RUSSIAN - Bloomsbury Auctions
RUSSIAN - Bloomsbury Auctions
RUSSIAN - Bloomsbury Auctions
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| Wednesday 29 October 2008<br />
Russian Literature & Art<br />
NY017<br />
<strong>RUSSIAN</strong><br />
Literature & Art<br />
Auction 29 October 2008<br />
New York
<strong>RUSSIAN</strong><br />
Literature & Art<br />
Sale NY017<br />
International Head of Books and Manuscripts<br />
Tom Lamb<br />
+1 646 454 8520<br />
tom.lamb@bloomsburyauctions.com<br />
Specialists in Charge<br />
Michael Patrick Hearn (Consultant)<br />
michael.hearn@bloomsburyauctions.com<br />
John Larson (Consultant)<br />
john.larson@bloomsburyauctions.com<br />
To be sold by auction at<br />
6 West 48th Street<br />
New York, NY 10036<br />
on Wednesday October 29 at 10 am<br />
Viewing beforehand on<br />
24 – 28 October from 10 –5 pm<br />
Closed Sundays<br />
Sales Administration<br />
Emily Kiernan
New York t + 1 212 719 1000<br />
Richard Austin<br />
Jeremy Markowitz<br />
Michael Patrick Hearn<br />
John Larson<br />
Peter Costanzo<br />
James Cummings III<br />
Charles Millet<br />
Stephen C. Massey<br />
London t + 44 20 7495 9494<br />
Dido Arthur<br />
Simon Luterbacher<br />
Roddy Newlands<br />
Justin Phillips<br />
David Stagg<br />
Michael Heseltine<br />
Rome t+ 39 06 679 1107<br />
Fabio Massimo Bertolo<br />
Silvia Ferrini<br />
Andrea Cappa<br />
Alessandra Signoretti<br />
International Book Departments<br />
Rupert Powell Managing Director<br />
Tom Lamb International Head of Books and Manuscripts<br />
New York Administration<br />
CEO-Americas<br />
Bernard Frelat<br />
Office Manager<br />
Bouba Guindo<br />
Sales Administration<br />
Emily Kiernan<br />
Mallory Jones<br />
Marketing<br />
Mikel Lubrano<br />
Anaïs Borja<br />
Specialists<br />
Photography<br />
Oliver Lei Han<br />
Client Services<br />
Elise Rossell<br />
Marta Pavlik<br />
Art Handler<br />
Eric Winkler<br />
Rebecca Escobar<br />
Shipping Administrator<br />
Danny Feratovic<br />
Eddy Feratovic<br />
New York Sales Schedule<br />
October 17 Photographs<br />
October 22 Vintage and Modern Posters<br />
October 29 Russian Literature and Art<br />
November 5 20th Century Prints<br />
November 11 Natural History<br />
Featuring the Charles Abbott Collection<br />
November 19 The Jay T. Snider Collection<br />
Featuring the History of Philadelphia and Important Americana<br />
December 2 Visual Arts and Bibliophile Sale<br />
December 4 The Ivan Collection of Russian Literature<br />
and Works on Paper<br />
The Property of a New York Collector<br />
December 10 Important Printed Books and Manuscripts,<br />
Literature and Americana
Conditions of Sale and Business<br />
1.(a) <strong>Bloomsbury</strong> <strong>Auctions</strong> Inc. trading as <strong>Bloomsbury</strong> <strong>Auctions</strong><br />
(“the Auctioneer”) sells as agent for the seller (except where<br />
otherwise stated) and as such is not responsible for any default by<br />
buyer or seller.<br />
(b) The Seller warrants to the Auctioneer and to the buyer that he<br />
is the true owner or is properly authorized to sell the property by<br />
the true owner and is able to transfer good and marketable title to<br />
the property free from any third party claims.<br />
2. (a) The highest bidder to be the buyer. If during the auction the<br />
Auctioneer considers that a dispute has arisen between bidders<br />
he has absolute authority to settle it or to re-offer the lot. The<br />
auctioneer may at his sole discretion determine the advance of<br />
bidding or refuse a bid, divide any lot, combine any two or more<br />
lots or withdraw any lot without prior notice.<br />
(b) Where goods are bought at auction by a buyer who has<br />
entered into an agreement with another or others that the other or<br />
others (or some of them) shall abstain from bidding for the goods<br />
and the buyer or other party or one of the other parties is a dealer,<br />
the buyer warrants that the goods are bought bona fide on a joint<br />
account.<br />
3. The buyer shall pay the price at which a lot is knocked down by<br />
the Auctioneer to the buyer (“the hammer price”) together with<br />
a premium of 20% of the first $300,000 of the hammer price and<br />
10% thereafter. The buyer shall also be responsible for the payment<br />
of all applicable sales taxes.<br />
4. (a) The buyer shall, upon the purchase, give in his name and<br />
permanent address together with proof of identity and pay to the<br />
Auctioneer the total sum due.<br />
(b) The buyer may be required to pay down during the course of<br />
the sale the whole or any part of the total sum due, and if he fails<br />
to do so after such request the lot or lots may at the Auctioneer’s<br />
absolute discretion be put up again and resold immediately.<br />
(c) Any lots which have not been collected in person by the buyer<br />
(or the agent for the buyer) within 5 working days of the sale will<br />
be transferred to our exclusive shipping department for handling.<br />
If the buyer does not wish to use <strong>Bloomsbury</strong> <strong>Auctions</strong> shipping<br />
for their shipping needs, <strong>Bloomsbury</strong> <strong>Auctions</strong> New York must<br />
be notified within 3 working days of the sale.<br />
(d) The buyer shall at his own expense take away any lot or<br />
lots purchased no later than five working days after the auction<br />
day. Any lot not picked up by the buyer within this time will be<br />
shipped to the buyer at buyer’s expense.<br />
(e) The Auctioneer may at his discretion agree credit terms with a<br />
buyer and extend the time limits for collection in special cases but<br />
otherwise payment shall be deemed to have been made only after<br />
the Auctioneer has received cash or a banker’s draft or the buyer’s<br />
check has been cleared.<br />
(f )In the event of late payment the Auctioneer reserves the right<br />
to charge the Buyer interests which shall accrue at the rate of 1.5<br />
% per month (or the highest rate allowed under applicable law,<br />
whichever is lower).<br />
5. (a) If the buyer fails to pay for or take away any lots pursuant<br />
to clause 4 or breaches any other condition of that clause the<br />
Auctioneer as agent for the seller shall be entitled after consultation<br />
with the seller to exercise one or other of the following rights:<br />
(i)Rescind the sale of that or any other lots sold to the buyer who<br />
defaults and re-sell the lot or lots whereupon the defaulting buyer<br />
shall pay to the Auction any shortfall between the proceeds of that<br />
sale after deduction of costs or re-sale and the total sum due. Any<br />
surplus shall belong to the seller.<br />
(ii) Proceed for damages for breach of contract.<br />
(b) Without prejudice to the Auctioneer’s rights hereunder if any<br />
lot or lots are not collected within five days or such longer period<br />
as the Auctioneer may have agreed otherwise, the Auctioneer<br />
may charge the buyer a storage charge up to $5.00 per lot per day<br />
for the first 8 working days and $10.00 per lot per working day<br />
thereafter.<br />
6. (a) Notwithstanding any other terms of these conditions, if<br />
within fourteen days of the sale the Auctioneer has received from<br />
the buyer of any lot notice in writing that in his view the lot is a<br />
deliberate forgery and within fourteen days after such notification<br />
the buyer returns the same to the Auctioneer in the same condition<br />
as at the time of the sale and satisfies the Auctioneer that considered<br />
in the light of the entry in the catalogue the lot is a deliberate<br />
forgery then the sale of the lot will be rescinded and the purchase<br />
price of the same refunded. “A deliberate forgery” means a lot<br />
made with intention to deceive.<br />
(b) A buyer’s claim under this condition shall be limited to any<br />
amount paid to the Auctioneer for the lot and for the purpose of<br />
this condition the buyer shall be the person to whom the original<br />
invoice was made out by the Auctioneer.<br />
7. Lots may be removed during the sale after full settlement in<br />
accordance with 4.d. hereof.<br />
8. All goods delivered to the Auctioneer’s premises will be<br />
deemed to be delivered for sale by auction unless otherwise stated<br />
in writing and will be catalogued and sold at the Auctioneer’s<br />
discretion and are accepted by the Auctioneer subject to all these<br />
conditions. By delivering the goods to the auctioneer for inclusion<br />
in his auction sales each seller acknowledges that he or it accepts<br />
and agrees to all conditions.<br />
9. (a) Unless otherwise instructed in writing all goods on the<br />
Auctioneer’s premises and in its custody will be held insured<br />
against the risk of fire, burglary, water damage and accidental<br />
breakage or damage for which insurance the Auctioneer will<br />
charge the Seller a premium of 1.5% of the applicable deemed<br />
value. The value of the goods so covered will be the hammer price,<br />
or in the case of unsold lots the best bid, or in the case of loss or<br />
damage prior to the sale the median of the pre-sale estimates.<br />
(b) The Auctioneer shall not be responsible for loss or damage<br />
to goods of any kind whether caused by negligence or otherwise<br />
unless goods are covered by insurance effected by the Auctioneer<br />
as provided for in clause 9.a. above.<br />
(c) Any liability of the Auctioneer for any claim arising from loss<br />
or damage of any kind in respect of goods whether caused by<br />
negligence or otherwise including any claims for conservation<br />
will be limited to the amount of insurance cover effected in accordance<br />
with the provisions of clause 9.b. above.<br />
10. The Auctioneer’s current standard notices and information<br />
will apply to any contract with the Auctioneer as if incorporated<br />
herein.<br />
11. The Auctioneer accepts no responsibility in connection with<br />
the commissioning of their staff to bid for any lots. Reserves and<br />
commissions given by telephone are accepted at sender’s risk<br />
and must be confirmed in writing before the date of the sale.<br />
<strong>Bloomsbury</strong> <strong>Auctions</strong> New York offers absentee and telephone<br />
bidding services as a convenience to our clients, and will do all in<br />
its power to execute bids correctly but will not be responsible for<br />
errors or failures to execute bids.<br />
12. Lots in which the auctioneer has an interest will be marked in<br />
the catalogue with a ◆.<br />
13. Please see the following limited warranty for warranty<br />
constraints.<br />
14. The rights and obligations of the parties as set forth above shall<br />
be governed by the laws of the State of New York. In the event of<br />
a dispute, all bidders and the purchaser expressly agree to submit<br />
themselves to the personal jurisdiction of the New York State<br />
Courts and their rules.<br />
Limited Warranty<br />
We warrant the authenticity and condition of each lot catalogued<br />
herein on the terms and conditions set forth below.<br />
1. Except as noted below, or unless otherwise indicated in the<br />
respective catalogue description, we warrant for a period of thirty<br />
(30) days from the date of sale to the original buyer of record,<br />
that each book or manuscript is complete in text and illustration<br />
and generally is in such physical condition as may reasonably be<br />
expected considering the age and provenance. This warranty does<br />
not cover damages to binding, stains or foxing, wormholes, short<br />
leaves of text or plates or any defect not affecting the completeness<br />
of the text. Moreover, this warranty does not cover the lack<br />
of inserted advertisements,blank leaves,cancels or subsequently<br />
published volumes.<br />
2. Unless otherwise indicated in the respective catalogue descriptions<br />
(which are subject to amendment by oral or written notices<br />
or announcements made by <strong>Bloomsbury</strong> <strong>Auctions</strong> prior to sale):<br />
(a) With respect to autograph material (letters, historic documents,<br />
literary and musical manuscripts, inscribed books, and<br />
signed photographs), we warrant without time limit the authenticity<br />
of each lot catalogued herein. (Please note Paragraphs 3and<br />
4(b) below.)<br />
(b) With respect to books, maps and atlases, and any other works<br />
not included in (a) above, unless physical inspection would reveal<br />
self-evident lack of authenticity, we warrant for a period of three<br />
(3) years from the date of sale the authenticity of each lot catalogued<br />
herein. (Please note Paragraph 3 below.)<br />
3. Serial publications, books in original parts, extra-illustrated<br />
books,made up “albums” and lots described as “sold as is,” “sold<br />
not subject to return,” “not collated,” “collection of ” or “group of,”<br />
and any lot containing more than three (3) items, are sold as is<br />
and therefore not covered by these warranties.<br />
4. (a) The buyer’s sole remedy under these warranties shall be the<br />
rescission of the sale and refund of the original purchase price<br />
paid for the item, and this remedy shall be exclusive and in lieu of<br />
any other remedy which might otherwise be available to the buyer<br />
as a matter of law.<br />
(b) With respect to autograph material (see Paragraph 1(a)<br />
above), or any print, drawing, or watercolor: in the event that a<br />
buyer claims that an item is not authentic, <strong>Bloomsbury</strong> <strong>Auctions</strong><br />
shall have no obligation to rescind the sale unless the buyer has<br />
obtained, at the buyer’s expense, the opinion of two recognized<br />
experts in the field, who are mutually agreeable to <strong>Bloomsbury</strong><br />
<strong>Auctions</strong> and the buyer, that a lot or portion thereof is not<br />
authentic.<br />
5. The benefits of these warranties are not assignable and are applicable<br />
only to the original buyer of the lot, and are conditioned on<br />
the buyer returning the work in the same condition as at time of<br />
sale and in the time period specified.
Notices and Information<br />
Storage Charges<br />
Purchasers are advised that a storage charge of $5.00 per lot per<br />
day for the first 8 working days and $10.00 per lot per working<br />
day thereafter may be levied on all purchases not cleared within<br />
5 working days of the sale. After the initial five working days the<br />
buyer will be responsible for loss or damage.<br />
Commission Bids<br />
If instructed we will execute bids and advise intending purchasers.<br />
This service is free. Lots will always be bought as cheaply as is<br />
allowed by other bids and such reserves as are in the auctioneer’s<br />
book. Commissions, where placed by telephone, are accepted<br />
only at the senders risk and must be confirmed before the sale<br />
in writing. <strong>Bloomsbury</strong> <strong>Auctions</strong> New York offers absentee and<br />
telephone bidding services as a convenience to our clients, and<br />
will do all in our power to execute bids correctly but will not be<br />
responsible for errors or failures to execute bids.<br />
Payment<br />
Customers are requested to pay in cash or check and to have<br />
established a credit reference with us before the sale, so that<br />
purchases may be removed. Overseas clients are asked to provide<br />
a check drawn on a US bank account.<br />
<strong>Bloomsbury</strong> <strong>Auctions</strong> Shipping<br />
<strong>Bloomsbury</strong> <strong>Auctions</strong> New York is delighted to announce a<br />
special service to our clients for the shipping of books to and from<br />
our saleroom in the United States and around the world. If you do<br />
not wish your property to be handled by <strong>Bloomsbury</strong> <strong>Auctions</strong><br />
Shipping, please advise us within 3 working days of the sale. Please<br />
refer to the Shipping Information Form.<br />
Sales Tax<br />
Purchases picked up in New York or delivered to a New York<br />
State address may be subject to sales or compensating use<br />
tax. <strong>Bloomsbury</strong> is selling lots designated by a * as an agent<br />
for an organization which holds a State of New York Exempt<br />
Organization Certificate. Accordingly, no sales tax is due on<br />
the purchase price of any of the foregoing lots if the property<br />
is picked up or delivered in the State of New York. However, a<br />
compensating use tax is due to the buyer if any such lot is shipped<br />
to New Jersey or Connecticut. It is the buyers responsibility to<br />
ascertain and pay all taxes due. Buyers claiming exemption from<br />
sales tax must have the appropriate documentation on file with<br />
<strong>Bloomsbury</strong> <strong>Auctions</strong> prior to the release of the property.<br />
Valuations<br />
We undertake valuations for Probate and Insurance, fees being<br />
agreed by prior arrangement. If items are subsequently consigned<br />
for sale, the fees will be refunded.<br />
Front Cover Illustration, Lot 198<br />
Back Cover Illustration, Lot 245<br />
Photography by Oliver Lei Han<br />
Catalogue Production by Maris Bellack<br />
<strong>RUSSIAN</strong><br />
Literature & Art<br />
29 October 10 am<br />
Books and Manuscripts 1-141<br />
Ballets Russes 142-151<br />
Periodicals 152-178<br />
Posters 179-198<br />
Art & Illustration 199-251<br />
Lot<br />
Lot 234
Lot 235<br />
Lot 236<br />
Introduction<br />
Following the highly successful inaugural Russian auction last Spring, <strong>Bloomsbury</strong> in New York is proud to offer an equally extraordinary<br />
selection of Russian books, letters, manuscripts, periodicals, photographs, prints, posters, drawings and paintings. The imperial era<br />
is represented by a large collection of cartes de visite, cabinet and wire photographs of four decades of the Romanov family. These are<br />
supplemented by two rare works by Nicholas II’s poet-playwright uncle, the Grand Duke Konstantin. Tolstoy is represented by the rare<br />
first edition of one of his plays and Chekhov by a presentation copy of a collection of his short stories he gave a waiter at the Grand Hotel<br />
in Moscow. Other signed books include works by Benois, Erenburg, Kuprin, Sologub and Zorgenfrei. The brief period of sexual freedom<br />
of the first decades of the twentieth century is exemplified by the androgynous woman poet Zinaida Gippius, who wrote as “Anton Krainii,”<br />
and the Russian gay icon Mikhail Kuzmin, who created a sensation with his “coming out” novel Krylya [Wings] (1908). The niece of the<br />
doomed poet Gumilev passed her autograph book to such luminaries as Akhmatova, Annenskii, Blok, Gumilev, Kuzmin, Meierkhold,<br />
Remizov, Voloshin and other poets and artists to fill it in with poetry and pictures. Poetry and art came together in complete runs of the<br />
beautifully produced journals Apollon, Vesy and Zolotoe runo. Stolitsa i usadba provided a last glimpse of the Russian aristocracy on the eve<br />
of the Revolution; the issue devoted to the Royal Family included here was confiscated by the Bolsheviks. The evolution of Symbolism,<br />
Acmeism, Futurism, Suprematism, Constructivism and other modern literary and art movements can be traced in other books, almanacs<br />
and periodicals with contributions by Akhmatova, Bakst, Balmont, Benois, Chukovsky, Kandinsky, Kuzmin, Malevich, Mandelshtam,<br />
Nabokov, and Pasternak. The galvanizing collaborative efforts of the Russian avant-garde are well represented with important works by<br />
Burliuk, Goncharova, Kruchenykh, Larionov, Lissitzky, Mayakovsky and Rodchenko.<br />
The flowering of Russian graphic art of the Silver Age reached its zenith in Sergei Diaghilev’s consolidation of art, music and dance—the<br />
Ballets Russes. This company as well as the famous Russian cabaret Chauve-souris is well represented in the current sale. Both Diaghilev and<br />
Nijinsky autographed a rare Ballets Russes programme of their American tour. Benois decorated a letter with an exquisite scene from Swan<br />
Lake. There are also several costume designs by Benois and a handsome set design by his son Nicola for Revizor [The Inspector General].<br />
Other art in this sale reflects the extraordinary variety and depth of Russian visual expression. Two classic landscapes by Shilder and Von<br />
Klever contrast beautifully with modern ones by Khudyakov and Vasiliev. The versatile Sudeikin painted a delightful Pierrot in gouache as<br />
well as a witty group of commedia dell’arte dolls in oil. The portraits include an iconic photograph of an intense Mayakovsky by Rodchenko<br />
and a handsome painting of Nikita Baileff ’s wife Elena by Boris Chaliapin, the son of the legendary Russian opera singer. Somov’s beautiful<br />
pastel of the grand patroness Genrietta Girshman is one of the artist’s finest studies. The proof for Altman’s dynamic 1919 Suprematist<br />
brochure cover is known by only two copies. There is both a preliminary drawing and a proof for one of Kustodiev’s famous linocuts<br />
glorifying the Russian peasant. Puny painted several delightful Suprematist figures in gouache on postcards and designed and assembled an<br />
extraordinary artist’s book of collage, gouache and cut letters. There are also fine prints and posters and paintings by such important modern<br />
Russian artists as Chekhonin, Dobuzhinsky, Goncharova, Kaplan, Larionov, Lebedev, Lissim, Pozhedaev, Ryback and Sudeikin.<br />
Lot 237<br />
Michael Patrick Hearn and John Larson<br />
September 2008<br />
Books & Manuscripts<br />
Lot 1. AKHMATOVA, Anna (1889-1966), Osip MANDELSHTAM (1891-1938),<br />
Vladislav KHODASEVICH (1886-1939) and others.<br />
Liricheskii krug. Stranitsy poezii i kritiki. I [A Lyrical Circle. Pages of Poetry and Criticism. Volume.1]. Moscow: “Severnye Dni,” 1922. 96 pp. Small<br />
8vo (200 x 140 mm). Original Constructivist wrappers designed Nikolai Kupreyanov. Condition: wrappers lightly thumbsoiled.<br />
one of 2000 copies. With contributions by Anna Akhmatova, Leonid Grossman, Konstantin Lipskerov, Osip Mandelshtam, Sofia Parnok,<br />
Vladislav Khodasevich, Sergei Shervisnkii, Abram Efros, Andrei Globa and others. Both Akhmatova and Mandelshtam were later persecuted<br />
by the Soviet authorities; he died in the Gulag in 1938. Khodasevich left for Berlin where he early championed Vladimir Nabokov. He called<br />
Khodasevich “the greatest Russian poet of our time.” Not in MoMA.<br />
$500 – $800<br />
Lot 1
Lot 2<br />
Lot 3<br />
Lot 2. AKSENOV, Ivan (1883-1935) and<br />
Alexandra EXTER (1882-1949) (illustrator).<br />
Pikasso i okrestosti [Picasso and Environs]. Moscow: Tsentrifuga,<br />
1917. 62 pp. 4to (270 x 205 mm). Title in purple and red. 8 pages of<br />
publisher’s advertisements at end. With 12 photogravures of works<br />
by Picasso. Original wrappers with pictorial label by Alexandra Exter.<br />
Condition: front wrapper partially detached with soiling, backstrip<br />
chipped at extremities with some loss, rubber stamps to back cover,<br />
corners creased.<br />
an important early theoretical treatise on Cubism and its<br />
aesthetics featuring Alexandra Exter’s striking cover design. one of<br />
1000 copies. In the 1920s, Aksenov was close to the Constructivists<br />
and worked in the theatre of Vsevolod Meierkhold, also serving as<br />
the dean of its directors school. Critic, poet, and translator, he was an<br />
outstanding representative of the genre crossing and internationalist<br />
spirit of Russian avant-garde art. MoMA 148.<br />
$1000 – $1500<br />
Lot 3. ALEKSEIEV, Aleksandr (1901-1979)<br />
and Philippe SOUPAULT (1897-1990) (translator).<br />
Chant Du Prince Igor Version française de Soupault. [colophon:<br />
Rolle, Switzerland:] Eynard, [colophon: 11 April 1950]. 4to<br />
(283 x 226 mm). Half-title in brown, title in grey, light green and dark<br />
brown, text in French and Russian; printed in brown, 10 colored<br />
etched and aquatint illustrations, 7 colored etched and aquatint<br />
plates, all by Alekseiev. Unbound as issued within original wrappers,<br />
title and an aquatint panel on upper cover, within original chemise<br />
and slip-case. Condition: very light scuffing to chemise and slip-case.<br />
Limited to 290 copies, Number 90 of 230 copies on “arches” paper<br />
numbered from 35 to 264.<br />
[With:] A. ALEKSEIEV and Nicholai GOGOL (1809-1852). The<br />
Diary of a Madman… Translated by Prince Mirsky. London: The<br />
Cresset Press, 1929. 4to (268 x 205 mm). Half-title, small format<br />
copyright slip tipped onto limitation leaf. 11 aquatint illustrations,<br />
10 aquatint plates, all by Alekseiev. Original yellow cloth, lettered in<br />
red on upper cover and spine. Condition: some overall light toning<br />
to the text block; some soiling to the binding. Limited edition of<br />
280 copies, this number 149 of 250 copies on mould-made paper<br />
numbered from 1 to 250. (2)<br />
$1600 – $2000<br />
Lot 4. ALTMAN, Nathan Isaevich (1889-1970).<br />
Lenin. Petersburg: IZO NKP, 1921. 14 pp. 8vo (222 x 185 mm).<br />
Lithographs. Printed paper wrappers with Suprematist design in<br />
red and black on front cover. Lithographed signature of Lenin<br />
dated 4/21/20. Condition: wrappers slightly tanned, front cover<br />
with horizontal razor cut repaired on verso not affecting text and is<br />
evident on flyleaf and title page, backstrip rubbed with small repairs<br />
to head and tail.<br />
first edition. one of 5000 copies. Nine portraits of Lenin and<br />
a view of the Kremlin from Lenin’s office, each signed in the plate<br />
by Altman and dated May 1920. The partial seal of the Academy of<br />
Painting, Sculpture & Architecture is embossed on the portrait leaf.<br />
MoMA 331.<br />
$2000 – $3000<br />
Lot 5. ASEEV, Nikolai Nikolaevich (1889-1963).<br />
Bomba. Stikhi [Bomba.Verse]. Vladivostock: “Dalnevostochnaya<br />
Tribuna,” 1921. 62 pp. 8vo (185 x 135 mm). Contemporary<br />
cloth-backed marbled boards with original gray wrappers bound<br />
in. Condition: wrappers soiled, internal foxing. Provenance: Tanya<br />
Gomoletska. Inscribed on the verso of the title page with an<br />
unpublished poem and dated May 31, 1921. The poet has made<br />
corrections in pencil throughout the text.<br />
[With:] Moskva-pesnya [Moscow-Song ]. Moscow: Moskovskoe<br />
Tovarishchestvo Pisatelei, [1934]. 223 pp. 8vo (175 x 125 mm).<br />
Drawings by Tatyana Alekseevna Mavrina. Decorated orange cloth<br />
in original dust wrapper, both designed by T. A. Mavrina. Condition:<br />
bookstore stamps on rear free endpaper. A bibliography of the<br />
author’s books of poetry is added to the colophon. (2)<br />
$1000 – $1500<br />
Russian Literature & Art Russian Literature & Art 9<br />
Lot 4<br />
Lot 5
Lot 6. ANNENKOV, Iurii Pavlovich [Georges Annenkoff] (1889-1974) and Fodor Mikhailovich DOSTOEVSKY (1821-1881).<br />
Scandaleuse Histoire Traduction originale d’Alexis Remisoff et Jean Chuzeville. Paris: les Éditions des Quatre Vents, 1945. 4to (276 x 190 mm).<br />
Title in brown and black, half-title, occasional two-color intials. Portrait frontispiece, 14 plates colored using the pochoir process, 13 twocolor<br />
headpieces, 23 uncolored tailpieces and illustrations, all after Annenkov. Unbound as issued in original paper wrappers, three-color<br />
title with vignette printed on upper cover, lettered on backstrip, original board chemise, original slipcase. Condition: light soiling to backstrip<br />
of chemise.<br />
limited edition of 986 copies, this number 433 of 750 copies on “papier pur fil johannot” numbered from 1 to 750.<br />
$800 – $1200<br />
Lot 7. ANNENKOV, Iurii Pavlovich [Georges Annenkoff] (1889-1974) (illustrator).<br />
Crime à San-Francisco. Paris: Au Sans Pareil, 1927. 89 pp. 8vo (210 x 165 mm). By “Luc Durtain” [André Nepveu]. With 8 lithographs by Iu.<br />
P. Annenkov. Rebound in fine half gilt red morocco over marbled boards by Greuzevault with the original aqua wrappers bound in, t.e.g.<br />
Condition: wrappers with very light toning to edges.<br />
number 749 of 650 copies on vélin lafuma. Annenkov’s satirical and slightly racy Cubist designs for this French novel set in California<br />
are reminiscent of George Grosz’s work. André Nepveu (1881-1959) was a Parisian throat doctor who wrote poetry and novels of social<br />
criticism under the pseudonym “Luc Durtain.”<br />
$1200 – $1800<br />
Lot 6 Lot 7<br />
Lot 8. [BAKST, Léon [Lev Samoilovich Rosenberg] (1866-1924)].<br />
Leon Bakst. Berlin: Ernst Wasmuth, [1927]. 42 pp. 4to (335 x 260 mm). With 19 pochoir plates and 29 tipped-in color plates. Introduction<br />
by Carl Einstein. Vellum-backed gilt decorated brown boards. Condition: boards and spine lightly rubbed.<br />
number 328 of 330 copies. Bakst was the most influential of the artists associated with Sergei Diaghliev’s Ballets Russes. Carl<br />
Einstein (1885-1940) is best known as the author of the seminal Expressionist novel Bebuquin (1912).<br />
$5000 – $8000<br />
Lot 9. [BAKST, Léon [Lev Samoilovich Rosenberg] (1866-1924)].<br />
Feya kukol. La Fée des poupées [The Doll Fairy]. Complete set of 12 postcards,<br />
printed in colors, most heightened with gilt, designed by L. Bakst with the<br />
original envelope and the folded descriptive leaf in Russian and French;<br />
issued to benefit the St. Evgenya Red Cross Society and lithographed in<br />
color by A. Ilin, St. Petersburg, 1904. Each card 140 x 95 mm. Condition:<br />
cards in excellent condition, the descriptive leaf with split at fold, the<br />
envelope holed and torn with slight loss.<br />
rare complete set of postcards in the original envelope. Bakst was<br />
the most important costume designer of his generation. He helped found<br />
the Mir Iskusstva [World of Art] group with Sergei Diaghilev and Alexandre<br />
Benois in 1898. He established himself as a major costume designer with<br />
Josef Bayer’s ballet Feya kukol at the Hermitage Theater in St. Petersburg in<br />
February 1903. Benois thought they were Bakst’s indisputable masterpiece.<br />
But it was for his contribution to Diaghilev’s Ballets Russes beginning in<br />
1909 that Bakst earned his greatest fame. (12)<br />
$1500 – $2000<br />
10 Russian Literature & Art Russian Literature & Art 11<br />
Lot 9<br />
Lot 8
Lot 10. BALMONT, Konstantin Dmitrievich (1867-1942).<br />
Zvenya [The Link]. Moscow: “Skorpion,” 1913. 283 pp. 8vo (190 x 125 mm). Original decorated pale green wrappers. Condition: wrappers<br />
soiled, backstrip chipped and cracked; fragile.<br />
[With:] Zarevo zor [Glow of Twilight]. Moscow: Grif, 1914. Second edition. 169 pp. Small 8vo (175 x 110 mm). Designed by V. M. Sablin.<br />
Original two-color decorated tan wrappers. Condition: wrappers lightly spotted, backstrip with some minor chipping and discoloration;<br />
small tape repair to verso of back wrapper.<br />
[And:] Belyi zodyii [White Architect]. St. Petersburg: “Sirin,” 1914. 332 pp. Folio (250 x 190 mm). Original light blue wrappers. Condition:<br />
wrappers soiled and creased; splits at head and tail of backstrip, small rubber stamps to verso of wrappers.<br />
three collections of poetry by the imporant russian symbolist. He also translated Shelley, Ibsen, Whitman, and Armenian poetry.<br />
His free translation of Edgar Allan Poe’s “The Bells” served as the basis for Rachmaninoff ’s choral symphony, Op. 35. Both Prokofiev and<br />
Stravinsky set his poetry to music. As an anti-tsarist, he at first supported the Russian Revolution but not the Bolsheviks. He emigrated to<br />
Germany and settled in France where he died in poverty. (3)<br />
$2000 – $3000<br />
Lot 10<br />
Lot 11. BALTRUSHAITIS, Jurgis Kazimirovich (1873-1944).<br />
Zemnyya stupeni. Elegii, pesni, poemy [Earthly Stages. Elegies, Songs and Poems]. Moscow: “Skorpion,” 1911. 216 pp. 8vo (195 x 150 mm). Original<br />
decorated wrappers. Condition: wrappers soiled with minor chipping to edges; backstrip chipped with some loss.<br />
[With:] Gornaya tropa. Vtoraya kniga stikhov [Mountain Path. Second Book of Poetry]. Moscow: “Skorpion,” 1912. 183 pp. 8vo (200 x 155 mm).<br />
Original wrappers. Condition: wrappers thumbsoiled, backstrip slightly chipped with tape repairs to head and tail.<br />
early works by the silver age poet. Baltrushaitis was a Lithuanian Symbolist poet who wrote primarily in Russian. His circle included<br />
Konstantin Balmont, Aleksandr Blok, Valerii Briusov and Vyacheslav Ivanov. He died in Paris. (2)<br />
$2000 – $3000<br />
Lot 12. BEARDSLEY, Aubrey (1872-1898) and Mikhail Alekseevich KUZMIN (1872-1936) (translator).<br />
Obri Berdslei. Izbranye pisunki [Aubrey Beardsley: Selected Drawings]. Moscow: Skorpion, 1912. 204 pp. Square 8vo (225 x 170 mm). + 30 plates.<br />
Contemporary gilt-lettered brown boards. Condition: boards rubbed with minor staining, corners bumped; rubber stamp and pen notations<br />
to endpaper, rear joint cracked.<br />
first edition of an important early russian monograph on the great english illustrator. Beardsley’s influence on Russian<br />
artists of the Silver Age is inestimable. In addition to a fine selection of the drawings, this book contains translations of Robert Ross’ and<br />
Arthur Simmons’ memoirs of the artist, Beardsley’s “Venus and Tannhauser,” some of his letters, appreciations by Joseph Pennell and Vittorio<br />
Pika and a bibliography of the published work. Kuzmin translated Beardsley’s poems “The Three Musicians” and “The Ballad of a Barber”<br />
into Russian for this collection.<br />
$1000 – $1500<br />
12 Russian Literature & Art Russian Literature & Art 13<br />
Lot 11<br />
Lot 12
Lot 15<br />
Lot 13<br />
Lot 14<br />
Lot 13. BELENSON, Aleksandr (editor).<br />
Strelets. Sbornik pervyi [The Archer. First Collection]. St. Petersburg:<br />
[“Strelets”], 1915. Volume 1. 216 pp. 8vo (235 x 176 mm). Rebound<br />
in tan cloth with the original front wrapper designed by Nikolai<br />
Kulbin affixed to the new binding. Condition: covers and label lightly<br />
