communications. She and her network <strong>of</strong> associates develop targeted communication strategies and<br />
content that enable organizations to build awareness, credibility and influence. Corinne is also an awardwinning<br />
writer with experience in diverse media. Her clients include non-pr<strong>of</strong>its, small businesses,<br />
pr<strong>of</strong>essional service firms and global corporations. Believing that a strong non-pr<strong>of</strong>it sector builds healthy<br />
communities, for many years Corinne has also served as a volunteer and board member with numerous<br />
charities and pr<strong>of</strong>essional associations, including <strong>IABC</strong>. She is also the author <strong>of</strong> The Successful<br />
Communication Consultant: A Guide to Starting or Improving your Consulting <strong>Business</strong>, published by<br />
<strong>IABC</strong>.<br />
Jo Langham, ABC, Senior Vice President & General Manager, Thornley Fallis Communications<br />
Jo Langham, ABC, is a senior communications practitioner with 20+ years experience in agency and<br />
consulting environments and has an award-winning reputation for planning and leading innovative, highimpact<br />
strategic communications campaigns that consistently meet evaluation metrics and maximize<br />
client-value. She is a trusted strategic advisor to senior management including providing counsel on<br />
communications for business issues and crises. Jo is currently Senior Vice President and General<br />
Manager <strong>of</strong> Thornley Fallis Communications’ <strong>Toronto</strong> <strong>of</strong>fice. Jo is an accredited member <strong>of</strong> <strong>IABC</strong>. She<br />
was a member <strong>of</strong> the board <strong>of</strong> <strong>IABC</strong>/<strong>Toronto</strong> for nine years, and was President in 2001/2002. In 2007 Jo<br />
joined <strong>IABC</strong>’s Accreditation Council as Director <strong>of</strong> Examiners. She has judged awards at the local,<br />
national and international levels for <strong>IABC</strong>, CPRS and the CMA.<br />
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Anna Larson, ABC, Communications Specialist, Halton Region<br />
Anna Larson joined Halton Region as a Communications Specialist in 2008. At the Region, she works<br />
with clients to develop and implement innovative communication strategies. Prior to joining the Region,<br />
Anna held a number <strong>of</strong> senior communications posts including Director, Public Affairs and<br />
Communications with the Centre for the Financial Services OmbudsNetwork, Director <strong>of</strong> Communications<br />
and Special Events with The Boston Consulting Group (BCG) and media relations <strong>of</strong>ficer and<br />
speechwriter with the Ontario Ministry <strong>of</strong> Economic Development and Trade. Anna graduated from the<br />
University <strong>of</strong> Western Ontario with a Master <strong>of</strong> Library Science, and received a B.A. (French and German)<br />
from the University <strong>of</strong> <strong>Toronto</strong>. She earned her accreditation (ABC) from the <strong>International</strong> <strong>Association</strong> <strong>of</strong><br />
<strong>Business</strong> Communicators in 2009. Anna served as a Board Member with the Oakville Public Library<br />
Board from 2007 until 2011, the last two years as Chair.<br />
Ellen Leesti, ABC, Communications, <strong>Toronto</strong> Water, City <strong>of</strong> <strong>Toronto</strong><br />
Ellen Leesti is an award-winning communicator with more than a decade in the field. Currently she is with<br />
the City <strong>of</strong> <strong>Toronto</strong>, supporting <strong>Toronto</strong> Water's communications and public education needs. Ellen's<br />
experience also includes public relations and investor relations agencies where she managed media<br />
relations, issues management, special events and employee relations for a diverse range <strong>of</strong> high pr<strong>of</strong>ile<br />
clients.<br />
Andrea Lekush<strong>of</strong>f, MBA, President, Broad Reach Communications<br />
Andrea is the president and founder <strong>of</strong> Broad Reach Communications, a full-service communications<br />
agency that starts from the premise that by giving clients access to the best and most experienced<br />
consultants in the marketplace, great results will be achieved together. She brings with her two decades<br />
