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Cer Magazine International n.20 - Tilmar Ceramics

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24 <strong>Cer</strong> <strong>Magazine</strong><br />

Set in the hills near<br />

Piacenza, this villa plays on<br />

the volumes and textures<br />

of its cladding. The<br />

geometric austerity of its<br />

architecture is tempered by<br />

the profuse light that<br />

enters through the large<br />

front windows<br />

PORCELAIN TILE IS ALSO USED<br />

TO CLAD THE OUTSIDE OF<br />

THE VILLA (THIS PAGE AND<br />

OPPOSITE).<br />

TWO DIFFERENT-SIZED<br />

RECTANGULAR TILES ARE<br />

USED IN TWO DIFFERENT<br />

COLOURS.<br />

ONLY THE MAIN ENTRANCE IS<br />

FRAMED BY A PLAIN PLASTER<br />

SURROUND WITH A GLOSSY<br />

CEMENTITIOUS FINISH<br />

interior design<br />

The Porcelain<br />

TILE HOUSE<br />

PHOTOS Andrea Roscini<br />

DESIGNER Adriana Fantini,<br />

Tomassini Fantini Bolici Architetti Associati<br />

BUILDING CONTRACTOR Edil CBC<br />

DISTRIBUTOR Tiles Srl, Piacenza<br />

TILES Casalgrande Padana<br />

BATHROOM FITTINGS <strong>Cer</strong>amica Flaminia<br />

by Laura Ragazzola<br />

Compositional simplicity and essential layouts,<br />

spaces used to their maximum potential, natural<br />

light and a study of attractive, long-lasting materials<br />

were the guiding principles behind the<br />

project for this single-family residential unit designed<br />

by the TFB architectural studio. “The challenge was to<br />

adapt the austerity of the geometric shapes (three different<br />

volumes that fit one into the other) to a functional living space<br />

with distinctive, comfortable interiors whose large windows<br />

open onto the outside,” explained one of the designers. This<br />

is certainly the case with the daytime areas; on the same level<br />

as the garden, they extend outside via a portico. The night<br />

quarters, on the other hand, are more intimate. Located on a<br />

higher level than the living-room, they are also further back<br />

thanks to the steps set into the main façade. The wide entrance<br />

portal, set off by a white plaster surround, connects the<br />

night and daytime areas, linking them at the same time to the<br />

third volume located at the rear of the building where all the<br />

technological systems and services are housed. The modern<br />

slant given to the spaces and volumes is also reflected in the<br />

choice of materials, or rather material - porcelain tile produced<br />

by Casalgrande Padana - used for both the façade cladding<br />

and interior flooring. This achieves a sense of continuity<br />

between the “inside” and ”outside” of the house, extending<br />

it outwards by using the same covering material. In spite of

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