thumbsoiled, upper corner of title page clipped with no loss of text;<br />
rear wrapper absent.<br />
one of 5000 copies. rare first volume of this famous futurist<br />
anthology. With contributions by Aleksandr Blok, David Burliuk,<br />
Vasilii Kamenskii, Velemir Khlebnikov, Mikhail Kuzmin, Benedikt<br />
Livshits, Artur Lure, Vladimir Mayakovsky, Aleksei Remizov,<br />
Fedor Sologub and others. Lithographs on blue paper by David<br />
Burliuk, Nikolai Kulbin, Aristarkh Lentulov, Wyndham Lewis,<br />
Olga Rozanova, Mariya Sinyakova and Mikhail Vrubel. The early<br />
Futurist group “Gylaea” [Hylaea] joined forces with the Symbolists,<br />
Acmeists, and other unaffiliated artists to issue this first anthology in<br />
1915. It created a sensation. MoMA 114; Borovkov p. 10.<br />
$600 – $800<br />
Lot 14. BELENSON, Aleksandr (editor).<br />
Strelets. Tretii i poslednii [The Archer. Third and Final Collection]. St.<br />
Petersburg: [“Strelets”], 1922. Volume 3. 184 pp. 8vo (286 x 193<br />
mm). With 14 plates (some in color) designed by Natan Altman,<br />
Iurii Annenkov, Lev Bruni, Mstislav Dobuzhinsky, Nikolai Kulbin,<br />
Vladimir Lebedev, Ivan Puni ( Jean Pougny), Marc Chagall; and<br />
printer’s mark by David Burliuk. Original decorated wrappers.<br />
Condition: wrappers with intermittent staining, chipping to<br />
extremities, back detached but present; repairs to backstrip and<br />
front wrapper.<br />
out-of-series copy from an edition of 300. final and most<br />
beautiful volume of this rare influential russian futurist<br />
anthology. With contributions by Fedor Sologub, Mikhail<br />
Kuzmin, Vasily Rozanov, Anna Akhmatova, Lev Karsavin, Erich<br />
Gollerbakh, Artur Lure and others. Annenkov also provided the<br />
textual decorations. MoMA 447; Getty 756; BM 493; NYPL 291.<br />
$1500 – $2500<br />
Lot 15. BELSKII, Leonid Petrovich (translator).<br />
Kalevala. Finskii narodnyi epos [The Kalevala. The Finnish Folk Epic]. Moscow and Leningrad: Academia, 1933. 331 pp. 8vo (250 x 185 mm).<br />
Illustrated by Tatyana Glebova, Alisa Poret, Mikhail Tsibasov, and other students of Pavel Nikolaevich Filonov. Original violet cloth, blocked<br />
with a decorative design in red and purple, dust jacket. Condition: slight cockling to first and last few leaves; dust-jacket slightly discolored and<br />
with small tears and chips to extremities.<br />
important illustrated book by the filonov school in the rare dust jacket. Russian translation of the Finnish national folk epic.<br />
Filonov (1883-1941) was an original who drew idelogical hostility from his colleagues. He was eventually expelled from the Academy of<br />
Arts in 1927 for “corrupting his colleagues with his paintings.” Nevertheless he inspired a new generation of Soviet artists. MoMA 1023.<br />
$3000 – $4000<br />
Lot 16. BELYI, Andrei [Boris Nikolaevich Bugaev] (1880-1934).<br />
Steinerian schema of perception. c. 1918. Ink, crayon and pencil on ruled paper (360 x 450 mm). Framed.<br />
a fascinating diagrammatical sketch whereby Belyi outlines the concept of intuition and free will in relation to the Anthroposophical<br />
teachings of Rudolf Steiner. It was in his later years that Belyi came under the influence of Anthroposophy and became a personal friend<br />
of Steiner’s. Anthroposophy, as an offshoot of Theosophy, advocated for the theory and practice of nonlinear exposition, simultaneity,<br />
essentialism, and intuitive knowledge; devices that eventually helped usher in such modernist breakthroughs as sound poetry, abstract<br />
painting and formalist theories in Russia and elsewhere A remarkable document from the author of Petersburg; one of the 20th century’s<br />
most important novels that is often cited as an uncanny precursor to Joyce’s Ulysses.<br />
$7000 – $10000<br />
14 Russian Literature & Art Russian Literature & Art 15<br />
Lot 16
Lot 17<br />
Lot 18<br />
Lot 17. BEM, Elizaveta Merkurevna (1843-1914) and<br />
Ivan Yakovlevich BILIBIN (1876-1942) (illustrators).<br />
Azbuka [An Alphabet]. Paris: I. S. Lapina, [1913]. 2nd part. 42 pp.<br />
Large folio (400 x 310 mm). With 17 tipped-in color plates after<br />
E. Bem and vignettes by N. Ivanov. Rebound in cloth-backed gray<br />
boards with the original gilt decorated gray wrappers. Rebound<br />
with Volga. Petrograd: I. I. Bilibina, 1904. 16 pp. Large Folio (400<br />
x 310). Illustrated with color lithographs after I. Ya. Bilibin. Original<br />
decorated wrappers bound in. Condition: abrasions to back cover;<br />
occasional light spotting and thumbsoiling internally.<br />
two of the most beautiful russian picture books bound<br />
together. Bem began her career as one of the earliest Russian<br />
women children’s book illustrators with studies of local child life all<br />
in silhouettes. The elaborate watercolors for Azbuka comprise her<br />
most ambitious work. Again, she used child models in these sensitive,<br />
complex compositions and drew on Russian folk art and folklore for<br />
details. Bilibin’s Volga is one of the magnificent publications of the<br />
Silver Age. He drew on his vast knowledge of ancient Russian folk<br />
art for costumes, architecture and interiors in the style and content<br />
of these extraordinary color lithographs.<br />
$800 – $1200<br />
Lot 18. BENOIS, Alexandre [Aleksanr Nikolaevich Benua]<br />
(1870-1960) and Rene BOYLESVE (1867-1926).<br />
La Leçon d’Amour dans un Parc. Brussels: Éditions du Nord, 1927.<br />
Small square 8vo (205 x 150 mm). Half-title. Printed in light brown<br />
and black. 4 plates and 20 head-pieces colored using the pochoir<br />
process, all after Benois. Original wrappers, printed in light brown<br />
and black. Condition: covers somewhat discolored, small splits to<br />
head and foot of backstrip.<br />
limited edition of 1076 copies, this one of 40 copies ‘hors<br />
commerce” printed on “vélin pur esparto” paper numbered from I to<br />
XL, this copy number II. According to the colophon, this title is the<br />
third in the “Les Gloires Littéraires” series.<br />
$600 – $800<br />
Lot 19. BENOIS, Alexandre [Aleksandr Nikolaevich Benua] (1870-1960) (illustrator).<br />
Pikovaya dama [Queen of Spades]. [St. Petersburg: R. Golike and A. Vilborg, 1911]. 68 pp. Folio (300 x 240 mm). Illustrated in color by<br />
A. Benois. Publisher’s gilt stamped cream colored boards with original glassine wrappers (defective). Condition: hinges cracked, spine lightly<br />
tanned, corners bumped, slight toning to boards.<br />
Tchaikovsky’s masterpiece based on Pushkin’s Pikovaya dama was Benois’ favorite opera. Although he provided some of the décor for a 1903<br />
production, it was not until May 1921 that Benois produced and adapted Modest Ilich Tchaikovsky’s libretto and designed all the sets and<br />
the costumes for the State Theater for Opera and Ballet in Petrograd. These illustrations dating from a decade before obviously influenced<br />
the 1921 production.<br />
$1500 – $2000<br />
Lot 20. BENOIS, Alexandre [Aleksandr Nikolaevich Benua] (1870-1960).<br />
Russkaya shkola zhivopisi [The Russian School of Painting ]. St. Petersburg: Golike and Vilborg, 1904. 96 pp. Large folio (410 x 330 mm). 101<br />
tipped-in color plates and photogravures of Russian art. 10 parts unbound (as issued) within original decorated white portfolio designed by<br />
A. Benois with a front wrapper of volume I and complete wrapper for volume II designed by Evgenii Evgenevich Lansere. Condition: tears to<br />
margins, some toning; wrappers with repairs to margins, portfolio somewhat soiled.<br />
signed by the author in ink on the title page, explaining that he began the project in 1903 but did not complete it until<br />
1905. A magnificently produced survey of Russian art by the great Silver Age painter. Msistlav Valeryanov Dubuzhinsky provided the elegant<br />
title page design. Alfred A. Knopf published an English translation by Abraham Yarmolinsky in 1916 but not in so sumptuous a format.<br />
$6000 – $8000<br />
Lot 19 Lot 20<br />
16 Russian Literature & Art Russian Literature & Art 17
Lot 21<br />
Lot 23<br />
Lot 21. BENOIS, Alexandre<br />
[Aleksandr Nikolaevich Benua] (1870-1960).<br />
Igrushki [Toys]. A collection of 10 postcards of Russian folk toys,<br />
issued to benefit the St. Evgenya Red Cross Society and lithographed<br />
in color by N. Kadushin, St. Petersburg, 1905. Each 140 x 95 mm.<br />
Condition: unused postcards with minor wear and soiling; one<br />
creased slightly.<br />
Among his many other interests, Benois was a passionate collector<br />
of hand-made folk toys. He began buying them in the 1890s and<br />
soon became one of the leading experts in the field. Bakst studied<br />
Benois’ toys when he was working on his costume designs for the<br />
1903 ballet Feya kukol [The Doll Fairy]. (10)<br />
$1200 – $1800<br />
Lot 22. BILIBIN, Ivan Yakovlevich (1876-1942) (illustrator).<br />
Skazki [Fairy Tales]. [St. Petersburg]: Ekspeditsiya zagotovleniya<br />
gosudarstvennykh bumag, 1901-1903. 4 volumes: Skazka ob Ivane<br />
Tsareviche, Zhar-ptitse i o serom volke [The Tale of Ivan Tsarevich, the<br />
Fire Bird and the Grey Wolf]; Tsarevna Lyagushka [The Frog Princess];<br />
Sestritsa Alenushka i bratetse Ivanushka; Belaya utochka [Little Sister<br />
Alena and Little Brother Ivan; and The Little White Duck]; and Marya<br />
Morevna. Chromolithographs after I. Ya. Bilibin. Folio (320 x 255<br />
mm). Two with original decorated wrappers; two bound in one<br />
volume in cloth-backed boards. Condition: discolored, soiled and<br />
some foxing; one book rebacked with pages loose.<br />
I. Ya. Bilibin established his reputation as the greatest illustrator of<br />
Russian fairy tales with this elegant series. The environment he created<br />
for these beautifully printed picture books derived from artist’s vast<br />
knowledge of old provincial Russian architecture and folk arts. (4)<br />
$1000 – $1500<br />
Lot 23. BRODSKY, Joseph<br />
[Iosif Aleksandrovich Brodskii] (1940-1996).<br />
Stikhotvoreniya i poemy [Verses and Poems]. Washington, D.C.: Inter-<br />
Language Literary Associates, 1965. 8vo (195 x 140 mm). Original<br />
gray wrappers. Condition: backstrip lightly faded; minor thumbsoiling<br />
to wrappers with tape residue to front.<br />
the 1987 nobel prize winner’s collection of poems was<br />
published abroad after he was sentenced to five years<br />
of hard labor for “social parasitism” in 1964. This edition<br />
is rumored to have been financed by the CIA. He was exiled from<br />
the Soviet Union in 1972 and was later named poet laureate of the<br />
United States in 1991.<br />
$700 – $1000<br />
Lot 24. BURLIUK, David (1882-1967) [editor].<br />
Color and Rhyme. 38 issues (of 66 published): numbers 17-24, 26, 29-31, 33-53, 55-57, 60 and 66. Various sizes. In Russian and English.<br />
Numbers 31, 33, 34, and 37-41 are bound separately in green cloth and includes a Burliuk letter as a pastedown on front endpaper addressed<br />
to Boris Viktorovich Smerenskii to whom this volume is also inscribed. This volume also includes an original inlaid graphic cover and<br />
booklets for 1930 Burliuk exhibit at the Roerich Museum and a 1933 exhibit at the Academy of Allied Arts, both in New York.<br />
Numbers 49, 55 and 60 inscribed to B. Smerenskii with owner’s bookplates and stamp on front free endpapers; Number 53 with editorial<br />
corrections. Number 66 was the final issue and was “Published in honor of poet-artist David Burliuk by Mary Burliuk” subsequent to his<br />
death in 1967. Numbers 31 and 49 are devoted to articles and reminiscences of Mayakovsky. Condition: covers partially detached on a few<br />
issues, occasional light spotting and thumbsoiling.<br />
an astonishing collection that spans over twenty years (1947-1970) from the perspective of the great ukrainian artist<br />
as an émigré in new york. News clippings, exhibit announcements, letters to the editor, art reviews, travel pieces, editorials, and all manner<br />
of art-related commentary cobbled together in a compelling and engaging fashion. Illustrated throughout.<br />
From 1930 to 1966 Burliuk and his wife, Marussia, published Color & Rhyme, primarily concerned with charting Burliuk’s activities. He was<br />
the co-founder of the Futurist movement in Russia and a founding member in Germany of both Der Blaue Reiter and Der Sturm. He moved<br />
to the United States in 1922, and settled in New York. Besides being her husband’s muse (evidenced by the numerous portraits Burliuk<br />
composed of her), Marussia Burliuk acted as publisher and occasional contributor to this seminal avant-garde arts periodical. (38)<br />
$5000 – $8000<br />
1 Russian Literature & Art Russian Literature & Art 19<br />
Lot 24
Lot 25<br />
Lot 26<br />
Lot 25. [BURLIUK, David (1882-1967)] and<br />
Katherine Sophie DREIER (1877-1952).<br />
Burliuk. New York: Société Anonyme and Color and Rhyme, 1944.<br />
182 pp. 4to (260 x 185 mm). 53 black and white illustrations by<br />
Burliuk selected by the author and Marcel Duchamp. Publisher’s<br />
red cloth, spine and front cover gilt stamped. Condition: spine faded,<br />
without dust jacket.<br />
presentation copy. Warmly inscribed to the Kendalls on front<br />
free endpaper and dated June 8th 1946. An important work on the<br />
Ukranian artist David Burliuk that examines his work in Russia, and<br />
subsequent career in the United States after emigrating in 1922.<br />
$1000 – $1500<br />
Lot 26. BURLIUK, David (1882-1967),<br />
Sergei TRETYAKOV (1892-1937), Sergei RAFALOVICH and<br />
Tatyana TOLSTAYA-VECHORKA.<br />
Buka russkoi literatury [The Bogeyman of Russian Literature]. Moscow:<br />
[41°], 1923. 48 pp. 8vo (190 x 145 mm). Cover typography by<br />
Nagorskaya and Constructivist lithographs by Gustav Klutsis and<br />
Ivan Kliun. Original wrappers printed in red and black. Condition:<br />
wrappers detached with tears at fold with slight loss and occasional<br />
soiling; internally leaves slightly toned at edges else clean.<br />
one of 2000 copies. Unique collection of tributes by Sergei<br />
Tretyakov, David Burliuk, T. Tolstaya and S. Rafalovich to the<br />
enormously influential and protean experimental Russian poet<br />
and theorist Aleksei Kruchenykh. Burliuk eventually settled in<br />
the United States, but Tretyakov was arrested and executed by the<br />
Soviets in 1937. MoMA 462.<br />
$2000 – $3000<br />
Lot 27. CHALIAPIN, Feodor Ivanovich (1873-1938).<br />
Portrait of Chaliapin. Gelatin silver print on matte doubleweight paper,<br />
trimmed to the edge, blindstamped Leidenberg Studio. Signed and<br />
inscribed to Mikhail Kokushkin, Paris 1931. 295 x 235 mm.<br />
exceptional signed photograph of the legendary russian<br />
opera singer. Chaliapin may well have been the greatest opera<br />
singer of the twentieth century. He was Rachmanioff ’s protégé and<br />
Maxim Gorky helped him write his autobiography.<br />
$1000 – $1500<br />
Lot 28. CHOUKHAEFF, Vassili (1887-1973) and<br />
Alfred de MUSSET (1810-1857).<br />
Les Deux Maîtresses. Paris: Éditions de la Pléiade, J. Schiffrin1928.<br />
Small 4to (243 x 180 mm). Title in blue and black. Hand-colored<br />
frontispiece and 8 plates, 10 hand-colored head-pieces, 9 uncolored<br />
tail-pieces, 10 uncolored initials, all after Choukhaeff. Original<br />
paper wrappers, author, title and decorative vignette on the upper<br />
cover, author, title and date on the backstrip, glassine. Condition: pp.<br />
91-94 loosely inserted, light toning to margins. Limited edition of<br />
378 copies, this copy number VII, one of five on “Japon Impérial”<br />
numbered from VI to X, “hors série et non mis dans la commerce.”<br />
[With:] V. CHOUKHAEFF - Charles MAURRAS Charles (1868-<br />
1952). L’Anthrophage conte moral. [N.p.:] Les Éditions Lapina, [1930].<br />
Small square 8vo (190 x 140 mm). Printed in red and black, half-title.<br />
Etched portrait of the author by Ed. Chimot, 1 folding of the author’s<br />
manuscript of the first to pages of text, 8 tinted lithographic plates<br />
by Choukaeff, occasional decorative initials printed in red. Original<br />
light brown wrappers, printed in red and black, glassine, largely<br />
unopened, card slipcase. Condition: slight discoloration to backstrip,<br />
slipcase rubbed and scuffed. Limited edition of 1195 copies, this<br />
copy number 301, one of 1000 copies on “vergé de Rives B.F.K.”<br />
numbered from 101 to 1100. The limitation leaf notes that this is the<br />
12th and last in a series of works published under the umbrella title<br />
‘la Collection “Les Panathénées.”’ (2)<br />
$1000 – $1500<br />
20 Russian Literature & Art Russian Literature & Art 21<br />
Lot 27<br />
Lot 28
Lot 29. CHEKHOV, Anton (1860-1904).<br />
Povesty i razskazy [Stories and Tales]. Moscow: E. F. Tsipelson, 1894. 287 pp. 8vo (190 x 130 mm). Publisher’s navy<br />
blue cloth, spine and front board lettered in gilt and decoratively stamped in black, rear board blind stamped in<br />
floral motif. Condition: slight rubbing to spine edges and extremties, corners bumped, dampstain at lower left on<br />
front; neat repairs at gutters to pp. 279-282. Provenance: Semen Ilich Bychkov.<br />
exceptional signed presentation copy of an important collection of chekhov’s short stories.<br />
Bychkov worked as a waiter at the Grand Hotel in Moscow where Chekhov stayed. “I’d been a factory worker, a yard<br />
man, worked in a puppet theatre, in pantomime and done everything,” Bychkov recalled. “Of all the people staying<br />
at the hotel only Anton Chekhov spoke to me simply, man-to-man, without pride, with none of that looking down<br />
on you. And he gave me his writings, I started reading and at that minute a new light illuminated me…I loved him<br />
fervently with all my soul” (Rayfield p. 391). Bychkov asked the writer to be godfather to his child and the writer accepted.<br />
Chekhov warmly inscribed this copy in fond memory to Bychkov on March 25, 1897. The collection contains<br />
several of the author’s best known short stories: “Babe tsarstvo” [“A Woman’s Kingdom”], ”Poprygunya” [“The<br />
Grasshopper”], “Chernyi monakh” [“The Black Monk”], “V ssylke” [“In Exile”], “Skripa Rotshilda” [“Rothschild’s<br />
Fiddle”] and “Student” [“The Student”]. See Literaturnoe nasledstvo: Chekhov p. 268.<br />
$20000 – $30000<br />
22 Russian Literature & Art Russian Literature & Art 23
Lot 30. CHUKOVSKY, Kornei [Nikolai Vasilievich Korneichukov] (1882-1969).<br />
Collection of four books of literary criticism by the famous Russian children’s poet. Comprising: Leonid Andreev bolshoi i malenkii [Leonid Andreev Great<br />
and Small]. St. Petersburg: “Izdatelskoe Biuro,” 1908. 136 pp. 8vo (215 x 145 mm). Rebound in half cloth over marbled boards. Condition:<br />
rear hinge cracked, original wrappers absent.<br />
Before he became a major children’s book writer, Chukovsky was an influential literary critic. Leonid Nikolaevich Andreev (1871-1919) is<br />
best remembered for his play He Who Gets Slapped (1915).<br />
[With:] Ot Ckehova do nashikh dnei [From Chekhov to Our Day]. St. Petersburg: “Izdatelskoe Biuro,” 1908. 244 pp. Rebound in black cloth<br />
with the original decorated wrappers bound in. Condition: wrappers repaired with slight thumbsoiling and small chip to back at lower corner.<br />
expanded second edition with a new preface. Essays on contemporary Russian writers including Chekhov, Balmont, Blok and Gorky.<br />
Chukovsky’s essay on novelist Mikhail Artsybashev so offended him that he challenged Chukovsky to a duel.<br />
[And:] I. Nat Pinkerton i sovrennaya literatura. II. “Kuda my prishli?”[I. Nat Pinkerton and Contemporary Literature. II. “Where Are We Now?”].<br />
Moscow: “Sovremennoe Tvorchestvo,” 1910. 120 pp. 8vo (195 x 140 mm). Original tan wrappers. Condition: wrappers with some spotting<br />
and soiling, backstrip partially detached with slight chipping at middle, head and tail. The first essay discusses detective stories; the second is<br />
a survey of Russian literature in the year 1909.<br />
[And:] Litsa i maski [Faces and Masks]. St. Petersburg: “Shipovnik,” [1914]. 355 pp. 8vo (215 x 155 mm). Rebound in rebacked dark blue<br />
boards with the original tan wrappers bound in. Condition: spotting to wrappers; bookseller stamp and pen markings to rear endpaper.<br />
Collection of essays on various literary subjects including Andreev, Oscar Wilde, the Russian Futurists, Jack London, Zaida Gippius, Aleksei<br />
Tolstoi and Boris Zaitsev. The relatively brief essay on the language of children (pp. 308-328) evolved over the years into Chukovsky’s<br />
seminal study Ot dvukh do pyati [From Two to Five] (1933). (4)<br />
$2000 – $3000<br />
Lot 30<br />
Lot 31<br />
Lot 31. CHUKOVSKY, Kornei [Nikolai Vasilievich Korneichukov] (1882-1969) and<br />
Vladimir Mikhailovich KONASHEVICH (1888-1963) (illustrator).<br />
Mukha Tsokotukha [The Buzzing Fly]. Leningrad and Moscow: OGIZ, 1933. 16 pp. Square 8vo (225 x 175 mm). Illustrated by V. Konashevich.<br />
Original color lithographed decorated wrappers designed by Konashevich. Condition: wrappers neatly repaired on verso at fold.<br />
first edition with present illustrations. Chukovsky called Mukha Tsokotukha “my merriest book, the most musical, the most<br />
well-rounded.” When a bureaucrat protested that “the little mosquito is nothing but a prince in disguise, and the fly a princess in disguise,”<br />
Chukovsky lost his temper and replied, “We might as well say that Karl Marx is a disguised prince, too!” A late member of the Mir iskusstva<br />
[World of Art] group, Konashevich upheld the high standards of their graphic work in his picture books.<br />
[With:] VVEDENSKII, Aleksandr Ivanovich (1904-1941). Letnyaya knizhka [A Book of Spring ]. [Leningrad]: GIZ, 1929. 8 pp. Square 4to<br />
(200 x 145 mm). Color lithographs by A[lisa] Poret. Original color lithographed wrappers designed by Poret. Condition: light staining to<br />
wrappers, minor tape repairs, ink marks on first and end leaves not affecting text. Vvedensky helped organize with Daniil Kharms the avantgarde<br />
group OBERIU. Banned from publishing their adult work, they wrote children’s books. Vvedensky was arrested in 1941 on a charge of<br />
treason and died of dysentery on his way to a labor camp. A. Poret (1902-1984) was a student of the artist Pavel Filonov and associated with<br />
OBERIU. She was also a prolific children’s book illustrator.<br />
[And:] ZOSCHENKO, Mikhail Mikhailovich (1895-1958). Samoe glavnoe [The Most Important]. Moscow and Leningrad: Detizdat, 1940.<br />
43 pp. Square 8vo (225 x 170 mm). Illustrated by A. Uspenskii. A rare collection of children’s stories by the famous Russian satirist. Condition:<br />
wrappers with intermittent light soiling.(3)<br />
24 Russian Literature & Art Russian Literature & Art 25<br />
$500 – $800<br />
Lot 32. DANKO, Elena Yakovlevna (1898–1942) and<br />
Nikolai Fedorovich LAPSHIN (1891-1942) (illustrator).<br />
Kitaiskii sekret [The Chinese Secret]. Leningrad: OGIZ, 1934.<br />
200 pp. 8vo (195 x 135 mm). Illustrated by Nikolai Lapshin.<br />
Original embossed blue cloth in the original decorated dust<br />
jacket. Condition: minor staining to front cover and spine; jacket<br />
with some chipping at spine and fold extremities not affecting<br />
lettering, rear panel with closed tear repaired on verso.<br />
first edition of this famous history of porcelain in<br />
the rare dust jacket. The sisters Elena and Natalya Danko<br />
(1892-1942) helped revive the art of Russian porcelain at the<br />
State Porcelain Factory in Leningrad after the Revolution. Elena<br />
described the factory’s wares as “news from a radiant future.”<br />
Natalya modeled the figures and Elena painted them. Among<br />
the major works they produced at the Lomonosov State<br />
Porcelain Factory in Leningrad were their famous propaganda<br />
chess set of the Reds vs the Whites and porcelain figurines of<br />
the legendary ballet dancer Vaslav Nijinsky and poet Anna<br />
Akhmatova. Kitaiskii sekret is Elena Danko’s best known book.<br />
During World War II (“The Great Patriotic War”) while fleeing<br />
blockaded Leningrad for Irbet in the Urals where the porcelain<br />
factory was temporarily moved, both women were killed. A<br />
former student of Ivan Yakovlevich Bilibin, Nikolai Fodorevich<br />
Lapshin (1888-1942) was one of the most important<br />
Soviet children’s book illustators. He designed for the State<br />
Porcelain Factory when the Dankos were also working there.<br />
The German-born critic Helmutt Lehmann-Haupt thought<br />
Lapshin’s illustrations were “informing, witty, and very flexible.”<br />
$500 – $800<br />
Lot 32
Lot 33<br />
Lot 34<br />
Lot 33. [DOBUZHINSKY, Mstislav Valerianovich<br />
(1875-1957)].<br />
Risunki M. Dobuzhinskogo [M. Dobuzhinsky’s Drawings]. Moscow<br />
and Petrograd: GIZ, 1923. 104 pp. Folio (275 x 210 mm). By<br />
Erikh Fedorovich Gollerbakh. Illustrated by M. Dobuzhinsky<br />
with ornamental initials designed by Sergei Chekhonin. Original<br />
decorated wrappers designed by Dobuzhinsky. Condition: wrappers<br />
slightly discolored, partially split; backstrip with some chipping and<br />
minor repairs. Provenance: Fekula 6383.<br />
early monograph of the famous silver age artist. Known<br />
primarily for his book and magazine illustrations and set and<br />
costume designs, Dobuzhinsky here demonstrates his versatilty<br />
in landscapes, cityscapes, interiors and portraits. After the Russian<br />
Revolution, he left for Lithuania where he was naturalized in 1924.<br />
He eventually emigrated to Great Britain and settled in the United<br />
States where he continued to design for the theater. Not in MoMA.<br />
$1000 – $1500<br />
Lot 34. DOBUZHINSKY, Msistlav Valeryanov<br />
(1875-1957). (illustrator).<br />
Svinopas. Skazka Andersena. [The Swineherd. Andersen’s Fairy Tale].<br />
[Berlin and Petrograd]: Z. I. Grzhebin, 1922. 14 pp. Folio (300 x 230<br />
mm). By Hans Christian Andersen. Original silver decorated blue<br />
papered boards. Condition: joints tender; backstrip faded with slight<br />
chipping at extremities, covers slightly rubbed and faded.<br />
one of 2000 copies. first edition of this classic silver age<br />
interpretation of the andersen fairy tale. Dobuzhinsky was<br />
one of the great graphic artists of the Mir iskusstva [World of Art]<br />
group in St. Petersburg. He was also Vladimir Nabokov’s drawing<br />
teacher. Having served as a medical orderly on the Polish and<br />
Galician fronts during World War I, he began illustrating Svinopas as<br />
a diversion on his return to Petrograd in 1917. The story was one of<br />
his family’s favorite fairy tales; a few years earlier, his friend Georgii<br />
Narbut designed the sets and costumes for a play based on the story<br />
for Dobuzhinsky’s children. Dobuzhinsky entered these slightly<br />
satirical watercolors in one of the last of the Mir iskusstva exhibitions.<br />
This edition was created for the “Parus” publishing company, but<br />
the Russian Revolution intervened and the book was not published<br />
until 1922 by Z. I. Grzhebin in Berlin and Petrograd. Svinopas with<br />
its lithe line drawings heightened with watercolor is considered to be<br />
Dobuzhinsky’s masterpiece. MoMA 376.<br />
$600 – $800<br />
Lot 35. DUDIN, S. M. and A. F. Tkachenko.<br />
Skazki starukhi-govorukhi o zhivotnykh [An Old Woman Storyteller’s<br />
Tales about Animals]. St. Petersburg: A. F. Devrien, [1907]. 3 volumes,<br />
18 pp each. Folio (265 x 210 mm each). Printed by R. Golike and<br />
A. Vilborg, St. Petersburg. Illustrated in color and black and white<br />
by Dudin and Tkachenko. Original color lithographed maroon<br />
wrappers. Condition: some spotting and spoiling to wrappers;<br />
rubbed at folds.<br />
three collections of russian fairy tales. Comprising:<br />
“Lisichka-sestrichka i volk” and “Kot, kozel i baran” [“The Little Fox<br />
Sister and the Wolf” and “The Cat, the the Billy Goat and the Ram”] ;<br />
“Skazka o schuk zubastoi,” “Petukh, kot i barran” and zayasts i lyagushka”<br />
[“The Tale of the Sharp-Toothed Pike,” “The Cock, the Cat and the Ram”<br />
and “The Hare and the Frog”]; and “Zimove zverei,” “Staraya khleb-sol<br />
zabyvaetsya” and “Vorona i rak” [“The Beasts’ Winter Shed,” “The Old<br />
Forgetful Hospitality” and “The Crow and the Crawfish”]. (3)<br />
26 Russian Literature & Art Russian Literature & Art 27<br />
$600 – $800<br />
Lot 36. EFROS, Abram [Markovich] (1888-1954).<br />
Eroticheskie soneti [Erotic Sonnets]. Moscow: [“Mospoligraf ”], 1922.<br />
45 pp. 8vo (205 x 150 mm). Original tan wrappers. Condition:<br />
wrappers lightly thumbsoiled, minor chipping to edges; bookplate<br />
on verso of rear wrapper.<br />
rare edition of soviet erotic poetry. number 6 of 260<br />
numbered copies. Efros was a prominent Soviet art critic, poet and<br />
translator. He was also curator of the picture gallery of the Pushkin<br />
Museum in Moscow and editor-in-chief of Khutozhestvennaya zhizin<br />
[Artistic Life] published by Narkompros. Somehow he found time<br />
to write and publish these 25 erotic poems. This book seems not to<br />
have been published in Russia again until 1993.<br />
$2000 – $3000<br />
Lot 35<br />
Lot 36
Lot 37. ERENBURG, Ilya Grigorevich [Ilia Ehrenburg] (1891-1967).<br />
Aktsionernoe obschestvo “Merkiur de Riussi” [The Joint Stock Company “Merkiur of Russia”]. [Moscow]: “Puchina,” 1925. 144 pp. Small 8vo<br />
(180 x 125 mm). Original two-color Constructivist wrappers. Condition: browned; some soiling to covers, old creasing to upper cover. one<br />
of 5000 copies.<br />
[With:] Belyi ugol ili slezy vertera [White Coal or Werther’s Tears]. Leningrad, Priboi, 1928. 260 pp. 8vo (200 x 135 mm). Original tan wrappers.<br />
Condition: some soiling to wrappers, backstrip torn with loss, splits to joints.<br />
[And:] Viza vremeni [Time’s Visa]. Leningrad: Izdatelstvo Pisatelei, [1925]. Second edition enlarged. 423 pp. 8vo (195 x 140 mm). Original<br />
blue cloth, titled in black on upper cover and black and blind on spine, dust jacket. Condition: dust-jacket torn with loss. (3)<br />
$1200 – $1800<br />
Lot 38. ERENBURG, Ilya Grigorevich [Ilia Ehrenburg] (1891-1967).<br />
Molitva o Rossii [A Prayer for Russia]. [Moscow: “Severnye Dni”], 1918. 46 pp. 8vo 175 x 135 mm). Original tan wrappers. Condition: wrappers<br />
soiled, extremities slightly frayed. Provenance: Andrei Sobol.<br />
presentation copy of the first edition inscribed to the poet’s friend, the writer andrei sobol. The poem “Sudnyi den”<br />
[“Judgment Day,” pp. 15-20] describes how the Red soldiers stop to rape a woman while storming the Winter Palace. Vladimir Mayakovsky<br />
called the book “tiresome prose printed in verses” written by “a frightened intellectual.” Ehrenburg’s anti-Bolshevik writings forced him to<br />
leave Moscow for his hometown Kiev where he met Sobol. Ehrenburg admitted in 1921 that Molitva o Rossii was “artistically weak and<br />
ideologically impotent.”<br />
$3000 – $5000<br />
Lot 37 Lot 38<br />
Lot 39. ERENBURG, Ilya Grigorevich [Ilia Ehrenburg] (1891-1967).<br />
Detskoe [For Children]. [Paris: n. p., 1914]. 23 pp. 12mo (130 x 105 mm). Original wrappers designed by E. Shiryaev. Condition: wrappers<br />
creased, some chipping at fold.<br />
[With]: Poetry frantsii 1870-1913 [French Poetry from 1870 to 19123]. Paris: “Gelikon,” 1914. 144 pp. Small 4to (220 x 185 mm). Rebound in<br />
black cloth with the original lettered tan wrappers bound in. Condition: minor wear to wrappers.<br />
[And:] Ogon [Fire]. [Gomel:] “Veka i Dni,” 1919. 40 pp. 8vo (170 x 135 mm). Condition: lacking wrappers.<br />
three early works by the famous modern russian writer. Remembered primarily as a novelist and journalist, Ehrenburg was also a<br />
prolific poet. He took the title of Ogon from Luke 12:49 (“I am come to send fire on the earth”) and published the book in the Belarussian<br />
town of Gomel. He spent considerable time in Paris where he met many of the important writers and artists of the period. Some of the<br />
French poets he translated into Russian in Poetry frantsii are Guillaume Apollinaire, Stéphane Mallarmé, Arthur Rimbaud, Paul Verlaine and<br />
oddly the Italian Futurist Filippo Tommaso Emilio Marinetti. (3)<br />
$1500 – $2500<br />
Lot 40. ERENBURG, Ilya Grigorevich (1891-1967) and El [Lazar Markovich] LISSITZKY (1890-1941) (illustrator).<br />
Shest povesti o legkikh kontsakh [Six Tales With Easy Endings]. Moscow-Berlin: Gelikon, 1922. 164 pp. 8vo (192 x 125 mm). Original<br />
Constructivist cover design and 6 illustrations by El Lissitzky. Original printed paper wrappers. Condition: minor soiling to wrappers,<br />
occasional light chipping to leaf edges, small split at head of backstrip, institutional stamp on title page.<br />
an important and engaging collaboration. Ehrenburg’s witty and incisive approach to human nature is demonstrated in these<br />
tales that contain universal applications beyond that of the author’s Moscow/Berlin milieu. Lissitzky’s drawings and typography reveal<br />
Constructivist principles of dynamism and Suprematist experiments through spatial tension. One of several successful collaborations<br />
between the author and the artist. MoMA 408.<br />
$1500 – $2500<br />
Lot 39 Lot 40<br />
2 Russian Literature & Art Russian Literature & Art 29
Lot 41. ERENBURG, Ilya Grigorevich [Ilia Ehrenburg] (1891-1967) and Fernand LÉGER (1881-1956) (illustrator).<br />
A vse-taki ona vertitsya [And All the Same the World Goes Round]. Moscow and Berlin: “Gelikon,” 1922. 142 pp. 8vo (220 x 160 mm). Illustrated<br />
with photogravures and line illustrations by F. Léger and others. Original decorated wrappers designed by F. Léger. Condition: front wrapper<br />
and first two leaves clipped at bottom corner, back wrapper detached but present.<br />
rare treatise on contemporary avant-garde art. Among the artists the Russian critic considers are Léger, Lipchitz, Lissitzky, Picasso,<br />
Rodchencko, Van Doesburg and even Charlie Chaplin. With Cubist drawings by Léger. The book is also noteworthy for its typographical<br />
experimentation. MoMA 401.<br />
$2000 – $3000<br />