<strong>of</strong> senior marketing and communications experience with global consultancies, public relations agencies,<br />
venture capital companies and government agencies. Prior to establishing Broad Reach, Andrea was a<br />
strategy consultant with Deloitte Consulting and a public relations consultant with two mid-size <strong>Toronto</strong>based<br />
agencies. She also spent four years in the press <strong>of</strong>fice at the Canadian Embassy in Washington,<br />
D.C., where she advanced Canadian policy interests. Andrea climbed Mount Kilimanjaro in 2004, holds<br />
an MBA from the Richard Ivey School <strong>of</strong> <strong>Business</strong>, and is fluent in English and French.<br />
Judy Lewis, Co-founder and Executive Vice President, Strategic Objectives<br />
Judy Lewis is the Co-founder and Executive Vice President <strong>of</strong> Strategic Objectives, one <strong>of</strong> Canada’s<br />
leading public relations firm. A highly respected communications and public relations specialist, Judy<br />
provides strategic senior counsel to many <strong>of</strong> Canada’s leading companies and organizations. Her<br />
proactive public relations and social influence strategies and solutions-driven communications advance<br />
market position, brand strength, positive media pr<strong>of</strong>ile and public reputation. Judy and the team at<br />
Strategic Objectives have won more than 100 prestigious top national and international awards, including<br />
the United Nations Grand Award for Outstanding Achievement in Public Relations. Originally from<br />
Montreal and a graduate <strong>of</strong> McGill University, Judy is a member <strong>of</strong> Canada’s Top 100 List <strong>of</strong> Women’s<br />
<strong>Business</strong> Owners and has been honoured with the Queen’s Golden Jubilee Medal.<br />
Brigette Kocijancic, ABC, Director, Communications & Public Affairs, CIBC<br />
Brigette Kocijancic, ABC, is an internationally accredited, senior communications executive with 15 years<br />
experience driving global teams, and providing effective communications, reputation and transition<br />
management counsel to senior financial services leaders.<br />
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As VP, Accreditation & Pr<strong>of</strong>essional Standards for <strong>IABC</strong>/<strong>Toronto</strong>, she oversees the chapter's<br />
Accreditation College, OVATION awards judging and provides ethical governance. Brigette also<br />
frequently speaks at industry conferences on the topics <strong>of</strong> change communications and measurement.<br />
Over her pr<strong>of</strong>essional career, Brigette has led global communications strategy for organizations such as<br />
Intesa Bank Canada (now HSBC), Scotiabank and RBC Dexia Investor Services. She is currently<br />
Director, Communications & Public Affairs at CIBC.<br />
Carrie MacAfee, Communications Specialist, Ontario Power Generation<br />
Carrie MacAfee is <strong>IABC</strong>/Chapter President for 2010/11 and has been enthusiastic about volunteering<br />
since joining <strong>IABC</strong> in 2000. During her day job, she develops and delivers strategic employee<br />
communication at Ontario Power Generation. As an award-winning communicator with both an<br />
<strong>IABC</strong>/<strong>Toronto</strong> OVATION and <strong>IABC</strong> Gold Quill award, Carrie is enthused about using her communication<br />
and project management skills to build understanding, discover new solutions and improve processes.<br />
Karen Madho, Specialist, Government Relations, CNIB<br />
Karen Madho is Director for the Advertising for <strong>IABC</strong>/<strong>Toronto</strong>’s e-Lert and Communicator. She is an<br />
enthusiastic public affairs pr<strong>of</strong>essional with over twelve years <strong>of</strong> experience in the not-for-pr<strong>of</strong>it sector.<br />
Her expertise includes special events planning, proposal writing, and organizing grass-roots campaigns.<br />
She holds an Honours BA from York University and a post-graduate diploma from Seneca’s Corporate<br />
Communications Program.<br />
Mary Jane Martin, MS, APR, Principal, MJ Martin & Company<br />
Mary Jane Martin is a communication management consultant specializing in corporate and internal<br />
communication. Clients include financial service and technology companies, government ministries and<br />
