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Figure 8: Maxwell H. (2010). Five mokomokai-inspired artefacts on whariki.<br />

Damp clay moulds in the final stages of the drying process. When dried they were bisque-fired at a temperature of 1000 F. Left to<br />

right: [1] 15.24cm x 13.97cm, [2] 15.24cm x 20.32cm, [3] 10.6cm x 12.7cm, [4] 12.7cm x 21.59cm and [5] 13.97cm x 13.97cm.<br />

At different intervals of the drying process when each mokomokai-inspired artefact was still slightly<br />

damp, they were individually marked with moko patterns that were generic and specific to Ngapuhi.<br />

Newspaper was also used to absorb excess moisture in the clay. The intentional roughness of this work<br />

alludes to the comments of the 1800‟s that such displays of mokomokai were “hideous and monstrous<br />

spectacles”.<br />

Figure 9: Maxwell H. (2010) Mokomokai-inspired artefact. 10.6cm x 12.7cm.<br />

Bisque fired and covered with kokowai. My hair was used to dress and decorate the artefact. The mokomokai-inspired artefact was<br />

displayed at W.H. Reed Park, on the Whareora Land Block.<br />

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