Lot 42. EXTER, Alexandra (1882-1949) (illustrator).<br />
Complete set of travel books by the famous avant garde designer. Along the Coast. New York: Harper & Bros., 1939. Folio (310 x 235 mm). By Marie<br />
Colmont. Adapted by Margaret T. Parker, Professor of Geography at Wellesley College. With lithographs in ten colors by A. Exter. Clothbacked<br />
decorated boards designed by A. Exter. Condition: covers rubbed. first edition.<br />
[With:] Down the River. New York: Harper & Bros., 1940. Folio (310 x 235 mm). Adapted by Margaret T. Parker, Professor of Geography<br />
at Wellesley College. With lithographs in ten colors by A. Exter. Cloth-backed decorated boards designed by A. Exter. Condition: covers<br />
rubbed. first edition.<br />
[And:] Up the Mountain. New York: Harper & Bros., 1940. Folio (310 x 235 mm). Adapted by Margaret T. Parker, Professor of Geography<br />
at Wellesley College. With lithographs in ten colors by A. Exter. Cloth-backed decorated boards designed by A. Exter with original dust<br />
wrapper. Condition: covers rubbed; former owner’s name on half-title page; minor foxing. first edition.<br />
American edition of three travel books for children published originally by “Père Castor” (Flammarion) in Paris: Panorama de la fleuve<br />
(1937), Panorama de la côte (1938), and Panorama de la montaigne (1938). Alexandra Exter was a famous avant garde costume and set<br />
designer. In 1924, she and her husband moved to Paris where she tought at at the Académie der Moderne and Fernand Léger’s Académie<br />
d’Art Contemporain. Born in Bialystok, Russia (now Poland) to a wealthy Belarusian family, Exter was one of several émigré artists who<br />
worked for Paul Faucher, founder of the popular “Père Castor” line of French children’s books. (3)<br />
$500 – $800<br />
Lot 41<br />
Lot 42<br />
Lot 43. FEOFILAKTOV, Nikolai Petrovich (1878-1941).<br />
66 risunkov. 66 Dessins [Sixty-Six Drawings]. Moscow: “Skorpion,” 1909. 13+pp. Oblong folio (225 x 255 mm). Index in Russian and French.<br />
Original labeled gray wrappers. Condition: some rubbing to wrappers with miniscule loss to corners; very occasional spotting internally.<br />
rare collection of work by the russian beardsley. Primarily a selection of decadent illustrations published from 1905 to 1908 in<br />
the journals Sevrenye tsvety assiriiskie [Northern Flowers] and Vesy [Scales]as well as the cover for Mikhail Kuzmin’s Krylya [Wings] (1907) and<br />
pictures for other books. These delicate, ornate and sometimes naughty sketches emulate Aubrey Beardsley’s later work. Plates 13 and 23 pay<br />
specific tribute to the late English artist; Feofilaktov’s self-portrait too copies Beardsley’s own.<br />
$5000 – $8000<br />
30 Russian Literature & Art Russian Literature & Art 31<br />
Lot 43
Lot 44. GIDE, André (1869-1951).<br />
Immoralist. L’Immoraliste. Leningrad: “Academia,” 1927. 200 pp. Small 8vo (145 x 110 mm). Translated from the French by A. D. Radlova.<br />
Frontispiece by Valentina Mikhailovna Khodasevich. Original gray boards with cover label designed by V. M. Khodasevich. Condition:<br />
soiling and creasing to covers, minor chipping to extremities.<br />
rare russian translation of the classic french novel of sexual and social liberation. This edition of L’Immoraliste (1902) was<br />
issued under the more liberal guidelines introduced by Lenin’s NEP or the New Economic Policy. Gide’s relationship with the USSR was<br />
complex. Although a Communist sympathizer, the Nobel Prize winner was disillusioned by the Marxist experiment when he visited Russia<br />
as a guest of the Union of Soviet Writers. He was given an honored place at Maxim Gorky’s funeral and sat beside Stalin on several occasions,<br />
but his unflattering Retour de l’USSR (1936) offended the Soviet authorities.<br />
$500 – $800<br />
Lot 45. GIPPIUS, Zinaida Nikolaevna (1869-1945) known as “Anton Krainii.”<br />
Lituraturnyi dnevnik (1899-1907) [Literary Diary of 1899-1907]. St. Petersburg: M. V. Prizhkov, 1908. 455 pp. 8vo (185 x 25 mm).<br />
Contemporary half morocco with the original gray wrappers bound in. Condition: boards lightly rubbed; rear wrapper absent. Provenance:<br />
Arcadii Venyaminovich Rumanov (1876-1960).<br />
presentation copy of the great russian woman writer’s journal signed and dated march 28, 1912. She adds that this is “my<br />
last copy.” The self-educated author was a poet, short story writer, novelist, playwright, essayist, critic and memoirist. Her journal served as<br />
her defense of Symbolism. She was married to the Russian philosopher and writer, Dmitrii Merezhkovskii (1865-1941). Although likely<br />
a lesbian (she dressed in masculine attire à la George Sand and took the male pseudonyms “Anton Krainii” and “Roman Arenskii”), the<br />
adrogynous poet remained with her husband for 52 years. Her St. Petersburg salon welcomed the Symbolist poets and other intellectuals<br />
prior to the Revolution. She and her husband emigrated to the West in 1919 and settled in Paris the next year. She always remained loyal to<br />
her Silver Age aesthetic.<br />
$5000 – $8000<br />
Lot 44 Lot 45<br />
Lot 46. GIPPIUS, Zinaida Nikolaevna (1869-1945).<br />
Sobranie stikhov 1889-1903 [Collected Verse from 1889 to 1903]. Moscow: “Skorpion,” 1904. 184 pp. 8vo (195 x 135 mm) Rebound in<br />
contemporary half leather-backed boards with the original off-white wrappers bound in; spine lettered in gilt. Condition: boards slightly<br />
rubbed, spine tail chipped with slight loss; rear wrapper absent.<br />
[With:] Sobranie stikhov. Kniga vtoraya 1903-1909 [Collected Verse. Second Book from 1903 to 1909]. Moscow: “Musaget,” 1910. 128 pp. 8vo<br />
(205 x 145 mm). Original tan wrappers. Condition: wrappers spotted and worn with splits at extremities, backstrip chipped with some loss.<br />
[And:] Poslednie stikhi 1914-1918 [Final Verse from 1914 to 1918]. Petersburg: [“Nauka i Shkola”], 1918. 71 pp. 8vo (195 x 150 mm). Original<br />
tan wrappers. Condition: backstrip partially detached.<br />
three volumes of the famous writer’s collected verse. Gippius drew on a wide range of subjects from the morbid to the mystical,<br />
the erotic as well the religious. Readers are still drawn to the androgynous voice of her verse. Perhaps her best-known poetry appeared in<br />
Sobraniye stikhov of 1910. These were her only collections of poetry until she released Siyanie [Radiance] in 1938. (3)<br />
$4000 – $6000<br />
Lot 47. GIPPIUS, Zinaida Nikolaevna (1869-1945).<br />
Alyi mech. Razskazy. (4-aya kniga) [The Red Sword. Fourth Book of Stories]. St. Petersburg: M. V. Pirozhkov, 1906. 480 pp. Folio (230 x 176 mm).<br />
Original tan wrappers. Condition: wrappers soiled with apparent intermittent scorching to leaf edges, backstrip and edge of front wrapper<br />
darkened.<br />
[With:] Chernoe po belomu. Pyataya kniga razskazov [Black on White. Fifth Book of Stories]. St. Petersburg: M. V. Pirozhkov, 1908. 270 pp. 8vo<br />
(190 x 130 mm). Original russet wrappers. Condition: wrappers soiled and partially split; chipping to wrapper and leaf edges. (2)<br />
two early collections of short stories by this prominent russian woman author.<br />
$1500 – $2500<br />
Lot 46 Lot 47<br />
32 Russian Literature & Art Russian Literature & Art 33
Lot 48. GIPPIUS, Zinaida Nikolaevna (1869-1945).<br />
Lunnye muravi. Shestaya kniga raszkazov [Lunar Glazes. Sixth Book of Stories]. [Moscow:] “Altsion,” [1912]. 237 pp. 8vo (200 x 140 mm).<br />
Original gray wrappers. Condition: light soiling to wrappers and endpapers.<br />
[With:] Zelenoe koltso [The Green Ring ]. Petrograd: “Odni,” 1916. 147 pp. 8vo (205 x 140 mm). Original two-color decorated wrappers.<br />
Condition: wrappers with some spotting and staining, backstrip slightly chipped at head and tail, cracked but intact.<br />
[And:] Nebecnye slova i drugie razskazy [The Heavenly Word and Other Stories]. Paris: “Zemgor,” 1921. 346 pp. 8vo (185 x 120 mm). Original<br />
white wrappers. Condition: wrappers with intermittent soiling, slight chipping to edges; backstrip chipped and worn with some loss.<br />
[And:] Zhivye litsa [Living Faces]. Prague: “Plamya,” [1925]. 191 pp. Small 8vo (165 x 120 mm). Rebound in contemporary cloth-backed<br />
boards with cover label. Condition: front joint cracked, shelf wear to boards, extremities rubbed; occasional soiling internally, repairs to<br />
gutters.<br />
four volumes demonstating gippius’ versatility as a writer. These include two books of short stories, one play (Zelenoe koltso) and<br />
her autobiography. In her memoir Zhivye litsa, she talks about Aleksandr Blok, Valerii Briusov, Fedor Sologub and others. (4)<br />
$2000 – $3000<br />
Lot 48<br />
Lot 49. GONCHAROVA, Natalya Sergeevna (1881-1962) and LARIONOV, Mikhail Fedorovich (1881-1964) (illustrator).<br />
Dvenadtsat. Skify [The Twelve. Scythians]. Paris: “Mishen, [1920]. 63 pp. 8vo (240 x 195 mm). By Aleksandr Blok. Illustrated by N. Goncharova<br />
and M. Larionov. Original lettered wrappers. Condition: wrapper extremities slightly browned and worn.<br />
“the first masterpiece of bolshevik letters” illustrated by two modern masters. In his most popular and controversial work,<br />
Blok compared twelve Red Guards to the Twelve Apostles. In Skify, he invited the West “to share our peace and glowing toil” by aiding the<br />
Bolshevik government. Although Dvenadtsat has been frequently illustrated, the most desirable interpretation is that by the two great Russian<br />
avant-garde artists Goncharova and Larionov. Larionov’s brother had just died fighting in the Red Army when he decided to illustrate Blok’s<br />
revolutionary poem. The French edition Les Douze appeared in April while the Russian one that added Skify came out in June and the<br />
English edition The Twelve in November. Each contains some different pictures and those for the Russian edition are arguably the most<br />
dramatic. Not in MoMA.<br />
$1000 – $1500<br />
Lot 50. GRIGORIEV, Boris Dmitrievich (1886-1939) and Sasha CHORNY [Aleksandr Mikhailovich Glikberg] (1880-1932).<br />
Detskii ostrov [The Children’s Island]. [Danzig and Berlin]: SLOVO, [1921]. Illustrated with lithographs by B. D. Grigoriev. 159 pp. 4to (310 x<br />
250 mm). Original cloth-backed boards with a hand-colored lithographed label designed by B. D. Grigoriev. Condition: marginal browning,<br />
covers rubbed and waterstained with spine reglued; child’s pencil scribbling on a few pages and one page torn.<br />
Grigoriev was a brilliant social cartoonist who also exhibited with Mir Iskusstva [The World of Art]. Some of his most delightful pictures appear<br />
in the famous children’s book Detskii ostrov. “Line encloses all the weight of form within its angles and dispenses with all the immaterial,” he<br />
explained. “Line is the creator’s swiftest and most immediate method of expression.” Like Vladimir Nabokov, Sasha Chorny left for Berlin in<br />
1920 and eventually settled in Paris. The Soviets reprinted Detskii ostrov in 1928 with new illustrations. Chorny died of a heart attack while<br />
helping his neighbors put out a fire. Not in MoMA.<br />
$1000 – $1500<br />
Lot 51. NO LOT<br />
34 Russian Literature & Art Russian Literature & Art 35<br />
Lot 49<br />
Lot 50
Lot 52. GUMILEVA, Mariya (compiler).<br />
Autograph album. 24 pp. Oblong 8vo (111 x 190 mm). Original<br />
dark green felt backed, embossed boards; housed in custom case.<br />
Condition: rubbing to board extremities. an extraordinary<br />
collection of 19 autographs of many of the most<br />
important russian poets of the early twentieth century.<br />
With poems and drawings by Anna Akhmatova, Innokentii<br />
Annenskii, Aleksandr Blok, Nikolai Gumilev, Mikhail Kuzmin,<br />
Vsevolod Emilevich Meierkhold, Aleksei Remizov, Aleksei Tolstoi,<br />
Maksimilian Voloshin and others. Gumileva compiled this<br />
autograph book between 1908 and 1910. As the niece of the poet<br />
Nikolai Gumilev, she had extraordinary access to the up-and-coming<br />
literary figures of her day. They often visited her uncle in Tsarskoe<br />
Selo (now Pushkin) and attended literary parties in his home.<br />
Kuzmin and Gumilev were great friends and Meierkhold and Blok<br />
signed the same page. Annenskii was director of the gymnasium<br />
in Tsarskoe Selo that Gumilev attended. Anna Akhmotova (then<br />
Anna Andreevna Gorenko) was his first wife. He and Voloshin later<br />
quarreled over a woman and fought a duel. Both survived. Gumilev<br />
wrote his poem “Oxhota” [“The Hunt”] in his niece’s album and<br />
Kuzmin added “Protyanulo pautinu…” [“”Stretching out of the<br />
spider’s web…”] that would be the second poem in his second<br />
collection Osenniya ozera [Autumn Lakes] (1912). Remizov wrote<br />
a poem as well as providing an amusing watercolor. On her return<br />
to Tsarekoe Selo in June 1910 from her honeymoon in Paris with<br />
Gumilev, Akhmatova entered her well-known poem “Zharko veet<br />
veter dushnyi…” [“Hot blows the stifling wind…”] and signed it<br />
affectionately “Dear Mariya, Aunt Anna.”<br />
$150000 – $200000<br />
36 Russian Literature & Art Russian Literature & Art 37
Lot 53<br />
Lot 54<br />
Lot 53. GUSMAN, Boris.<br />
100 poetov. Literaturnye portrety [100 Poets. Literary Portraits]. [Moscow<br />
and Leningrad: “Oktyabr,”] 1923. 292 pp. and 32 pp. bibliography<br />
and index. 8vo (215 x 170 mm). Constructivtist design on the front<br />
cover in red and black by M. K. Sokolov. Condition: wrappers soiled<br />
and partially detached. Provenance: Eduard Mikhailovich Chernov.<br />
edition of 1500 copies. With contributions by Julian Anisimov,<br />
Nikolai Aseev, Sergei Bobrov, David Burliuk, Natan Vengrov, Sergei<br />
Esenin, Aleksei Kruchenykh, Maikhail Kuzmin, Osip Mandelshtam,<br />
Anatoly Mariengov, Vladimir Mayakovsky and others. Not in<br />
MoMA.<br />
$400 – $600<br />
Lot 54. IVANOV, Vsevolod Viacheslavovich (1895 - 1963)<br />
and Viktor Borisovich SHKLOVSKII (1893 - 1984).<br />
Iprit. Roman [Mustard Gas. A Novel]. Moscow: GIZ, [1925]. 9 parts.<br />
4to (175 x 120 mm each). Original decorated wrappers designed by<br />
Boris Borisovich Titov housed in custom red cloth case. Condition:<br />
wrappers slightly tanned with small ink lettering to each at front,<br />
intermittent light chipping to folds and extremities.<br />
rare satirical soviet serial novel, in parts. Shlovskii was<br />
an important Russian and Soviet writer and critic and one of the<br />
greatest defenders of Russian Formalism. He argued that art must<br />
be independant of political ideology. He and Ivanov belonged to<br />
the writer’s group the Serapion Brotherhood who upheld this creed.<br />
Iprit is their parody of Soviet science fiction, involving a deadly new<br />
gas designed for use in the Third World War. The story was issued<br />
as a serial novel like Marietta Shaginian’s highly successful detective<br />
story in parts Mess Mend (1923). Both Ivanov and Shklovskii had<br />
to eventually capitulate to the Soviet demands of realistic art. B. B.<br />
Titov (1897-1951) was a prolific book designer and illustrator who<br />
exhibited with Klutsis, Lissitzky, Popova and Telingator. Getty 274<br />
misattributes this cover design to Solomon Benedikt Telingator. Not<br />
in MoMA. (9)<br />
$1500 – $2000<br />
Lot 55. IVANOV, Vyacheslav Ivanovich (1866-1949).<br />
Venok sonetov [Wreath of Sonnets]. [St. Petersburg]: Apollon, [1910].<br />
10 pp., 8vo (220 x 195mm). From the cycle “Liubov i smert [Love<br />
and Death].” Condition: some tears and discoloring. Inscribed in red<br />
ink by the author on the title page and dated 1920.<br />
[With]: Nezhnaya taina [Tender Secret]. St. Petersburg: “Ory,” 1912.<br />
122 pp. 8vo (195 x 150 mm). Original gray wrappers. Condition:<br />
wrappers somewhat worn.<br />
[And:] Mladenchestvo [Infancy]. Petersburg: “Alkonost,” 1918. 62<br />
pp. 4to (170 x 130 mm). Original two-color wrapperrs. Condition:<br />
wrappers slightly soiled and foxed.<br />
[And:] Rodnoe i vselenskoe [Native and Universal Matters]. Moscow:<br />
G. A. Leman and S. I. Sakharov, 1918. 208 pp. 8vo (240 x 160 mm).<br />
Original two-color tan wrappers. Condition: wrappers somewhat<br />
soiled and worn.<br />
[And:] Prometei. Tragediya [Prometeius. A Tragedy]. Petersburg:<br />
“Alkonost,” 1919. 86 pp. (uncut), 8vo (210 x 150 mm). Original tan<br />
wrappers. Condition: wrappers soiled with some red ink and pencil<br />
writing.<br />
[And:] Kontsy i nachala [Ends and Beginnings]. Paris: “Pascal”, 1930.<br />
31 pp. (uncut), 8vo (195 x 145 mm). Original wrappers. Condition:<br />
wrappers worn and soiled; internal water damage. (6).<br />
$1200 – $1800<br />
Lot 56. IURKUN, Iuri Osip Ivanovich (1895-1938) and<br />
Iurii Pavlovich ANNENKOV [Georges Annenkoff]<br />
(1889-1974) (illustrator).<br />
Durnaya kompaniya [Bad Company]. Petrograd: [“Felana,”] 1917<br />
[1918]. 187 pp. 8vo (165 x 125 mm). Illustrated by Iu. P. Annenkov.<br />
Original decorated tan wrappers designed by Annenkov. Condition:<br />
backstrip partially reglued, wrappers with occasional light soiling,<br />
fore edge with intermittent slight chipping.<br />
rare novel about early soviet life by mikhail kuzmin’s<br />
bisexual companion. After the first major love of his life Vsevolod<br />
Knyazev committed suicide in 1913, Kuzmin took up with another,<br />
much younger poet Iuri Iurkun. The two men stayed together until<br />
Kuzmin’s death from pneumonia in 1936. Kuzmin refers to Iurkun<br />
in his last book Forel razbivaet led [The Trout Breaks the Ice] (1929)<br />
with the nickname “Mister Dorian” from Oscar Wilde’s The Picture<br />
of Dorian Gray. The Communists decreed consensual sodomy<br />
between men illegal in 1933. Although Kuzmin died before the law<br />
could affect him, Iurkun was executed in 1938. Not in MoMA.<br />
$5000 – $8000<br />
3 Russian Literature & Art Russian Literature & Art 39<br />
Lot 55<br />
Lot 56
Lot 57<br />
Lot 58<br />
Lot 57. JSZELENOF, Nikolai [Nikolai Ivanovich<br />
ISTSELENOV] (1891 - 1981).<br />
Moskauer Typen. [Moscow Types] Berlin: Trirema Verlag, [1922].<br />
11 pp. 8vo (230 x 155 mm). 11 lithographs (including title page).<br />
Original cloth-backed lithographed tan boards with the original<br />
black silk ties intact. Condition: occasional spotting to covers, back<br />
hinge reglued, spine neatly repaired.<br />
number 26 of 100 copies and signed and numbered by the<br />
artist in red ink. quick pithy studies of the orator, the<br />
red guard, various peddlers and other contemporary<br />
soviet street types. Istselenov studied painting and received an<br />
architectural degree in 1917. He emigrated to Finland about 1920<br />
and illustrated Russian books and designed for the Russian theater<br />
while living in Berlin from 1921 until 1925. He then settled in<br />
Paris where he continued to work as an artist and architect. Not in<br />
MoMA.<br />
$2000 – $3000<br />
Lot 58. KAMENSKY, Vasily Vasilevich (1884-1961) and<br />
Aleksandr Mikhailovich RODCHENKO (1891-1956)<br />
(illustrator).<br />
Lunost Mayakovskogo [Mayakovsky’s Youth]. Tiflis: Zakkniga, 1931.<br />
84 pp. 8vo (180 x 130 mm). Constructivist designs by Rodchenko.<br />
Original paper on lithographic cardboard covers in red, gray and<br />
black. Condition: joints repaired with split at tail of rear board with<br />
slight loss; extremities rubbed, small stamps and ink marks on rear<br />
pastedown and endpaper, unobtrusive scattered marginalia in red<br />
and black pencil.<br />
Includes a drawing of Kamensky by Mayakovsky and five printed<br />
announcements of Futurist activities, two of which are integrated<br />
with the text. Kamensky’s frienship with Mayakovsky extends back<br />
at least as far as 1917 when the two, together with David Burliuk,<br />
organized The Poets’ Cafe in Moscow. Not in MoMA.<br />
$1800 – $2500<br />
Lot 59. [KANDINSKY, Wassily (1866-1944)].<br />
Trudy vserossiiskago sezda khudozhnikov v Petyrograd Dekabr 1911-Yanvar 1912 [All-Russian Congress of Artists in Petrograd from December 1911<br />
to January 1912]. Petrograd: [Golike and A. Vilborg, n.d.]. 3 volumes. Folio (350 x 253mm. and smaller). Plates, occasional illustrations.<br />
Later grey cloth with original paper wrappers mounted on the upper and lower covers (volumes I and III) or orginal wrappers (volume II).<br />
Condition: light overall toning, occasional small marginal tears to volume II; light soiling to volumes I and III, volume II with stitching broken,<br />
covers detached and lightly soiled, backstrip lacking.<br />
first publication in russian of kandinsky’s seminal essay “on the spiritual in art.” With addresses by Alexandre Benois, Ivan<br />
Yakovlevich Bilibin, Nicolai Ivan Kulbin and others. The All-Russian Congress of Artists in 1911 combined both the new and the old. It<br />
held the first exhibition of restored icons; and Kandinsky’s famous statement “O dukhovnom v iskusstve (zhivopis)” [“On the Spiritrual in<br />
Art (Painting)”] was presented in December. It was published for the first time in Russian here in the first volume of the official proceedings<br />
of the Congress, pp. 47-52. Kandinsky passionately argued for nonobjective art and thus defined the modern concept of abstract art. Franz<br />
Marc arranged for the essay’s publication in Munich and an English translation came out in 1914. Not in MoMA. (3)<br />
$6000 – $8000<br />
40 Russian Literature & Art Russian Literature & Art 41<br />
Lot 59
Lot 60<br />
Lot 61<br />
Lot 60. KARDOVSKII, Dmitrii Nikolaevich (1866-1943)<br />
(illustrator).<br />
Nevskii Prospekt. St. Petersburg: Kryzhok Liubitelei Russkikh<br />
Izyaschykh Isdanii, 1905. 73 pp. Folio (295 x 210 mm). By<br />
Nikolai Vasilievich Gogol. Printed by R. Golike and A. Vilborg, St.<br />
Petersburg. Rebound in contemporary half leather over marbled<br />
boards’ spine stamped in gilt. Condition: slight abrading to boards,<br />
last gathering loose. Provenance: presented Aleksandr Sergeevich<br />
Ermolov as stated on the limitation leaf.<br />
number 6 of 125 numbered copies from an edition of 150.<br />
An unusually delightful edition of Gogol’s famous story illustrated<br />
by Kardovskii in the period in which it was written.<br />
$3000 – $4000<br />
Lot 61. KHLEBNIKOV, Velimir<br />
[Viktor Vladimirovich Khlebnikov] (1885-1922) and<br />
Valentina Nikiforovna KULAGINA-KLUTSIS (1902-1987)<br />
(illustrator).<br />
Zapisnaya knizhka Velimira Khlebnikova. Sobral i snabdil primechaniyami<br />
A. Kruchenykh [Velimir Khlebnikov’s Notebook. Collected and Supplied<br />
with Notes by A. Krchenykh]. Moscow : Izdanie Vserossiiskogo Soiuza<br />
Poetov, 1925. 32 pp. Small square 8vo (190 x 140 mm). Portrait<br />
frontiispiece. Original tan wrappers designed by V. N. Kulagina-<br />
Klutsis. Condition: small tears to covers.<br />
rare posthumous publication of the great russian<br />
futurist writer and edited by his fellow advocate of the<br />
‘transrational’ kruchenykh. One of 2000 copies. Khlebnikov<br />
was a seminal figure in the Russian Futurist movement and one of<br />
the most influential Russian poets of the modern age. In 1912 he<br />
coined the neologism Budetlyane (Men of the Future), encapsulating<br />
the Futurist ethos in one word. His fellow Futurist poet Aleksei<br />
Kruchenykh edited this notebook after his friend suffered a stroke<br />
and tragically died at the age of 37. MoMA 598.<br />
$1000 – $1500<br />
Lot 62. KIRSANOV, Semen Isaakovich (1906-1972).<br />
Stikhi v stroiu [Verse in the Ranks]. Leningrad: OGIZ, 1932. Panorama<br />
designed by Nikolai Ilin. Folio (285 x 210 mm). Original two-color<br />
photomontage self-wrappers. Condition: wrappers slightly creased<br />
with minor repair at fold.<br />
rare soviet propaganda panorama. one of 5000 copies.<br />
From an early age, Kirsanov wrote poems about the Revolution,<br />
the Red Army and the liquidation of illiteracy. On moving from<br />
Odessa to Moscow, he joined Vladimir Mayakovsky’s “Lef ”<br />
movement. During the 1930s, he wrote propaganda that promoted<br />
the agitational goals of the Soviet goverment. Stikhi v stroiu glorifies<br />
May Day and provides at least one lively marching song. The design<br />
of the foldout with its bold typographical experimentation is a fine<br />
example of Constructivist aesthetics. The only located copy of this<br />
fragile pamphlet in a public institution is in the Russian National<br />
Library in St. Petersburg.<br />
$2000 – $3000<br />
Lot 63. KONDAKOV, Nikodim Pavlovich (1844-1925).<br />
The Russian Icon. Prague: Seminarium Kondakovianum, 1928. Folio<br />
(424 x 322 mm). Title in red and black. 65 mounted colored plates.<br />
Text: stitched, as issued; plates: unbound, as issued, all within a single<br />
cream card portfolio, covers of the portfolio printed in red and gilt.<br />
Condition: light soiling; light spotting and small tears to portfolio.<br />
Kondakov was a Russian historian and a specialist in history of<br />
Byzantine art. He enjoyed a long and distinguished career as an<br />
academic, teaching at the Moscow Art School, the University of<br />
Novorossia and St. Petersburg University. Soon after the revolution<br />
Kondakov emigrated to Bulgaria and then to Prague where he<br />
taught until his death in 1925. He archived a prodigious amount of<br />
Russian art, much of it largely unknown, employing iconographic<br />
principles to their study. Kondakov wrote numerous books on the<br />
history of Ancient Greek, Russian, Georgian and Byzantine art;<br />
and his lectures proved to have an enormous influence upon many<br />
future Russian historians. Icons were cultural artifacts to Kondakov<br />
as much as art objects; his work stresses their position within a larger<br />
historical context. He organized art by region or what he termed a<br />
“common tendency” from which he portrayed an entire epoch.<br />
$1500 – $2000<br />
42 Russian Literature & Art Russian Literature & Art 43<br />
Lot 62<br />
Lot 63
Lot 64. KOROVIN, Konstantin Alekseevich (1861-1939).<br />
Shalyapin [Chaliapin]. Paris: “Vozrozhdenie,” 1939. 214 pp. 8vo (185 140 mm). Burgundy cloth over marbled boards, spine lettered in gilt,<br />
decorative endpapers. Condition: joints neatly repaired, unobtrusive rubber stamps to title page and blank. Provenance: Boris Pavlovich<br />
Voinarskii as printed on the frontispiece.<br />
presentation copy inscribed in ink by the author on the title page and dated february 10, 1939. This memoir of the great<br />
opera singer draws on the author’s close friendship with Chaliapin. Korovin painted his portrait in 1915 and it remains one of the artist’s best<br />
known works.<br />
$4000 – $6000<br />
Lot 64<br />
Lot 65. KRUCHENYKH, Aleksei Eliseevich (1886-1968) and Gustav Gustavovich KLUTSIS (1895-1944) (illustrator).<br />
Na borbu s khuliganstvom v literature [On the Battle Against Hooliganism in Literature]. Moscow: the author, 1926. 32 pp. 8vo (170 x 130 mm).<br />
Original lithographed pictorial wrappers by Gustav Klutsis. Condition: wrappers detached with slight loss to rear at lower fold, small rubber<br />
stamps and pen marks in blue on back wrapper.<br />
one of 5000 copies. A compilation of essays by the most deeply commited theoretician and polemicist of the Futurist movement. The<br />
identical back image here by Klutsis was used as the cover for another 1926 Kruchenykh publication Dunka-Rubikha [Dunka and Rubikha].<br />
Getty 368; MoMA 645.<br />
44 Russian Literature & Art Russian Literature & Art 45<br />
$500 – $800<br />
Lot 66. KRUCHENYKH, Aleksei Eliseevich (1886-1968).<br />
Gibel Esenina [Esenin’s Death]. Moscow: Vserossiiskogo Soiuza Poetov, 1926. 16 pp. Small 8vo (180 x 135 mm). Original photogravure<br />
wrappers. Condition: wrapper edges slightly toned, fold rubbed.<br />
one of 1000 copies. essay on the legendary peasant poet by the great russian futurist poet after esenin’s suicide. The title<br />
on the cover is “Drama Esenina” [“The Drama of Esenin”]. Although the two shared little in common as writers, Kruchenykh was just one of<br />
the Russian poets (including Mayakovsky) who wrote about the popular peasant poet and his suicide.<br />
$1000 – $1500<br />
Lot 65 Lot 66
Lot 67. KRUCHENYKH, Aleksei Eliseevich (1886-1968) and Gustav Gustavovich KLUTSIS (1895-1938) (illustrator).<br />
15 Let russkogo futurisma 1912-1927. Materiali i kommentarii [Fifteen Years of Russian Futurism from 1912 to 1927. Material and Commentary].<br />
Moscow: Vserossiiskogo Soiuza Poetov, 1928. 68 pp. Small 8vo (163 x 130 mm). Illustrated with photogravures and line drawings. Original<br />
Constructivist tan wrappers designed by G. Klutsis. Condition: small rubber stamp and pen marks on back wrapper; indistinct inscription<br />
on title page.<br />
important overview of this seminal russian avant-garde movement. one of 1000 copies. These articles on fifteen years of Russian<br />
Futurism include short autobiographies by Kruchenykh, Semen Kirsanov and Sergei Tretyakov. Also included is a previously unpublished<br />
poem by Velemir Khlebnikov and a self-portrait. The other illustrations are portraits of the poets by Mariya Sinyakova and Igor Terentev as<br />
well as a photomontage portrait of Khlebnikov by Klutsis.<br />
$2000 – $3000<br />
Lot 68. KRUCHENYKH, Aleksei Eliseevich (1886-1968) and Valentina Nikiforovna KULAGINA-KLUTSIS (1902-1987)<br />
(illustrator).<br />
Zaumnyi yazyk [Transrational Language]. Moscow: Izdanie Vcerossiiskogo Soiuza Poetov, 1925. 64 pp., square 8vo (180 x 140 mm). Original<br />
decorated wrappers designed by V. N. Kulagina-Klutsis. Condition: wrappers somewhat frayed and soiled; some internal soiling.<br />
first edition of 300 copies. Kruchenykh is considered to be the most radical of the Russian Futurist poets and the inventor of zaum, the<br />
“transrational” or “beyonsense” linguistic experiments that he continued exploring throughout his life. V. N. Kulagina-Klutsis was the wife<br />
of the great photocollagist and poster designer Gustav Klutsis as well as a distinguished Soviet propaganda poster artist in her own right.<br />
“[Kulagina] purposely made some of the title appear ‘out of key’ by allowing some letters to read out of register where the background color<br />
changes from red to black, thus emphasizing their meaning” (Compton, p. 80). MoMA 599; Getty 392.<br />
$600 – $800<br />
Lot 67 Lot 68<br />
Lot 69. KRUCHENYKH, Aleksei Eliseevich (1886-1968), Ivan KLIUN (1870-1942) and Kazimir MALEVICH (1878-1935).<br />
Tainye poroki akademikov [Secret Vices of the Academicians]. [Moscow: Budetlian, 1915] [Cover dated 1916]. 32 pp. 4to (225 x 191 mm).<br />
Frontispiece, cover design and two lithographs by Kliun. Original decorated wrappers. Condition: wrappers lightly tanned.<br />
a scarce copy that includes the first appearance in print of a text by malevich. Kruchenykh launches an impassioned attack<br />
upon received nineteenth century Russian Symbolist sensibilities and advocates for a new, experimental poetic language; a “transrational”<br />
linguistic expression he famously labeled zaum.<br />
$2500 – $3500<br />
Lot 70. KRYLOV, Ivan Andreevich (1768-1844) and Alfons Konstantinovich ZHABA (1878-1942) (illustrator).<br />
Basni I. A. Krilova [I. A. Krilov’s Fables]. St. Peterburg: A. F. Devrien. [circa 1910]. 216 pp. Folio (310 x 235 mm). Rebound in marbled boards<br />
with the original decorated wrappers bound in. Printed by R. Golike and A. Vilborg, St. Petersburg. Condition: wrappers lightly thumbsoiled,<br />
tape repair to back wrapper.<br />
rare elegant silver age edition of krylov’s classic fables in verse. Krylov was the Russian Aesop and La Fontaine. Devoting thirty<br />
years to the collection, he not only rendered many classic fables in direct, simple and idiomatic Russian but also wrote many originals based<br />
upon his observations of Russian life. Zhaba was a Georgian landscape painter. This edition of Krylov’s Basni in not only Zhaba’s finest work<br />
but arguably the most beautiful Russian edition of this beloved classic.<br />
46 Russian Literature & Art Russian Literature & Art 47<br />
$600 – $800<br />
Lot 69 Lot 70
Lot 71<br />
Lot 72<br />
Lot 73<br />
Lot 71. KUPRIN, Aleksandr Ivanovich (1870-1938).<br />
Novye povesti i razskazy [New Stories and Tales]. Paris: “N. P. Karbasnikov,”<br />
1927. Small 8vo (195 x 140 mm). Original wrappers. Condition: toned,<br />
pp. 29-32 crudely opened. Provenance: inscribed by the author.<br />
inscribed copy dated paris 1932. This short story collection<br />
includes one of the best works during his exile. “Zolotoi petukh” (“The<br />
Golden Cockerel”).<br />
$4000 – $6000<br />
Lot 72. KUPRIN, Aleksandr Ivanovich (1870-1938).<br />
Elan. Razskazy [Elan. Stories]. Belgrade: [M. Pavlenko i I. Papova],<br />
1929 [1928]. 161 pp. 8vo (225 x 150 mm). Rebound in flowered<br />
cloth with the original wrappers mounted within. Condition: repairs<br />
to mounted endpages; mounted wrapper thumbsoiled. Provenance:<br />
Yakov Moiseevich Tsvibak.<br />
presentation copy, warmly inscrbed. One of 2000 copies. Kuprin<br />
was an enormously popular Russian writer of action and adventure<br />
stories.<br />
$3500 – $4500<br />
Lot 73. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Ekho [Echo]. Petersburg: [“Kartonnyi Domik”], 1921. 64 pp. Small 4to<br />
(145 x 100 mm). Original decorated wrappers designed by Aleksandr<br />
Yakovlevich Golovin. Condition: wrappers thumbsoiled and detached.<br />
one of 1000 copies.<br />
[With:] Nezdeshnie vechera [Otherworldly Evenings]. Petersburg:<br />
[“Petropolis”] 1921. 135 pp. Small 4to (170 x 125 mm). Original<br />
decorated wrappers designed by Mstislav Valeryanovich Dobuzhinsky.<br />
Printed by Golike and Wilborg. Condition: wrappers thumbsoiled with<br />
light stains; small splits at backstrip extremities. one of 1000 copies.<br />
[And:] Vtornik Meri [Mary’s Tuesday]. Petrograd: [“Petropolis”], 1921.<br />
38 pp. 4to (130 x 90 mm). Original decorated wrappers designed by<br />
M. V. Dobuzhinsky. Printed by Golike and Wilborg. Condition: light<br />
spotting to wrappers and endpapers. Provenance: Lev Platonovich<br />
Karsavin. first edition.<br />