agencies and healthcare organizations. A winner <strong>of</strong> a number <strong>of</strong> national awards in writing and<br />
communication planning, she has a Master’s <strong>of</strong> Science degree in Communication Management from<br />
Syracuse University. Mary Jane has been a public relations instructor at Ryerson University, Humber and<br />
Centennial College and has been a judge for a number <strong>of</strong> awards programs including the Ovation Awards<br />
and the Gold Quill.<br />
Cyrus Mavalwala, ABC, Founding Partner, Advantis Communications<br />
Cyrus Mavalwala, ABC, has been helping organizations achieve their business objectives for nearly two<br />
decades. An award-winning PR practitioner and speaker, Cyrus has traveled the U.S., Europe and<br />
Canada while on assignment. He has also been voted “the best dad in the whole wide world” by his son<br />
and daughter. As the founder <strong>of</strong> Advantis Communications (www.advantiscomm.com), Cyrus leads a<br />
passionate team <strong>of</strong> experts that specialize in traditional, digital and social PR and marketing.<br />
As a co-founder <strong>of</strong> Act Like An Agency, Cyrus trains corporate communications teams to become trusted<br />
advisers within their organization. At <strong>IABC</strong>, Cyrus has been invited to speak at World Conferences, the<br />
Leadership Institute and chapter events. He judges local, national and international awards and has also<br />
judged on the Gold Quill Blue Ribbon Panel. He also volunteers as <strong>IABC</strong>/<strong>Toronto</strong>’s VP <strong>of</strong> Advertising and<br />
Sponsorship. For more details, view his Linkedin pr<strong>of</strong>ile at www.linkedin.com/in/cyrusmavalwala.<br />
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Wendy McLean-Cobban, CMP, ABC, Manager, Communications & Regional Programs, The<br />
Canadian Payroll <strong>Association</strong><br />
Wendy has over 14 years experiences as a communications, marketing and events pr<strong>of</strong>essional working<br />
in both the financial and association sectors. She is currently working on her Masters <strong>of</strong> Communications<br />
Management (MCM) at McMaster University. She received her undergraduate degree from the University<br />
<strong>of</strong> Guelph and Public Relations Certificate from Ryerson Polytechnic University. Wendy also holds both<br />
the Accredited <strong>Business</strong> Communicator (ABC) and Certified Meeting Pr<strong>of</strong>essional (MPI) accreditations.<br />
Pat McNamara, APR, CEO, APEX Public Relations Inc.<br />
Pat founded APEX Public Relations in 1998 and has built a strong consulting team and a roster <strong>of</strong> blue<br />
chip clients. As a manager with over 25 years experience, she currently oversees the operations <strong>of</strong><br />
APEX. She has counseled several leading corporations such as Bank <strong>of</strong> Montreal, Coca-Cola, Fuji,<br />
Jergens, Kellogg’s, Levi Strauss & Co., Nike, Samsung and UPS.<br />
A recipient <strong>of</strong> national and local recognition awards (including the CPRS Award <strong>of</strong> Attainment, Mentor<br />
Recognition Award and PR Pr<strong>of</strong>essional <strong>of</strong> the Year), Pat has also been recognized as one <strong>of</strong> Canada’s<br />
Top 100 Women <strong>Business</strong> Owners eight years running. She was founding Chair <strong>of</strong> the Canadian Council<br />
<strong>of</strong> PR Firms and continues to be an active member; is a Fellow <strong>of</strong> the Canadian Public Relations Society<br />
and a member <strong>of</strong> the PRSA’s Counselors Academy. Pat actively participates in volunteer work for Dixon<br />
Hall and George Brown College.<br />
Kelly Mills, Manager, Communications & Marketing, Safe Kids Canada<br />
Kelly Mills is a strategic and seasoned communications leader with expertise in all facets <strong>of</strong><br />
communications as well as marketing, government relations and fund development. Kelly has held a<br />
variety <strong>of</strong> positions in public, corporate and not-for-pr<strong>of</strong>it organizations, including: Esso, Shell, Manulife<br />
Financial, The University <strong>of</strong> Western Ontario, Sir Sandford Fleming College, Osteoporosis Canada and<br />
Safe Kids Canada, the national injury prevention program <strong>of</strong> the Hospital for Sick Children. Kelly also ran<br />
