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Figure 39: Maxwell H. (2011). Pouwhenua Installation. Two views installing pouwhenua. Akuhata Shortland, Makura Hussey, Korora Hoterene and Whiria Fletcher Figure 40: Maxwell H. (2011). Pouwhenua Installation. Two views of painting the poles and clearing around pouwhenua installation. 59
Figure 41: Maxwell H. (2011). Pouwhenua Installation. Two views of painting the poles and clearing around the pouwhenua installation. Whiria Fletcher climbing ladder to complete painting of pole. Oriana Te Rore Tahau, David Barton and William Tohu helping to clear around pouwhenua installation. Figure 42: Maxwell H. (2011). Pouwhenua Installation. Adding final touches painting the tops of each pouwhenua. Tupuna names and land blocks printed on pou. William Tohu and Oriana Te Rore Tahau. Grid plan beginning to take shape Figure 43: Maxwell H. (2011). Mowing and weed eating around pouwhenua installation. David Barton giving the ground a mow. 60
Page 1 and 2:
NGA MAUMAHARA MEMORY OF LOSS Hana M
Page 3 and 4:
WAKA KOIWI ........................
Page 5 and 6:
Korowai made with brown and white f
Page 7 and 8:
ATTESTATION OF AUTHORSHIP “I here
Page 9 and 10: korua a Lawrence Wharerau, Himiona
Page 11 and 12: histories. They operate as markers
Page 13 and 14: INTRODUCTION The purpose of this st
Page 15 and 16: KO WAI AHAU: WHO AM 1 I was born in
Page 17 and 18: THE ROLE OF LEGISLATION The purpose
Page 19 and 20: NGAPUHI ORIGINS “...the principal
Page 21 and 22: Maungataniwha titiro ki Tokerau. To
Page 23 and 24: This pepeha 6 acknowledges two hapu
Page 25 and 26: Ngati Hau ki Whangarei have four re
Page 27 and 28: were part of a bigger group who wer
Page 29 and 30: EXHIBITING ON NGATI HAU LAND The re
Page 31 and 32: MARKERS OF LOSSES MOKOMOKAI-INSPIRE
Page 33 and 34: Figure 8: Maxwell H. (2010). Five m
Page 35 and 36: Figure 12: Maxwell. H (2011). Mokom
Page 37 and 38: White stoneware was used for furthe
Page 39 and 40: EFFIGIES Once the mokomokai-inspire
Page 41 and 42: Figure 22: Maxwell H. (2011). Three
Page 43 and 44: from 1865 to my mother‟s generati
Page 45 and 46: Figure 27: Maxwell H. (2011) Waka T
Page 47 and 48: Figure 30: Maxwell H. (2011). Waka
Page 49 and 50: Figure 33: Maxwell H. (2011) Series
Page 51 and 52: Shona Rapira Davis and her Nga More
Page 53 and 54: small stream and whanau kainga. Pla
Page 55 and 56: Distance and travel to Akerama prec
Page 57 and 58: illness and family matters, a conti
Page 59: . Figure 38: Maxwell H. (2011) Pouw
Page 63 and 64: CONCLUSION This study has pondered
Page 65 and 66: The tiki wananga-inspired artefacts
Page 67 and 68: Images from Examination Hui - 8 th
Page 69 and 70: Figure 50: Nathan R. (2011) Formali
Page 71 and 72: Figure 56: Nathan R. (2011) He kore
Page 73 and 74: ANNOTATED GLOSSARY OF MAORI WORDS A
Page 75 and 76: Tikanga customary values, practices
Page 77 and 78: Connerton, P. (1989). Bodily Practi
Page 79 and 80: Te Pokairua Ngapuhi nui tonu (Te Pu
Page 81 and 82: Hana Maxwell (Ms) 24 Tapper Crescen
Page 83 and 84: the forest, and the people there pu
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