[And:] Lesok [The Grove]. [Petrograd: “Neopalimaya kupina,” 1922].<br />
35 pp. 8vo (250 x 185 mm). Illustrated in blue with frontispiece in<br />
black and red by Aleksandr Bozheryanov. Rebound in patterned cloth.<br />
Condition: a few leaves stained upper right. one of 500 copies. (4)<br />
$2000 – $3000<br />
Lot 74. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Dva chuda [The Two Miracles]. Manuscript of the short story. 20 pp. (230 x 145 mm). Signed on the title page and on the<br />
last page and dated 1919.<br />
Although known primarily as a poet, Kuzmin was also a prolific writer of short stories. The manuscript explores the emotional<br />
life and deep religious faith of a Russian monastery at the beginning of the 20th century. It concentrates on Father<br />
Poglev’s relationship with the nun Sister Nanna, who is blessed with miraculous powers to cure diseases.<br />
$6000 – $8000<br />
4 Russian Literature & Art Russian Literature & Art 49<br />
Lot 74
Lot 75. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Dvum [For Two]. [Petrograd: Segodnya, 1919.] 8 pp., small 4to (205 x 153 mm). Original wrappers with hand-colored linocut by Ekaterina<br />
Turova and printer’s device designed by Vera Ermolaeva. Condition: back wrapper detached but present, occasional light soiling to wrappers;<br />
slightly tanned.<br />
rare hand-colored copy of the first and only edition of kuzmin’s children’s book. number 46 of 125 hand-colored<br />
copies. Contains a device in watercolor by Turova not in the regular edition. The second of the two poems was dedicated to Lili Brik (“L.<br />
Iu. B.” or “love”), the wife of Osip Brik and Vladimir Mayakovsky’s mistress. Segodnya [Today] was an artist’s artel or collective who met in<br />
Ermolaeva’s apartment. In 1918, they established the world’s first avant-garde children’s book publisher. “The collapse of printing today has<br />
given birth to a new kind of ‘handicraft’—art publishing. In St. Petersburg a cooperative of writers and artists has developed. They themselves<br />
compose and make the linocuts, they themselves set and print the work. One can find a measure of consolation in the fact that the present<br />
crisis makes us return to the fine old handcraft skills, which are now cheaper to use” (Tvorchestvo [Creativity], 1919). The artel broke up when<br />
the Commisariat of Enlightenment appointed Ermolaeva rector of the art academy in Vitebsk. She later died in The Gulag. MoMA 258;<br />
Borovkov p. 151.<br />
$2000 – $3000<br />
Lot 76. [KUZMIN, Mikhail Alekseevich (1872-1936) and Dmitrii Isidorovich MITROKHIN (1883-1973) (illustrator)].<br />
Sem portretov [Seven Portraits]. By Henri de Régnier. Petersburg: “Petropolis,” 1921 [1920]. 38 pp., 8vo (226 x 165 mm). Translated from the<br />
French by M. A. Kuzmin. Illustrated by D. I. Mitrokhin. Printed by Golike and Wilborg. Decorated pink wrappers designed by D. I. Mitrokin.<br />
Condition: some soiling and wear to wrappers, backstrip chipped.<br />
Number xxvii of xxvii numbered copies out of an edition of 327.<br />
The last erotic book to be published under the Soviet regime. Henri François Joseph de Régnier (1864-1936) was a major French Symbolist<br />
poet who influenced Kuzmin and his Russian contemporaries. Although Aubrey Beardsley most profoundly influenced Mitrokin, the<br />
Russian’s comparatively chaste, naive art in this volume seems more in line with Matisse and the French boudoir painters.<br />
$1000 – $1500<br />
Lot 75 Lot 76<br />
Lot 77. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Krylya. Povest v trekh chastyakh [Wings. Story in Three Parts]. Moscow: “Skorpion,” 1908. Second edition. 112 pp., 8vo (200 x 165 mm).<br />
Original decorated salmon wrappers designed by Nikolai Petrovich Feofilaktov. Condition: wrappers partially split with occasional soiling,<br />
back wrapper with ink mark and small chip to lower corner; backstrip with three small horizontal cracks and slight chipping to head and<br />
tail.<br />
russia’s first openly gay classic by the ‘northern wilde.’ The liberating influence of the Revolution of 1905 encouraged the first<br />
flowering of gay literature in Russia. First published as the entire Number 11 of the leading modernist literary journal Vesy [The Scales] in<br />
November 1906, Krylya followed works by Oscar Wilde and André Gide as the first important novel in Russian literature to deal openly<br />
with homosexuality. This “coming out” novel describes a student’s relationship with his classics professor who frequents a gay bathhouse and<br />
the young man’s growing awareness and acceptance of his sexuality. The Beardsleyesque wrappers were the work of N. P. Feofilaktov (1878-<br />
1941), a Symbolist artist who belonged to Blaue rose [Blue Rose] and Mir Iskusstva [World of Art] groups and was a frequent contributor<br />
to Vesy. At the time muzhelozhstvo (anal intercourse between men) was illegal in Russia so the suggestiveness of the novel shocked many<br />
readers. Kuzmin was accused of being a “sexual provocateur,” and a “psychopath”; his “pornographic” novel suffered from a “vulgar lack<br />
of taste” and it dared to “propagandize this unnatural vice openly” and “idealize it.” Maxim Gorky complained that Kuzmin was “evidently<br />
a semi-literate who cannot write coherently and who is unfamiliar with the Russian language—and he presumably is the creator a new<br />
culture!” Not surprisingly, Leon Trotsky too denounced Kuzmin’s “anarchism of the flesh”; and Valdimir Nabokov’s 1930 novel Soglyadatai<br />
[The Eye] is a parody of Krylya. Although relatively chaste by modern standards, some critics have considered Krylya to be a milestone in the<br />
history of Western literature. Aleksandr Blok, for one, called the novel “marvelous” and publicly defended Kuzmin against the “guardians of<br />
journalistic morality.” The first officially registered gay organization in Russia was named Krylya after Kuzmin’s novel.<br />
$2000 – $3000<br />
50 Russian Literature & Art Russian Literature & Art 51<br />
Lot 77
Lot 78. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Pervaya kniga razskazov [First Book of Stories]. Moscow: “Skorpion,” 1910. 335 pp. 8vo (180 x 115 mm). Rebound in contemporary blue-gray<br />
cloth with the original decorated gray wrappers bound in. Condition: spine faded, endpapers toned; preliminaries lightly spotted.<br />
[With:] Vtoraya kniga razskazov [Second Book of Stories]. Moscow: “Skorpion,” 1910. 335 pp. 8vo (180 x 115 mm). Rebound in contemporary<br />
blue-gray cloth with the original decorated gray wrappers bound in. Condition: spine faded, endpapers toned; back wrapper absent.<br />
[And:] Tretya kniga razskazov [Third Book of Stories]. Moscow: “Skorpion,” 1913. 351 pp. 8vo (180 x 115 mm). Rebound in contemporary<br />
blue-gray cloth with the original decorated gray wrappers bound in. Condition: spine faded, endpapers toned; back wrapper slightly soiled.<br />
three volumes of the collected works by the father of modern gay russian literature. One of these volumes contains<br />
Kuzmin’s famous pioneering gay novel Krylya [Wings] (1906). (3)<br />
$5000 – $8000<br />
Lot 78<br />
Lot 79. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Uslovnosti. Staty ob Iskusstve [Conventions. Articles on Art]. Petrograd: Polyarnaya Zvesda, 1923. 190 pp. Square 8vo (205 x 150 mm). Original<br />
lettered tan wrappers. Condition: wrappers tanned and thumbsoiled<br />
first edition. The great Russian poet discusses opera, prose, poetry and painting, concluding with an essay on Konstantin Andreevich<br />
Somov who painted his portrait.<br />
[With:] Novyi gul [The New Hull]. [Leningrad]: “Academia,” 1924. 32 pp. Small 4to (150 x 115 mm). Original decorated wrappers designed<br />
by Dmitrii Isidorovich Mitrokhin. Condition: light soiling to wrappers, some chipping at fold. Number 170 of 1000 copies.<br />
[And:] Forel razbivaet led. Stikhi 1925-1928 [The Trout Breaks the Ice. Verse from 1925 to 1928]. Leningrad: 1929. Original decorated wrappers.<br />
Condition: wrappers with intermittent soiling, backstrip chipped with some loss; previos owner’s ink signature to title page. first edition.<br />
Considered to be Kuzmin’s last great work, this poem describes one man’s idealized love for another. The highly autobiographical cycle refers<br />
to Kuzmin’s first great love Vsevolod Knyazev and his suicide as well as to the last great love of his life Iurii Iurkin, whom he calls “Mister<br />
Dorian” from Oscar Wilde’s novel. (3)<br />
$1000 – $1500<br />
Lot 80. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Osenniya ozera. Vtoraya kniga stikhov [Autumn Lakes. Second Book of Verse]. Moscow: “Skorpion,” 1912. 252 pp. 8vo (205 x 150 mm). Rebound<br />
in flowered cloth with the original decorated gray wrappers designed by Sergei Iurevich Sudeikin bound in. Condition: wrappers lightly<br />
stained. first edition.<br />
[With:] Glinyanyya golubki. Tretya kniga stikhov [Clay Doves. Third Book of Poetry]. 108 pp. Square 8vo (200 x 140 mm). St. Petersburg: M. I.<br />
Semenov, 1914. Original decorated wrappers designed by Aleksandr Bozheryanov bound in. Condition: backstrip chipped with some loss;<br />
lacking rear wrapper. first edition.<br />
[And:] Chudesnaya zhizn Iosifa Balzamo, Grafa Kalostro. Vtrekh knigakh [The Wonderful Life of Josef Balzamo, Count Calastro. In Three Books].<br />
Petrograd: [“Stranstvuiushchii Entuziast”], 1919. 237 pp., 4to (142 x 100 mm). Illustrated by Mstislav Valeryanovich Dobuzhinsky. Printed<br />
by R. Golike and A. Wilborg. Rebound in contemporary decorated light brown cloth with the original decorated pink wrappers designed<br />
by Dobuzhinsky bound in. Condition: light soiling to front wrapper. first edition.<br />
[And:] Vozhatyi. Stikhi [The Guide. Verse]. St. Petersburg: Prometei/N. N. Mikhailov, 1919. 79 pp. Square 8vo (210 x 160 mm). Original<br />
lettered tan wrappers. Condition: wrappers detached and soiled but present; backstrip chipped. first edition. (4)<br />
$3000 – $5000<br />
Lot 79 Lot 80<br />
52 Russian Literature & Art Russian Literature & Art 53
Lot 81. KUZMIN, Mikhail Alekseevich (1872-1936).<br />
Signed letter to Dr. Mikhail Dmitrevich Tushinskii with address on verso. In pencil on ruled paper. (100 x 150 mm). Signed and dated January 31,<br />
1936. Condition: mottled toning, glue residue on verso not affecting script.<br />
note sent to the physician shortly before the poet’s death. Kuzmin requests that Dr. Tushinskii come to his apartment and refers<br />
to his longtime companion Iurii Iurkin who lived with him.<br />
[With:] Photograph of Iurii Iurkin, Kuzmin and Aleksei Stepanov in the Summer Garden, Leningrad, August 18, 1934. On receiving this photo<br />
from Stepanov on September 15, Kuzmin wrote in his diary, “In certain pictures even we could look like men about town.” This print<br />
is labeled “Kuzmin v tsentr’ [“Kuzmin in the center”] in ink and dated September 6, 1934 in pencil on the verso. See Malmstad and<br />
Bogomolov p. 253.<br />
[And:] Nezdeshnie vechera [Otherworldly Evenings]. Petersburg: [“Petropolis”] 1921. 135 pp., 4to (170 x 125 mm). Original decorated wrappers<br />
designed by Mstislav Valeryanovich Dobuzhinsky. Printed by Golike and Wilborg. Condition: wrappers slightly soiled; white out to half title<br />
resulting in toning to the following few leaves.<br />
Number 76 of 100 numbered copies out of an edition of 1000. The above photograph was at one time affixed to the publisher’s mark<br />
page in the front of this volume The poet Marina Tsvetaeva recalled coming across this book in a shop: “I open it up: like a lance in my heart-<br />
St. George! White St. George! My St. George, the saint whose life I have been writing for two months. Jealousy and joy, a two-edged sword:<br />
I read—and the joy grows, I finish—and the serpent of jealousy is pierced, nailed down.” (3)<br />
$7000 – $10000<br />
Lot 81<br />
Lot 82. LANSERE, Evgenii Evgenevich [Eugene Lanceray]<br />
(1875-1946).<br />
Leto v Angore [Summer in Ankara]. Leningrad: Brokgauz-Efron, 1925.<br />
87 pp. Small 8vo (190 x 130 mm). Illustrated by the author. Original<br />
decorated wrappers. Condition: light soiling and small tears to covers,<br />
backstrip torn with some loss.<br />
an elegant verbal and visual travelogue through the<br />
near east. The artist composed these “poems, recollections, notes<br />
and scenes from Anatolia in the summer of 1922.”<br />
54 Russian Literature & Art Russian Literature & Art 55<br />
$400 – $600<br />
Lot 83. LEBEDEFF, Jean (1884-1970) and<br />
Jean-Paul DUBRAY.<br />
L’Ymaigier Jean Lébédeff. Présentation de Pierre Champion. Nombreuses<br />
compositions originales dessinées et gravées sur bois et Catalogue complet<br />
de l’oeuvre de l’artiste. Paris: chez l’Auteur, [1939]. Wood-engraved<br />
portrait frontispiece, limitation leaf surround, half-title surround,<br />
title vignette, numerous illustrations (20 full-page), decorations,<br />
initials, all by Lébédeff. Later brown half morocco over marbled<br />
paper-covered boards, spine lettered in gilt, marbled endpapers,<br />
original wrappers bound in, t.e.g., slip-case. Condition: light soiling to<br />
original wrappers. Provenance: Fréd Van Daele.<br />
limited edition of 575 copies, copy Number 260 of 500 copies<br />
on Rives paper numbered between 16 and 151; presentation<br />
copy from artist. Warmly inscribed on the rectro of the limitation<br />
leaf: “Au bon camarade Fréd Van Daele en toute sympathie Jean<br />
Lébédeff Paris le 7 Août 1941.”<br />
$800 – $1200<br />
Lot 84. LEBEDEV, Vladimir Vasilievich (1891-1967).<br />
V. Lebedev. Leningrad: Gosudarstvennogo Russkogo Muzei, 1928.<br />
71 pp. Small 4to (172 x 135 mm). Publisher’s decorated wrappers<br />
with self-portrait by Lebedev. Essays by Petr Ivanovich Neradovskii<br />
and Nikolai Punin with bibilography of posters, drawings and<br />
illustrations. 12 reproductions of works by V. V. Lebedev. Condition:<br />
wrappers detached at backstrip with light spotting and tanned at<br />
extremities.<br />
rare exhibition catalogue of works by the great soviet<br />
constructivist artist for the state russian museum in<br />
leningrad. One of 1500 copies. Although best known for his<br />
picture books with Samuil Marshak, Lebedev was also admired for<br />
his female nudes and Cubist compositions reproduced in this early<br />
monograph on the artist.<br />
$400 – $600<br />
Lot 83<br />
Lot 85. LEBEDEV, Vladimir Vasilievich (1891-1967) (illustrator)<br />
and Samuil MARSHAK (1887-1964).<br />
De Reis door Rusland. [The Hague: “ De Baanbreker”/Servire, 1930].<br />
12 pp. 4to (222 x 185 mm). Translated into Dutch by Ljoeba<br />
Dworson and Eliza Hess-Binger. Color lithographed wrappers.<br />
Condition: intermittent light spotting to wrappers.<br />
rare authorized dutch edition of Bagazh [Luggage]. Although<br />
Lebedev was one of the most influential picture book artists of the<br />
early twentieth century, few of his works were available in other<br />
languages other than Russian. Not in Petrov.<br />
$400 – $600
Lot 86<br />
Lot 87<br />
Lot 86. LEBEDEV, Vladimir Vasilievich (1891-1967)<br />
(illustrator); and Samuil MARSHAK (1887-1964).<br />
Petrushka-inostranets [Petrushka the Foreigner]. Moscow: OGIZ/<br />
Detgiz, 1935. 12 pp. 4to (285 x 220 mm). Fifth printing. Color<br />
lithographed wrappers. Condition: creased, wrappers soiled.<br />
fifth printing but the first and only one with lebedev’s<br />
pictures. This satirical puppet play about Petrushka, the Russian<br />
Punch, was first published in 1927 with illustrations by Vladimir<br />
Konashevich. Petrov p. 287.<br />
$300 – $500<br />
Lot 87. LISSITZKY, El [Lazar Markovich] (1890-1941).<br />
Russland die Rekonstruktion der Arkhitektur in der Sowjetunion. Vienna:<br />
Anton Schroll & Co., 1930. 103 pp. 8vo (290 x 230 mm). Includes<br />
103 illustrations, plans, models and renderings by Lissitzky. Original<br />
wrappers with decorated jacket in color. Condition: repairs to jacket at<br />
folds, covers soiled, backstrip chipped with some loss at extremities<br />
and edges, occasional underlining in blue pen in text.<br />
Famous publication on modern Russian architecture, the first of<br />
a series of three, the other two written by distinguished modern<br />
architects, Amerika (1930) by Richard J. Neutra and Frankreich<br />
(1930) by Roger Ginsburger.<br />
$600 – $800<br />
Lot 88. LISSITZKY, El [Lazar Markovich] (1890-1941).<br />
Milgroim. A Yiddish Magazine of Art and Letters. Berlin, 1923. Number<br />
3. 52 pp. Folio (310 x 245 mm). Edited by M. Vishnitzer and M.<br />
Kleinman. Original two-color photogravure wrappers designed by<br />
El Lissitzky. Condition: light spotting to wrappers and first and last<br />
leaf; small chips to backstrip.<br />
rare yiddish bimonthly with lisstzky article on mohilev<br />
synagogue. About 1916, Lissitzky and his friend and fellow Jewish<br />
artist Issachar Ryback made a pilgrimage to the magnificent 18thcentury<br />
Mohilev Synagogue on the shores of the Dniepr. The<br />
experience profoundly moved Lisstzky (“the painter has done his<br />
work with the aid of just a few simple colors, that a whole great<br />
world comes to life, blossoms forth and fills this small cube”) and<br />
he made sketches of details in the interior. He chose 6 of these<br />
drawings (2 in color) to illustrate his memories of the visit in<br />
Milgroim. Also included in this issue are reproductions of works by<br />
Lissitzky (“Construction”), Natan Altman, Marc Chagall, David<br />
Shterenberg and others. Milgroim was devoted to all the arts—<br />
painting, sculpture, music and theater—with “special attention…to<br />
the artistic production of the Jews in the present and the past.” When<br />
Harvard University mounted the 1987 Lissitzky retrospective, the<br />
curators were unable to include a copy of this journal. No copies in<br />
MoMA, Getty or BM.<br />
$1500 – $2500<br />
Lot 89. LISSITZKY, El [Lazar Markovich] (1890-1941)<br />
(illustrator).<br />
Zhurnalist [The Journalist]. Moscow, January 1-March 15, 1929.<br />
Nos.1-6, 4to (280 x 220 mm). Illustrations. Original upper wrappers<br />
with printed design by Lissizky. Condition: upper covers trimmed<br />
with slight loss, lower covers lacking and replaced with plain paper.<br />
six numbers of this rare journal on soviet journalism for<br />
workers in the graphic art and printing industry.(6)<br />
$4000 – $6000<br />
56 Russian Literature & Art Russian Literature & Art 57<br />
Lot 88<br />
Lot 89
Lot 90. LISSITZKY, El [Lazar Markovich] (1890-1941) and Ilya Grigorevich Ehrenburg (1891-1967).<br />
Moi Parizh [My Paris]. Moscow: IZOGIZ, 1933. 235 pp. Oblong 8vo (163 x 185 mm). 121 black and white photographs and 2 black and<br />
white photomontages. Original blue paper covered boards rebound with endpapers. Condition: covers rubbed with some staining, edges<br />
slightly frayed, neatly rebacked; lacking dust jacket.<br />
first edition. An honest and uncompromising look at the City of Lights through the lens of El Lissitzky’s unique brand of photorealist<br />
Constructivism. A poignant and remarkable documentary of Paris between the World Wars. Not in MoMA.<br />
$1500 – $2500<br />
Lot 91. LISSITZKY, El [Lazar Markovich] (1890-1941) (illustrator) and Alexandr KUSIKOV.<br />
Der ungenannte Vogel. Gedichte. Ptitsa bezymyanniaya. Izbrannye stikhi 1917-1921 [The Nameless Bird. Collected Verse 1917-1921]. Berlin:<br />
“Skythen”/”Skify,” 1922. 64 pp. Small 8vo (210 x 140 mm). Poems by Aleksandr Kusikov. Original decorated black boards designed by E.<br />
Lissitzky. Condition: light staining to boards, neatly rebound.<br />
first edition. Lissitzky was associated with the Bauhaus in Berlin when he produced this stunning Constructivist cover. Kusikov a member<br />
of the Imaginist group. MoMA 406.<br />
$500 – $800<br />
Lot 92. LIVSHITS, Benedikt Konstantinovich (1886-1939).<br />
Typescript of translations of 6 poems by Guillaume Apollinaire. 1934. 32 pp., (290 x 250 mm). Six poems signed by the translator in blue pencil;<br />
“Cherez evropy” [“Across Europe”] with corrections by the translator in ink. Condition: pages browned with some soiling and fraying of edges.<br />
Provenance: Igor Postupalskii Archive.<br />
Livshits was an important figure in modern Russian poetry and helped found the Futurist group Gilea with Vladimir Mayakovsky, Vladimir<br />
and David Burliuk and other avant-garde writers and artists. His aim was to “shock the philistine” and “throw a bombshell into the joyless,<br />
provincial street of the generally joyless existence” of conventional Russian life. He too ran afoul of the authorities during the Great Purge. In<br />
1939, he was arrested as an “enemy of the people” and executed.<br />
$800 – $1200<br />
Lot 90<br />
Lot 93. MALEVICH, Kazimir (1878-1935).<br />
Ot Sezanna do Suprematizma. Kriticheskii ocherk [From Cezanne To Suprematism. A Critical Essay]. [Petrograd]: Narkompros [1920]. 16 pp.<br />
Small 8vo (170 x 112 mm). Original printed wrappers. Condition: wrappers soiled with repairs, backstrip slightly chipped, a few leaves<br />
stained not affecting text, pen and pencil marks to back wrapper.<br />
first and only edition in russian of this seminal essay issued by the commissariat of enlightenment or narkompros.<br />
Refering to his own O novykh systemakh v iskusstve [On New Systems in Art] published in Vitebsk in 1919, Malevich traces the development of<br />
various artists such as Cézanne, Millet, Courbet, Monet and Van Gogh as well as the collector Schoukine and their relationship to Malevich’s<br />
own theories underlying Suprematism.<br />
5 Russian Literature & Art Russian Literature & Art 59<br />
$600 – $800<br />
Lot 94. MALIUTIN, Sergei Vasilevich (1859-1937) (illustrator).<br />
Ruslan i Ludmila [Ruslan and Ludmila]. Moscow: A. I. Mamontov, 1899. 48 pp. Large folio (510 x 400 mm). By Alexandre Sergeevich<br />
Pushkin. With 18 color lithographs after S. V. Maliutin. Condition: splits to front and back pastedowns, upper corner creased on front cover;<br />
light thumbsoiling to preliminaries. Provenance: Simeon J. Bolan (bookplate on rear pastedown).<br />
first edition thus. Several opulent editions of Pushkin’s poems were issued in 1899 to commemorate the centenary of the great Russian<br />
poet’s birth. Maliutin published a less elaborate version of Tsar Saltan the previous year. Ruslan i Ludmila is considered his masterpiece.<br />
Maliutin did much to revive the folk art tradition in Russia and worked in a charming, self-consciously naïve style.<br />
$2000 – $3000<br />
Lot 91 Lot 94
Lot 95. MANDELSHTAM, Osip Emilievich (1891-1938).<br />
Egipetskaya marka [The Egyptianm Stamp]. Leningrad: “Priboi,” 1928. 192 pp. 8vo (170 x 130 mm). Original wrappers designed by Evgenyi<br />
Belukh. Condition: wrappers faded and rubbed, worn at extremities; backstrip rubbed at edges and slightly cocked; occasional spotting<br />
internally not affecting text.<br />
first edition of mandelshtam’s short experimental autobiographical novel. Although Mandelshtam is known primarily as a<br />
poet, Egipetskaya marka has had its admirers. It was his only major creative work written during the “poetic silence” of 1925 to 1930, when<br />
he had been banned from publishing any original work in the Soviet Union. Vladimir Nabokov called Mandelshtam “a wonderful poet, the<br />
greatest poet among those trying to survive under the Soviets.” He was also one of great tragedies of modern Russian literature. In the Fall<br />
of 1933, he composed the notorious “Stalin Epigram” that proved to be his death sentence. He wrote contemptuously of Stalin’s “fat fingers.<br />
slimy like slugs” and “his cockroach whiskers” and called him “the murderer and peasant slayer.” He was arrested but spared being sent to a<br />
labor camp. After a suicide attempt, he was allowed to live with his wife anywhere except in one of the major Russian cities. In 1938 he was<br />
arrested again and charged with “counter-revolutionary activities.” He was sentenced to forced labor and sent to a transit camp in Siberia<br />
where he died under mysterious circumstances. “Only in Russia is poetry respected – it gets people killed,” he once sarcastically observed. “Is<br />
there anywhere else where poetry is so common a motive for murder?”<br />
$2000 – $3000<br />
Lot 95<br />
Lot 96. MARSHAK, Samuil Yakovlovich (1887-1964).<br />
Collection of four children’s book by the father of Soviet children’s literature. Comprising Progulka na osel [Ramble on an Ass]. [Lenningrad]: GIZ,<br />
1930. 12 pp. Oblong 12mo (115 x 145 mm). Illustrated in two colors by Vladimir Vasilevich Lebedev. Original decorated self-wrappers<br />
designed by V. V. Lebedev. Condition: intermittent staining to wrappers. Voina s Dneprom [War with the Dnepr]. [Leningrad]: OGIZ, 1931.<br />
16 pp. 8vo (215 x 1785 mm). Color lithographs by G. Bibikov. Color lithographed decorated wrappers. Condition: light thumbsoiling to<br />
wrappers with minor repairs. Goluby. Moscow and Leningrad: Detgiz, 1946. 16 pp. Small 8vo (165 x 137 mm). Illustrated by V. V. Lebedev.<br />
Original color lithographed wrappers designed by Lebedev. Conditon: very light soiling to wrappers. Pozhar [Fire]. [Leningrad:] Detizdat,<br />
1937. 13th printing. 16 pp. Small 8vo (210 x 160 mm). Color lithographs by Vladimir Konashevich. Original color lithographed wrappers<br />
designed by V. Kodashevich. Condition: very light staining to wrappers with minor repairs.<br />
important works of the great soviet children’s book writer. One of Maxim Gorky’s protégés, Marshak was a distinguished<br />
Russian editor, translator and critic as well as the father of Soviet children’s literature. Marshak’s books, often in collaboration, with Lebedev<br />
were immensely popular with both old and young. At one time thousands of Russian school children memorized his poems. He so<br />
profundly influenced his contemporaries as a poet and editor that his colleagues were said to belong to Marshak Academy. In 1931, he and<br />
Gorky consolidated the vast children’s book industry under a state-run publishing program into one publishing house Detgiz. Although<br />
Lenin’s widow Nadezhda Krupskaya denounced it, Pozhar was one of Marshak’s most successful books. Konashevich reillustrated the poem<br />
through many printings over the years. (4)<br />
60 Russian Literature & Art Russian Literature & Art 61<br />
$500 – $800<br />
Lot 97. MARTIANOFF, Nicholas and Mark A. STERN (editors).<br />
Almanac Russian Artists in America: Volume One, 1932. New York: the editors, 1932. 249 pp. Folio (305 x 220 mm). With extensive<br />
photographic illustrations, 16 pp. advertisments at back. Contemporary marbled boards with original wrappers bound in. Condition: front<br />
wrapper detached but present, waterstained and creased; back wrapper absent.<br />
scarce copy of a unique reference work containing short biographies with accompanying photos of Russian-born artists who<br />
emigrated to America. Musicians, writers, dancers, painters, actors and many more artistic categories are represented here. Among the 101<br />
entries are such luminaries as Chaliapin, Horowitz, Ouspenkaya, Prokofiev, and Sudeikin. Although the editors note their plan for publishing<br />
a second volume, it never appeared.<br />
$600 – $800<br />
Lot 96 Lot 97
Lot 98<br />
Lot 99<br />
Lot 98. MAYAKOVSKY, Vladimir Vladimirovich<br />
(1893-1930).<br />
Prostoe kak mychanie [Simple As Mooing ]. Petrograd: “Parus,” 1916.<br />
118 pp. 8vo. (220 x 150 mm). Original printed brown wrappers.<br />
Condition: one signature loose, short closed tears at head and tail of<br />
backstrip, minor faint spotting to front cover, previous owner’s neat<br />
ink signature on upper right front cover and front free endpaper;<br />
censored words have been filled in in pencil on pp. 5, 113 and 114.<br />
one of 2000 copies of an early collection by this most<br />
incandescent of 20th century russian poets. Reprints<br />
“Ya” [“Me”] and “Vladimir Mayakovsky, tragediya” [“Vladimir<br />
Mayakovsky, A Tragedy”] first published in 1913 and 1914, in<br />
addition to one of his most important poems “Oblako v shtanakh”<br />
[“A Cloud in Trousers”], first published separately by Osip Brik in<br />
1915.<br />
$1800 – $2500<br />
Lot 99. MAYAKOVSKY, Vladimir Vladimirovich<br />
(1893-1930) and Aleksandr Mikhailovich RODCHENKO<br />
(1891-1956) (illustrator).<br />
Sergeiu Eseninu [To Sergei Esenin]. Tiflis: Zakkniga, 1926. 16 pp. Small<br />
8vo (173 x 128 mm). Original decorated wrappers printed in red<br />
and black with front and back photomontage covers designed<br />
by Rodchenko and two in-text Constructivist photomontages.<br />
Condition: covers detached, staining at middle of fold from absent<br />
staple not affecting text.<br />
first edition. Mayakovsky’s by turns lyric and angry elegy written<br />
in response to fellow poet and provocateur Sergei Esenin’s suicide<br />
and with Rodchenko’s arresting visual contributions: a troika of<br />
Russian genius. Mayakovsky and Esenin were friends but also<br />
great rivals with conflicting theories of poetry. This is Mayakovsky’s<br />
response to Esenin’s final poem written in his own blood just before<br />
he hanged himself in 1925. “[His] death grieved me, grieved me in<br />
the ordinary sense, as a human being,” Mayakovsky recalled. “It was<br />
clear at once how many people who were still hesitating would be<br />
brought to the rope or the revolver by those powerful lines—just by<br />
the lines themselves…Only with another poem could you fight that<br />
one, and you must” (Brown p. 315). Mayakovsky himself committed<br />
suicide in 1930. MoMA 695.<br />
$1500 – $2500<br />
Lot 100. MAYAKOVSKY, Vladimir Vladimirovich<br />
(1893-1930) and El [Lazar Markovich] LISSITZKY<br />
(1890-1941).<br />
Khorosho! Oktyabrskaya poema [Good! A Poem of the October<br />
Revolution]. Moscow: Gosizdat, 1927. 104 pp. 8vo (210 x 140<br />
mm). Neatly rebacked in the original wrappers with Suprematist<br />
cover design by El Lissitzky printed in black and red with agit-prop<br />
slogans on the back cover. Condition: minor dampstaining to covers,<br />
extremities rubbed, head and tail of backstrip with slight chipping,<br />
one leaf frayed not affecting text.<br />
first edition of the famous poem celebrating the tenth<br />
anniversary of the october revolution. One of 300 copies.<br />
While upholding the myth of Bolshevism, this lengthy poem<br />
displays a deft balance between a celebration of post-revolutionary<br />
radicalism and more meditative and somber personal recollections.<br />
The Poet of the Revolution had become “a newspaper poet” who<br />
was pouring out a steady stream of topical verse. MoMA 704.<br />
$1500 – $2500<br />
Lot 101. MAYAKOVSKY, Vladimir Vladimirovich<br />
(1893-1930) and Mikhail Fedorovich LARIONOV<br />
(1881-1964) (illustrator).<br />
Solntse. Poema [The Sun. A Poem]. Moscow and Petersburg: “Krug,”<br />
1923. 30 pp. 8vo (165 x 122 mm). 8 illustrations by Larionov; 7 full<br />
page. Original decorative wrappers by Larionov. Condition: wrappers<br />
faded, occasional chipping to extremities.<br />
first edition of mayakovsky’s canonical poem to contain<br />
larionov’s illustrations. one of 5000 copies. The poet<br />
and the artist were old friends. Mayakovsky exhibited his own art<br />
with Larionov’s and they both drew propaganda posters in 1914.<br />
MoMA 647.<br />
$800 – $1200<br />
Lot 102. MAYAKOVSKY, Vladimir Vladimirovich (1893-1930),<br />
Sergei TRETYAKOV (1892-1937) and Samuel ADLIVANKIN<br />
(1897-1966).<br />
Rasskaz pro to, kak uznal Fadei zakon zaschischaiuschii rabochikh liudei<br />
(kodeks zakonov o trude) [Story about Fadey and How He Found Out<br />
About the Law That Defends the Working People]. Moscow: Trud<br />
i kniga, 1924. 47 pp. Small 8vo (175 x 130 mm). Illustrated in<br />
black and white. Original wrappers in black, red, yellow and green.<br />
Condition: covers soiled with closed tear to front wrapper at fold,<br />
backstrip chipped, occasional spotting internally; ink markings on<br />
front free endpaper and small rubber stamp on front wrapper. Not<br />
in MoMA.<br />
$700 – $1000<br />
62 Russian Literature & Art Russian Literature & Art 63<br />
Lot 100<br />
Lot 102
Lot 103. MAYAKOVSKY, Vladimir Vladimirovich (1893-1930) and Aleksandr RODCHENKO (1891-1956) (illustrator).<br />
Stikhi o revoliutsii. Oktyabr. Fevral. Golod. Evropa. Iskusstvo. Smeshnoe [Poems about the Revolution. October. February. Famine. Europe. Art. Laughs].<br />
Moscow: “Krasnaya Nov,” 1923. 100 pp. Small 8vo (175 x 130 mm). Original Constructivist wrappers designed by A. Rodchenko and<br />
printed in red. Condition: wrappers with occasional soiling, backstrip rubbed.<br />
first edition of this selection of nineteen satirical poems about early soviet life. one of 3000 copies. The Poet of<br />
the Revolution took on bureacratic absurdity in these poems of “Nash byt” [“Our Way of Life”]. Although he generally did not care for<br />
Mayakovsky’s work, Lenin greatly enjoyed the poet’s take on endless committees in “Prozasedavsshiesya” [“Lost in Conference,” pp 81-83].<br />
“It’s a long time since I experienced such pleasure and satisfaction, from a political and administrative point of view,” he admitted. “I don’t<br />
know if it is good poetry, but I guarantee you it’s absolutely right from a political point of view” (Brown p. 223). Not in MoMA.<br />
$1500 – $2500<br />
Lot 104. MIKHALIKOV, Sergei Vladimirovich (b. 1913).<br />
Dyadya Stepa [Uncle Steve]. Manuscript of this writer’s most famous poem written entirely in his hand in purple ink. 3 pp. 4to (300 x 205<br />
mm). Signed twice and dated September 5, 1938. Provenance: Fekula 5548.<br />
manuscript of the popular children’s poem first published in 1936. “Uncle Steve” is a friendly policemen who became a symbol of<br />
Soviet social and political education. In addition to many other children’s books, plays and poems, Mikhalkov is the author of the lyrics for<br />
the Soviet national anthem in 1944. (He recently reworked them for the Russian Federation.) He became Secretary of the Soviet Writers<br />