her own firm Choice Words Communications for several years while living in Peterborough, serving both<br />
local and <strong>Toronto</strong>-based clients. Kelly has also lent her pr<strong>of</strong>essional expertise as a volunteer with several<br />
not-for-pr<strong>of</strong>it organizations. She also served as the President <strong>of</strong> the Board for 4th Line Theatre, helping to<br />
earn the theatre a provincial sustainability award. An <strong>IABC</strong> member since 1985, Kelly <strong>of</strong>ten hires student<br />
interns and truly enjoys coaching new recruits to the field <strong>of</strong> communications.<br />
Michela Pasquali, ABC, Writer, Editor, Communications Consultant, www.mpasquali.com<br />
Michela loves writing. She spent 15 years writing and editing for newspapers, magazines, and corporate<br />
communications, and is now a freelance writer and editor. She spends most days composing Web copy,<br />
white papers, articles, press releases, and a whole host <strong>of</strong> other things for corporate clients. Michela<br />
regularly volunteers with <strong>IABC</strong>, <strong>IABC</strong>/<strong>Toronto</strong> and the Green Party <strong>of</strong> Canada, and she helps other<br />
people learn about writing well through her blog, How to Write a Great Story<br />
(http://www.mpasquali.com/blog/). She also writes short stories and is finishing her first novel. When not<br />
sitting at her computer, you can find Michela with her husband at Home Depot, stocking up on supplies<br />
for their never-ending home “restoration” project, or playing with their 2 1/2 year old son, Rowan, at<br />
playgrounds on the Danforth.<br />
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Anna Relyea, BA, MA, Director, Strategic Communications, Ontario Science Centre<br />
Anna Relyea was a business journalist before starting her diverse career in public relations and corporate<br />
communications more than 20 years ago. She contributed to successful PR agency campaigns in the<br />
travel and aerospace sectors before setting up the communications department at National Trust and<br />
developing communications programs at CIBC. Anna progressed to Heinz Canada where she spent<br />
seven years working on many aspects <strong>of</strong> corporate image building, marketing communications, media<br />
and government relations, issues management and crisis communications. Now Director, Strategic<br />
Communications, at the Ontario Science Centre, Anna is leading a strategic communications program to<br />
advance the Centre’s image and pr<strong>of</strong>ile in the marketplace. She earned her B.A. and M.A. as well as a<br />
Certificate in Public Relations Procedures from the University <strong>of</strong> <strong>Toronto</strong>. Anna is an active member <strong>of</strong><br />
the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators (<strong>IABC</strong>) and is a member <strong>of</strong> the board <strong>of</strong> <strong>IABC</strong>’s<br />
Canada East Region.<br />
Natasha Renaud, Ms Communications, MBA, Director, Corporate Communications & Social<br />
Responsibilities, Grand & Toy<br />
Natasha's current responsibilities in addition to communication, include managing G&T's sustainability<br />
strategy and setting the priorities for the organization. She is a trained executive coach and she support<br />
leaders in bringing their vision to life.<br />
Roberta Resnick, ABC, APR, MC, <strong>IABC</strong> Fellow, CPRS Honorary Fellow, Principal, Roberta Resnick<br />
& Associates<br />
Roberta (Bobbie) Resnick gained her experience in public relations, starting in 1957, with Zurich<br />
Insurance Company and Morton <strong>International</strong> (salt and chemicals) <strong>of</strong> Chicago; sales communications with<br />
SmithKline Pharmaceuticals in Philadelphia; and between 1972 and 1985, all aspects <strong>of</strong> corporate and<br />
targeted communication for Libby’s and Nestlé <strong>of</strong> Canada in <strong>Toronto</strong>. An independent consultant in<br />
<strong>Toronto</strong> for the past 26 years, Bobbie has specialized in HR communication <strong>of</strong> employee policies and<br />
procedures and employee handbooks/managers’ guideline manuals -- in addition to marketing/sales<br />
materials -- for organizations in such diverse fields as chemical and industrial production, health care,<br />
consumer package goods, the financial industry, computers and transportation.<br />
