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Museum Director as an accepted museum convention. This replaced the tradition of using kokowai to<br />

colour and decorate.<br />

The pou were also painted red to visually stimulate and acknowledge the tapu of the colour red. The<br />

Ngapuhi tradition of applying and saturating one‟s body, clothing, homes, palisades, pataka, bones,<br />

weaponry and funerary with red clay kokowai is also recognized. The narratives of kokowai are found<br />

in the Maori creation histories and whakapapa from the separation of Ranginui and Papatuanuku to the<br />

shedding of their blood. The blood of Ranginui can be seen as the red glow in the sky and the blood of<br />

Papatuanuku which flowed into the earth became the kokowai from which the first human being was<br />

created. This relationship with Ranginui and Papatuanuku is the reason kokowai is tapu. The<br />

intention of the pou is to awaken and arouse the spiritual relationship between the living and the dead,<br />

by naming Ngati Hau land blocks and tupuna.<br />

The use of text on the pou is an acknowledgement to the history, identity, narration and naming of<br />

each block of land and tupuna. “Text was a powerful colonial tool that transformed many changes” to<br />

the Maori way of living (Byrnes, 2001). The names of each land block and tupuna are stencilled and<br />

painted in white paint on each pou. Visually the installation also references traditional and<br />

geographical markers of mountains, trees, pa sites, burial grounds and rivers. When the application of<br />

white paint on several of the pou started to run into the deeply grooved surface of the jarrah wood,<br />

spray paint experiments were trialled successfully. However the decision to spray paint was<br />

discouraged because several younger whanau members are taggers in and around Whangarei with<br />

recognized signature tags.<br />

Setting times to meet with people to discuss the work, rallying whanau support to install the Pou,<br />

collecting images and maintaining an impetus has been time consuming and at times really<br />

disheartening. It had been envisaged that the installation would take up to three weeks to complete but<br />

55

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