Union and was reportedly Stalin’s favorite living poet. In 2003, President Vladimir Putin visited Mikhalikov to honor his 90th birthday.<br />
Pravda hailed him as “the patriarch of modern Russian literature and prominent cultural figure.” His son is the movie actor and director<br />
Nikita Mikhalkov, who won the Oscar for Best Foreign Film for Burnt By the Sun.<br />
$2000 – $3000<br />
Lot 103 Lot 104<br />
Lot 105. MVD (Ministerstvo Vnutrennikh Del).<br />
Ministerstvo Vnutrennikh Del 1802-1902. Istoricheskii ocherk [The Ministry of Internal Affairs from 1802 to 1902. An Historical Study]. St. Petersburg:<br />
Ministerstva Vnuterennikh Del, 1901. 232 pp. Folio (315 x 310 mm). Title with double medallion vignette, numerous portrait plates (6 on<br />
india paper mounted, the others with tinted backgrounds), numerous Illustrations. Original light brown cloth, upper cover blocked in dark<br />
brown, red-stained edges. Condition: some old damp damage to upper edge of covers, some light soiling.<br />
an ambitious history of the notorious mdv. Aleksandr I created the MVD in 1802 to oversee everything from the police force and the<br />
Internal Guards to the state postal system and the clergy. Eventually other agencies took over many of these responsibilities. Nevertheless the<br />
MVD became one of the most powerful governmental bodies of the Russian Empire and one of the most feared through its secret police. It<br />
continued to operate under a variety of names under the Soviets and was revived in 1990.<br />
$6000 – $8000<br />
64 Russian Literature & Art Russian Literature & Art 65<br />
Lot 105
Lot 106. MELNIKOVA-PAPOUSHKOVA, N. F. (editor).<br />
Antologiya russkoi poezii XX stoletiya [Anthology of Russian Poetry of the Twentieth Century]. Prague: “Nasha Rech,” 1920-19. 2 volumes Small<br />
8vo (140 x 190 mm). Volume I rebound in contemporary cloth-backed marbled boards with the original lettered tan wrappers bound in;<br />
Volume II in the original lettered tan wrappers. Condition: Volume I with minor rubbing to board edges, library sticker over spine, rubber<br />
stamps to title page and following leaf; wrappers slightly soiled and backstrip chipped with some loss to Volume II.<br />
With contributions by Anna Akhmatova, Konstantin Balmont, Andrei Belyi, Aleksandr Blok, Valerii Briusov, Zinaida Gippius, Fedor<br />
Sologub, Viktor Solovev, Igor Sveryanin, Aleksei Tolstoi and others. (2)<br />
$800 – $1200<br />
Lot 107. “MISS” [Anna Vladimirovna Remizova].<br />
Kupidonovy prokazy. Les Avantures galantes. St. Petersburg: M. G. Kornfeld, 1913. 82pp. Oblong folio (260 x 255 mm). Original half cloth<br />
over decorated boards with cover label, decorated endpapers. Condition: some staining and spotting to boards, hinges tender, some minor<br />
repairs.<br />
elegant album of pictures in the manner of aubrey beardsley and konstantin somov. Remizova (née Vasileva) was the sister of<br />
the famous cartoonist “Re-Mi” (Nikolai Vladimirovich Remizov, 1887-1975). The two worked for Sverchok [Cricket] until 1908; afterwards<br />
she was a regular contributor to the famous humor magazine Satirikon. She was also a stage designer. Beardsley had an enormous impact on<br />
the graphic artists of the Silver Age including Somov and “Miss.” These delicate line drawings appeared in Russian periodicals before being<br />
collected in this book. This copy includes numerous clippings of other pictures by this artist taken from magazines and newspapers as late<br />
as 1917 and tipped in the blank areas.<br />
$2000 – $3000<br />
Lot 107<br />
Lot 108. NABOKOV, Vladimir (1899-1977).<br />
Zaschita luzhina. Roman [Luzhin’s Defense. A Novel]. Berlin: “Slovo,” 1930. 236 pp. 8vo (200 x 135 mm). Publisher’s blue cloth. Condition:<br />
covers soiled and dampstained, spine extremities split and chipped, front hinge cracked, corners frayed.<br />
rare first edition of the master’s third novel. First serialized in Sovremennye zapiski [Contemporary Annals], Numbers 40-42 (1929-<br />
1930). “That novel alone would suffice to give M. Sirin a very oustanding place in contemporary world literature”—The New York Times Book<br />
Review (May 20, 1934). Nabokov did not get around to translating (with Michael Sammel) his novel as The Defense until 1964. Difficult to<br />
find in any condition. Field 0666.<br />
66 Russian Literature & Art Russian Literature & Art 67<br />
$500 – $800<br />
Lot 109. NABOKOV, Vladimir (1899-1977).<br />
Drugie berega [Other Stories]. New York: Chekhov Publishing House, 1954. 270 pp. 8vo (230 x 140 mm). Original gray wrappers. Condition:<br />
light soiling and dampstain to wrappers.<br />
first edition in russian of nabokov’s classic memoir. Originally published in English as Conclusive Evidence (1951), Nabokov revised<br />
the text with new observations and expanded passages for his Russian readers. Nabokov did the translation himself. The book was serialized<br />
in Opyty [Essays], Number 3, 1954; and Novyi Zhurnal [The New Journal], Numbers 37 and 38, 1954. He further revised and expanded his<br />
memoir in its final form Speak, Memory (1967). Field 1097.<br />
$500 – $800<br />
Lot 108 Lot 109
Lot 111. PARAIN, Nathalie (1897-1958) (illustrator).<br />
Lot 110<br />
Lot 110. ORME, Edward (publisher).<br />
The Costume of the Russian Army, from a collection of drawings made<br />
on the spot, and now in the posession of the Earl of Kinnaird. London:<br />
printed by J. Hayes, published by Edward Orme, 1807. Folio (370<br />
x 260 mm). Stipple-engraved portrait of Czar Alexander the Great<br />
by Godby after Jean Pichon, printed in colors and finished by hand,<br />
but cut down (sheet size: 335 x 235 mm.) and mounted, 8 handcolored<br />
engraved plates. 20th-century light brown calf-backed<br />
marbled paper-covered boards, spine gilt. Condition: dampstained<br />
throughout, portrait cut down and mounted at an early date.<br />
a rare suite with a fine portrait of alexander. The military<br />
and naval plates are apparently portraits taken from life. Colas 735<br />
$800 – $1200<br />
Baba-Yaga. Paris: YMCA Press, 1932. Folio (320 x 280 mm). Adapted by Nadezhda Aleksandrovna Teffi. Lithographic colored illustrations<br />
after Nathalie Parain. Original thin card wrappers, the upper cover with the title and an illustration lithographed in colors. Condition: light<br />
general toning to text block; light general toning to covers, the upper cover with the outer corners creased, the lower corner with small<br />
section torn away. First edition, issued simultaneously in Russian and French.<br />
[With:] N. PARAIN (illustrator) and Marcel AYMÉ (1902-1967). Autres Contes du Chat Perché. Paris: Gallimard, 1950. Small 4to<br />
(240 x 180 mm). 11 colored plates, 34 uncolored illustrations, all after Parain. Original cloth-backed pictorial boards. Condition: overall<br />
toning to text, ink inscription dated 1976; spine faded, light toning to covers.<br />
[And:] REITLINGER, Joanna (1898-1988) (illustrator) and Edmée ARMA (1904-1987). Sept Contes Finnois tirées du Kalevala. Paris:<br />
Librairie Montjoie, 1946. 4to (267 x 205 mm). Title in red and black. Illustrations, some colored, after Reitlinger. Original pictorial boards.<br />
Condition: slight toning to book block, ink signature to title; extremities scuffed.<br />
The first two works are illustrated by Russian-born Nathalie Parain: one of the most inventive picture book artists working in Paris during<br />
the 1930s. She studied at Vkhutemas and belonged to the Constructivists. After marrying Brice Parain, a philosopher and essayist working<br />
at the French embassy in Moscow, she returned with him to Paris in 1928. Mon chat (1930) was a masterpiece of juvenile Cubism and<br />
she illustrated a good number of “Albums du Père Castor” (1931-1940) for Paul Faucher of Flammarion as well as many of Marcel Aymé’s<br />
“Contes du Chat perché” (1937-1948) for Gallimard. Nadezhda Aleksandrovna Lokhvitskaya (1872-1952) was a popular Russian author<br />
of humorous short stories who wrote under the name “Teffi.” She is considered one of the great chroniclers of émigré life after the Revolution<br />
and one of the few to be published in the Soviet Union. This book was also issued in French with the fairy tale retold by “Rose Celli” (Rose<br />
Brua). The last was illustrated by Russian-born Sister Joanna ( Julia) Reitlinger, the only book ilustrated by her. (3)<br />
$700 – $1000<br />
Lot 112. PASTERNAK, Boris Leonidovich (1890-1960).<br />
Stikhotvoreniya v odnom tome [Poems in One Volume]. Leningrad: “Khudozhestveniya Leteratura,” 1935. 440 pp. Small 8vo (195 x 140 mm).<br />
Color frontispiece by N. Dmitrovskii. Original gilt-lettered embossed pale green cloth. Condition: previous owner’s inscription on recto of<br />
frontispiece; spine and covers discolored, toning to endpapers;<br />
second edition of the nobel prize winner’s collected poems, limited to 1000 copies. Long before the clandestine publication of<br />
Doctor Zhivago in 1957, Pasternak was known as one of the greatest Russian poets of his generation. The book opens with his most famous<br />
cycle of poems Sestra moya zhizn [My Sister-Life] (1922), one of the most influential books of modern Russian literature.<br />
$800 – $1200<br />
Lot 113. PASTERNAK, Boris Leonidovich (1890-1960).<br />
Temy i varyatsii. Chetvertaya kniga stikhov [Themes and Variations. Fourth Book of Verse]. Berlin: “Gelikon,” 1923. 126 pp. Small square 8vo<br />
(155 x 120 mm). Original purple wrappers with cover label. Condition: backstrip faded with small split at head; unobtrusive library stamps,<br />
small tape repair to verso of front wrapper.<br />
first edition of one of the nobel prize winner’s important books of poetry. Originally written in 1917 with Sestra moya zhizn [My<br />
Sister-Life], Temy i varyatsii had to wait publication for several years due to the interruption of the Bolshevik Revolution. Sestra moya zhizn<br />
appeared first and cemented Pasternak’s reputation as one of Russia’s great modern poets. Temy i varyatsii also contained poems written<br />
during the interim. “In Themes and Variations Pasternak reaches the pinnacle of his technical virtuosity, equaled only by the most dazzling lines<br />
in My Sister-Life” (Rudova p. 36). The two books were published in one volume in 1929.<br />
[With:] Okhrannaya gramota [Safe Conduct]. Leningrad: Izdatelsvo pisatelei, [1931]. 128 pp. 4to (175 x 130 mm). Original cloth-backed<br />
boards. Condition: hinges starting, minor rubbing to covers and board extremities, leaf edges tanned.<br />
one of 6200 copies. This autobiography confused many readers and was not popular with the Soviet authorities when it was first<br />
published because it abandoned conventional chronology to explore the important people and events that helped shape the poet’s artistic<br />
personality. (2)<br />
$2000 – $3000<br />
Lot 112 Lot 113<br />
6 Russian Literature & Art Russian Literature & Art 69
Lot 114<br />
Lot 115<br />
Lot 114. PASTERNAK, Boris Leonidovich<br />
(1890-1960) and others.<br />
Lirika. Pervyi almanakh [Lyrics. First Almanach]. Moscow: [Lirika],<br />
1913. 97 pp. 8vo (180 x 125 mm). Original decorated wrappers<br />
designed by Sergei Bobrov. Condition: spine and back wrapper<br />
replaced; ink inscription on front wrapper.<br />
first book to contain poetry by the 1958 noble prize<br />
winner. With five poems (pp. 41-45) by the author of Doctor<br />
Zhivago (1957) and additional contributions by Nikolai Assev,<br />
Sergei Bobrov, Aleksei Sidorov and others. Originally educated as a<br />
composer in Moscow and then a philosopher at Marburg University<br />
in Germany, Pasternak devoted his life to literature after returning to<br />
Moscow during the winter of 1913-1914. “Lirika” was the name of<br />
both a short-lived group of poets to whom Pasternak belonged and<br />
their publishing company. Lirika was the only collection they issued.<br />
The eight poets each contributed five poems to the anthology.<br />
Pasternak published his first collection of poetry the following year.<br />
$1500 – $2000<br />
Lot 115. PICASSO, Pablo (1881-1973)<br />
and Boris KOCHNO (1904-1990).<br />
Le Ballet par … Kochno avec la collaboration de Maria Luz. [Paris:]<br />
Arts du Monde Hachette, 1954. 4to (307 x 222 mm). Title printed<br />
in plum and black, half-title. 1 original lithograph by Picasso, printed<br />
by Mourlot frères, 1 double-page facsimile of a manuscript by Igor<br />
Stavinsky (printed in 3 colors), 12 mounted full-page colored<br />
illustrations (7 colored by hand using the pochoir pocess), numerous<br />
smaller illustrations, 6 colored and mounted (3 of these colored<br />
by hand using the pochoir process). Original red cloth, the upper<br />
cover blocked in white to a design by Henri Matisse, spine lettered in<br />
white. Condition: lithograph almost detached; covers slightly soiled,<br />
corners and head and foot of spine bumped.<br />
first edition of this excellent overview of the origins and<br />
history of ballet, with an original lithograph by picasso.<br />
$3000 – $4000<br />
Lot 116. RODCHENKO, Aleksandr Mikhailovich (1891-1956).<br />
Portrait of Mayakovsky. (428 x 345 mm). The photograph was originally taken in 1924 and this print dates from the 1930s.<br />
rodchenko’s iconic image of the great futurist poet, polemicist and artist. In his 1931-1932 article “On Composition,”<br />
Rodchenko wrote, “In photography composition plays a tremendously important part, possibly it is the single most fundamental<br />
consideration. Since it is a young art and has something closely in common with painting, it has naturally drawn very considerably on<br />
painting in the sphere of composition, the good as well as—more often—the bad.” By 1930 Mayakovsky would be dead and Rodchenko<br />
the object of official scorn and contempt that resulted in professional oblivion. Here in a single image, is captured the promise and eventual<br />
betrayal of the revolutionary consciousness that Mayakovsky so passionately believed in and eventually died for.<br />
$10000 – $15000<br />
70 Russian Literature & Art Russian Literature & Art 71<br />
Lot 116
Lot 117<br />
Lot 118<br />
Lot 117. POETRY ANTHOLOGY.<br />
Tsvetnik Or [Floral Ravine]. St. Petersburg: [“Or,”] 1907. 240 pp. 8vo<br />
(185 x 125 mm). Decorated by M. V. Dobuzhinsky. Contemporary<br />
half morocco over marbled boards, original decorated wrappers<br />
designed by Dobuzhinsky bound in. Condition: overall toning;<br />
scuffed, ownership inscription excised from the free endpaper.<br />
rare russian poetry anthology. With contributions by<br />
Konstantin Balmont, Aleksandr Blok, Valery Briusov, Vyacheslav<br />
Ivanov, Aleksei Remizov, Fedor Sologub, Maksimilian Voloshin and<br />
others.<br />
$1500 – $2000<br />
Lot 118. [ROERICH, Nicholas (1874-1947)],<br />
and Barnett D. CONLAN.<br />
Roerich. Riga: The Roerich Museum, 1939. Large 4to (330 x<br />
237 mm). Title in red and black. Uncolored portrait medallion<br />
on leaf preceeding the frontispiece, mounted uncolored portrait<br />
frontispiece, 19 mounted colored plates, 107 mounted illustrations<br />
(48 colored). Original cloth, upper cover and spine blocked in<br />
brown. Condition: very slight discoloration to the spine.<br />
$600 – $800<br />
Lot 119. K. R. [Konstantin Romanov, Grand Duke of Russia] (1858-1915).<br />
Stikhotvoreniya [Poetry]. St. Petersburg: [privately printed by the author], 1886. 238 pp. 8vo (175 x 125 mm). Title in red and black. Original<br />
burgundy morocco, spine gilt stamped, back cover blind stamped, front cover with initials, crown and floral motif border stamped in gilt; silk<br />
endpapers, a.e.g. Condition: rear hinge starting, covers slightly rubbed at extremities, final poem with a few marks in blue pen.<br />
one of no more than 150 copies presented to family and friends. First collection of poetry by the grandson of Tsar Nicholas I<br />
and uncle of Tsar Nicholas II. Even as a child, the Grand Duke was more interested in literature, music and art than in military affairs as was<br />
expected of the Romanov men. He did serve in the Imperial Russian Navy and the Izmailovskii Regiment of the Imperial Guard before<br />
marrying his second cousin in 1884. Although they had nine children, the publication of his secret diaries long after his death revealed how<br />
torn he was between his love for his wife and his attraction to young men. He was a devoted patron of the arts who included Tchaikovsky<br />
among his intimates. Both a gifted pianist and artist in his own right, he considered himself primarily a poet and a playwright He was one of<br />
the few Romanovs who were close to his nephew Tsar Nicholas II and his wife Alexandra.<br />
$5000 – $8000<br />
72 Russian Literature & Art Russian Literature & Art 73<br />
Lot 119
Lot 120. [IMPERIAL FAMILY - PORTAITS].<br />
Group of 48 portraits of Tsars Alexander II, Nicholas II and family. St. Petersbourg, Paris, Berlin, Rome, etc: ca .1860-1900.<br />
48 albumen prints on original carte-de-visite and cabinet card mounts (each approximately 100 x 60 and 160 x 100 mm) most with studio<br />
imprints or stamps on card varso or beneath the print. Condition: minor toning and very occasional light spotting to prints, light edgewear to<br />
mounts with a few corners bumped.<br />
an important archive of four decades of photographic studio portraits of the royal family. Issued commercially by a<br />
variety of studio photographers including Reuthlinger in Paris, Levisky or Pasetti in St. Petersbourg, Linde in Berlin and W. & D. Downey<br />
in Newcastle (photographers to England’s royal family). Included are 16 portraits of Tsar Alexandre II, mostly in uniform and often with<br />
the Empress and family, from the age of approximately 40 to a final photograph of him lying in state after his assination in 1881. Nicholas<br />
II’s life is chronicled in 7 portaits from childhood to his abdication in 1917. Images of both Tsaritsas Marie Alexandrovna and Nicholas II’s<br />
wife Alexandra (the last empress of Russia) are present with 10 portaits of the former including her as a young mother posed with Grand<br />
Duchess Marie as a toddler. Of particular interest is an imformal portrait of Nicholas II in a morning suit, bearing the contemporary ink<br />
notation on the verso, “Riga 1894.”<br />
[With:] 7 other photographs in various formats including a news file photo of Nicholas II released on the day of his abdication, an albumen<br />
print of a troop of Cossacks (the Royal guard?), Alexander with staff officers and Nicholas II reviewing soldiers.(48)<br />
$25000 – $35000<br />
74 Russian Literature & Art Russian Literature & Art 75
Lot 121. K. R. [Konstantin Romanov, Grand Duke of Russia] (1858-1915) and Aleksandr Konstantonovich GLAZUNOV<br />
(1865-1936) (composer).<br />
Tsar Iudeiskii. Drama v chetyrekh deistviyakh i pyati kartinakh [King of the Jews. Drama in Four Acts and Five Scenes]. St. Petersburg: [privately<br />
printed by the author], 1914. 228 pp. Folio (340 x 260 mm). Music by A. K. Glazunov. Illustrated with numerous tipped in color plates and<br />
photographs of the production. Original gray pebbled boards with color lithographed label designed by Petr Liven. Condition: covers rubbed<br />
with some soiling, spine chipped at extremities with some loss of lettering at head<br />
first privately printed edition of this anti-semitic mystery play by the grandson of nicholas i and uncle of nicholas<br />
ii. This liberal retelling of the Passion and Resurrection of Christ through the eyes of a common man challenged the divine right of kings<br />
and capitalism. Because the Russian Orthodox Church forbade any figures from the Bible being depicted on the public stage, Grand Duke<br />
Konstantin staged his own play in the Hermitage Hall of the Winter Palace for an invited audience only in a series of “rehearsals” in January<br />
1914; approximately 3,000 attended the ten performances. Jesus never appeared on stage but was indicated by the other characters and the<br />
music. The Grand Duke himself played Joseph of Arimathea and Michel Fokine supplied the choreography. The play received wide critical<br />
praise; and once the ban was lifted after the February Revolution, a full posthumous production was successfully mounted on November 6,<br />
1917. Although later denounced by Soviet critics, this religious play was remarkably popular in the early Bolshevik years. There were several<br />
foreign translations, including Victor E. Marsden’s English version The King of the Jews: A Sacred Drama (1914). A. K. Glazunov studied with<br />
Rimsky-Korsakov, was director of the St. Petersburg Conservatory (later the Leningrad Conservatory) and completed Borodin’s famous<br />
opera Prince Igor; his most celebrated student was Dmitri Shoshtakovich. Another student Dmitri Tiomkin thought the music for Tsar<br />
Iudeiskii was Glazunov’s best work.<br />
$1500 – $2000<br />
Lot 122. [IMPERIAL RUSSIA - MILITARY COMMENDATIONS].<br />
Group of 3 signed documents, official orders for the issuing of medals for naval officers and infantry officers. V.p.: 1825, 1867 and 1893. Small folio (each<br />
approximately 325 x 205 mm). Two printed documents finished in manuscript and one manuscript document. Condition: minor browning<br />
to edges.<br />
The official 1825 record for a naval surgeon Bathurov and marine artillery lieutenant Popov’s commendation as well as the 1893 record for<br />
naval officers Lebedev and Stoykov being awarded the Imperialist and Tsarist Orders. The latter men were also given higher ranks, while the<br />
1867 record is for a lieutenant and a clerk in the 72nd reserve infantry battalion to receive similar commendations.(3)<br />
$2000 – $3000<br />
Lot 121 Lot 122<br />
Lot 123. RYBACK, Issachar Ber (1897-1935).<br />
Shtetl: Mayn chorever heym: a gedekhenish. [Shtetl, My Destroyed Home, A Recollection] [Berlin: “Schwellen”, 1923]. Oblong folio (330 x 493 mm).<br />
Blocked half-title, half-tone illustrated title, 29 half-tone plates (numbered from III-XXXI, four printed in bistre, others in sepia or black),<br />
all after Ryback. Original blue decorated cloth-backed boards. Condition: small tears and light soiling to half-title, small tears to title, final<br />
colophon leaf with slits cut for the insertion of a smaller format sheet, the sheet not present and perhaps not required; binding discolored,<br />
lightly soiled, chipped and slightly cracked, modern endpapers. Provenance: artist’s presentation inscription in blue ink on half-title page and<br />
dated September 11, 1929.<br />
rare inscribed copy of this important work.<br />
Born into an Hasidic family in the Ukraine in 1897, Ryback studied at the Art Academy in Kiev. He at first supported the Russian Revolution.<br />
He joined the Yiddish cultural organisation Kultur Lige and particpated in the attempt to create a modern Jewish national art by combining<br />
traditional folk art with avant-garde painting. The murder of his father inspired his Pogrom series of 1918, one of the most powerful depictions<br />
of anti-Semitism in modern art. He left Russia in 1921 and lived in Berlin, where he came in contact with Constructivism. The present work<br />
is a powerful depiction of a shtetl collapsing under the strain of war and revolution. (See also Lot 238.)<br />
$3500 – $4500<br />
76 Russian Literature & Art Russian Literature & Art 77<br />
Lot 123
Lot 124. SALMON, André (1881-1969) and Iurii Pavlovich ANNENKOV [Georges Annenkoff] (1889-1974) (illustrator).<br />
Art Russe Moderne. Paris: Éditions Laville, 1928. 4to (313 x 236 mm). Numerous illustrations. Contemporary roan-backed patterned papercovered<br />
boards, titled in black on upper cover, spine gilt, original pictorial wrappers after I.P. Annenkov bound-in. Condition: binding rubbed,<br />
scuffed and chipped, wrappers somewhat soiled.<br />
[With:] Alexandre BENOIS, P. P. WEINER, E. de LIPHART, James SCHMIDT, Baron N. WRAMGELL, A.A. TROUBNIKOFF, and<br />
Serge MAKOWSKY, Serge WIENER. Les Anciennes Écoles de Peinture Dans les palais et collections privées Russes représentée a l’exposition organisée<br />
a St-Pétersbourg en 1909 par la revue d’art ancien “Staryé Gody.” Brussels: G. van Oest & Cie., 1910. 4to (280 x 220 mm). Half-title. Plates,<br />
some half-tone, some photogravure. Near-contemporary green cloth, titled in gilt on spine label, original grey paper wrappers bound in.<br />
Condition: six plates and four text leaves detached and loosely inserted; spine and upper cover lightly soiled, some discoloration to original<br />
wrappers.(2)<br />
$800 – $1200<br />
Lot 125. SAUTIN, Ivan and Ivan IVANITSKY (editors) and El LISSITZKY [Lazar Markovich] (1890-1941) (illustrator).<br />
An Album Depicting the State Organization and National Economy of the U.S.S.R. Moscow: Scientific Publishing Institute of Pictorial Statistics,<br />
1938. 148 pp. Oblong folio (240 x 348 mm). Color and black and white illustrations, designs and charts by Lissitzky, Grigorovich and<br />
Nikolaev. Red cloth wraps stamped in gilt. Condition: backstrip partially split at head and tail, wrapper edges lightly thumbsoiled, occasional<br />
light spotting to endpapers.<br />
extensively illustrated including many full-page color charts and graphs depicting aspects of Russian “State Organization,”<br />
“Economic Construction,” “Welfare and Culture” and “Position of Women” in the USSR. Also with an insert at the back of estimates to the<br />
third five-year plan (1938-1942). The present work is typical of the typographical work Lissitzky did for the Soviet government after his<br />
return to Russia from Germany in 1928 where he had been highly influential in the Bauhaus movement.<br />
$1500 – $2000<br />
Lot 125<br />
Lot 126. SHKLOVSKII, Viktor Borisovich (1893-1984), Osip Maksimovich BRIK (1888-1945) and others.<br />
Sborniki po teorii poeticheskago yazyka [Debates on Theories of Poetic Language]. Petrograd: Z. Sokolinskii, 1916-1917. 2 volumes. 8vo (240 x 165<br />
mm each). Original lettered tan wrappers. Condition: some light chipping to backstrip extemities.<br />
important theoretical studies of modern Russian poetry by opoyaz. With contributions by O. M. Brik, B. A. Kushner, E. D.<br />
Polivanov, V. Shklovskii and L. Yakubinskii. Shklovskii was one of the most important Russian literary critics of the early twentieth century.<br />
He founded OPOYAZ (Obschestvo izucheniya Poeticheskogo Yazyka), the Society for the Study of Poetic Language. They along with the<br />
Moscow Linguistic Circle developed the critical theories and techniques of Russian Formalism (a term originally used pejoritively by their<br />
opponents). One of his essays deals with the Russian Futurist nonsense language zaum. Brik was an influential Russian avant-garde writer and<br />
literary critic, who like Shklovskii belonged to the Russian Formalist school. He cofounded with Vladimir Mayakovsky the magazine LEF<br />
(later Novyi LEF [New LEF]). His wife Lili was one of Mayakovsky’s mistresses and the subject of many of his most ardent love lyrics.(2)<br />
$800 – $1200<br />
Lot 127. SOLOGUB, Fedor [Fedor Kuzmich Teternikov] (1863-1927).<br />
Stykhi. Tom pyatyi [Verse.Fifth Book]. St. Petersburg: “Shipovnik,” [1910]. 232 pp. 8vo (210 x 155 mm). Rebound in contemporary clothbacked<br />
marbled boards with cloth tips and the original wrappers mounted on the upper and lower covers. Condition: some light soiling and<br />
discoloration to the wrappers. Provenance: Aleksei Nikolaevich Tolstoi.<br />
rare presentation copy to fellow writer aleksei tolstoi given in fond memory. Sologub was an important Russian Symbolist<br />
poet, novelist, playwright and essayist best known for his novel Melkii bes [The Petty Demon] (1907). Tolstoi (1883-1945) was an important<br />
Russian writer of science fiction, historical novels and children’s books. Although he dropped the title “Graf ” or “Count” after the Revolution,<br />
he was often referred to as “Comrade Count.” His most famous science fiction novel was Aelita (1923), made into an early silent Soviet<br />
movie; and he also retold Carlo Collodi’s Pinocchio as Zolotoi kliuchik [The Golden Key] (1936).<br />
$3000 – $5000<br />
Lot 126 Lot 127<br />
7 Russian Literature & Art Russian Literature & Art 79
Lot 128<br />
Lot 130<br />
Lot 128. SHUKHAEV, Vasili Ivanovich (illustrator). and<br />
Aleksandr PUSHKIN (1799-1837).<br />
Boris Godounov. Paris: La Pléiade, 1925. 4to (300 x 235 mm).<br />
Decorative title in brown and black, half-title, text printed in black<br />
with headlines in brown. 18 plates, colored by hand using the<br />
pochoir process, numerous decorative head and tail-pieces, all after<br />
Shoukhaev. Contemporary morocco, titled in gilt on spine, original<br />
wrappers bound in, t.e.g. Condition: occasional light soiling; joints<br />
slightly split.<br />
limited to 445 copies, this copy one of 390 examples on<br />
“vergé a la forme” paper, numbered 245 and initialled ‘J.S.L.’.<br />
$3000 – $4000<br />
Lot 129. SOMOV, Konstanin Andreyevich (1869-1939)<br />
(illustrator) and Antoine François PREVOST d’Exiles<br />
(1697-1763).<br />
Histoire du Chevalier des Grieux et de Manon Lescaut. Paris: Éditions<br />
du Trianon, 1927. Small 4to. (238 x 190 mm). Title in red and black,<br />
half-title, 12 plates and 2 head-pieces after Somov, all colored using<br />
the pochoir process and finished by hand, by Daniel Jacomet et Cie.<br />
Contemporary French blue half morocco over patterened papercovered<br />
boards, spines in five unequal compartments with raised<br />
bands, lettered in the second and fourth, gilt device in the third<br />
compartment, original wrappers bound in, t.e.g.<br />
limited edition of 465 copies, one of 425 examples on vélin<br />
d’arches paper, numbered from 26 to 450, this copy numbered 448.<br />
$900 – $1200<br />
Lot 130. STASOV, Vladimir Vasilevich (1824-1906).<br />
Histoire du livre Les Emaux Byzantins [par] A.W. Zvénigorodskoï. St.<br />
Petersburg: 1898. 4to (300 x 203 mm). Decorative lithographic title<br />
printed in red and gilt, limitation leaf printed in black and gilt, 6 plates<br />
(including 2 chromolithographs). Original cream cloth, elaborately<br />
blocked in gilt and black, blue and gilt patterned endpapers, the page<br />
edges elaborately blocked in gilt and red with a design including an<br />
‘A.Z.’ monogram. Condition: light soiling to covers.<br />
out-of-series copy from an edition of 100. The story of the<br />
production of A.W. Zvénigorodskoï’s Histoire et Monuments des<br />
Emaux Byzantins, published in 1894, together with the letters of<br />
appreciation from princes, institutions, journals and various others.<br />
$3000 – $4000<br />
Lot 131. TELINGATER, Solomon Benediktovich (1903-1969)<br />
(illustrator).<br />
1914-i dokumentalnyi pamflet [1914. A Documentary Pamphlet].<br />
Moscow: MTP, 1934. 92 pp. 8vo (250 x 175 mm). By Elya Feinberg.<br />
With photomontages by S. Telingater. Original decorated black<br />
cloth designed by Telingater. Condition: minor rubbing to boards.<br />
One of 1000 copies. Along with Aleksandr Rodchenko and<br />
Gustav Klutsis, Telingator was one of the Soviet Union’s greatest<br />
photocollagists. 1914-i is one of his most characteristic works.<br />
$800 – $1200<br />
Lot 132. TERECHKOVITCH, Konstantin Andreevic<br />
(1902-1978) (illustrator) and François PIÉTRI.<br />
Les Princes du Sang. Large oblong 4to (268 x 317 mm). Title in red and<br />
black, half-title in black, variously colored initials. 21pp. with colored<br />
illustrations (7 full-page, 2 double-page), all after Terechkovitch.<br />
Contemporary light brown morocco by Quéniot-Laballe, the flat<br />
spine lettered and decorated with horse-shoes and riding crops in<br />
gilt, gilt turn-ins, cream watered-silk pastedowns and free endpapers,<br />
marbled blanks, original thin card wrappers bound in, matching<br />
light brown morocco-backed marbled paper chemise, all within a<br />
marbled paper slip-case.<br />
a beautifully presented work on the “sport of kings”.<br />
Limited edition of 200 copies signed by author and artist, this copy<br />
numbered III, one of 30 copies numbered with roman numerals<br />
and destined for the author, artist and collaborators. This example<br />
further inscribed “Exemplaire de Collaborateur”.<br />
$3500 – $4500<br />
0 Russian Literature & Art Russian Literature & Art 1<br />
Lot 131<br />
Lot 132
Lot 133. TOLSTOY, Leo (1828–1910).<br />
Zhivoi trup. Drama [The Living Corpse. A Drama]. [Moscow]: A. L. Tolstoi, [1912]. 68 pp. Large 8vo (265 x 180 mm). With 12 photogravures<br />
after photographs by Vladimir Grigorevich Chertkov. Original lithographed wrappers. Condition: wrappers with light thumbsoiling, light<br />
chipping to extremities and minor tape repairs to verso of front and back; slight chipping to backstrip. Provenance: Fekula 5353.<br />
first edition of tolstoy’s famous play. So upset by a performance of Anton Chekhov’s Uncle Vanya at the Moscow Art Theater (“There<br />
is no real action”), Tolstoy decided to write his own play based on a true story about a woman who convinces her husband to fake his<br />
death so she might remarry. Although written about 1900, Zhivoi trup (also known as Redemption) was not printed until after the author’s<br />
death. Tolstoy never thought it was finished. His daughter Aleksandra published the play that his secretary Vladimir Chertkov edited in<br />
Russkoe slovo [The Russian Word] in 1911. Konstantin Stanislavski was the first to direct the drama at the Moscow Art Theater in 1911. It was<br />
soon playing in Saint Petersburg, Berlin, Vienna, Paris, and London. Jacob Adler starred in the first American production, one performed in<br />
Yiddish in New York City in November 1911. It has been filmed many times, as early as 1911 and as late as 1968.<br />
$2000 – $3000<br />
Lot 134. TWAIN, Mark [Samuel Langhorne Clemens] (1835-1910).<br />
Prints i nischii [The Prince and the Pauper]. Moscow: I. Knebel, 1916. 262 pp. 8vo (230 x 170 mm). Illustrated by Frank T. Merrill. Translated<br />
