View/Open - Scholarly Commons Home
View/Open - Scholarly Commons Home
View/Open - Scholarly Commons Home
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Figure 8: Maxwell H. (2010). Five mokomokai-inspired artefacts on whariki.<br />
Damp clay moulds in the final stages of the drying process. When dried they were bisque-fired at a temperature of 1000 F. Left to<br />
right: [1] 15.24cm x 13.97cm, [2] 15.24cm x 20.32cm, [3] 10.6cm x 12.7cm, [4] 12.7cm x 21.59cm and [5] 13.97cm x 13.97cm.<br />
At different intervals of the drying process when each mokomokai-inspired artefact was still slightly<br />
damp, they were individually marked with moko patterns that were generic and specific to Ngapuhi.<br />
Newspaper was also used to absorb excess moisture in the clay. The intentional roughness of this work<br />
alludes to the comments of the 1800‟s that such displays of mokomokai were “hideous and monstrous<br />
spectacles”.<br />
Figure 9: Maxwell H. (2010) Mokomokai-inspired artefact. 10.6cm x 12.7cm.<br />
Bisque fired and covered with kokowai. My hair was used to dress and decorate the artefact. The mokomokai-inspired artefact was<br />
displayed at W.H. Reed Park, on the Whareora Land Block.<br />
32