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VALUABLE LESSONS - Nicholls + Vickers

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Valuable Lessons 279<br />

Could we have changed Super Cooper to a show in which a twelveyear-old<br />

girl fights evildoers using different super powers every day? Yes<br />

Ma’am. Is that the way children’s television works? No it isn’t. They buy<br />

it, they “fix” it, you make it, and then the testing needle writes and, having<br />

writ, moves on. Fifty adults birth a show then toss it to young Billy Mumy<br />

and cringe while they wait to see who’s going to be sent to the cornfield.<br />

A lot of money could be saved if some children were brought into the<br />

meetings when the story was being written. “Hey kids, do you want a<br />

Message here, or something funny?” Will they ever do it that way? No they<br />

will not. Because that would bypass all the bullshit, and that’s all that some<br />

people have to sell. Am I bitter? No I am not. As I write this, Steve,<br />

Darrell and I have begun re-developing this pilot for a live-action series in<br />

the Sabrina mold, also at Disney. From the ashes of the old the wheat<br />

springs high. ($24,333.26)<br />

Did I mention I loathe reality shows? In 2004 we pitched around a<br />

show called Employee Of The Month. When UPN exec Chris Sloane liked<br />

the idea it was called Take This Job And Shove It. He indicated to us and<br />

reality guru Bruce Nash that his boss, Doug Herzog, was keen on the idea.<br />

We all filed into Herzog’s office one day – me, Darrell, Bruce, Doug, Chris<br />

and various other execs from UPN and from Nash Entertainment – and the<br />

meeting began thusly:<br />

DOUG HERZOG<br />

First off, this idea, Take This<br />

Job And Shove It... I’ve gotta<br />

tell you, I still don’t like it.<br />

Three-second pause. Andrew claps his hands together.<br />

ME<br />

Well! That’s all we had, so...<br />

goodbye!<br />

Darrell and I got up and left. The pitch had lasted ten seconds. God, I wish more<br />

of them were like that.<br />

Lone Eagle Entertainment’s Michael Geddes, who produced Canada’s<br />

Popstars, liked the idea, changed it to The Temp, and when we received the<br />

contracts – twenty signatures on twelve documents; literally a hundred times<br />

the thickness of the show proposal – it had become pluralized. (Several<br />

months later it popped up on Global’s website as The Office Temps, possibly<br />

re-renamed to trade on the popularity of BBC’s The Office. I suppose I

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