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Rapid Design<br />

China’s phenomenal rise in<br />

the art world – from both an<br />

artist <strong>as</strong> well <strong>as</strong> a collector<br />

perspective – h<strong>as</strong> often had the<br />

unlikely result of leaving out<br />

the country’s many designers.<br />

London’s Victoria & Albert<br />

Museum’s China Design Now<br />

exhibition seeks to rectify this,<br />

with a far-ranging showc<strong>as</strong>e<br />

of the country’s creative talent,<br />

stretching from Olympic<br />

architectural landmarks such<br />

<strong>as</strong> Zhu Pei’s Digital Beijing to<br />

a boutique hotel on the Great<br />

Wall of China. A good attempt<br />

at making sense of a country’s<br />

growing political and economical<br />

might through the more<br />

creative <strong>as</strong>pects of its culture,<br />

this is one exhibition we’re defi -<br />

nitely making time for on our<br />

next London shopping trip.<br />

China Design Now<br />

Until 13 th July 2008<br />

☞ Victoria & Albert Museum,<br />

London<br />

www.vam.ac.uk/<br />

chinadesignnow<br />

Urban Alternative.<br />

London's E<strong>as</strong>t End is home to<br />

more galleries and artists per<br />

square mile than anywhere else<br />

on the planet, which explains<br />

<strong>The</strong> Streets' exhibition launched<br />

by Bulgarian artist Nedko<br />

Solakov in conjunction with<br />

Whitechapel Gallery. Set in and<br />

around the area's Wentworth<br />

Street' which stretches from the<br />

city's financial district to Brick<br />

Lane' it showc<strong>as</strong>es a year-long<br />

series of artists' commissions.<br />

From German artist Bernd<br />

Krauss's 7shopsaweek installations<br />

to art collective Canal's<br />

performances and screenings,<br />

the exhibition promises to bring<br />

an eclectic and colorful body of<br />

work to the E<strong>as</strong>t's streets.<br />

<strong>The</strong> Streets<br />

From 22 nd May<br />

until 13 th July 2008<br />

☞ Whitechapel Gallery, London<br />

www.whitechapel.org<br />

Short Escape @ Beursschouwburg on 29th May 2008<br />

Monthly showc<strong>as</strong>e of short-fi lms which make it their mission to discover<br />

unheard of movies and bring them to a cinema-loving public.<br />

© Chen_Shaohua<br />

© Whitechapel<br />

<br />

<br />

<br />

<strong>The</strong> Next Few Weeks’ Agenda Fillers the diary<br />

<br />

© Patti Smith<br />

© Angelos<br />

France,<br />

Royal Storytelling<br />

Paris’s Fondation Cartier puts<br />

on one of its fi nest exhibitions<br />

to date, with a very personal<br />

exhibition of famed American<br />

musician and artist Patti Smith.<br />

Smith’s life is fi lled with stories<br />

and anecdotes of New York’s<br />

underground scene – such <strong>as</strong><br />

moving into the Big Apple’s<br />

infamous Chelsea Hotel with a<br />

certain Robert Mapplethorpe,<br />

thus fi rmly fi xing her on the<br />

scene’s regular circuit - acting<br />

<strong>as</strong> the perfect backdrop for her<br />

many creations. Essentially<br />

working within the remits of<br />

Polaroid photography, collageartwork,<br />

drawing and poetry,<br />

Smith’ work captures a certain<br />

vibrancy of a p<strong>as</strong>t period fi lled<br />

with rebellious feelings and<br />

raging creativity. All hail the<br />

godmother of punk.<br />

Land 250<br />

Until 22 nd June 2008<br />

☞ Fondation Cartier, Paris<br />

www.fondation.cartier.com<br />

A Belgian in Paris<br />

Following on from the success<br />

of <strong>The</strong> Louvre’s Contrepoint<br />

series, the museum continues in<br />

its quest to favor contemporary<br />

artists, and living ones more<br />

specifi cally. This spring, the<br />

French cultural institution gives<br />

carte blanche to Belgian contemporary<br />

art’s enfant terrible<br />

Jan Fabre. A prodigious student<br />

of the country’s early 1980’s<br />

Flemish artistic wave, Fabre<br />

draws, pl<strong>as</strong>ticizes, sculpts,<br />

installs and shocks. For his free<br />

reign at Paris’ Louvre, he revisits<br />

its many rooms dedicated<br />

to paintings of the Northern<br />

schools, making abstract parallels<br />

between his work and that<br />

of ancient m<strong>as</strong>ters. A refreshing<br />

take on the museum’s wellknown<br />

collection.<br />

Angel of Metamorphosis<br />

Until 7 th July 2008<br />

☞ Louvre, Paris<br />

www.louvre.fr<br />

THE THIRD WORD — 19

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