RUSSIAN - Bloomsbury Auctions
RUSSIAN - Bloomsbury Auctions
RUSSIAN - Bloomsbury Auctions
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Lot 60<br />
Lot 61<br />
Lot 60. KARDOVSKII, Dmitrii Nikolaevich (1866-1943)<br />
(illustrator).<br />
Nevskii Prospekt. St. Petersburg: Kryzhok Liubitelei Russkikh<br />
Izyaschykh Isdanii, 1905. 73 pp. Folio (295 x 210 mm). By<br />
Nikolai Vasilievich Gogol. Printed by R. Golike and A. Vilborg, St.<br />
Petersburg. Rebound in contemporary half leather over marbled<br />
boards’ spine stamped in gilt. Condition: slight abrading to boards,<br />
last gathering loose. Provenance: presented Aleksandr Sergeevich<br />
Ermolov as stated on the limitation leaf.<br />
number 6 of 125 numbered copies from an edition of 150.<br />
An unusually delightful edition of Gogol’s famous story illustrated<br />
by Kardovskii in the period in which it was written.<br />
$3000 – $4000<br />
Lot 61. KHLEBNIKOV, Velimir<br />
[Viktor Vladimirovich Khlebnikov] (1885-1922) and<br />
Valentina Nikiforovna KULAGINA-KLUTSIS (1902-1987)<br />
(illustrator).<br />
Zapisnaya knizhka Velimira Khlebnikova. Sobral i snabdil primechaniyami<br />
A. Kruchenykh [Velimir Khlebnikov’s Notebook. Collected and Supplied<br />
with Notes by A. Krchenykh]. Moscow : Izdanie Vserossiiskogo Soiuza<br />
Poetov, 1925. 32 pp. Small square 8vo (190 x 140 mm). Portrait<br />
frontiispiece. Original tan wrappers designed by V. N. Kulagina-<br />
Klutsis. Condition: small tears to covers.<br />
rare posthumous publication of the great russian<br />
futurist writer and edited by his fellow advocate of the<br />
‘transrational’ kruchenykh. One of 2000 copies. Khlebnikov<br />
was a seminal figure in the Russian Futurist movement and one of<br />
the most influential Russian poets of the modern age. In 1912 he<br />
coined the neologism Budetlyane (Men of the Future), encapsulating<br />
the Futurist ethos in one word. His fellow Futurist poet Aleksei<br />
Kruchenykh edited this notebook after his friend suffered a stroke<br />
and tragically died at the age of 37. MoMA 598.<br />
$1000 – $1500<br />
Lot 62. KIRSANOV, Semen Isaakovich (1906-1972).<br />
Stikhi v stroiu [Verse in the Ranks]. Leningrad: OGIZ, 1932. Panorama<br />
designed by Nikolai Ilin. Folio (285 x 210 mm). Original two-color<br />
photomontage self-wrappers. Condition: wrappers slightly creased<br />
with minor repair at fold.<br />
rare soviet propaganda panorama. one of 5000 copies.<br />
From an early age, Kirsanov wrote poems about the Revolution,<br />
the Red Army and the liquidation of illiteracy. On moving from<br />
Odessa to Moscow, he joined Vladimir Mayakovsky’s “Lef ”<br />
movement. During the 1930s, he wrote propaganda that promoted<br />
the agitational goals of the Soviet goverment. Stikhi v stroiu glorifies<br />
May Day and provides at least one lively marching song. The design<br />
of the foldout with its bold typographical experimentation is a fine<br />
example of Constructivist aesthetics. The only located copy of this<br />
fragile pamphlet in a public institution is in the Russian National<br />
Library in St. Petersburg.<br />
$2000 – $3000<br />
Lot 63. KONDAKOV, Nikodim Pavlovich (1844-1925).<br />
The Russian Icon. Prague: Seminarium Kondakovianum, 1928. Folio<br />
(424 x 322 mm). Title in red and black. 65 mounted colored plates.<br />
Text: stitched, as issued; plates: unbound, as issued, all within a single<br />
cream card portfolio, covers of the portfolio printed in red and gilt.<br />
Condition: light soiling; light spotting and small tears to portfolio.<br />
Kondakov was a Russian historian and a specialist in history of<br />
Byzantine art. He enjoyed a long and distinguished career as an<br />
academic, teaching at the Moscow Art School, the University of<br />
Novorossia and St. Petersburg University. Soon after the revolution<br />
Kondakov emigrated to Bulgaria and then to Prague where he<br />
taught until his death in 1925. He archived a prodigious amount of<br />
Russian art, much of it largely unknown, employing iconographic<br />
principles to their study. Kondakov wrote numerous books on the<br />
history of Ancient Greek, Russian, Georgian and Byzantine art;<br />
and his lectures proved to have an enormous influence upon many<br />
future Russian historians. Icons were cultural artifacts to Kondakov<br />
as much as art objects; his work stresses their position within a larger<br />
historical context. He organized art by region or what he termed a<br />
“common tendency” from which he portrayed an entire epoch.<br />
$1500 – $2000<br />
42 Russian Literature & Art Russian Literature & Art 43<br />
Lot 62<br />
Lot 63