During this time, she also presented communication skills seminars for pr<strong>of</strong>essional groups and client<br />
organizations and taught employee and marketing communication, among other subjects, in Corporate<br />
Communications/Public Relations programs for <strong>IABC</strong> around the world and in formal programs at Seneca<br />
and Centennial colleges and Ryerson University in <strong>Toronto</strong>.<br />
Linda Sadlowski, ABC, Manager, Enterprise Employee Communications, Royal Bank <strong>of</strong> Canada<br />
Linda's career in corporate communications has enabled her to lead initiatives in organizational change,<br />
crisis communications and external PR. She is now using her journalism background in global employee<br />
communications with a focus on online engagement. Her passion is writing. She enjoys coming<br />
alongside people and business groups to tell their stories to help them achieve their objectives and be a<br />
catalyst for positive change. She thanks her dad for noticing her interest in books and writing in grade 1<br />
and for being her first writing coach, and her mom for encouraging her to pursue her dreams.<br />
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Tamara T. Smith, MBA, ABC, Vice President, Marketing and Consumer Affairs, Financial Planning<br />
Standards Council<br />
With over 15 years <strong>of</strong> marketing communications expertise, Tamara Smith is a visionary communicator<br />
with a proven track record <strong>of</strong> innovation through collaboration. Since 2008, Tamara has been VP,<br />
Marketing and Consumer Affairs with Financial Planning Standards Council (FPSC), championing FPSC’s<br />
vision to see Canadians improve their lives by engaging in financial planning.<br />
Tamara is an ambassador for financial planning literacy, particularly with respect to raising Canadians’<br />
awareness <strong>of</strong> the value <strong>of</strong> financial planning and the importance <strong>of</strong> competent, ethical advice. To<br />
accomplish this goal, Tamara was a driving force behind establishing Canada’s first-ever Financial<br />
Planning Week. A sought-after media spokesperson, Tamara has appeared on BNN and CBC Radio and<br />
been quoted in Canada’s national newspapers; she is also a regular speaker and panelist at industry<br />
conferences. Prior to joining FPSC, Tamara’s career spanned both agency and client-side businesses<br />
specializing in consumer packaged goods, financial services and retail industries.<br />
Jacqueline Taggart, ABC, Senior Consultant, Communication & Change Management, Towers<br />
Watson<br />
A passionate advocate for effective communication and change management within organizations, Jackie<br />
is responsible for the strategic development and implementation <strong>of</strong> communication programs for a diverse<br />
range <strong>of</strong> client needs, encompassing training and development, program education and appreciation,<br />
organizational change, and crisis management. Jackie has more than 20 years <strong>of</strong> experience leading<br />
and supporting communication and change initiatives. She applies her expertise to all areas <strong>of</strong> Towers<br />
Watson’s consulting services, including retirement, health and wellness, rewards and compensation,<br />
human resource strategy and organizational effectiveness. She regularly works with clients in the public<br />
and private sector, as well as not-for-pr<strong>of</strong>it organizations. Prior to spending the last ten years in<br />
consulting, Jackie worked in marketing in the financial services sector as the Director, Integrated Services<br />
for a large Canadian insurance company and as the Manager, Communications global securities<br />
borrowing and settlement systems for Reuters Canada.<br />
Karen Traboulay, ABC, MBA, BA, Senior Communications Executive<br />
A performance driven senior communications pr<strong>of</strong>essional with a proven track record in shaping<br />
communication strategies. An expert in creating directing communication programs and engaging<br />
employees. A pr<strong>of</strong>icient relationship manager with the ability to influence perceptions, foster strategic<br />
alliances and build consensus. A seasoned project manager, experienced from conception to<br />
implementation through team development and leadership. An efficient budget planner and manager,<br />
