RUSSIAN - Bloomsbury Auctions
RUSSIAN - Bloomsbury Auctions
RUSSIAN - Bloomsbury Auctions
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Lot 57<br />
Lot 58<br />
Lot 57. JSZELENOF, Nikolai [Nikolai Ivanovich<br />
ISTSELENOV] (1891 - 1981).<br />
Moskauer Typen. [Moscow Types] Berlin: Trirema Verlag, [1922].<br />
11 pp. 8vo (230 x 155 mm). 11 lithographs (including title page).<br />
Original cloth-backed lithographed tan boards with the original<br />
black silk ties intact. Condition: occasional spotting to covers, back<br />
hinge reglued, spine neatly repaired.<br />
number 26 of 100 copies and signed and numbered by the<br />
artist in red ink. quick pithy studies of the orator, the<br />
red guard, various peddlers and other contemporary<br />
soviet street types. Istselenov studied painting and received an<br />
architectural degree in 1917. He emigrated to Finland about 1920<br />
and illustrated Russian books and designed for the Russian theater<br />
while living in Berlin from 1921 until 1925. He then settled in<br />
Paris where he continued to work as an artist and architect. Not in<br />
MoMA.<br />
$2000 – $3000<br />
Lot 58. KAMENSKY, Vasily Vasilevich (1884-1961) and<br />
Aleksandr Mikhailovich RODCHENKO (1891-1956)<br />
(illustrator).<br />
Lunost Mayakovskogo [Mayakovsky’s Youth]. Tiflis: Zakkniga, 1931.<br />
84 pp. 8vo (180 x 130 mm). Constructivist designs by Rodchenko.<br />
Original paper on lithographic cardboard covers in red, gray and<br />
black. Condition: joints repaired with split at tail of rear board with<br />
slight loss; extremities rubbed, small stamps and ink marks on rear<br />
pastedown and endpaper, unobtrusive scattered marginalia in red<br />
and black pencil.<br />
Includes a drawing of Kamensky by Mayakovsky and five printed<br />
announcements of Futurist activities, two of which are integrated<br />
with the text. Kamensky’s frienship with Mayakovsky extends back<br />
at least as far as 1917 when the two, together with David Burliuk,<br />
organized The Poets’ Cafe in Moscow. Not in MoMA.<br />
$1800 – $2500<br />
Lot 59. [KANDINSKY, Wassily (1866-1944)].<br />
Trudy vserossiiskago sezda khudozhnikov v Petyrograd Dekabr 1911-Yanvar 1912 [All-Russian Congress of Artists in Petrograd from December 1911<br />
to January 1912]. Petrograd: [Golike and A. Vilborg, n.d.]. 3 volumes. Folio (350 x 253mm. and smaller). Plates, occasional illustrations.<br />
Later grey cloth with original paper wrappers mounted on the upper and lower covers (volumes I and III) or orginal wrappers (volume II).<br />
Condition: light overall toning, occasional small marginal tears to volume II; light soiling to volumes I and III, volume II with stitching broken,<br />
covers detached and lightly soiled, backstrip lacking.<br />
first publication in russian of kandinsky’s seminal essay “on the spiritual in art.” With addresses by Alexandre Benois, Ivan<br />
Yakovlevich Bilibin, Nicolai Ivan Kulbin and others. The All-Russian Congress of Artists in 1911 combined both the new and the old. It<br />
held the first exhibition of restored icons; and Kandinsky’s famous statement “O dukhovnom v iskusstve (zhivopis)” [“On the Spiritrual in<br />
Art (Painting)”] was presented in December. It was published for the first time in Russian here in the first volume of the official proceedings<br />
of the Congress, pp. 47-52. Kandinsky passionately argued for nonobjective art and thus defined the modern concept of abstract art. Franz<br />
Marc arranged for the essay’s publication in Munich and an English translation came out in 1914. Not in MoMA. (3)<br />
$6000 – $8000<br />
40 Russian Literature & Art Russian Literature & Art 41<br />
Lot 59