into Russian by E. A. Sushkina. Original gilt-lettered cloth-backed lithographed boards designed by A[leksei?] Kravchenko. Condition:<br />
corners slightly bumped; jacket slightly chipped at extremities of spine panel and flap folds not affecting lettering.<br />
early translation of the famous tale with the original pictures and in the rare dust jacket. Mark Twain remains one of the<br />
most popular of all American writers in Russia. A Soviet feature film of the novel was released in 1943.<br />
$600 – $800<br />
Lot 133 Lot 134<br />
Lot 135. UKHTOMSKII, Prince Esper Esperovich (1861-1921).<br />
Puteshestvie gosudarya imperatora Nikolaya II na Vostokh (v 1890-1891) [Travels of His Majesty, the Emperor Nicholas II in the East]. St. Petersburg:<br />
F.A. Brokgauz, 1893-1897. 3 Volumes. Folio (380 x 285 mm). Plates, numerous illustrations. Original decorated cloth, g.e. Condition:<br />
frontispiece to volume I loosely inserted, general toning; spines rubbed and chipped, adhesive tape to paste-downs.<br />
the official account of tsarevich nicholas’ grand tour to the east. As an important member of the Imperial Geographical<br />
Society and advisor to the Foreign Ministry on East Asian matters, Prince Ukhtomskii accompanied Nicholas II on his travels and wrote the<br />
official history. He visited Egypt, India, Ceylon, Singapore, Siam, China and survived an assassination attempt while in Japan. The book took<br />
six years to prepare and the tsarevich had to personally approve every chapter with Ukhtomskii. Despite its enormous cost, it went into four<br />
editions as well as a cheaper one; also it was translated into English, French, German and Chinese. Ukhtomskii’s collection of Asian art was<br />
eventually confiscated by the Bolsheviks.(3)<br />
$10000 – $15000<br />
2 Russian Literature & Art Russian Literature & Art 3<br />
Lot 135
Lot 136<br />
Lot 137<br />
Lot 136. VOLF, M. O.<br />
Kalendar dlya molodykh druzei M. O. Volfa [M. O. Volf’s Calendar<br />
for Young Friends]. St. Petersburg and Moscow: M. O. Wolf, 1867<br />
[1866]. 84 pp. Tall 8vo (260 x 175 mm). With 70 wood engravings.<br />
Contemporary half black cloth over marbled boards. Condition:<br />
joints starting, boards rubbed, scuffing to extremities; rubber stamps<br />
to endpapers, some internal thumbsoiling.<br />
well-illustrated early russian children’s book. This<br />
anthology of poetry and prose opens with a “calendar” of the first<br />
twelve years of a child’s life in verse. M. O. Volf was a highly prolific<br />
Russian children’s book publisher of the late nineteenth and<br />
early twentieth centuries. Although Martin’s mother in Vladimir<br />
Nabokov’s Glory (1932) deplores the journal, Volf ’s conservative<br />
children’s magazine Zadushevnoe slovo [Cordial Word] had an<br />
unusually healthy run from 1877 to 1918.<br />
$500 – $800<br />
Lot 137. ZELINSKII, Kornelii (1896-1970) and<br />
Ilya Lvovich SELVINSKII (1899-1968) (editors) and<br />
Aleksandr Mikhailovich RODCHENKO (1891-1956)<br />
(illustrator).<br />
Biznes. Sbornik literaturnogo tesentra Konstruktivistov pod redaktsei K.<br />
Zelinskogo, I. Selv’inskogo [Business. A Collection of the Literary Center of<br />
Constructivists, under the editors K. Zelinsky and I. Selvinsky]. Moscow:<br />
Gosizdat, 1929. 260 pp. 8vo (225 x 150 mm). Photomontage<br />
cover in black and red by Rodchenko. Original printed wrappers.<br />
Condition: wrappers tanned with minor staining to back, tape repairs;<br />
slight chipping to spine; paper slightly cocked.<br />
Contains ideological essays on Constructivism and Socialism by<br />
Zelinsky, poems by B. Agapov (among others), a novel in verse by<br />
Selvinskii, a short story by V. Inber (among others), and musical<br />
theory by A. Kvyativskii<br />
$1200 – $1800<br />
Lot 138. ZHIGANOV, Vladimir Danilovich.<br />
Russkie v Shankhai [Russians in Shanghai]. Shanghai: Slovo Printing & Publishing, [1936]. 330 pp. Oblong folio (358 x 390 mm). Extensively<br />
illustrated with photographic reproductions. Original dark red and black patterned cloth, aluminum lettering on front cover, aluminum<br />
corner pieces (lacking on one corner). Condition: short splits at spine extremities, endpapers with occasional light spotting, white-out applied<br />
to front endpapers, title page and rear endpaper not affecting text.<br />
number 567 of unknown edition. Rare historical album of the Russian community in exile in Shanghai. The author writes, “In classifying<br />
the material I treated the matter very carefully. I spent about five years in collecting it from my numerous friends and acquaintances the<br />
number of whom runs into several thousands. Everyone who had the right to consider himself Russian Shanghailander was offered a chance<br />
to insert his photograph in my album. All former subjects of the Russian Empire regardless of their origin and race could find an appropriate<br />
place in the classified section of this album.”<br />
$5000 – $8000<br />
4 Russian Literature & Art Russian Literature & Art 5<br />
Lot 138
6 Russian Literature & Art<br />
Lot 139<br />
Lot 140. ZVORIKIN, Boris Vasilevich (1872-1935) (illustrator).<br />
Lot 139. ZORGENFREI, Vilgelm Aleksandrovich<br />
(1882-1938).<br />
Strastnaya Subbota. Stikhi [The Last Saturday of Christ. Verse].<br />
Petersburg: “Vremya,” 1922. 56 pp. Small 8vo (170 x 130 mm).<br />
Original decorated wrappers designed by Sergei Chekhonin.<br />
Condition: rear cover torn with some loss, light overall soiling with<br />
minor marginal tears. Provenance: V. E. Arens.<br />
one of 3000 copies and inscribed by the author to v. e.<br />
arens. The Symbolist poet, translator and memoirist Zorgenfrei<br />
contributed to Zolotoi runo [The Golden Fleece] and other journals.<br />
He was employed by Maxim Gorky’s “Vsemirna literatura” [World<br />
Literature] and belonged to the Commune of Dreamers that<br />
included Andrei Belyi, Aleksandr Blok and Aleksei Remizov. Among<br />
the poets he translated were Goethe, Heine and Schiller. He was<br />
arrested and killed during Stalin’s Great Purge. Strastnaya Subbota is<br />
his most important book.<br />
[With:] Lilit [Lilith]. Autograph manuscript of the poem, signed by<br />
the poet. 95 x 130 mm. (2)<br />
$500 – $700<br />
Letopisnyi i litsevoi izbornik doma Romanovykh [Annalistic and Illuminated Anthology of the House of the Romanovs]. [Moscow: A. A. Levenson,<br />
1913]. 121 pp. Oversized folio (445 x 325 mm). Illustrated with chromolithographs and decorated by B. V. Zvorikin and S. Yaguzhinskii,<br />
Original pictorial boards designed by Zvorikin. Condition: slight rubbing to spine and board edges, occasional spotting to endpapers.<br />
sumptuous album issued to commemorate 300 years of the romanov dynasty. The tricentennial of Romanov rule was marked<br />
by extravagantly produced tributes to the tsar and his family. Zvorikin worked in the self-consciously folk art manner of Ivan Yakovlevich<br />
Bilibin. It was unlikely Bilibin would have been asked to work on such a publication as he had been jailed back in 1905 for an anti-tsarist<br />
political cartoon.<br />
$2000 – $3000<br />
Lot 141. ZVORIKIN, Boris Vasilevich (1827-1930) - Aleksandr Sergieevich PUSHKIN (1799-1837).<br />
Boris Godounov de A. Pouchkine. Paris: l’Édition d’Art H. Piazza, [Colophon: 15 November 1927]. Small 4to (230 x 165 mm). Half-title in<br />
brown, colored decorative title, occasional head and tail-pieces and decorative borders to text in pale green, decorative chapter openings and<br />
leaves preceeding each chapter opening printed in colors and gilt, 15 colored plates, heightened with gilt, all after Zvorikin. Original green<br />
paper wrappers printed in brown and gilt, card slipcase. Limited edition of 955 copies, this one 775 copies on “vélin rives” paper numbered<br />
from 181-955, this copy numbered 735.<br />
[With:] Ivan Yakovlevich BILIBIN (1876-1942). and Jeanne ROCHE-MASON. Contes de la Couleuvre. Paris: Boivin & Cie., 1932. Square<br />
8vo (230 x 183 mm). Half-title, decorated title, head-pieces, initials, illustrations (10 full-page), all after Bilibin. Original rose-pink cloth, the<br />
upper cover and spine blocked in gilt with a design after Bilibin, endpapers patterned in brown to a design after Bilibin. Condition: light overall<br />
toning; very light fading and discoloration to spine and upper cover. First edition thus. (2)<br />
$1200 – $1800<br />
Lot 142. BAKST, Léon [Lev Samoilovich Rosenberg] (1866-1924) (illustrator).<br />
Souvenir Serge de Diaghileff’s Ballet Russe. New York: [printed by Sackett & Wilhelms Co. for the] Metropolitan Ballet Company, [1916]. Large<br />
4to (302 x 227 mm). Printed on toned paper with decorative borders, uncolored portrait frontispiece of Diaghileff after Bakst, numerous<br />
illustrations, including 15 after Bakst (1 uncolored, 14 colored [1 of these double-page]). Original patterned paper-stock, upper cover titled<br />
in semi-relief in gilt with vignette. Condition: small tears to covers. A souvenir programme for the 1916 season in America with a cover and<br />
illustrations after Bakst.<br />
[With:] Ivan Yakovlevich BILIBIN (1876-1942). Col. W. de Basil’s Ballets Russes (de Monte Carlo) 1936. 3rd season. [N.p.: 1935]. Folio<br />
(350 x 245 mm). Numerous illustrations, some colored and mounted, after Natalya Goncharova, Jean Hugo, Mikhail Larionov, Pablo<br />
Picasso, Lèon Bakst and André Derain. Original thin-card wrappers, the upper cover with a colored illustration after Pozhedaev. Condition:<br />
title soiled; covers soiled, glue perished and covers detached from book block, tears with small losses to backstrip. A programme with a cover<br />
design by Bilibin for the 1936 season at the Royal Opera House, Covent Garden in London.<br />
[And:] Two other souvenir programmes, one for the first season of the “Opéra Privé de Paris” in 1929, with a cover designed by Bilibin, and<br />
the second for the American farewell tour by Anna Pavlova in 1924. (4)<br />
$1200 – $1800<br />
Ballets Russes<br />
& Other Theatrical Works<br />
Lot 142
Lot 143. BALLETS RUSSES - Maurice & Jacques de BRUNOFF (publishers).<br />
Collection des plus beaux numéros de Comoedia Illustré et des Programmes consacrés aux Ballets & Galas Russes depuis le début à Paris 1909-1921. Paris:<br />
M. de Brunoff, [1922]. Large 4to (330 x 255 mm). Title and text printed in green, illustrated with numerous examples of actual programmes,<br />
or part programmes, some cut down and mounted, including colored plates, illustrations or designs after Goncharova, Larionov, Bakst,<br />
Picasso, Matisse, Massine, Sert and Derain. Original light green silk over bevelled boards, the upper cover with a varnished color-printed<br />
inset panel with the title and an illustrative design after Goncharova, three-color stenciled endpapers. slip-case. Condition: spine faded and<br />
slightly soiled and spotted, creasing to rear endpaper, slipcase rubbed.<br />
selection of reprinted special issues with supplements of the theatrical periodical Comoedia illustré.<br />
With graphics by Léon Bakst, André Derain, Natalya Goncharova, Mikhael Larionov, Henri Matisse, Léonide Massine, Pablo Picasso,<br />
José Maria Sert, and others. The text includes “Note des éditeurs” that introduces the selection and introductory text on each season by<br />
Valerian Svietlov or Jean Bernier. The seasons covered are: 1909 (4th season), 1910 (5th), 1911 (6th), 1912 (7th), 1913 (8th), 1914 (9th),<br />
1915 (limited season, the 10th), no season 1916, 1917 (11th), no season 1918, 1919/1920 (12th), 1920 (13th), 1921 (14th). Comoedia<br />
illustré was a theatrical monthly that was published in Paris between 1908 and 1921; it suspended publication (except for special issues or<br />
supplements) between September 1914 and October 1919. At the beginning of 1922, Comoedia illustré merged with Le Théâtre (1898-<br />
1921) to become Le Théâtre et comoedia illustré (1922-1926). It often devoted whole special issues or supplements to the annual Paris season<br />
of Serge Diaghilev’s Ballets Russes and Ida Rubinstein’s Galas Russes.<br />
$2000 – $3000<br />
Lot 143<br />
Lot 144. BARBIER, Georges (1882-1932).<br />
Designs on the Dances of Vaslav Nijinsky by Barbier, foreword by Francis de Miomandre, translated from the French by C. W. Beaumont. London:<br />
printed for C. W. Beaumont & Co. “sur les presses de La Belle Édition”, 1913. Large 4to (330 x 285 mm). 12 plates, hand-colored using the<br />
pochoir process, 3 uncolored illustrations, all after Barbier. Pochoir plates by G. Barbier. Original cream thin-card wrappers, the pictorial<br />
design on the upper cover from a design by Barbier, printed in blue and black with grey and gilt added by hand using the pochoir process.<br />
Condition: neatly rebacked.<br />
barbier’s first separately published book: a limited edition of 400 copies, “the sole edition in english” printed on “vellum<br />
paper”, this copy numbered 235. Inspired by Diaghilev’s Ballets Russes in general and the dancing of Nijinsky in particular, the Frenchman<br />
Barbier drew the legendary dancer in some of his greatest roles: Le Spectre de la rose, Petrushka, Scheherazade and L’Après-midi d’un faune. Niles<br />
& Leslie I, 22<br />
$2500 – $3500<br />
Russian Literature & Art Russian Literature & Art 9<br />
Lot 144
Lot 145. BENOIS, Alexandre [Aleksanr Nikolaevich Benua] (1870-1960).<br />
Cher Monsieur Beaumont… Two-page autograph letter to Cyril Beaumont with watercolor and gouache of a scene in Act II of the Tchaikovsky<br />
ballet Swan Lake, April 29, 1947. 25 x 175 mm. Provenance: Cyril Beaumont.<br />
Beaumont (1891-1976) was a prominent ballet critic and publisher who often wrote on the Ballets Russes and Benois’ contribution to<br />
their productions. The artist thanks him for the introduction to the British balletomane Peter Wiliams and mentions a mutual admiration<br />
for Tchaikovsky and Delibes (“le vrai génie de la musique pour ballet”). Although not particularly fond of Swan Lake, Benois designed three<br />
different productions of Tchaikovsky’s famous ballet in 1945, 1949 and 1954. This design either hearkened back to the first production or<br />
the artist was working out ideas for the subsequent version. Theatre of Reason/Theatre of Desire 35.<br />
$6000 – $8000<br />
Lot 145<br />
Lot 146. BILIBIN, Ivan Yakovlevich (1876<br />
- 1942), KOROVIN, Konstantin Alekseevich<br />
(1861-1939) and Boris Vasilevich ZVORIKIN<br />
(1872 - 1935) (illustrators).<br />
Opéra privé de Paris. [Paris: 1928-1929]. 6 volumes.<br />
Folio (315 x 244 mm). Numerous plates and<br />
illustrations, some colored, some mounted,<br />
after Alexandre Benois, I. Ya Bilibin and K. A.<br />
Korovin. Original pictorial wrappers, the upper<br />
covers printed in colors from designs by Bilibin,<br />
all contained within a single modern cloth box,<br />
morocco lettering-piece to spine. Condition:<br />
occasional light soiling to wrappers, one with small<br />
tape repair to front; light rubbing at folds.<br />
nearly complete collection of souvenir<br />
programmes from the 1929-1930 seasons.<br />
There are four issues from the 1929 season and two for the Spring 1930 season.<br />
[With:] Boris Godounov. “Opéra Russe à Paris” programme from 1930. Folio (300 x 235 mm). Numerous plates and illustrations, some<br />
colored, some mounted, after I. Ya Bilibin. Original gilt pictorial wrappers. Condition: wrappers creased with tape repair on verso of fold.<br />
[And:] Boris Godounov. “Opéra Russe à Paris” programme for the Lyceun Theatre, 1931. Oblong folio (200 x 240 mm). Illustrated with<br />
photogravures. Original pictorial wrappers designed by B. Zvorikin. Condition: light thumbsoiling to wrappers.<br />
L’Opéra Russe à Paris was founded by the famous opera singer Maria Kuznetsov (1880-1966). All the major Russian artists from Benois to<br />
Zvorikin worked for her. (8)<br />
$8000 – $12000<br />
Lot 147. GONCHAROVA, Natalya Sergeevna (1881-1962).<br />
Col. W. de Basil’s Ballets Russes de Monte Carlo. New York: Isaac Goldmann Company [1934 and 1936]. 2 volumes, large 4to (305 x 235 mm).<br />
Numerous illustrations, some colored, after Goncharova, Léon Bakst, M. Larionov, André Derain, Jean Lurcat, Cecil Beaton, Pablo Picasso,<br />
Raoul Dufy, and others. Original thin-card wrappers, the upper covers with colored illustrations after Goncharova. Condition: light spotting<br />
to title of the second volume; some creasing to outer edges of covers. Two souvenir programmes with covers designed by Goncharova, one<br />
for the 1935 season in America, and a second for the 1936-1937 [“4th American”] season.<br />
[With:] POZHEDAEV, Georgii Anatolevich [Georges de Pozhedaev] (1897-1971). Ballets Russes du Col. W. de Basil (de Monte Carlo). [N.p.:<br />
1933]. Large 4to (303 x 245 mm). Numerous illustrations, some colored, after Christian Bérard, André Derain, André Masson, Joan Miro,<br />
Raoul Dufy, and others. Original thin-card wrappers, the upper cover with a colored illustration after Pozhedaev. Condition: occasional small<br />
tears to blank margins; some creasing to outer edges of covers. A souvenir programme with a cover design by Pozhedaev for the 1934 season<br />
in London. (3)<br />
90 Russian Literature & Art Russian Literature & Art 91<br />
$500 – $800<br />
Lot 146
Lot 148. DIAGHILEV, Sergei Pavlovich (1872-1929).<br />
Souvenir Serge de Diaghileff’s Ballet Russe. New York: Metropolitan Ballet Company, Inc., [1916]. 40 pp. Folio (310 x 230 mm). Illustrated in<br />
color by Léon Bakst and with photogravures of the dancers in costume. Original decorated gray wrappers with the original gray cloth tie<br />
intact. Condition: light rubbing and creasing to wrapper extremities, light smudging to endpapers.<br />
inscribed by sergei diaghilev, vaslav nijinsky and dancer flore revalles and each signature dated 1916. To avoid the chaos<br />
in Europe during World War I, Diaghilev arranged with Otto Kahn for his Ballets Russes to tour the United States in 1916-1917. Michel<br />
Fokine had left the company so Nijinsky was the principal choreographer. Diaghilev fired Nijinsky when his lover ran off to marry Countess<br />
Romola Pulszky in 1913, but he briefly rehired him for the North American tour. The great dancer showed signs of dementia praecox during<br />
this tour and finally suffered a nervous breakdown in 1919. He never performed in public again.<br />
$25000 – $35000<br />
Lot 148 Lot 149<br />
Lot 149. LEGAT, Nikolai Gustavovich (1869-1937) and Sergiei Gustavovich LEGAT (1875-1905).<br />
Russkii Balet v karrikaturakh [Russian Ballet in Caricatures]. Saint Petersburg: [Legat Bros., 1902-1905]. Chromlithographs. Folio<br />
(320 x 240 mm). Vellum-backed white cloth with letters blocked in gilt and the original chromolithographed wrappers bound in. Condition:<br />
covers slightly rubbed with occasional minor soiling and discoloration, corners lightly bumped.<br />
first and only edition. The Legat brothers were graduates of the St. Petersburg Imperial Ballet School and rose to premier danseurs and<br />
performed with many of great ballerinas of the day. Nikolai Gustavovich became ballet master for the company and later for Segei Diaghilev’s<br />
Ballets Russes in 1925-1926; he and his wife founded the Russian Ballet Society in Great Britain in 1923. At age 17, Sergei Legat originated<br />
the role of the Nutcracker in Tchaikovsky’s ballet; in 1903, he and his brother Nikolai staged Josef Bayer’s ballet Feya kukol [The Doll Fairy]<br />
with costumes by Léon Bakst. Their caricatures are often merciless; it is a wonder their victims ever spoke to them again. They were no kinder<br />
in their self-caricatures.<br />
$5000 – $8000<br />
92 Russian Literature & Art Russian Literature & Art 93
Lot 150. MAYO, Eileen (1906-1994) (illustrator).<br />
Serge Lifar. London: C. W. Beaumont, 1928. Large square Folio (330 x 280 mm). 16 illustrations. Foreward by Boris Kochno. Decorated<br />
yellow labels over paper boards. Condition: covers rubbed with occasional light soiling.<br />
number 309 of 500 copies. A tribute in words and pictures to the great Russian ballet dancer and choreographer.<br />
$1500 – $2500<br />
Lot 151. SUDEIKIN, Sergei Iurevich [Serge Soudeikine] (1882-1946) and Nicolai REMIZOV (1887-1975) (illustrators).<br />
[Collection des Programmes du Théâtre de la Chauve-souris 1920-1921.] [Paris: Comoedia Illustré, 1922]. 5 works in one portfolio (as issued),<br />
large 4to (317 x 248 mm). Illustrations, most colored, after Sudeikin, Remizov and others. Original pictorial wrappers, the upper covers<br />
printed with colored designs after Soudeikine or Remizov, all within a single grey card portfolio, the upper cover of the portfolio printed in<br />
blue with the title as above, and the “Chauve-souris” trademark of a bat against the moon in gilt and blue. a fine series of programmes<br />
from the famous company directed by nikita balieff.<br />
[With:] Balieff ’s “Chauve-souris.” Paris: M. de Brunoff, [1924]. Large 4to (315 x 248 mm). Illustrations, most colored, after Sudeikin,<br />
Renizov and others. Original wrappers, the upper cover with a toned portrait of Balieff after Schoukhaeff. a souvenir programme with<br />
advertisements that suggest it was poduced for a London season. (6)<br />
$3000 – $4000<br />
94 Russian Literature & Art<br />
Lot 150 Lot 151<br />
Lot 152. GOLIKE, Roman Romanovich (editor).<br />
Shut. Chout (Le Fou) [The Fool]. St. Petersburg: R. Golike, January 4-June 3/21, 1897 25 issues. Folio (305 x 230 mm). Original<br />
chromolithographed wrappers; housed in custom case. Condition: occasional light spotting; else bright, clean copies.<br />
complete six months of this rare satirical weekly. This elaborately printed and illustrated humor magazine contains early drawings<br />
by Léon Bakst and Mikhail Vrubel in the March 22/April 3 and April 19/May 1 issues. There are numerous jabs at both the peasant and the<br />
upper classes in color and black and white. The back covers are devoted to amusing full-color cartoons of microbes.(25)<br />
$7000 – $10000<br />
Periodicals<br />
Lot 152
Lot 153. BRIUSOV, Valerii Yakolevich (1873-1924) (editor).<br />
Vesy. Nauchno-literaturnyi i kritiko-bibliograficheskii ezhmesyanik [The Scales. A Scientific, Artistic, Critical and Bibiliographical Review]. [Moscow:<br />
“Skorpion”], January 1904-December 1909. 6 volumes in 13 parts. Folio (235 x 180 mm each). Rebound in contemporary gilt-lettered<br />
leather-backed marbled boards with most of the original decorated wrappers bound in. Condition: 1904 bound out of sequence but<br />
complete; Numbers 8, 10 and 11, 1906 lacking back wrappers; Number 9, 1906 misbound with pp. 79-84 between pp. 66 and 67 but no<br />
loss; Numbers 2-6, 1908 and 8-12, 1909 lacking wrappers. Provenance: V. Rodevich (bookplates in all but the first volume).<br />
complete run of one of the most important russian art and literary journals ever published. With contributions by<br />
Konstantin Balmont, Andrei Belyi, Aleksandr Blok, Kornei Chukovsky, Sergei Diaghilev, Zaida Gippius (“Anton Krainii”), Nikolai Gumilev,<br />
Vyacheslav Ivanov, Mikhail Kuzmin, Aleksei Remizov, Fedor Sologub, Vladimir Solovev, Aleksei Tolstoi and others. Graphics by Léon Bakst,<br />
Pierre Bonnard, Maurice Denis, James Ensor, Nikolai Feofiltakov, Dmitrii Mitrokhin, Leonid Pasternak, Paul Signac, Konstantin Somov,<br />
Sergei Sudeikin, Mikhail Vrubel and others. Also translations of French and other foreign literature by Maurice Maeterlinck, Frederich<br />
Nietsche, Oscar Wilde and others. Kuzmin’s pioneering “coming out” novel Krylya [Wings] took up the November 1906 issue; his Kuranty<br />
liubvi [The Chimes of Love] appeared in December 1909 with the four illustrations by Sudeikin and Feofiltakov. Some issues were devoted<br />
to specific artists: Aubrey Beardsley (November 1905); Will H. Bradley (February 1907); Umberto Brunelleschi (March 1905); Georges<br />
DeFeure ( June 1907); Feofiltakov ( January 1908); Mikhail Larionov (August 1909); T. Surge Moore (November 1907); Odilon Redon<br />
(April and May 1904); Nicholas Roerich (August 1905); and Sudeikin (March 1907). (13)<br />
$30000 – $40000<br />
96 Russian Literature & Art Russian Literature & Art 97
Lot 154. RYABUSHINSKII, Nikolai and Georgii Ivanovich CHULKOV (editors).<br />
Zolotoe runo. La Toison d’or [The Golden Fleece]. Moscow: [A. I. Mamontov; I. I. Kushnerev & Co.], January 1906 - November/December<br />
1909. 34 issues (all published, including a number of double or triple number issues) bound in 8 volumes, 4to (293 x 216 mm). Large<br />
square 4to (4 volumes: 340 x 310mm.), or 4to (2 volumes: 300 x 218 mm.; 2 volumes: 293 x 217 mm). Numerous plates and illustrations,<br />
some colored. Contemporary gray cloth, top edges stained red (4 volumes), dark green half morocco (2 volumes) or dark red half morocco<br />
(2 volumes). Condition: cloth spines somewhat faded and lightly soiled, the red-staining to edges occasionally over-enthusiastic; the dark<br />
green morocco spines darkened to brown.<br />
a complete run of this opulent art, literary and critical journal of the silver age. With contributions by Konstantin<br />
Balmont, Andrei Belyi, Aleksandr Blok, Valerii Briusov, Kornei Chukovsky, Maurice Denis, Zaida Gippius, Vladisov Khodasevich, Mikhail<br />
Kuzmin, Vsevolod Meierkhold, Aleksei Remizov, Nicholas Roerich, Fedor Sologub and others. Illustrations by Léon Bakst, Alexandre<br />
Benois, Ivan Bilibin, Mstislav Dobuzhinsky, Nicolai Feofilaktov, Evgenii Lansere, Vasili Masiutin, Valentin Serov, Konstantin Somov, Sergei<br />
Sudeikin, Mikhail Vrubel, Boris Zvorikin and others. Beginning in April 1908 in Moscow, Zolotoe runo, like Mir isskustva before, sponsored<br />
art exhibitions and introduced not only the new Russian artists but also Cezanne, Van Gogh, Gauguin, Matisse and other Western masters<br />
to the Russian public. June-September 1906 has a survey of Russian icons with decorations by Bilibin; the topic of the January 1907 issue<br />
is the Devil; Number 1, 1909 is devoted to Paul Gauguin and Number 6, 1909 to Henri Matisse. Drawing on the talents of many members<br />
of Mir Isskustva [The World Art], Zolotoe runo is arguably one of the most beautiful periodicals ever published. An exceedingly rare complete<br />
run. (8)<br />
$50000 – $70000<br />
9 Russian Literature & Art Russian Literature & Art 99
Lot 155. BRIUSOV, Valerii Yakolevich (1873-1924) (editor).<br />
Vesy. Nauchno-literaturnyi i kritiko-bibliograficheskii ezhmesyanik [The Scales. A Scientific, Artistic, Critical and Bibiliographical Review]. [Moscow:<br />
“Skorpion”], April 1907-December 1909. 5 parts. Folio (235 x 180 mm each). All rebound in contemporary white cloth stamped in green<br />
except the 1907 volume in contemporary cloth-backed marbled boards. Condition: joints tender on two volumes, light thumbsoiling and<br />
rubbing to covers; wrappers absent in several volumes. Provenance: Ivan Aksenov bookplate in all but the first volume. (5)<br />
incomplete run of this important russian periodical.<br />
$8000 – $12000<br />
Lot 156. MAKOVSKII, Sergei Konstantinovich (1877-1962) and Nikolai Nikolaevich VRANGEL (1882-1915) (editors).<br />
Apollon [Apollo]. Petrograd: S.K. Makovskii, October 1909-1917. 23 volumes Printed by R. Golike & A. Vilborg, St. Petersburg. Various sizes.<br />
Rebound in red leatherette, many with the original wrappers bound in. Condition: first three volumes with overall light toning, occasional<br />
light soiling and old dampstaining, the later volumes generally fine and clean internally.<br />
complete run of the highly influential art journal. With contributions by Anna Akmatova, Inokentii Annenskii, Konstantin<br />
Balmont, Andrei Belyi, Aleksandr Benois, Aleksandr Blok, Valerii Briusov, Abram Efros, Nikolai Gumilev, Vyachelov Ivanov, Wassily<br />
Kandinsky, Mikhail Kuzmin, Osip Mandelshtam, Vladimir Narbut, Nikolai Radlov, Nikolai Rimsky-Korsakov, Fedor Sologub, Vladimir<br />
Solovev, Aleksei Tolstoi and others. Graphics by Léon Bakst, A. Benois, Sergei Chekhonin, Mstislav Dobuzhinsky, Boris Kustodiev, Evgenii<br />
Lansere, Dmitrii Mitrokhin, Georgii Narbut, Kuzma Petrov-Vodkin, Nikolai Punin, Nicholas Roerich, Valentin Serov, Konstantin Somov,<br />
Sergei Sudeikin, Mikhail Vrubel and others. When the magazine Mir iskusstva [World of Art] folded in 1904, Alexandre Benois filled the void<br />
with this more scholarly and less avant-garde art journal. Like its predecessor, it contained articles on music and theater as well as on the<br />
visual arts (23).<br />
$30000 – $40000<br />
Lot 155 Lot 156<br />
Lot 156<br />
Lot 156 Lot 156<br />
100 Russian Literature & Art Russian Literature & Art 101
Lot 157. NARBUT, Georgii Ivanovich (1886 - 1920) (illustrator).<br />
Gerboved [Heraldry]. St. Petersburg: [S. N. Troinitskii], January-December 1913. 12 issues. 214 pp. Folio (255 x 185 mm). Edited by Sergei<br />
Nikolaevich Troinitskii. Headpieces by G. I. Narbut. Original decorated blue wrappers designed by G. I. Narbut. Condition: occasional<br />
soiling, creasing to covers; a few gluestains from bookplates. Provenance: last two issues with the bookplate of Petr Ivanovich Neradovskii,<br />
designed by Dmitrii Dmitrievich Bushen in 1921.<br />
complete run of twelve issues of this rare heraldic periodical in the original wrappers for 1913. The great Ukrainian artist<br />
Narbut provided not only the standard wrappers (that also served as the title page) but also an ornate headpiece in the Napoleonic style<br />
in each issue. P. I. Neradovskii (1875-1962) was an artist and art historian; D. D. Bushen (1893-1984) was a member of the Mir Iskusstva<br />
[World of Art] group and assistant keeper of the art gallery in the Hermitage Museum.(12)<br />
$2000 – $3000<br />
Lot 158. TERESCHENKO, Mikhail Ivanovich (1886-1956) (publisher).<br />
Sirin. St. Petersburg: [“Sirin”], 1913-1914. 3 volumes. 8vo (230 x 165 mm). Original decorated gray wrappers. Condition: wrappers slightly<br />
discolored and spotted, library stamps to rear wrappers on two volumes, slight chipping to backstrip extremities.<br />
complete run of this poetry annual. With contributuons by Aleksandr Blok, Andrei Belyi, Valerii Briusov, Zimaida Gippius,<br />
Vyacheslav Ivanov, Aleksei Remizov, Fedor Sologub and others. These volumes contain the first publication of Bely’s masterpiece Petersburg<br />
after Petr Berngardovich Struve rejected it for his journal Russkaya mysl [Russian Thought]. It appeared in book form in 1916. Bely revised the<br />
text and published this version in Berlin in 1922. Vladimir Nabokov thought Petersburg was one of the “greatest masterpieces of twentieth<br />
century prose,” next only to Joyce’s Ulysses (1922) and Kafka’s “Metamorphosis” (1915) and better than Proust’s À la recherche du temps perdu<br />
(1913-1927).(3)<br />
$3000 – $5000<br />
Lot 157 Lot 158<br />
Lot 159. CHULKOV, Georgii Ivanovich (1879-1939) (editor).<br />
Fakely [Torches]. St. Petersburg: D. K. Tikhomirov, 1906-1908. 3 volumes Various sizes. Volume 1 in the original purple wrappers designed by<br />
Evgenii Lancere; the other two rebound in cloth-backed marbled boards with the original yellow or purple wrappers. Designed by Evgenii<br />
Lancere and V. Ya. Chembrs bound in. Condition: wrappers worn with splits and chipping to backstrip; rubbing to boards, corners slightly<br />
bumped.<br />
complete run of this rare symbolist annual. With contributions by Andrei Belyi, Aleksandr Blok, Valerii Briusov, Ivan Bunin,<br />
Vyacheslav Ivanov, Aleksei Remizov, Fedor Sologub, Boris Zaitsev and others. With graphics by Ivan Bibibin, V. Ya. Chembrs, Mstislav<br />
Dobuzhinsky (uncredited), E. E. Lansere and Boris Zamirailo. Chulkov called for Russian writers to discard Symbolism and Decadence<br />
for what he called “Mystical Anarchism.” Drawing largely on Friederich Nietzsche’s ideas, this new philosophy tried to reconcile individual<br />
freedom and social harmony. While Aleksandr Blok and Vyacheslav Ivanov supported the new doctrine, Valerii Briusov and Andrei Belyi<br />
challenged it.(3)<br />
$3000 – $5000<br />
102 Russian Literature & Art Russian Literature & Art 103<br />
Lot 159
Lot 160. KRIMOV, Vladimir Pimenovich (editor).<br />
Stolitsa i usadba [The Capital and Mansion]. Petrograd: December 15, 1913- September 30, 1917. 90 numbers (including some multiple<br />
issues) in 4 volumes, folio (345 x 260 mm). Printed by R. Golike and A. Vilborg, St. Petersburg. Numerous illustrations. Original decorated<br />
wrappers. Condition: some toning to text; occasional splits to backstrips, and toning to covers.<br />
complete run of this rare “journal of the beautiful life”. Limited to 1500 copies. This elegant bi-weekly surveyed the art, architecture,<br />
interiors and divertissements of Russia’s extravagant upper classes on the eve of the Revolution. It was modelled on the London journal<br />
Country Life; headings by the English artist Arthur Rackham from this magazine as well as cartoons by W. Heath Robinson, Harry Rountree<br />
and James Montgomery Flagg appear in Stolitsa i usadba. The ladies and gentleman in this Russian journal seem completely oblivious to the<br />
World War and the approaching apocalypse. Number 55 (April 1, 1916) dealt with the Tsar and his family so the Bolsheviks confiscated it.<br />
Nauchnaya i spravochnaya literatura-iskysstvo (1977) states on p. 55 that this issue was “withdrawn.”(4)<br />
$50000 – $70000<br />
104 Russian Literature & Art Russian Literature & Art 105
Lot 162<br />
Lot 161<br />
Lot 161. POETRY ALMANACS.<br />
Almanakh muz 1916 [The Almanac of the Muse 1916]. Petrograd:<br />
“Felana,” 1916. 200 pp. 8vo (240 x 170 mm). Decorations (including<br />
publisher’s mark) by Sergei Chekhonin. Original decorated gray<br />
wrappers designed by Chekhonin. Condition: wrappers soiled,<br />
partially detached; library stamps. one of 1100 copies. With<br />
contributions by Innokentii Annenskii, Anna Akhmatova, Valerii<br />
Briusov, Nikolai Gumilev, Georgii Ivanov, Mikhail Kuzmin, Osip<br />
Mandelshtam, Marina Tsvetaeva and others.<br />
[With:] Drakon. Almanakh stikhov [The Dragon. Almanac of Verse].<br />
