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The annual report on the world's most valuable ... - Brand Finance

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Visual<br />

c<strong>on</strong>necti<strong>on</strong>s<br />

in Banking…<br />

Peter Farnell-Wats<strong>on</strong>, director, Vi360 limited*<br />

Have you ever c<strong>on</strong>sidered how people c<strong>on</strong>nect<br />

and associate <strong>the</strong>mselves in <strong>the</strong> <strong>most</strong> primary and<br />

fundamental way with <strong>the</strong>ir nati<strong>on</strong>ality, religi<strong>on</strong><br />

or favourite sporting team?<br />

Is it <strong>the</strong> an<strong>the</strong>m, prayer or <strong>the</strong> sporting chant?<br />

Or is it <strong>the</strong> texture of <strong>the</strong> countryside, <strong>the</strong> experience<br />

of participati<strong>on</strong>, or <strong>the</strong> aura of <strong>the</strong> home game?<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> answer perhaps is a hard-wired c<strong>on</strong>necti<strong>on</strong><br />

with some basic and very specific visual cues -<br />

colours and shapes in flags for nati<strong>on</strong>s, ic<strong>on</strong>ography<br />

for religi<strong>on</strong>, and names, symbols and colours for<br />

sporting teams. It’s a sort of indispensible visual<br />

heritage that over time has been burned into<br />

<strong>the</strong> subc<strong>on</strong>scious.<br />

While <strong>the</strong> fundamentals are <strong>the</strong>re, <strong>the</strong> challenge of<br />

maintaining visual c<strong>on</strong>tinuity today is becoming more<br />

complex, with nati<strong>on</strong>s now adopting brands and<br />

logotypes to promote tourism, religi<strong>on</strong> has become<br />

more visual to retain and regain c<strong>on</strong>gregati<strong>on</strong>s, and<br />

sporting teams now have a raft of various different<br />

strips and sp<strong>on</strong>sors too.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> challenge is <strong>the</strong>re, but people are becoming<br />

more sophisticated and in tune with all this - where<br />

<strong>the</strong>y can dial out <strong>the</strong> peripheral and less important<br />

visual cues and focus <strong>on</strong> <strong>the</strong> key <strong>on</strong>es which <strong>the</strong>y<br />

have stored in <strong>the</strong>ir minds to maintain <strong>the</strong> c<strong>on</strong>necti<strong>on</strong><br />

with <strong>the</strong>ir team.<br />

But <strong>the</strong> story does not stop here. As teams and<br />

organisati<strong>on</strong>s c<strong>on</strong>tinue to evolve and forge new<br />

relati<strong>on</strong>ships, supporters have to update <strong>the</strong>ir visual<br />

reference memory banks in order to keep abreast<br />

with recogniti<strong>on</strong>.<br />

What about banks? Does this thinking relate to<br />

<strong>the</strong>m too? What is <strong>the</strong> basic c<strong>on</strong>necti<strong>on</strong> between<br />

customers and <strong>the</strong>ir banks, and how do potential<br />

customers know which bank is which?<br />

While <strong>the</strong> experts will <strong>most</strong> likely answer that<br />

it is <strong>the</strong> mighty brand, and perhaps <strong>the</strong> newer<br />

c<strong>on</strong>cept of ‘reputati<strong>on</strong>’, that really makes <strong>the</strong><br />

difference, it would seem that <strong>the</strong> humble visual<br />

identity (which experts will agree is wrapped up and<br />

part of <strong>the</strong> brand) is al<strong>most</strong> taken for granted.<br />

While <strong>the</strong>re is excitement when a bank adopts<br />

a new or revised visual identity, what happens<br />

five years later when <strong>the</strong> bank still looks largely<br />

<strong>the</strong> same?<br />

Should all aspects of <strong>the</strong> visual wrapping paper<br />

and face of <strong>the</strong> bank be kept <strong>the</strong> same, or should<br />

parts of it play a str<strong>on</strong>ger and more dynamic role<br />

in attracting, forging and keeping relati<strong>on</strong>ships<br />

with customers? Experts will say that brands need<br />

to be differentiated and kept relevant in order<br />

to keep abreast and ahead of market needs. So too<br />

must brands evolve <strong>the</strong>ir visual identities.<br />

Banks operate in <strong>the</strong> retail and service sector,<br />

but unlike shops, where <strong>the</strong>y can be kept fresh<br />

indirectly through new visual merchandise, banks<br />

have no chance to use <strong>the</strong> same opportunity to keep<br />

up to date in <strong>the</strong>ir customer’s minds.<br />

With <strong>the</strong> reputati<strong>on</strong> of banks being at <strong>the</strong>ir lowest<br />

for many years and with <strong>the</strong> likelihood of regulatory<br />

changes in <strong>the</strong> future, it would seem that banks<br />

must find a way to repositi<strong>on</strong> <strong>the</strong>mselves and<br />

to develop <strong>the</strong>ir identities in such a way that <strong>the</strong><br />

key visual elements can c<strong>on</strong>tinually evolve and work<br />

for <strong>the</strong>m in being attractive, fresh and relevant.<br />

Banks have come some way since <strong>the</strong>ir old sign<br />

shingles which used to adorn <strong>the</strong>ir buildings<br />

in <strong>the</strong> City of L<strong>on</strong>d<strong>on</strong> (Eagle for Barclays Bank,<br />

Griffin for Midland Bank, etc), but with <strong>the</strong> visual<br />

sophisticati<strong>on</strong> and appetite of c<strong>on</strong>sumers changing<br />

so quickly, <strong>the</strong> use of electr<strong>on</strong>ic media playing more<br />

of a role in maintaining and developing relati<strong>on</strong>ships<br />

with customers and o<strong>the</strong>r financial and n<strong>on</strong>-financial<br />

newcomers coming into <strong>the</strong> market, <strong>the</strong> role<br />

of visual identity will need to work much harder<br />

for Banks just to stay abreast in <strong>the</strong> brand<br />

preference stakes.<br />

So think about this as viewers around <strong>the</strong> world<br />

watch <strong>the</strong>ir teams participate in <strong>the</strong> 2012 L<strong>on</strong>d<strong>on</strong><br />

Olympics Games and how basic visual elements can<br />

play such an important and str<strong>on</strong>g role in identifying<br />

and c<strong>on</strong>necting people.<br />

But also c<strong>on</strong>sider how in this fast changing world<br />

whe<strong>the</strong>r a passive visual identity is going to be<br />

enough to do <strong>the</strong> business of identifying, attracting<br />

and retaining customers for banks.<br />

*VI360 is part of <strong>the</strong> <strong>Brand</strong> <strong>Finance</strong> family<br />

67 © <strong>Brand</strong> <strong>Finance</strong> plc 2012<br />

© <strong>Brand</strong> <strong>Finance</strong> plc 2012<br />

68

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