comfortable with budget limitations, deadlines and high pressure situations.<br />
Catherine White, Senior Marketing Specialist, Willis Energy Services<br />
Pulling on her experience working in the private and public sectors, Catherine asks the right questions to<br />
translate business objectives into effective marketing strategies and tactics. She has a passion for<br />
helping companies develop strong brands. To deepen employees understand <strong>of</strong> a branding initiative, she<br />
created a YouTube-type video gallery by capturing employees talking about their brand-right success<br />
stories. She also acted as the project lead for the brand transition following a merger and acquisition.<br />
Beyond branding, Catherine has experience in developing and implementing external and internal<br />
marketing communications programs.<br />
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Gal Wilder, ABC, Account Group Director, Cohn & Wolfe<br />
Gal is a seasoned communicator whose pr<strong>of</strong>essional experience includes working with and providing<br />
communication, public relations and reputation management counsel to many well known organizations<br />
across various industry sectors, both in Canada and abroad. Gal holds an Accredited <strong>Business</strong><br />
Communicator designation (ABC) from the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators. His<br />
successful track record in leading a variety <strong>of</strong> domestic and globally-aligned media relations campaigns<br />
earned him industry awards and recognition from pr<strong>of</strong>essional associations and global communication<br />
networks.<br />
Janet Wile, ABC, APR, MC, FCPRS, Director, Internal Communications, Barrick Gold Corporation<br />
Janet has more than 20 years <strong>of</strong> experience in the communications field, including roles in corporate,<br />
agency and government organizations. Accredited by both <strong>IABC</strong> and the Canadian Public Relations<br />
Society (CPRS), she was named Master Communicator in 2007 -- <strong>IABC</strong> Canada's highest honor. She is<br />
an Examiner for the Accreditation program, and a member <strong>of</strong> the Master Communicator Selection<br />
Committee. She has won more than 30 pr<strong>of</strong>essional awards in the past decade, including Ovation, Silver<br />
Leaf, and Gold Quill. She has been a frequent judge for local, national and international communications<br />
award programs, and served on the Blue Ribbon Panel for <strong>IABC</strong> Gold Quill Awards in 2006.<br />
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Bobbie Resnick Philanthropy Award Judges<br />
Priya Bates, ABC, MC<br />
Senior Director, Internal Communications<br />
Loblaw Companies Limited<br />
Carrie MacAfee<br />
Communications Specialist<br />
Ontario Power Generation<br />
Roberta Resnick, ABC, APR, MC, <strong>IABC</strong> Fellow, CPRS Honorary Fellow<br />
Principal<br />
Roberta Resnick & Associates<br />
<strong>IABC</strong>/<strong>Toronto</strong> Student <strong>of</strong> the Year Judges<br />
Sharon Beattie<br />
Communications Specialist - Corporate Marketing<br />
S<strong>of</strong>tchoice<br />
Claire DeVeale-Blane<br />
Communications Manager<br />
<strong>Toronto</strong> Region Immigrant Employment Council (TRIEC)<br />
Katie O’Dell<br />
Consultant<br />
Environics Communications Inc.<br />
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President<br />
Carrie MacAfee<br />
Immediate Past President<br />
Brent Carey, ABC<br />
Executive Vice President<br />
Trell Huether<br />
2010/2011 <strong>IABC</strong>/<strong>Toronto</strong> Executive Board<br />
Vice President, Accreditation & Standards<br />
Brigette Kocijancic, ABC<br />
Vice President, Advertising & Sponsorship<br />
Cyrus Mavalwala, ABC<br />
Vice President, <strong>Association</strong> Management<br />
Linda Andross, ABC<br />
Vice President, Awards<br />
Katie O’Dell<br />
Vice President, Finance<br />
Natasha Renaud, MBA, MS Mass Comm<br />
Vice President, Marketing Communications<br />
Christine Andrew, MBA<br />
Vice President, Membership<br />
Sharon Beattie<br />
Vice President, Networking & Special Events<br />
Amanda Flude<br />
Vice President, Pr<strong>of</strong>essional Development<br />
Louise Armstrong<br />
Vice President, Volunteer Services<br />
Marie Fitzpatrick-Hall, ABC, BAA<br />
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Katie O’Dell<br />
VP Awards<br />
