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The 2.5 clone papers - CCRMA

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100.0<br />

dBSPL<br />

MLS - Frequency Response 15-02-03 21.44.47<br />

90.0 108.0<br />

80.0 36.0<br />

70.0 -36.0<br />

60.0 -108.0<br />

50.0 -180.0<br />

300 1k 10k Hz 20k<br />

CH A dBSPL 1/3 Octave 51.2kHz 16K Rectangular Start 2.81ms Stop 5.45ms FreqLO 379.26Hz<br />

blue=left speaker red=right speaker sensitivity 2.83Vrms<br />

Fig.45. Freq. Response left and right speaker.<br />

Sensitivity at 1 meter, 2.83 Vrms, ~ 83 dB.<br />

For comparison here are fresh Rogers LS3/5a (11<br />

ohm version) frequency response curves, with and<br />

without front grille. A legendary loudspeaker with<br />

phase problems in the crossover region that today<br />

would make any home constructor ashamed of<br />

himself. I keep these shoeboxes to remind myself of<br />

not overemphasizing any single parameter in<br />

loudspeaker construction because they sound so<br />

good.<br />

100.0<br />

dBSPL<br />

CLIO<br />

MLS - Frequency Response 15-02-03 21.31.53<br />

90.0 108.0<br />

80.0 36.0<br />

70.0 -36.0<br />

60.0 -108.0<br />

50.0 -180.0<br />

300 1k 10k Hz 20k<br />

CH A dBSPL 1/3 Octave 51.2kHz 16K Rectangular Start 2.87ms Stop 5.53ms FreqLO 376.47Hz<br />

LS35A red:+front blue:-front<br />

Fig.46. Rogers LS3/5a, 11 ohm version, 1989.<br />

100.0<br />

dBSPL<br />

CLIO<br />

MLS - Frequency Response 15-02-03 21.51.31<br />

90.0 1.000<br />

80.0 0.600<br />

70.0 0.200<br />

60.0 -0.200<br />

50.0 -0.600<br />

300 1k 10k Hz 20k<br />

CH A dBSPL 1/3 Octave 51.2kHz 16K Rectangular Start 2.81ms Stop 5.66ms FreqLO 350.68Hz<br />

red=0 blue=10 green=20 purple=30<br />

Fig. 47. CO v3 horizontal response,<br />

0(red),10(blue),20(green)30 o (purple)<br />

CLIO<br />

180.0<br />

Deg<br />

180.0<br />

Deg<br />

1.400<br />

ms<br />

21<br />

Well, whether you choose v2 or v3 crossover you<br />

will get a great speaker in any case.<br />

Be sure to use the right component values in either<br />

case. <strong>The</strong> most important components are the<br />

capacitor in the LP section, 7.4 uF for v2 and 6.8 uF<br />

for V3, the coil in the HP section, 0.25 mH for v2 and<br />

0.22 mH for v3 and finally the capacitor in the LCR<br />

circuit, 3.3 uF for v2 and 2.2 uF for v3.<br />

I am very happy for the evaluation given by Darryl in<br />

Australia and with his permission, here are his<br />

comments:<br />

I finally got around to experimenting with resistor<br />

value increases in the notch filter, which you<br />

suggested might restore some of the "life" or<br />

"technicolour" sound to your latest (final?) crossover<br />

version.<br />

Increasing the resistor to 12 ohms does do this to<br />

some small extent I guess, but any greater value<br />

begins to re-introduce the upper midrange glare<br />

quite audibly (to my ears, anyway). All things<br />

considered, I still prefer the sound with the 10 ohm<br />

value, i.e. an optimally flat response in the 2 KHz<br />

area.<br />

I did find that reducing the resistor on the tweeter<br />

from 5.6 ohms back down to 5 ohms produced quite<br />

an improvement - I should have tried this before -<br />

and restored much of that distinctive Proac sound,<br />

more so than I would have expected. (With the<br />

standard (Jacq) crossover + notch filter, I preferred<br />

the 5.6 ohms you recommend.) Increasing the tweeter<br />

output in your latest crossover makes it a lot harder<br />

to choose between the two versions. Even with<br />

increased tweeter level, sibilance is still better<br />

controlled and the midrange sounds more realistic<br />

than it does with the Jacq version + notch filter. I<br />

think I'll stay with your latest version for the time<br />

being, albeit with slightly increased treble. That<br />

change has swung things the other way for me. It<br />

seems a good compromise in my system, and 90 per<br />

cent of the time it sounds wonderful.<br />

Incidentally, the listening tests I've been carrying out<br />

have been with a Dynaco PAS3X/Stereo 70 valve<br />

preamp and amp. I also have a Sugden C51/P51<br />

solid state combo, but it's off for repair at the<br />

moment.

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