Petersburg: [Tsek Poetov], 1921. 80 pp. 8vo (230 x 160 mm).<br />
Original tan wrappers. Condition: wrappers partially detached,<br />
small splits at extremities. one of 5000 copies. With contributions<br />
by Andrei Belyi, Aleksandr Blok, N. Gumilev, Georgii Ivanov, M.<br />
Kuzmin, O. Mandelshtam, Fedor Sologub and others.<br />
[And:] Almanakh tsekha poetov. Kniga Vtoraya [Almanac. Second<br />
Book]. Petrograd: [Tsekh Poetov], 1921. 88 pp. 8vo (225 x 150<br />
mm). Original blue cloth with cover label. Condition: soiling to<br />
label, library stamps to prelims and title page. one of 1500 copies.<br />
With contributions by N. Gumilev, G. Ivanov, O. Mandelshtam and<br />
others. The compilers note that the book had gone to press when<br />
they learned of the death of Aleksandr Blok. The volume concludes<br />
with the final two poems by Nikolai Gumilev shortly before he was<br />
executed in August 1921.(3)<br />
$4000 – $6000<br />
Lot 162. ART AND LITERARY ALMANAC.<br />
Almanakh “Tvorchestvo” [Almanac of “Creativity”]. Moscow and<br />
Petrograd: “Tvorchestvo,” 1917-1918. Volumes 1 and 2. 159 + 182<br />
pp. 4to (260 x 195 each). Original decorated wrappers designed by<br />
Boris Zvorikin. Condition: minor chipping and spotting to wrappers;<br />
backstrips repaired. Provenance: Fekula 5453.<br />
elegant anthologies of art and literature issued at<br />
the end of the silver age. With contributions by Konstantin<br />
Balmont, Aleksandr Blok, Valerii Briusov, Ivan Bunin, Sergei<br />
Esenin, Nikolai Gumilev, Aleksandr Kuprin, Aleksei Remizov,<br />
Fedor Sologub, Aleksei Tolstoi and others. Graphics by Léon Bakst,<br />
Alexandre Benois, Evegenii Lansere, Dmitrii Mitrokhin, Dmitrii<br />
Moor, Sergei Chekhonin, Viktor Zamirailo and others; printer’s<br />
mark by Bakst. (2)<br />
$1000 – $1500<br />
Lot 163. BELYI, Andrei [Boris Nikolaevich Bugaev] (1880-1934) (editor)].<br />
Zapiski mechtatelei [Dreamers’ Notes]. Petersburg: “Alkonost,” 1919-1922. Numbers 1-6. Large 8vo (240 x 155). Rebound in red leatherette.<br />
Condition: some wrappers absent, final leaf with tape repair to verso.<br />
complete run of of the literary organ of the Kommun Mechatelei [Commune of Dreamers]. With contributions by Anna Akhmotova,<br />
Andrei Belyi, Aleksandr Blok, Kornei Chukovsky, Vacheslav Ivanov, Vladimir Khodasevich, Aleksei Remizov, Marietta Shaginyan, Vilgelm<br />
Aleksandrovich Zorgenfrei, Fedor Sologub, Evgenii Zamyatin and others. The Soviet authorities were so offended by Zamyatin’s story about<br />
the destruction of the intelligentsia in Petersburg, “Perschera” [“The Cave”] in the January 1922 number (pp. 82-89), that they banned it<br />
from further publication. Number 4 was dedicated to Blok’s memory with tributes by Belyi and Zamyatin; and the final issue (Number 6)<br />
contains memories of Blok by Belyi and Chukovsky. Not in MoMA.<br />
$3000 – $5000<br />
Lot 164. GORKY, Maxim, Mstislav Dobuzhinsky, Evgenii Zamyatin, Nikolai Radlov,<br />
Kornei Chukovsky, and Vladimir Scherbachev (editors).<br />
Dom iskusstv [House of the Arts]. Petersburg, Numbers 1 and 2 bound in one, 1921. 4to (280 x 210 mm). Rebound in gray cloth with the<br />
original decorated tan wrappers designed by Dobuzhinsky bound in. Condition: very light spotting to front wrapper of Number 1, and minor<br />
chipping to back wrapper of Number 2.<br />
One of 5,000 copies. rare complete run of the important but short-lived art and literary journal. With contributions by<br />
Anna Akhmatova, Iurii Annenkov, Aleksandr Blok, Kornei Chukovsky, Nikolai Gumilev, Vladislav Khodasevich, Mikhail Kuzmin, Osip<br />
Mandelshtam, Nikolai Radlov, Aleksei Remizov, Evgenyi Zemyatin and others. Decorations by Annenkov, Sergei Chekhonin, Dobuzhinsky,<br />
Dmitrii Mitrokhin and others. The criticism includes Blok’s commentary on a production of King Lear and Chukovsky’s comparison of<br />
Akhmatova with Mayakovsky. The second and final issue paid tribute to Blok who had recently died. The editors and contributors were<br />
primarily the authors and artists who gathered round Gorky at his World Literature publishing company in Dom isskustv on Nevsky<br />
Prospekt in Petersburg. The government opened Dom isskustv to provide struggling artists with a place to sleep and eat as well as a library<br />
for their use. Gorky was unhappy with the first issue of the journal (“No spirit”) and his name is missing from the second. Disillusioned with<br />
the Bolsheviks, he left for Sorrento in October. Not in MoMA.<br />
$2000 – $3000<br />
Lot 165. BELYI, Andrei [Boris Nikolaevich Bugaev]<br />
(1880-1934) (editor) and El [Lazar Markovich] LISSITZKY<br />
(1890-1941) (illustrator).<br />
Epopeia. Literurnyi ezhemesiachnik [Epopee. Literary Anthology]. Moscow<br />
and Berlin: “Gelikon,” April 1922. Number 1. 8vo (210 x 140 mm).<br />
273 pp. Original wrappers. Cover designed by Lissitzky in yellow and<br />
black. Condition: covers and endpapers with occasional spotting, minor<br />
chipping to extremities, leaves tanned with minor chipping at edges.<br />
the first volume of four to appear. The fourth and final volume<br />
of Belyi’s influential literary journal was published the following year in<br />
1923. MoMA 403.<br />
$800 – $1200<br />
Lot 164 Lot 165<br />
106 Russian Literature & Art Russian Literature & Art 107
Lot 166<br />
Lot 167<br />
Lot 166. LUTOKHIN, D. A. (editor).<br />
Utrenniki [Morning Frosts]. [Petersburg: M. S. Kaufman, April and<br />
June 1922]. 2 volumes. 8vo (225 x 155 mm; 230 x 165 mm).<br />
Original tan wrappers, the second designed by Boris Kustodiev.<br />
Condition: wrappers tanned, backstrips rubbed with slight chipping<br />
to extremities.<br />
complete run of this significant but short-lived literary<br />
journal. With contributions by Anna Akhmatova, Boris Pilnyak,<br />
Fedor Sologub and others. Also reviews of books by Leonid<br />
Andreev, Andrei Belyi, Aleksandr Blok, Valerei Briusov, Sasha<br />
Chorny, Kornei Chukovsky, Ilya Ehrenburg, Nikolai Gumilev,<br />
Vladislav Khodasevich, Boris Pilnyak, Viktor Shklovskii, Marina<br />
Tsvetaeva, Boris Zaitsev, Evgenyi Zamyatin and others. The second<br />
issue reproduces four fanciful drawings by the Ukrainian artist Viktor<br />
Dmitrevich Zamirailo (1868-1939), including one of Gulliver in<br />
Lilliput. (2)<br />
$1000 – $1500<br />
Lot 167. LISSITZKY, El [Lazar Markovich] (1890-1941) and<br />
Ilya Grigorevich Ehrenburg (1891-1967) (editors).<br />
Vesch/Gegenstand/Objet [Object]. Berlin: Skify, 1922. 32 pp. 4to (310<br />
x 235 mm). Numbers 1 and 2; two parts in one volume Original<br />
decorated red construction paper wrappers designed by Lissitzky.<br />
Condition: occasional light soiling, short split at foot of of fold, a few<br />
small abrasions to lower wrapper.<br />
Lissitzky and Ehrenburg started this short-lived, but important,<br />
periodical to introduce contemporary Russian art to Western<br />
Europe, focusing mainly on new Suprematist and Constructivist<br />
works, with the text in German, French, and Russian. In this first issue,<br />
El Lissitzky wrote: “We consider the triumph of the constructive<br />
method to be essential for our present. We find it not only in the<br />
new economy and in the development of the industry, but also in<br />
the psychology of our contemporaries of art. Veshch will champion<br />
constructive art, whose mission is not, after all, to embellish life, but<br />
to organize it.” Contributors range from Le Courbusier to Vladimir<br />
Mayakovsky to Blaise Cendrars to Boris Pasternak. The third and<br />
final issue was published later the same year. MoMA 410.<br />
$1000 – $1500<br />
Lot 168. LITERARY ALMANACS.<br />
Moskovskii almanakh [The Moscow Almanac]. Moscow: “ Knigoizdatelstva Pisatelei v Moskve,” 1922 and 1923. 2 volumes 8vo (215 x 145 mm;<br />
230 x 155 mm). Original two-color decorated tan wrappers. Condition: small closed tears to front wrapper on second volume<br />
first volume one of 2000 copies; second volume one of 3000 copies. With contributions by Konstantin Balmont, Andrei Belyi,<br />
Aleksandr Blok, Vyacheslav Ivanov, Vladislav Khodasevich, Boris Pasternak, Aleksei Remizov, Boris Zaitsev and others.<br />
[With:] Moskovskii almanakh. Berlin: Ogonek, 1922. 194 pp. 8vo (205 x 145 mm). Original two-color decorated tan wrappers designed by<br />
Aleksandr Arnshtam. Condition: intermittent light soiling to wrappers. With contributions by A. Belyi, A. Remizov and others. (3)<br />
$1000 – $1500<br />
Lot 169. BEREZHANTSKII, N. G. (editor) and Ivan Yakovlevich BILIBIN (1876-1942) (illustrator).<br />
Zlatotsvet. Zhurnal khudozhestvennyi i literaturnyi [The Golden Flower. Art and Literary Journal]. Berlin: Olga Dyakova i Ko., 1924. Number 1. 48<br />
pp. Large Folio (340 x 310 mm). Original gilt decorated wrappers designed by I. Ya. Bilibin. Condition: wrappers lightly tanned with minor<br />
soiling and dampstaining, small tape repair to verso of front wrapper. Original gilt decorated wrappers designed by I. Ya. Bilibin.<br />
apparently the only issue of this beautiful émigré magazine. With contributions by Léon Bakst, Konstantin Balmont, Ivan<br />
Alekseevich Bunin, Elena Danko, Mstislav Dobuzhinsky and others.<br />
$1000 – $1500<br />
10 Russian Literature & Art Russian Literature & Art 109<br />
Lot 168<br />
Lot 169
Lot 170<br />
Lot 172<br />
Lot 170. LEBEDEV, Vladimir Vasilievich (1891-1967), Vladimir<br />
Ivanovich KOZLINSKII (1891-1969), Aleksei RADAKOV (1877-<br />
1942), Boris ANTONOVSKII and others (illustrators).<br />
Begemot [Hippopotamus]. Leningrad: “Krasnaya Gazeta,” January-<br />
December 1926. Numbers 1-50. 4to (290 x 205 mm). Rebound in<br />
contemporary half cloth over marbled boards. Condition: boards rubbed<br />
with slight chipping to extremities; occasional minor spotting to wrappers,<br />
Number 50 with front wrapper detached but present.<br />
rare illustrated humor weekly published at the height of the<br />
nep period. With cartoons by V. V. Lebedev, V. Koslinskii, A. Radakov,<br />
B. Antonovskii and others. This journal satirized not only the growing<br />
horde of middleclass NEP men and women but also peasants, workers,<br />
bureaucrats and Americans. Lebedev signed his studies of Russian street<br />
types with “V. V.”<br />
$1500 – $2000<br />
Lot 171. GALADZHIEV, Petr S. (illustrator).<br />
Kino-zhurnal A. R. K. [Film Journal of A. R. K.]. Moscow: Assotsiatsiya<br />
Revoliutsionnoi Kinematografiii, February 1924. Number 2. 48 pp. Folio<br />
(300 x 230 mm). Original two-color Constructivist wrappers designed<br />
by P. S. Galadzhiev. Condition: minor spotting to covers, short split at fold<br />
extremities.<br />
rare early soviet film trade journal. In addition to articles on Soviet<br />
movie actors and directors and Lenin on film, there are write-ups on<br />
Douglas Fairbanks, Lillian Gish, Gloria Swanson and Eric von Stroheim.<br />
$500 – $800<br />
Lot 172. LUNACHARSKII, Anatolii Vasilevich (1875-1933),<br />
Vyacheslav P. POLONSKII (1886-1932) and Ivan Ivanovich<br />
STEPANOV-SKVORTSOV (editors).<br />
Krasnaya niva [The Red Field]. Moscow, January 2-December 25, 1927.<br />
Large 4to (297 x 225 mm). Illustrations, some colored. Contemporary<br />
half cloth, original wrappers bound in. Condition: some wrappers shaved<br />
with slight loss, half cloth binding scuffed, joints split, extremities worn,<br />
spine chipped.<br />
one complete volume of the popular and influential soviet<br />
cultural journal. Lunacharskii was appointed the first Soviet People’s<br />
Commissar of Enlightenment by Lenin himself. He and Lenin’s wife<br />
Nadezhda Krupskaya were responsible for overseeing Soviet culture and<br />
education. Red Niva was a general interest magazine that covered literature,<br />
art, entertainment, sports and politics .<br />
$500 – $800<br />
Lot 173. KLUTSIS, Gustav Gustavovich, (1895-1944)<br />
(illustrator).<br />
Sovestky teatr [The Soviet Theater]. Moscow: ZhurGaz, 1930. Issue<br />
Number 1, large 4to (305 x 228 mm). Edited by I. I. Bachelis and<br />
others. Illustrated. Original wrappers, the covers printed in three<br />
colors with a photomontage design by Klutsis. Condition: some light<br />
toning to margins; covers detached, lower outer corner of lower<br />
cover torn away.<br />
Designed by Dmitri Moor and K. Ovsyannikov. Not in MoMA.<br />
110 Russian Literature & Art Russian Literature & Art 111<br />
$400 – $600<br />
Lot 174. DE MANTSIARLI, I.V., & N.A. OTSUPA (editors).<br />
Chisla [Number]. Paris: 1930-1934. Parts I-VIII and X only (of<br />
10, lacking part IX) in seven volumes (as issued), small 4to (235<br />
x 185 mm). Titles printed in two colors. Plates and illustrations,<br />
some mounted, some colored. Original wrappers. Condition: some<br />
browning, title to part 6 soiled and with border ruled with blue and<br />
red crayons; wrappers torn with loss, upper cover of part 6 and lower<br />
cover of part 10 lacking, backstrips torn with loss, the loss substantial<br />
to parts 2/3, 5 and 10. (7)<br />
$1500 – $2000<br />
Lot 175. KUNLE, Donat I. (editor).<br />
Fashist [The Fascist]. Putnam, or Thompson, Conn.: Russian<br />
National Revolutionary Party, July 1935-June/July 1940. 22 issues<br />
various (Numbers19, 28-32, 34, 37-41, 44, 45, 47, 51-56 and 58),<br />
folio (430 x 280 mm). Illustrations. Stapled, as issued. Condition: five<br />
issues with some damage to upper outer corners, four other covers<br />
torn with loss, some light soiling to covers, small tears to backstrips.<br />
unusual russian fascist propaganda newspaper published<br />
in america. The former White Russian officers Anastase<br />
Anastasievich Vonsiatsky (1898-1965) as Vogel (Leader) and<br />
Donat I. Kunle as secretary founded in 1933 the Russian National<br />
Revolutionary Labor and Workers Peasant Party of Fascists, also<br />
known as the All Russian National Revolutionary Party. Insisting<br />
that they were not anti-Semitic, they claimed their sole goal was<br />
to overthrow the Soviets and replace them with “a government<br />
elected by the people, of the people and for the people.” Extolling<br />
the virtues of Adolf Hitler in its pages, Fashist was their official organ<br />
and published in Connecticut. Indicted in 1942 for consorting with<br />
German-American Bund, Vonitsky escaped being convicted. (22)<br />
$4000 – $6000<br />
Lot 173<br />
Lot 175
Lot 174<br />
112 Russian Literature & Art<br />
Lot 177<br />
Lot 178<br />
Lot 176. KARPOVICH, M.M., R. B. GOUL, P. DENIKE,<br />
S.TIMASHEV and others [editors].<br />
Novyi Zhurnal [New Magazine]. New York: 1942-1997. Comprising<br />
128 volumes of various issues (215 x 145 mm). In original wrappers.<br />
Condition: occasional tanning and minor chipping to backstrips.<br />
one of the most important social, political, literary, and<br />
cultural Russian émigré journals. Founded by M.O. Tsetlin<br />
and M.A. Aldanov, Novyi Zhurnal ranks among the oldest and most<br />
influential academic journals of Russian studies. Issue numbers<br />
available upon request. (128)<br />
$1000 – $1500<br />
Lot 177. GRENBERG, R.N., V.L. PLASTUKHOV and others<br />
(editors).<br />
Opyty [Experiments]. New York: 1953-1958. 8vo. Complete set<br />
consisting of volumes 1-9. Original wrappers designed by A.N.<br />
Pregel. Condition: backstrips tanned, volumes 1 and 4 bear library<br />
stamp on front covers, occasional slight chipping to extremities.<br />
With contributions by Iurii Annenkov, Isaac Babel, Vladimir<br />
Nabokov, Boris Pasternak, Aleksei Remizov and others.(9)<br />
$1000 – $1500<br />
Lot 178. ANDREEV, G. A., N. N. VERBEROV, F. T. LEBEDEV,<br />
Iu. A. PISMENYI and others (editors).<br />
Mosty [Bridges]. Munich: TsOPE, 1958-1970. Numbers 1-15 in<br />
14 volumes Condition: backstrips tanned on a few volumes, minor<br />
intermittent soiling to wrappers; small split at tail of backstrip to<br />
volume 12.<br />
complete set of this émigré russian “literary-artistic<br />
and social-political almanach”. With contributions by Iurii<br />
Annenkov, Albert Camus, Ilya Ehrenburg, William Faulkner, Aldous<br />
Huxley, Boris Pasternak, Boris Zaitsev and others. (14)<br />
$600 – $800<br />
Lot 179. ANONYMOUS.<br />
Strashen vrag , po milostiv Bog! [The Enemy is Terrible but God is Merciful!]. Moscow: E. I. Konovalova, February 28, 1904. Chromolithograph<br />
(410 x 585 mm). Depicts a giant Russian soldier stomping across Manchuria and Korea after the fleeing Japanese army while Uncle Sam<br />
(“Yanki”) negotiates with the Japanese and Chinese in the background. Framed.<br />
This jingoistic poster is highly misleading: The Russo-Japanese War was a strategic disaster for Russia; and the humiliating series of defeats<br />
to the Japanese through the wasteful and corrupt tsarist government enflamed public discontent and led directly to the Russian Revolution<br />
of 1905.<br />
$1000 – $1500<br />
Posters<br />
Lot 179
Lot 180<br />
Lot 182<br />
Lot 181<br />
Lot 180. ANONYMOUS.<br />
Komanduiuschii Kaskazskoi Armiei General-Leitenant Baron Petr<br />
Nikolaevich Vrangel [Commandant of the Cossack Army General-<br />
Lieutenant Baron Petr Nikolaevich Vrangel]. 1919. Lithograph<br />
(550 x 405 mm). Framed. A rare example of a pro-White<br />
Army poster.<br />
[With:] Pro scho mrie Vrangel. Khan Krimskii i Samoderzhets Vcerosiiskii<br />
[What is Vrangel dreaming about? — About becoming Khan of Crimea<br />
and Ruler of Russia]. 1920. Chromolithograph (765 x 580 mm).<br />
Framed.<br />
Baron Petr Nikolaevich Vrangel (1878-1928) was an officer in the<br />
Imperial Russian Army when the October Revolution broke out and<br />
he fled to the Crimea where he joined the White Army. In 1920, he<br />
was elected commander-in-chief of the White forces in the Crimea.<br />
But humiliating defeats to the Red Army left him with only half of his<br />
standing army and they fled to the Black Sea. Many of them followed<br />
him into exile. Not all Russians thought Baron Petr Vrangel was a<br />
hero as the second bitter anti-White poster suggests.<br />
$3000 – $5000<br />
Lot 181. ANONYMOUS.<br />
A nashego to polku pribylo… [Our numbers have grown…]. Petrograd:<br />
Izdanie V. T. [?], circa 1914. Number 3. (345 x 520 mm). Framed.<br />
A satirical comment on the strength of the Russians to combat the<br />
German threat during World War I.<br />
$1500 – $2000<br />
Lot 182. APSIT, Alexandr.<br />
Mschene tsaryam (Varshavyanka) [Revenge on the Tsars]. Moscow:<br />
VTSIK, 1918. Colored lithograph (1125 x 660 mm). The text is<br />
that of a Polish working class song, translated into Russian by G.M.<br />
Krzhizhanocskii in 1897.<br />
Butnik-Siverskii 335; Polonskii, Russian revoliutsionnyi plakat<br />
(Moscow, 1925), p. 30.<br />
$1000 – $1500<br />
Lot 183. BYKHOVSKY, Aleksandr.<br />
Krasnyi nabat [The Red Alarm Bell]. Gomel [Belarus]: Gomelskoe<br />
otdelenie Gosizdata, 1920. Chromolithograph (740 x 460 mm).<br />
Butnik-Siverskii 280; reprinted in Baburina, The Soviet Political<br />
Poster, pl. 9.<br />
$1000 – $1500<br />
Lot 184. CHEREMNYKH, Mikhail (1890-1962).<br />
Rossiiskaya Sotsialisticheskaya Federativnay Sovetskaya Respublika<br />
[Russian Socialist Federation of Soviet Republics].<br />
c. 1920. Lithograph (710 x 495 mm). Framed. Russian propaganda<br />
poster featuring the misfortunes of Russian peasants under the<br />
imperial rule. Cheremnykh worked for ROSTA (Rossiyskoye<br />
telegrafnoye agentstvo), or the Russian Telegraph Agency. He<br />
created the first ROSTA window of stenciled propaganda posters,<br />
and was soon joined by Mayakovsky, Moor and Rodchenko among<br />
others.<br />
$800 – $1200<br />
Lot 185. DENI, Viktor (1893-1946).<br />
Podlezhit unichtozheniiu [Must Be Destroyed].<br />
Lithograph (580 x 395 mm). Anti-war poster depicting a figure of a<br />
Western plutocrat sitting atop a pile of military supplies. The scene is<br />
accompanied by a poem by Demian Bednyi. Framed.<br />
Deni was born in Moscow in 1893 and published his first drawings<br />
in a satirical journal at the age of seventeen. In 1913 he moved to St.<br />
Petersburg where his work appeared in numerous other publications.<br />
He was one of the most acerbic Russian political cartoonists.<br />
$1500 – $2000<br />
114 Russian Literature & Art Russian Literature & Art 115<br />
Lot 183<br />
Lot 184<br />
Lot 185
Lot 187<br />
Lot 186<br />
Lot 186. DENI, Viktor (1893-1946).<br />
Kazhdyi udar molota-udar po vragu! [Every Stroke of the Hammer — Is<br />
A Stroke Against the Enemy!]. 1920. Chromolithograph (715 x 1055<br />
mm). Number 103. Framed.<br />
$1200 – $1800<br />
Lot 187. KOZLINSKII, Vladimir Ivanovich (1891-1969).<br />
Da zdravstvuet avangard revolutsii Krasnyi Flot [Long Live the Vanguard<br />
of the Revolution: the Red Navy]. Pertrograd: Politotdel [Revolutionar-<br />
Military Council of the Baltic], 1919. Linocut (655 x 480 mm).<br />
Formerly atttributed to Vladimir Lebedev. See Tradition and<br />
Revolution in Graphic Art (Mamchester, 1990, p. 111, n. 39), for a<br />
discussion of the re-attribution of the poster by Nolai Shkolnyi to<br />
Kozlinskii, a central artist behind the Petrograd ROSTA windows.<br />
Butnik-Siverskii 1025; White p. 85; The Soviet Poltical Poster, pl. 22.<br />
$1000 – $1500<br />
Lot 188. KUPREYANOV, Nikolai Nikolaevich (1894-1933).<br />
Grazhdane khranite pamyatniki iskusstva [Citizens, Preserve the Historic<br />
Monuments]. Lithograph (760 x 510 mm). Framed.<br />
Kupreyanov was a versatile Soviet graphic artist who distinguished<br />
himself as a poster artist and an agile agitational propagandist.<br />
During the Russian Civil War, many fervent Bolsheviks were<br />
determined to destroy all remnants of the tsarist past. It was largely<br />
through the intervention of Anatoly Lunacharsky as Commissar of<br />
Enlightenment that many of Russia’s treasures were saved.<br />
$1200 – $1800<br />
Lot 189. MALIUTIN, Ivan A. (1889-1932).<br />
Svobody zasluzhivaet tolko tot, kto ee s vintovkoi otstaivat idet [Only He<br />
Deserves Freedom, Who Goes to Defend it with a Rifle]. Moscow: GIZ,<br />
1920. Two color lithograph (522 x 555 mm).<br />
Butnik-Siverskii 1675; White 4.19; Viacheslav Polonskii, Russkii<br />
revoliutsionnyi plakat (Moscow, 1925), fp. 150.<br />
$1000 – $1500<br />
Lot 190. MAYAKOVSKY, Vladimir Vladimirovich<br />
(1893-1930).<br />
Na boi krovavyi vpered so slavoi! Divis Imperiya vot nasha artilleryaa<br />
[Gloriously into the bloody fray! Empire, behold our artillery!]. Petrograd:<br />
V.F.T., 1914. Chromolithograph (530 x 365 mm).<br />
a typically anti-tsarist call to revolutionary action by<br />
the poet and artist who sought the creation of a “new man” in art and<br />
life in Soviet Russia.<br />
$1000 – $1500<br />
Lot 191. MAYAKOVSKY, Vladimir Vladimirovich<br />
(1893-1930).<br />
Vidish/Etikh zhduschikh kuchki… [Look/To this group of waiting<br />
people…]. 1930. Color lithograph (420 x 560 mm). Propaganda<br />
poster featuring the image of Mayakovsky and text from one of his<br />
poems. Framed.<br />
[With:] CHAGALL, Marc (1887-1985). Pour les 70 ans de<br />
Maïakovski. Print (675 x 495 mm). Poster for a performance at<br />
the Theatre de Palais Chaillot marking the 70th anniversary of<br />
Mayakovsky’s birth. Framed.<br />
$2500 – $3500<br />
Lot 188 Lot 189 Lot 190<br />
116 Russian Literature & Art Russian Literature & Art 117<br />
Lot 191<br />
Lot 191
Lot 192. MEIERKHOLD, Vsevolod Emilevich (1874-1940).<br />
Vs. Meierkholda Revizor N. V. Gogola [Vsevolod Meierkhold’s “The Inspector General” by N. V. Gogol]. 1926. Two color lithograph (1080 x 730 mm).<br />
Framed.<br />
poster for his landmark production of gogol’s fierce satire. Meierkhold was a revolutionary figure in the Russian avant-garde<br />
theater. For his early productions at Imperial theatres of St. Petersburg, he secured designs by Alexander Golovin, Léon Bakst, Mstislav<br />
Dobuzhinsky, Sergei Sudeikin and other members of the Mir iskusstva [World of Art] group. Both Golovin and Boris Grigoriev painted his<br />
portrait. He demanded a “conditional theater” in opposition to naturalism. Among the many people whom he profoundly influenced was<br />
the great filmmaker Sergei Eisentstein who studied with him. Meierkhold’s stubborn opposition to Social Realism led to his demise. His<br />
experimental theater was closed in 1938 and the next year he was arrested, imprisoned, tortured and finally executed by firing squad in 1940.<br />
It was not until 1955 that he was officially “rehabilitated” during the first wave of Krushchev’s anti-Stalin campaign.<br />
$4000 – $6000<br />
Lot 192<br />
Lot 193. MELNIKOV, Dmitri.<br />
Chto vy stali chernym stanom? Vse dolzhnyi otdat krestyanam, umiraischim ot goloda [With kopecks collected from peasants, the Church bought gold and<br />
silver trappings...it should give it all back to the peasants dying from starvation].<br />
Moscow: Moskust, 1922. Chromolithograph (1010 x 640 mm). Backed on linen. Butnik-Siverskii 2755. Reproduced in Baburina, Soviet<br />
Politcal Poster, pl. 38; Butnik-Siverskii, p. 692; and Viacheslav Polonskii, Russkii revoliutsionnyi playat (Moscow, 1925), opp. p. 116.<br />
$1000 – $1500<br />
Lot 194. MUKHANOV, V.<br />
Moi kapriz [My Caprice]. Gouache on paper (760 x 410 mm). Signed in Cyrillic center right. Framed.<br />
Original design for a poster advertising a tobacco factory in Baku.<br />
$800 – $1000<br />
11 Russian Literature & Art Russian Literature & Art 119<br />
Lot 193<br />
Lot 194
Lot 195. POZHEDAEV, Georgii Anatol’evich (1897-1971).<br />
Coq d’Or. Paris: H. Chachoin, 1928. Full color lithograph (1120 x 780 mm). Framed.<br />
Pozhedaev’s exuberant advertisment for the famous Rimsky-Korsakov opera based on Alexander Pushkin’s 1834 poem “The Tale of the<br />
Golden Cockerel” (itself based on two chapters of Tales of the Alhambra by Washington Irving). The opera was completed in 1907 and<br />
received its premiere in Moscow in 1909, after the composer’s death. Pozhedaev’s baroque illustration captures the essence of this burlesque<br />
of overindulgence and absurdity.<br />
$3000 – $5000<br />
Lot 195<br />
Lot 196. “RE-MI” [REMIZOV, Nikolai Vladimirovich<br />
(1887-1975)].<br />
Golod v Germaniy [Hunger in Germany]. Lithograph in colors, printed<br />
by A.P. Korkin and A.V. Beideman Publishing House, Moscow.<br />
Number 185. Framed (575 x 345 mm).<br />
Remizov was a popular cartoonist in the tradition of the German<br />
humorist Wilhelm Busch. He contributed to a number of satirical<br />
magazines as did his sister “Miss” [Anna Vladimirovna Remizova].<br />
His most important work was the illustrations for Kornei Chukovsky’s<br />
children’s classic Krokodil [Crocodile] in 1918. He also<br />
designed for Nikita Balieff ’s cabaret Chauve-souris (The Bat).<br />
$1500 – $2500<br />
Lot 197. ROGOVSKY, A.<br />
Vpered, v Moskvu! [Advance to Moscow!]. c. 1920. Propaganda poster<br />
made for Siberian Cossack Army (525 x 720 mm). Backed on linen<br />
and framed. Depicts a Cossack in the service of the White Army<br />
about to strike the Red serpent, emerging from a burning Moscow.<br />
$2000 – $3000<br />
120 Russian Literature & Art Russian Literature & Art 121<br />
Lot 197<br />
Lot 196
Lot 198. SUDEIKIN, Sergei Iurevich [Serge Soudeikine] (1882-1946).<br />
[Chauve-souris]. Color lithograph, c. 1921, issued by L’Atelier de PUBLICITÉ d’art “Loubok,” Paris (1140 x 790 mm). Provenance: sale<br />
Swann 21 Apr 2005, lot 69.<br />
a dramatic illustration that beautifully summarizes Sudeikin’s considerable contributions to modern Russian stage design. Trained as<br />
a painter in Moscow, he went to Paris in 1913 to work with Sergei Diaghilev on the Ballets Russes. He returned in 1920 with the Chauvesouris<br />
troupe, the famous cabaret founded in 1908 by Nikita Balieff. The company fled Russia in 1918 for Paris, where they performed for<br />
two years and then moved on to New York. In this handsome poster, a mischievous pierrot peeks behind a huge curtain and reveals a large<br />
bat flying between Moscow and Paris.<br />
$12000 – $18000<br />
122 Russian Literature & Art<br />
Lot 198<br />
Lot 199. ALTMAN, Natan Isaevich (1889-1970).<br />
S’ezd rabotnits i kresyanok Severnoi oblasti [Conference of Women Workers and Peasant Women from the Northern District]. Color lithographed<br />
proof of the cover of an unpublished exhibition catalogue. 440 x 625 mm. Initialed and dated 1919 in the plate.<br />
one of only two known copies. Altman was a Russian avant-garde artist, Cubist painter, stage designer and book illustrator. He initially<br />
studied painting and sculpture in Odessa (1902-1907), before studying in Paris for a year in 1910. There he met, among others, Marc<br />
Chagall, Alexander Archipenko, and David Shterenberg. In the same year he became a member of the group Soyuz Molodyozhi [Union of<br />
Youth]. In 1912 Altman moved to St. Petersburg. His famous Cubist portrait of Anna Akhmatova was painted in 1914. From 1915 to 1917<br />
he taught at Mikhail Bernstein’s private art school. After 1916 he started to work as a stage designer. Lenin believed that the creation of the<br />
Committees for Peasant Poverty in late 1917 marked the beginning of “the Revolution in rural districts.” This is one of three Constructivist<br />
brochure covers designed for these conferences: Malevich in 1918; Lissitzky in 1919; and Altman also in 1919. The back wrappers for these<br />
brochures carry the slogan “Proletarii vsekh stran soedinyaites” (“Proletarians of All Countries Unite”). Not in MoMA, NYPL, Getty or BM.<br />
See Etkind 1971, p. 118, Pl. 47; Etkind 1984, p. 50; and Lang, p. 96.<br />
$30000 – $40000<br />
Art & Illustration<br />
Lot 199
Lot 200. ALTMAN, Natan Isaevich (1889-1970).<br />
Klub khudozhnikov [Artist’s Club]. 1919. Linocut (115 x 150 mm). Initialed and dated in the plate. Matted.<br />
$800 – $1200<br />
Lot 201. ALTMAN, Natan Isaevich (1889-1970).<br />
Cubo-Futurist sketch for poster advertising Kultura liga [Culture League] graphic exhibition with drawing on reverse. 1922. India ink on paper.<br />
(185 x 101 mm).<br />
Initialed and dated lower left. Inscribed with critical comments regarding revolutionary events in Russia along the left margin. The verso<br />
depicts an entwined Cubo-Futurist couple and a title in Hebrew. Provenance: purchased from Aleksander Leonidovich Pasternak, brother of<br />
the poet and novelist Boris Pasternak c. 1985.<br />
Kultur liga was a famous cultural and political association of Jewish artists from the 1920s and 1930s in Russia and other parts of Eastern<br />
Europe. The exhibition featured the graphic work of the prominent Jewish artists Altman, Marc Chagall and David Shterenberg and ran<br />
in Moscow from March-April 1922. Altman laid this drawing in a book he gave A. L. Pasternak in 1966. Mark Etkind’s Nathan Altman<br />
(Dresden: Verlag der Kunst, 1984) reproduces the final version of the Kultur liga poster on p. 178; a drawing similar to that on the reverse<br />
appears on p. 78.<br />
$8000 – $12000<br />
Lot 200<br />
Lot 201<br />
Lot 202. BENOIS, Alexandre [Aleksandr Nikolaevich Benua] (1870-1960).<br />
Costume design. 1946. Watercolor and ink on paper (240 x 160 mm). Signed with initials and dated lower left. Inscribed “Le Roi Neu [?]”<br />
upper right and “Le Foule, Une petit bonne” upper right. Framed.<br />
Drawn by one of the founding members and central figures of Mir iskusstva and the Ballets Russes.<br />
$3000 – $4000<br />
Lot 203. BENOIS, Alexandre [Aleksandr Nikolaevich Benua] (1870-1960).<br />
Two costume designs for a lantern-holder and a guard in “Skazke o tsare Saltane.” 1928. Watercolor and colored crayons, heightened with white<br />
(each 490 x 305 mm). Both signed and dated lower right, titled “Saltan” and inscribed with instructions to the dressmaker. Framed. Provenance:<br />
sale Sotheby’s New York 22 Jun 1983.<br />
Two costume designs for Nikolai Rimsky-Korsakov’s ballet in two scenes based on Alexandre Pushkin’s Skazke o tsare Saltane [The Tale of<br />
Tsar Saltan] and produced by Les Ballets de Mme. Ida Rubenstein at the Théatre National de l’Opéra, Paris, November 29, 1928. Bronislava<br />
Nijinska, the sister of the legendary Nijinsky, choreographed the dance while Benois designed the sets and costumes.<br />
$5000 – $8000<br />
Lot 202 Lot 203<br />
124 Russian Literature & Art Russian Literature & Art 125
Lot 204. BENOIS, Nicola (1901-1988).<br />
Set design for “The Inspector General.” 1925. Gouache on paper laid on board (440 x 595 mm). Inscribed, signed and dated July 3, 1925 lower<br />
right. Framed. The inscription reads in Cyrillic “To dear and beloved Nikolai Argutinskii from Koka Benois.”<br />
The Inspector General is Gogol’s satirical play, published in 1836 and revised for the 1842 edition. Based on an anecdote allegedly recounted<br />
to Gogol by Pushkin, this comedy of errors portrays human greed, stupidity, and the deep corruption of power in tsarist Russia.<br />
$30000 – $50000<br />
Lot 204<br />
Lot 205. CHALIAPIN, Boris (1904-1979).<br />
Portrait of Madame Elena Balieff. 1937. Oil on canvas (630 x 520 mm). Signed, dated and inscribed “N.Y.” (lower left). Framed. Exhibited:<br />
A World of Stage: Russian Designs for Theatre, Opera, and Dance: 17 Apr -27 May 2007, Kushiro Art Museum, Hokkaido; 9 Jun -16 Jul 2007,<br />
The National Museum of Modern Art, Kyoto; 26 Jul -17 Sep 2007, Tokyo Metropolitan Teien Museum; 29 Sep - 28 Oct 2007; Aomori<br />
Museum of Art. Illustrated: Rosenfeld and others, A World of Stage: Russian Designs for Theater, Opera, and Dance; Art Impression Inc., Tokyo,<br />
2007, p. 157.<br />
The son of the legendary Russian opera singer Feodor Chaliapin was a distinguished modern portrait painter. He is perhaps best remembered<br />
for over 400 covers he produced for Time for twenty-eight years from Nehru to Nixon. Elena Balieff (née Kommissarzhevskii) was a famous<br />
Russian actress at the Théâtre de la Chauve-souris and wife of its founder Nikita Balieff.<br />
$25000 – $35000<br />
126 Russian Literature & Art Russian Literature & Art 127<br />
Lot 205
