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Referential Meanings<br />
Mike Kelley is an artist who<br />
uses the powers of memory and<br />
autobiography to construct,<br />
deconstruct and make sense<br />
of systems and structures he<br />
initiated in the earlier parts of<br />
his artistic career. Educational<br />
Complex Onwards, 1995 –<br />
2008, presents the process of<br />
evolution through which the<br />
artist went in developing his architectural<br />
project of painstakingly<br />
replicating each and every<br />
school he attended. Through<br />
installations, paintings, photographs,<br />
sculptures and archives,<br />
the exhibition highlights the<br />
artist’s originality whilst making<br />
evident his versatility in a wideranging<br />
of techniques. One not<br />
to be missed, if only for the fact<br />
that this is Kelley’s fi rst major<br />
retrospective in ten years.<br />
Education<br />
Complex Onwards 1995 - 2008<br />
Until 27 th July 2008<br />
☞ Wiels, Brussels<br />
www.wiels.org<br />
Just Wait (and See)<br />
It h<strong>as</strong> been said that we spend<br />
the better part of our lives stuck<br />
in traffi c jams. Well the same<br />
could probably be said about<br />
traffi c lights, an act German<br />
photographer Florian Böhm<br />
magnifi cently captures with his<br />
latest work, entitled Wait for<br />
Walk. Exhibited at Brussels’<br />
Young Gallery, his photographs<br />
are a pertinent rendition of New<br />
Yorkers’ waiting, if only ephemerally.<br />
Capturing them at traffi c<br />
lights, waiting to walk the pedestrian<br />
crossing, his photographs<br />
offer a new take on traditional<br />
American street photography <strong>as</strong><br />
we know it.<br />
Wait for Walk<br />
From 30 th May<br />
until 4 th September 2008<br />
☞ Young Gallery, Brussels<br />
www.younggalleryphoto.com<br />
Inventorying the inventor<br />
<strong>The</strong> fi rst major retrospective of<br />
its kind on Christophe Gevers’<br />
work, this exhibition is <strong>as</strong><br />
complete <strong>as</strong> retrospectives get.<br />
Presenting everything from the<br />
artist’s public space dummies to<br />
his furniture and lighting prototypes,<br />
the exhibition is testament<br />
to the sheer hard-work put<br />
in by the man. Working with<br />
wood, stone, steel or leather, his<br />
work could best be described <strong>as</strong><br />
‘ingenious functionality meets<br />
unparalleled beauty’. Well, that<br />
at le<strong>as</strong>t is how we see it.<br />
Christophe Gevers Design<br />
Until 15 th August 2008<br />
☞ CIVA/ Foundation<br />
for Architecture, Brussels<br />
www.civa.be<br />
Designed Dilemma<br />
Combine late 1950's designers’<br />
return to form-over-function<br />
with the colors and freedom<br />
expressed in the late 1970’s and<br />
you are likely to end up with a<br />
good idea of what Paul Paulin’s<br />
work resembles. Often described<br />
<strong>as</strong> an absolute modernist<br />
for the visible rigor instilled in<br />
his creations, he h<strong>as</strong> successfully<br />
brought both design periods<br />
closer together in a world of<br />
clean lines and functional<br />
designs yet with refreshingly<br />
light – sometimes even bright –<br />
color palettes. Grand-Hornu’s<br />
fi tting retrospective of the<br />
designers’ work – stretching<br />
from his furniture and kitchen<br />
appliances to his industrial and<br />
product designs – does a brilliant<br />
job of showc<strong>as</strong>ing a prolifi c<br />
and talented career. One we’re<br />
sure to go back to for one of our<br />
much-needed weekends away.<br />
Supermodern<br />
Until 22 nd June 2008<br />
☞ Site of the Grand-Hornu,<br />
Hornu<br />
www.grand-hornu.be<br />
Patrick De Spiegelaere @ Antwerp’s Fotomuseum until 8th June 2008<br />
Belgium’s answer to the UK’s Don McCullin, De Spiegelaere sadly p<strong>as</strong>t-away on<br />
2nd March 2007. This exhibition remembers his outstanding, lifelong work.<br />
<strong>The</strong> Next Few Weeks’ Agenda Fillers the diary<br />
© Mike Kelley<br />
© Florian Böhm<br />
© Fondation pour l’architecture<br />
et fondation Archives design<br />
© Grand-Hornu Images<br />
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THE THIRD WORD — 17