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sigh<br />
I feel like Tippi Hedren among the<br />
pigeons of Piazza San Marco. They look<br />
well, except for the dead ones. The Danieli is<br />
two minutes’ walk from the piazza, steps<br />
away from the Bridge of Sighs: the hotel’s<br />
ancient reception is fantastic, pure Venetian<br />
Gothic, originally an open courtyard with its<br />
arches and ballustrades. A glass ceiling was<br />
added sometime between the 14th and 17th<br />
centuries. No-one knows when. Mighty<br />
marble columns, marble floors scattered with<br />
fine rugs, Murano glass chandeliers, ornate<br />
gilded and painted plasterwork and marble<br />
walls - oh, stop right there, those walls are<br />
faux marble, but again nobody knows from<br />
which century. Venice’s shops are full of<br />
carnival masks and the Danieli, keeping all<br />
these secrets, seems to be wearing one too.<br />
These masks are part of the city’s<br />
mystique. Venetians and visitors will don<br />
masks and costumes for the lovers’ ball at the<br />
Papafava Palace on St Valentine’s night, just<br />
one event in the Carnival that this year runs<br />
from 13 to 24 February. This is one of – if<br />
not the – most romantic cities of the world,<br />
a perfect setting for proposals and the<br />
gathering of brownie points. Once the dawn<br />
breaks, and the music fades, there are<br />
wonderful strolls to be had along the canals<br />
and narrow streets, art and churches to glory<br />
in, hideously pricey but delicious<br />
cappuccinos to sip and an atmosphere<br />
second-to-none to suck up and enjoy.<br />
Famous names from Astaire to Zeffirelli<br />
have waltzed across the Danieli’s elegant<br />
tableau, including Connery, Gere, Heston,<br />
McCartney, Minnelli and Spielberg - the list<br />
is endless. Dickens, too. For the flush, the<br />
Danieli’s suites are fabulously palatial,<br />
protected by law. They’re furnished with<br />
ornate, original gilded furniture, decorated<br />
with gilt and a rare fresco or two, hung with<br />
valuable paintings.<br />
My room looks out over the lagoon from<br />
about the most perfect position in Venice.<br />
Below, artists sell their work among tacky<br />
souvenir stalls, gondoliers in boaters wait for<br />
customers, and water-bobbing bus stops rise<br />
and fall with the tide. Glass, a local<br />
speciality, is everywhere around the hotel and<br />
in the shops, ranging from gaudy to<br />
exquisite. This is not bargain city.<br />
Murano glass is either expensive or<br />
outrageously expensive. Once the<br />
painters and souvenir<br />
sellers pack up for the<br />
night, there’s nothing<br />
more than the slap,<br />
slap, slap of little waves<br />
hitting the hulls of the<br />
The mystique of Carnival<br />
travel v<br />
parked gondolas to disturb the night.<br />
All that slap, slap, slap and jumping on<br />
and off of boats gives me an appetite for fish,<br />
so it’s off to the Danieli’s top-floor<br />
restaurant, complete with breathtaking view<br />
of the lagoon and beyond, for scallop sautéed<br />
with shrimps and wild mushrooms, broiled<br />
king-size scampi flavoured with parsley, then<br />
home-made ice cream. When in Italy…<br />
If the sensational view and classic Italian<br />
food aren’t amusement enough, there are<br />
always other guests. American husband one:<br />
‘I’ve bought my wife some earrings.’<br />
American husband two: ‘I’ve bought some<br />
for myself. Gonna split them with a friend<br />
and we’ll wear one each.’ I wonder whether<br />
Doge Enrico Dandolo, sacker of<br />
Constantinople, would countenance such<br />
thrift. V<br />
www.carnivalofvenice.com<br />
www.starwoodhotels.com<br />
Photographs courtesy of Fototeca ENIT/Vito Arcomano<br />
29<br />
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