Consultant<br />
Environics Communications<br />
Directors<br />
Melissa Lee<br />
Director <strong>of</strong> Gala<br />
Consultant<br />
Kathy Salazar<br />
Co-Director <strong>of</strong> Materials<br />
Manager, Corporate Communications &<br />
Media Relations<br />
Compass Group Canada<br />
Lindsay Turner<br />
Co-Director <strong>of</strong> Materials<br />
Internal Communications Manager<br />
Loblaw Companies<br />
Beverly Fairclough<br />
Director <strong>of</strong> Marketing<br />
Consultant<br />
Michael Miller<br />
Director <strong>of</strong> Sponsorship<br />
Manager, Marketing and<br />
Communications<br />
Markel Insurance Company <strong>of</strong> Canada<br />
Awards<br />
Lindsey Cavanagh<br />
Consultant<br />
Robert McKenzie<br />
Assistant Program Coordinator<br />
The Advantage Group <strong>International</strong> Inc.<br />
Claire DeVeale-Blane<br />
Communications Manager<br />
<strong>Toronto</strong> Region Immigrant Employment<br />
Council (TRIEC)<br />
2011 OVATION Awards Committee<br />
208<br />
Gala<br />
Kate Blackwell<br />
Communications Coordinator<br />
Central Local Health Integration Network<br />
(LHIN)<br />
June Too<br />
Communications Advisor<br />
Independent Electricity System Operator<br />
(IESO)<br />
Emily Gayle Aitken<br />
Independent Strategic Communications<br />
Consultant<br />
Rob Hanson<br />
President<br />
Interact Productions<br />
Ken Anjo<br />
Student<br />
Seneca College<br />
Alisha Manion<br />
Student<br />
Centennial College<br />
Marketing<br />
Stephen Derksen<br />
Communications and Marketing Coordinator<br />
Canada Mortgage and Housing Corporation<br />
Shawn Griffiths<br />
Consultant, Marketing and Communications<br />
Canada Mortgage and Housing Corporation<br />
Kaitlin Hazen<br />
Account Coordinator<br />
Environics Communications<br />
Katherine Kolenchuk<br />
Web/Marketing Coordinator<br />
USC Education Savings Plans Inc.
Jill Noble<br />
Consultant, Marketing and Communications<br />
Canada Mortgage and Housing Corporation<br />
Materials<br />
Denise Barnard<br />
PR Consultant<br />
PartyLite Gifts, Ltd.<br />
Taylor Ferri<br />
Humber PR Student / Intern<br />
Southlake Regional Health Centre<br />
Tanya Elliott-Briden<br />
Vice President<br />
APEX Public Relations Inc.<br />
Samuel Dunsiger<br />
Freelance Writer<br />
Anna Weigt-Bienzle<br />
Student<br />
Sponsorship<br />
Jodi Smith<br />
Communications Assistant<br />
The Humphrey Group<br />
209
About Us<br />
As the largest chapter <strong>of</strong> the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communic ators,<br />
we provide access to products, services, activities and networking opportuni ties in<br />
<strong>Toronto</strong> and around the world. We help people and organizations achieve exce llence<br />
in corporate communications, public relations, employee communication, mar keting<br />
communication, public affairs and other forms <strong>of</strong> communica tion.<br />
Visit http://toronto.iabc.com/awards for more information on the OVATION Awards.<br />
Join Us<br />
<strong>IABC</strong>, the <strong>International</strong> <strong>Association</strong> <strong>of</strong> <strong>Business</strong> Communicators, is a global net work<strong>of</strong> communications<br />
practitioners committed to improving organizational effectiv eness through strategic communications. With<br />
more than 100 chapters, <strong>IABC</strong> serves more than 16,500 members in over 70 countries and 10,000<br />
organizations. <strong>IABC</strong>/<strong>Toronto</strong>, the largest chapter in the world, is the leading resource for effective<br />
communi cation practice for its more than 1,650 members.<br />
Once you join <strong>IABC</strong>, you immediately gain access to a wide variety <strong>of</strong><br />
services designed to enhance your pr<strong>of</strong>essional development and your<br />
role as a communicator.<br />
<strong>IABC</strong>/<strong>Toronto</strong><br />
189 Queen Street East Suite 1<br />
<strong>Toronto</strong> ON M5A 1S2<br />
416.968.0264<br />
http://toronto.iabc.com<br />
E-mail: toronto-info@iabc.com<br />
<strong>IABC</strong> <strong>International</strong><br />
601 Montgomery Street, Ste 19 00<br />
San Francisco, CA 94111<br />
1.800.776.4222<br />
http://www.iabc.com<br />
service_centre@iabc.com<br />
facebook.com/<strong>IABC</strong>World<br />
twitter.com/iabc<br />
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