Lot 206. BOBYSHEV, Mikhail (1885-1964).<br />
Costume design. 1912. Watercolor, graphite and metallic paint on paper (455 x 280 mm). Signed in Cyrillic and dated lower right; indistinctly<br />
inscribed upper right. Framed. Exhibited: A World of Stage: Russian Designs for Theatre, Opera, and Dance: 17 Apr -27 May 2007, Kushiro Art<br />
Museum, Hokkaido; 9 Jun -16 Jul 2007, The National Museum of Modern Art, Kyoto; 26 Jul -17 Sep 2007, Tokyo Metropolitan Teien<br />
Museum; 29 Sep - 28 Oct 2007; Aomori Museum of Art. Illustrated: Rosenfeld and others, A World of Stage: Russian Designs for Theater,<br />
Opera, and Dance; Art Impression Inc., Tokyo, 2007, p. 117.<br />
Costume design for the character of Knigiana in Fedor Solugub’s play Vanka-Kliuchnik i Pazh Zhean [Vanka the Butler and Page Jean]. This<br />
particular design was made for the production at the V. F. Kommissarzhevskaya Theatre, St. Petersburg.<br />
$3000 – $5000<br />
Lot 207. CHEKHONIN, Sergei Vasilevich (1878-1936).<br />
Elegance and Dignity. 2 hand-colored lithographs. (each 565 x 430 mm). Each signed by in pencil lower right.<br />
Although remembered primarily for his Ballets Russes designs, Sergei Chekhonin was one of the most accomplished Russian graphic artists<br />
of his generation. He was a prolific illustrator of magazines and books during both the Silver Age and the early Soviet period. He emigrated<br />
in 1928 and settled in Paris where he continued to illustrate magazines and design costumes, porcelain and posters. (2)<br />
$6000 – $8000<br />
Lot 206<br />
Lot 207<br />
Lot 208. DOBUZHINSKY, Mstislav Valeryanovich (1875-1957).<br />
Set design for “The Barber of Seville”. 1918. Pencil and ink on paper (330 x 330 mm). Signed with monogram and dated lower right; and<br />
inscribed in Cyrillic lower center. Framed.<br />
As demonstrated in this lovely sketch for the famous Rossini opera, Dobuzhinsky was one of the most versatile artists of the Mir iskusstva<br />
[World of Art] group. He frequently drew costumes for the Ballets Russes and other theatrical troupes and was also a gifted teacher whose<br />
students included Marc Chagall and Vladimir Nabokov. After the Russian Revolution, he fled to Lithuania. He worked in the theater all over<br />
Europe before eventually settling in the United States.<br />
$6000 – $8000<br />
Lot 209. DOBUZHINSKY, Mstislav Valeryanovich (1875-1957).<br />
View of Vitebsk in winter. 1923. Lithograph (340 x 410 mm). Signed in pencil lower right; marked with monogram, dated and inscribed<br />
“Vitebsk” lower left. Framed.<br />
$1000 – $1500<br />
12 Russian Literature & Art Russian Literature & Art 129<br />
Lot 208
Lot 210. GONCHAROVA, Natalya Sergeevna (1881-1962).<br />
Des Fleures. Color lithograph (305 x 230 mm). Marked twice with artist’s stamp lower right. Framed. Exhibited: May-June, 1977, Libreria &<br />
Galleria Pan, Rome.<br />
Goncharova was a prominent figure in the pre-Revolutionary Moscow avant-garde, in which women commanded an unusual degree of<br />
freedom and respect. Her first work in the field of lithographic publishing was her illustrations to Kruchenykh and Khlebnikov’s 1912 book<br />
length poem Igra v adu [A Game in Hell], and she is considered to be the first Russian artist to use the technique of collage in book design.<br />
Goncharova was a radical both in art and life. She and Mikhail Larionov lived together for decades as an unmarried couple. They finally<br />
married in 1955 to ensure that whoever survived the other could inherit his or her paintings.<br />
$4000 – $6000<br />
Lot 210<br />
Lot 211. GONCHAROVA, Natalya Sergeevna (1881-1962).<br />
Poster design. 1935. Mixed media (color pencils, collage) on paper (230 x 172 mm). Provenance: bears the stamp of “Atelier M. Larionov” on<br />
the verso, affixed by Larionov’s second wife, Alexandra Tomilina.<br />
Preliminary design for the cover of the score El Amour Bruje by Manuel de Falla. From the Ballets de Leon Woizikovsky — European tour,<br />
1935, Theatre Coliseum, London.<br />
$4000 – $6000<br />
Lot 212. GONCHAROVA, Natalya Sergeevna (1881-1962).<br />
Christmas greeting. [N.d.]. Ink on paper. (127 x 280 mm). A holiday card in ink with floral motifs that includes a hand-written letter in French<br />
from A. Larionova to Mr. Fletcher on the back. Provenance: bears the stamp of “Atelier M. Larionov” on the verso, affixed by Larionov’s<br />
second wife, Alexandra Tomilina.<br />
$2500 – $3500<br />
130 Russian Literature & Art Russian Literature & Art 131<br />
Lot 211
Lot 213. GONCHAROVA, Natalya Sergeevna (1881-1962) and LARIONOV, Mikhail Fedorovich (1881-1964).<br />
L’art décoratif théatral moderne. Paris: Édition “La Cible”, 1919. Folio (471 x 310 mm). Title with vignette in red and black. 16 plates (6 by or<br />
after Goncharova [2 mounted and colored, 1 two-color lithograph, 1 three-color lithograph, 2 hand-colored using the pochoir process];<br />
10 by or after Larionov [1 uncolored, 1 mounted and colored, 2 printed in two colors, 6 hand-colored pochoirs with two of these printed<br />
on brown paper]). Expertly rebound to style in paper wrappers, the majority of the original upper wrapper laminated onto the upper cover.<br />
Condition: two final plates shaved with the loss of the majority of each signature, discoloration to leaf with signatures and numbering; covers<br />
discolored.<br />
limited edition to 515 copies, this copy numbered 60 and signed by goncharova and larionov, one of 500 copies numbered in<br />
Roman numerals. “Larionov and Goncharova celebrated their arrival in Paris with a large exhibition of their theatrical work in May 1919 at<br />
the Galerie Barbazanges…Th[is] impressive folio was published concurrently with the exhibition” (Parton, p.178).<br />
$30000 – $40000<br />
Lot 213 Lot 214<br />
Lot 214. KAPLAN, Anatoli Lvovich (1902-1980).<br />
Odinadtsat pesen iz evreiskoi narodnoi poezii [Eleven Songs from Jewish Folk Poetry]. [Leningrad: ] 1977. Folio (446 x 346 mm). Dry-points<br />
throughout: title with decorative vignette (verso blank), list of contents (verso blank), 11 plates, all by Kaplan, each signed in pencil beneath<br />
the image and numbered in pencil “11/15”. Unbound as issued within the original cloth portfolio, cloth ties. Condition: small blue ink spots<br />
to verso of final plate; portfolio lightly soiled. Provenance: purchased directly from the artist in 1978.<br />
number 11 of 15 sets with each leaf signed by the artist. From the 1950s on, Kaplan devoted his art to Jewish themes. Consequently, he was<br />
constantly harassed and threatened by the Soviet cultural police. He also illustrated Shalom Aleichem’s Tevye the Milkman (3 series, 1957-<br />
1966), The Enchanted Tailor (1954-57) and Song of Songs (1962), and prepared a magnificent series of colored lithographs for the traditional<br />
Passover song Chad Gadya [A Little Goat]. Despite the title page, the music by Dmitri Shoshtakovich is not included with this suite. “[His<br />
illustrations] are outside tradition; they are intensely literary; and they reflect nothing more recent than the world of Gogol. They are also so<br />
brilliantly good that in comparison Chagall seems like a clumsy amateur“ (Brookner, p. 361).<br />
$15000 – $20000<br />
132 Russian Literature & Art Russian Literature & Art 133
Lot 215. KHUDYAKOV, Andrei.<br />
Russian village. 1936. Gouache on artist board (500 x 285 mm). Signed and dated lower right; indistinctly inscribed on reverse. Framed.<br />
Khudyakov began his career in theatrical design at the Moscow Art theater. He then worked for the Berlin based cabaret company Der Blaue<br />
Vogel that was active during the particularly potent early 1920s when the German capital attracted a host of personalities, ideas and events.<br />
Khudyakov’s colleagues at Der Blaue Vogel included such notables as Boguslavskaya and Tschelischtchew. Nabokov, Belyi, Puni, Lissitzky,<br />
Altman and Ehrenburg are but a few of the Russian writers and artists who were there at the time. Subsequent to his participation in the<br />
fertile Russina èmigrè community in Berlin, Khudyakov worked in Nikita Balieff ’s Chauve-souris as well as drawing praise for his book<br />
illustrations. Eventually he emigrated to the US, and for a time worked for the WPA Federal Theater Projects.<br />
$4000 – $6000<br />
Lot 215<br />
Lot 216. KLEVER, Julius Sergius von (1850-1924).<br />
Sketch for “Depth of the Forest’” 1912. Oil on canvas (345 x 515 mm). Signed in Cyrillic and dated lower left. Inscribed in Cyrillic on reverse;<br />
“Finished sketch for a large painting Depth of the Forest exhibited in the autumn exhibition of the Friendship of Artists in 1915. Professor<br />
Julius Klever.” Framed.<br />
Julius Sergius von Klever attended the gymnasium in Dorpat. From 1867, he studied landscape painting under Michail Klodt at the Imperial<br />
Academy of Arts in St. Petersburg. He held his first exhibition outside Russia in 1873; in 1878 he became a member of the Imperial Academy<br />
in St. Petersburg and in 1881 a professor of landscape painting. He was known particularly for his exploration of the effects created by the<br />
light of the Russian sunsets on the vast snowy expanses of the forest in winter. The Russian woods in spring also inspired him as did beach<br />
scenes. He died in St. Petersburg in 1924.<br />
$50000 – $80000<br />
134 Russian Literature & Art Russian Literature & Art 135<br />
Lot 216
Lot 217. KUSTODIEV, Boris (1878-1927).<br />
Sketch and proof. 1927. A preparatory sketch for linocut from the unrealized series Narodnie Kartiny [Folk Pictures], together with a proof<br />
of the linocut (each 360 x 245 mm). Sketch signed with monogram lower left and inscribed in Russian with a traditional chastushka: “I<br />
was gathering wild berries and accidentally broke its stem; my darling prefers a simple cat to a fancy hat”; the proof is marked with artist’s<br />
monogram in Cyrillic and dated 1927. Framed separately.<br />
b. m. kustodiev was the finest russian portrait painter of his generation. Before the Russian Revolution, he was famous for his<br />
zaftig nudes and embraced the Bolshevik cause in his subsequent work. His canvases reflected his deep affection for both the old and the<br />
new. This exuberant drawing and proof express the artists great affection for the Russian peasant.<br />
$5000 – $8000<br />
Lot 218. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Kikimora. Color lithograph (365 x 265 mm). Marked with the artist’s monogram upper right. Framed.<br />
A compelling example of Larionov’s synthesis of neo-primitivism and avant-garde experimentation. Larionov was a founding member of<br />
two important Russian artistic groups: Jack of Diamonds (1909-1911) and the more radical Donkey’s Tail (1912-1913). His first one man<br />
show ran for one day in Moscow in 1911. In 1913 he created Rayonism, that is largely regarded as the first expression of near-abstract art in<br />
Russia. In 1915 he left Russia and worked with Sergei Diaghilev in Paris on the productions of the Ballet Russes. An iconoclast till the end,<br />
Larionov upheld both an artistic devotion for and an irreverence toward any and all received notions of what it meant to be an artist.<br />
$1000 – $1500<br />
Lot 217<br />
Lot 218<br />
Lot 219. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Reclining woman with dog and cat. 1937. Pencil and watercolor on paper (240 x 365 mm). Signed with monogram, dated January 1937, and<br />
inscribed in Cyrillic “To dear Vladimir Nikolaevich at Maxim’s in Paris” at upper left. Framed.<br />
A fine example of Larionov’s figure paintings of the period and a keen display of the artist’s cosmopolitanism both in subject matter and in<br />
the inscription that references the long famous destination for Parisian gourmands. “As Yuri Annenkov shrewdly noted, Larionov’s works<br />
of the 1930s possess a musical quality, created by a precision which the artist only attained after years of experience…Annenkov’s critique<br />
of these paintings characterizes them succinctly, and differentiates them in spirit, style and execution from those of earlier periods. They<br />
are among Larionov’s most profound and poignant paintings and it is unfortunate that, because they do not belong to the heroic period of<br />
Larionov’s creativity, they are not better known and appreciated” (Parton, pp. 208-209).<br />
$12000 – $18000<br />
136 Russian Literature & Art Russian Literature & Art 137<br />
Lot 219
Lot 220. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Peacock. Pochoir (510 x 295 mm). With artist’s stamp lower right and numbered 103 of 150. Framed.<br />
Separate printing from this dynamic illustration in Goncharova and Larionov’s L’Art decoratif theatral moderne.<br />
$2500 – $3500<br />
Lot 221. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Pink and Brown. 1923. Lithograph (460 x 335 mm). Signed in pencil lower right. Framed. Exhibited: Concepts in Construction: 1910-1980, 27<br />
Jan - 31 March 1985 Neuberger Museum, State University of New York at Purchase, NY; Russian Avant-Garde from the Schreiber Collection, 20<br />
Jan - 9 March, 1986, the William Benton Museum of Art, University of Connecticut.<br />
The same image was used on the cover of Mayakovksy’s poem Solntse [The Sun], published in Moscow in June 1923. The present work was<br />
reproduced as an independent graphic for Bauhaus Mappe Number 4 that appeared at the same time. Dr. A. Parton, Mikhail Larionov and the<br />
Russian Avant-Garde (Princeton, 1993), p. 192 and fig. 188.<br />
$8000 – $12000<br />
Lot 220 Lot 221<br />
Lot 222. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Cubistic still life. 1907. Watercolor on paper (180 x 250 mm). Initialed lower left, and dated lower right; signed “Larionov” and initialed on<br />
reverse. Provenance: bears the stamp of “Atelier M. Larionov” on the verso, affixed by Larionov’s second wife, Alexandra Tomilina.<br />
cubist inspired still-life with newspaper, grapes, and glasses.<br />
$4000 – $6000<br />
13 Russian Literature & Art Russian Literature & Art 139<br />
Lot 222
Lot 223. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Woman with two birds. Ink and watercolor on paper (235 x 305 mm). Initialed lower right. Matted and framed.<br />
a wonderful example of larionov’s typically wry and engaging humor. Depicts a woman with a distended belly (perhaps<br />
pregnant) releasing one bird as it takes flight and with her left hand clutching a protesting and sanguinary second bird. Larionov greatly<br />
valued the appearance of chance in his drawings, as an expression of spontaneity in the creative process. This peculiarity in his work was<br />
noted by David Burliuk in 1912, who compared it to the poetic principles of Khlebnikov: “M. Larionov’s soldier pictures represent the best<br />
examples of free drawing…an analogy in poetry would be vers libre, of which the only and the finest representative in modern poetry is<br />
Viktor (Velimir) Khlebnikov.”<br />
$6000 – $8000<br />
Lot 223<br />
Lot 224. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Portrait through the branches [Voyage en Turquie]. c. 1928. Watercolor on paper (250 x 196 mm).<br />
Initialed lower left. The initial sketch for the larger pochoir (stencil) print published in 1928. Provenance: bears the stamp of “Atelier M.<br />
Larionov” on the verso, affixed by Larionov’s second wife, Alexandra Tomilina (sale Sotheby’s New York, 21 Apr 2005, lot 261). The present<br />
Japanese-inspired work is from a folio series that Larionov produced around 1928 entitled Le Voyage en Turquie: 32 Pochoirs.<br />
$3000 – $5000<br />
Lot 225. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Postcard. c. 1915. Gouache and watercolor (145 x 92 mm). Rayonist design, stamped with monogram lower right. Provenance: bears the<br />
stamp of “Atelier M. Larionov” on the verso, affixed by Larionov’s second wife, Alexandra Tomilina. A dramatically painted Rayonist design<br />
$5000 – $8000<br />
140 Russian Literature & Art Russian Literature & Art 141<br />
Lot 224<br />
Lot 225
Lot 227<br />
Lot 226<br />
Lot 226. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Two drawings. 1914. Ink on paper (214 x 284 mm). Drawing of Igor<br />
Stravinsky conducting an orchestra. Initialed and dated.<br />
[With:] Ink on paper (215 x 160 mm). A satirical portrait of Nikita<br />
Balieff. Framed separately.<br />
A playful caricature of the impresario replete with beanie and<br />
bowtie, along with a drawing of the great composer on the stage.<br />
$1000 – $1500<br />
Lot 227. LARIONOV, Mikhail Fedorovich (1881-1964).<br />
Self portrait. 1909. Ink on paper (270 x 195 mm). Initialed and<br />
dated lower left. Framed.<br />
a shrewd and self-effacing drawing from the pioneering<br />
Russian avant-gardist.<br />
$1500 – $2000<br />
Lot 228<br />
Lot 228. LEBEDEV, Vladimir Vasilievich (1891-1967).<br />
Commune kitchen. 1924. Pencil and watercolor on paper (165 x 140 mm). Signed with initials in Cyrillic and dated lower right and further<br />
signed and dated on reverse. Framed.<br />
Lebedev started his career as a graphic designer when he was only fourteen years old by drawing postcards and within a few years he became<br />
a successful cartoonist and a prolific illustrator of children’s books. He was a master at sketching satirical scenes of early Soviet life. Here<br />
he depicts an altercation in a commune kitchen in which the comrades are accused of stealing food. Note that the artist has indicated the<br />
pattern of the formidable woman’s skirt by painting over a piece of textured fabric.<br />
$1500 – $2000<br />
Lot 229. LISSIM, Simon (1900-1981).<br />
View of Venice. Gouache on board (745 x 590 mm). Signed and dated 1959 lower right. Framed.<br />
Lissim began his career in theater design at the Kiev state Theater, where he met the influential painter and designer Alexandra Exter. He<br />
immigrated to Germany in 1919, and by 1921 had settled in Paris. At this time he began working at the Russian art publishing house of<br />
A. Kogan where he met such important artists as Soudeikine, Benois and Bakst. In addition to his work in the theater, Lissim published<br />
articles on Bakst and on questions of the decorative arts in the theater and edited the international art journal Revue de l’oeuvre (1923-<br />
1925). In 1941 he immigrated to New York, where he taught a long-running course in stage design at the City College of New York<br />
(1944-1971).<br />
$18000 – $25000<br />
142 Russian Literature & Art Russian Literature & Art 143<br />
Lot 229
Lot 230. LUKOMSKII, Georgii Kreskentevich (1884-1954).<br />
Paysage d’Italie. Pastel on paper (290 x 220 mm). Signed lower left. Framed.<br />
Graphic artist, architectural critic and historian, Lukomskii studied in the Architectural School at St. Petersburg’s Academy of Arts. In 1909,<br />
a solo exhibition of his work was held in the editorial offices of the important art periodical Apollon; his Italian sketches appeared alongside<br />
the first publication of Aleksandr Blok’s “Verses on Italy” in Apollon ( Number 4, 1910).<br />
$3000 – $5000<br />
Lot 231. MALYAVIN, Filip (1869-1940).<br />
Young peasant woman. Pastel on paper (510 x 400 mm). Signed lower right. Framed.<br />
Born in the village of Kazanka on the Volga into an illiterate peasant family, Malyavin taught himself to draw at a young age. He soon came to<br />
the public’s attention through his boldly executed and colorful depictions of peasant life. Perhaps as a result of his humble origins, he found<br />
himself as unofficial court painter of the Bolsheviks, and sketched many leaders (Lenin, Trotsky, Lunacharsky) in the Kremlin during1920-<br />
21. He emigrated to France the following year.<br />
$4000 – $6000<br />
Lot 230<br />
Lot 231<br />
Lot 232. POZHEDAEV, Georgii Anatolevich (1897-1971).<br />
Three gypsy dancers with tambourines. 1937. Charcoal, watercolor and gold pigment on paper (450 x 595 mm). Signed “Georges A. de<br />
Pogedaieff ” and dated 1937 lower left. Framed.<br />
Pozhedaev entered the Moscow School of Painting, Sculpture and Architecture in 1915 after serving in the Imperial Army. In 1916, he<br />
entered the St. Petersburg Academy of Art, leaving the following year to work as a designer for Théatre Intime. In 1920, he émigrated to<br />
Romania and shortly thereafter, to Prague, where he created sets for Anna Pavlova’s ballet company. Pozhedaev moved to Paris in 1925<br />
to work in Nikita Baleiff ’s Théatre de la Chauve-souris. In 1937 he abandoned stage design and moved on to painting scenes of Paris and<br />
Provence, colorful still lives and graphic portraits as well as acquiring a reputation as a great master of book illustrations. Over the years<br />
he worked on an extensive list of the Russian classics including works by Gogol, Pushkin, Lermontov, Dostoevsky and many others. He<br />
is generally considered among the finest of the considerable group of Russian émigré artists working in cabaret and theatrical design in<br />
Western Europe in the 1920s.<br />
$20000 – $30000<br />
144 Russian Literature & Art Russian Literature & Art 145<br />
Lot 232
Lot 233. POZHEDAEV, Georgii Anatolevich (1897-1971).<br />
Spanish dancer. 1930. Mixed media on paper (485 x 305 mm). Signed, dated and inscribed lower left. Framed.<br />
Along with his work in Paris with Balieff ’s Theatre de la Chauve-souris, Pozhedaev decorated numerous performances for the Russian<br />
repertoire in Madrid and Barcelona. The present work reflects his later engagement with Spanish culture while still displaying his aesthetic<br />
preoccupations with the art of movement and the theatrical.<br />
$5000 – $8000<br />
Lot 233<br />
Lot 234. PUNI, Ivan Albertovich [Jean Pougny] (1894-1956).<br />
Puni. Petrograd. Suprematist artist’s book with collages, cutouts and paintings, circa 1920. (140 x 105 mm). Original patterned paper wrappers<br />
with a collage on the front and a gouache affixed to the inside of the back wrapper. Provenance: Puni archive with artist’s personal stamp on<br />
the back wrapper.<br />
Puni was one of the most radical of Russian avant-garde artists of the early twentieth century. After studying abroad in Paris, he joined<br />
Kazimir Malevich’s Suprematist group of artists that included Aleksandra Exter, Ivan Kliun, Liubov Popova, Olga Rozanova, and his future<br />
wife Ksenia Boguslavskaya. He also organised two key exhibitions of the Russian avant-garde in Petrograd, “Tramway W” in 1915 and the<br />
last Futurist exhibition “0.10” in 1916. In 1919 he taught at the Vitebsk Art School with Marc Chagall. In 1920 he émigrated with his wife,<br />
stopping first in Germany and then settling in France where he changed his name to Jean Pougny. This unpublished book is a work of art<br />
unto itself. In addition to the lettered collage on the front cover, there are nonsense words cut out of pages, plucked from an unidentified<br />
Russian pamphlet, with the pages behind painted to give the letters various colors. A gouache collage is attached to a later leaf and a stunning<br />
small Suprematist goauche is afixed to the recto of the back wrapper.<br />
$15000 – $20000<br />
146 Russian Literature & Art Russian Literature & Art 147<br />
Lot 234
Lot 235. PUNI, Ivan Albertovich [Jean Pougny] (1894-1956).<br />
Ty [You]. Gouache of a Suprematist man painted on a postcard, circa 1920. (140 x 90 mm).<br />
Provenance: Puni archive with artist’s personal stamp on verso.<br />
$5000 – $8000<br />
Lot 236. PUNI, Ivan Albertovich [Jean Pougny] (1894-1956).<br />
Ya [I]. Gouache of a Suprematist woman painted on a postcard, circa 1920. (140 x 90 mm).<br />
Provenance: Puni archive with artist’s personal stamp on verso.<br />
$5000 – $8000<br />
Lot 237. PUNI, Ivan Albertovich [Jean Pougny] (1894-1956).<br />
[Untitled]. Gouache of a Suprematist man painted on a postcard, circa 1920. (140 x 90 mm).<br />
Provenance: Puni archive with artist’s personal stamp on verso.<br />
$5000 – $8000<br />
Lot 235 Lot 236 Lot 237<br />
14 Russian Literature & Art Russian Literature & Art 149<br />
Lot 237
Lot 238. RYBACK, Issacher Ber (1897-1935).<br />
Shtetl. Mayn chorever heym. [Shtetl. My Destroyed Home, A Recollection].<br />
1923. Pencil on paper mounted on board (330 x 450 mm). Original<br />
design for title page of the book. Signed lower right.<br />
Ryback initially experimented with Cubism and then turned to<br />
painting Jewish subjects in the 1920s when critics and collectors<br />
began to appreciate his analytic Cubism and recognize his<br />
importance in the Russian avant-garde movement. He was an<br />
important member of the Russian Jewish modernist movement that<br />
included Lissitzky, Altman, Aronson and Chagall.<br />
$5000 – $8000<br />
Lot 239. RYBACK, Issacher Ber (1897-1935).<br />
Russian Cossack. Charcoal on card (402 x 265 mm). Framed.<br />
Ryback’s untimely death was made all the more tragic which it<br />
ocurred on the eve of an important retrospective in Paris that would<br />
have presented his considerable talents to a larger audience.<br />
$800 – $1200<br />
Lot 240. RYBACK, Issacher Ber (1897-1935).<br />
Drawing of three officers. Pencil and charcoal on artist board (360 x<br />
288 mm). Illustration for an unknown novel. Framed.<br />
$1000 – $1500<br />
Lot 241. RYBACK, Issacher Ber (1897-1935).<br />
Drawing of three drunken Cossacks. Charcoal on card (328 x 415 mm).<br />
Signed lower right and ironically inscribed“Fairy Tale” in Cyrillic<br />
upper left. Illustration for an unknown Russian story. Framed.<br />
The painter Edouard Roditi said, “Ryback may be generally<br />
recognized as an artist whose genius bears comparison only with<br />
that of Chagall.”<br />
$1200 – $1800<br />
Lot 238<br />
150 Russian Literature & Art Russian Literature & Art 151<br />
Lot 240<br />
Lot 241<br />
Lot 239
Lot 242<br />
Lot 242. RYBACK, Issacher Ber (1897-1935).<br />
Sketchbook. Pencil on paper. 24 works in spiral bound sketchbook<br />
(340 x 265 mm) and 9 works loose (280 x 215 mm).<br />
A charming series of sketches depicting bucolic scenes of domestic<br />
life and dockside observations.<br />
$5000 – $80000<br />
Lot 243. RYBACK, Issachar Ber (1897-1935).<br />
Fifteen Original Pencil on Paper Designs for Russian Yiddish Theatre<br />
Stage Sets. A modern album containing 15 loosely inserted original<br />
pencil on paper drawings, printed title on upper cover. Folio<br />
(447 x 340 mm), 15 paper and clear acetate sleeves, each containing<br />
a single leaf (420 x 337 mm. and smaller) with original drawings in<br />
pencil and pen, ink and pencil by Ryback, some sheets irregularly<br />
shaped. Modern cloth portfolio, paper title label on upper cover,<br />
ribbon ties. Condition: two drawings with tears into the image<br />
area, some other small tears to margins or holes, occasional light<br />
spotting.<br />
$5000 – $8000<br />
Lot 243<br />
Lot 244. SHILDER, Andrei Nikolaevic (1861-1919).<br />
Forest Brook. 1912. Oil on canvas (540 x 785 mm). Signed in Cyrillic and dated lower right. Framed.<br />
Shilder apprenticed under Ivan Shishkin and graduated from the Imperial Academy of Arts in St. Petersburg. He became a member in 1861.<br />
Under the influence of Pavel Fedotov, he painted a series on the realities of Russian village life. He also painted portraits including that of<br />
Tsar Alexander III.<br />
$30000 – $50000<br />
152 Russian Literature & Art Russian Literature & Art 153<br />
Lot 244
154 Russian Literature & Art<br />
Lot 245. SOMOV, Konstantin Andreevich (1869-1939).<br />
Portrait of Mrs. Girshman. 1928. Pastel (370 x 255 mm). Signed, inscribed<br />
“Paris” and dated Nov. 1928 lower right. Framed. Exhibited: 14 June - 17<br />
September 1967, The Gallery of Modern Art, New York. Illustrated: A Survey<br />
of Russian Painting : Fifteenth Century to the Present; p. 64.<br />
an exquisite portrait of the famous russian patroness.<br />
Somov was one of the greatest Russian portraitists. His father was a curator<br />
at the Hermitage and he studied under Ilya Repin at the Imperial Academy<br />
of Arts from 1888 to 1897. While there, he became friends with Sergei<br />
Diaghilev, Léon Bakst and Alexandre Benois and was a founding member<br />
of the influential Mir Iskusstva [World of Art] group in St. Petersburg. His<br />
elegant portraits of Aleksandr Blok, Mstislav Dobuzhinsky, Vyacheslav<br />
Ivanov, Mikhail Kuzmin and others helped define the luxurious Silver Age.<br />
After the Revolution, Somov left for the United States but did not care for<br />
America and went to Paris to live and work in 1925. It was there that his old<br />
friend from St. Petersburg, Mrs. Girshman, posed for her portrait. Genrietta<br />
Leopoldovna Girshman (1895-1970) was a grand patroness of Russian<br />
composers, musicians, authors and artists. She and her businessman husband<br />
Vladimir held an esteemed salon in St. Petersburg. She was also friends with<br />
Benois, Stravinsky, Rachmaninoff, Nabokov and nearly every other important<br />
Russian artistic figure of the first half of the twentieth century, both in prerevolutionary<br />
Russia and in exile. Valentin Serov’s portraits of both Girshmans<br />
are among that artist’s best known paintings. Somov had previously painted<br />
Mrs. Girshman’s portrait in 1915; she and her husband were avid collectors of<br />
his works, owning eighty works. This pastel is arguably one of Somov’s most<br />
penetrating and sympathetic portraits.<br />
$100000 – $150000
Lot 246. SUDEIKIN, Sergei Iurevich [Serge Soudeikine] (1882-1946).<br />
Pierrot Serenading. c. 1922. Pencil, watercolor, gouache on artist board (260 x 195 mm). Framed. Provenance:<br />
estate of Jeanne Palmer Sudeikin, Oct 1975.<br />
The present work is most likely from “The Deceived Parrot,” a musical number staged at the Theatre de la<br />
Chauve-souris (The Bat Theatre), an international musical theater under the direction of Nikita Balieff.<br />
$10000 – $15000<br />
Lot 246<br />
Lot 247. SUDEIKIN, Sergei Iurevich [Serge Soudeikine] (1882-1946).<br />
Kukly [Dolls]. Oil on canvas (575 x 655 mm). Signed.<br />
A striking example in oil of Sudeikin’s deft and vigorous art and one that is less stylized than much of his theatrical work. Banned from<br />
the Moscow School of Painting, Sculpture and Architecture for “obscene drawings,” Sudeikin fell in with Sergei Diaghilev and Alexandre<br />
Benois’ Mir iskusstva [World of Art] group. Soudeikin quickly became one of the most versatile artists of the Silver Age. He combined an easy<br />
familiarity with set design, poster art and easel work and was a central figure in the evolution of Russian stage design. His depiction of these<br />
elegant commedia del’arte dolls demonstrates his long-held fascination with theatrical subjects. Note the tragedy and comedy masks in the<br />
background.<br />
$40000 – $60000<br />
156 Russian Literature & Art Russian Literature & Art 157<br />
Lot 247
Lot 248 Lot 249<br />
Lot 250<br />
Lot 248. TERESKOVICH, Konstantin (1902-1978).<br />
Portrait of a man.1958. Ink on paper (430 x 285 mm). Signed with<br />
monogram and dated lower right. Framed.<br />
[With:] Portrait of a woman. 1950. Pencil and charcoal on paper<br />
(390 x 465 mm). Signed and dated lower right. Framed.<br />
$5000 – $8000<br />
Lot 249. TERESKOVICH, Konstantin (1902-1978).<br />
Young Equestrian. Color lithograph (615 x 465 mm). Signed lower<br />
right and numbered 28 of 50. Framed.<br />
$1000 – $1500<br />
Lot 250. TERESKOVICH, Konstantin (1902-1978).<br />
Venetian Page. [19]53. Color lithograph (645 x 495 mm). Signed<br />
lower right and dated. Numbered 118 of 120. Framed.<br />
$1000 – $1500<br />
Lot 251. VASILIEV, Nikolai Ivanovitch (1892-1970).<br />
Country Road. Oil on canvas (490 x 620 mm). Signed lower right. Framed.<br />
Nicolas Vasiliev was born in Moscow in 1892 and graduated from the Moscow Academy of Fine Arts. He studied at K. Yuon and I. Dubin’s<br />
studio-school in Moscow in early 1900, then attended the Moscow College of Painting, Sculpture and Architecture from 1906-1909. Vasiliev<br />
followed a somewhat peripatetic existence until his early thirties. He was active in Moscow until 1919 including a teaching appointment at<br />
Moscow Free Art Studios. From there he moved to Istanbul in 1919, then to Germany and France in 1922, and finally settling permanently<br />
in the USA in 1923. He died in Massachusetts in 1970. Contemporary artists who admired his work include Fairfield Porter and fellow<br />
émigré David Burliuk, whose portrait he painted.<br />
$20000 – $30000<br />
15 Russian Literature & Art Russian Literature & Art 159<br />
END OF SALE<br />
The next sale of Rusian Literature and Art will be held on 4 December 2008<br />
Lot 251
INAUGURAL PHOTOGRAPHS SALE | NEW YORK<br />
Compilation attributed to Baron<br />
von Brandis: The Countries of the Amur,<br />
Eastern Siberia, Western Siberia<br />
and the Urals, 1860-1866.<br />
St. Petersburg: Karl Rikker, 1870.<br />
Plate 264 Town-sledge at Omsk.<br />
In five volumes.<br />
Estimate: $800,000-1,200,000<br />
NewYork, 17 October 2008<br />
<strong>Bloomsbury</strong> <strong>Auctions</strong><br />
6 West 48th Street, NewYork, NY 10036<br />
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The Ivan ColleCTIon<br />
RussIan lITeraTuRe and WoRks on PaPeR<br />
BloomsBuRy<br />
neW yoRk<br />
aleksandr mikhailovich Rodchenko (1891-1956).<br />
Dzhon Gartfild [John Heartfield]. 1939.<br />
240 x 300 mm.<br />
Photocollage of the great German<br />
political photocollagist.<br />
estimate: $35,000-$45,000<br />
new york, 4 december 2008<br />
<strong>Bloomsbury</strong> auctions<br />
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Please bid on my behalf at your sale on ....................................................................... up to the price indicated below. These bids are made subject to the<br />
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10% thereafter will be added to the hammer price.<br />
LOT TITLE<br />
Buyers unknown to us are advised to make payment arrangements before the sale.<br />
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