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the institution<br />

<strong>The</strong> Man<br />

Down Under<br />

— In the preface to<br />

“Brüsel”, the ninth<br />

publication of famed<br />

Belgian comic “Les<br />

Cités Obscures”, writers<br />

Schuiten and Peeters<br />

warn us: by loosing its<br />

very essence, Brussels lost<br />

its soul. <strong>The</strong> “essence”<br />

they refer to is the Senne,<br />

a 103 km long river of<br />

which 45 km used to swirl<br />

across Brussels’ centre<br />

area before being covered<br />

up and buried like a longforgotten<br />

fi lthy old lady in<br />

the 19th and 20th century.<br />

<strong>The</strong> truth is, since the<br />

completion of new sewage<br />

treatment plants in March<br />

2007, the old lady is<br />

today much cleaner,<br />

alive and fl owing. And if<br />

you know where to meet<br />

her, you will fi nd that<br />

Brussels’s soul is hidden<br />

underground.<br />

Writer Jacques Moyersoen<br />

40 — THE THIRD WORD<br />

<strong>The</strong> Covering of the Senne<br />

At the beginning of the 19 th century, Brussels,<br />

and in particular the lower parts of town,<br />

w<strong>as</strong> in many ways still a very medieval city,<br />

characterized not only by the course of the<br />

Senne, but also by an illogical street layout,<br />

hard to access islands, back alleys, narrow<br />

streets, unregulated bridges, and numerous<br />

dead ends. Although this may today sound<br />

charming, it did at the time trigger its own<br />

set of problems, and not only traffi c-wise.<br />

<strong>The</strong> Senne had since long lost its usefulness<br />

<strong>as</strong> a navigable waterway, being replaced by<br />

canals. And no one ever dreamed of catching<br />

a fi sh in the once pure clear river. In fact,<br />

its main purpose w<strong>as</strong> <strong>as</strong> a dump for garbage,<br />

detritus and industrial w<strong>as</strong>te spreading pestilential<br />

odours throughout the city. Early<br />

in the second half of the 19th century, Brussels<br />

saw numerous dry periods, fl oods and<br />

a cholera epidemic, caused <strong>as</strong> much by the<br />

river itself <strong>as</strong> by the poverty and the lack of<br />

hygiene and potable water in the lower city.<br />

This forced the government to act.<br />

In 1867, after much debate, mayor Jules<br />

Anspach decided to cover up the Senne.<br />

Constructed from bricks, the covering w<strong>as</strong><br />

to be 2.2 kilometres long and w<strong>as</strong> to consist<br />

of two parallel 6 m (20 ft) wide tunnels, and<br />

a set of two lateral drainage pipes, each taking<br />

in w<strong>as</strong>tewater from its respective side of<br />

the street. Inspired by Haussmann’s renovation<br />

of Paris, it served the mayor’s ambitious<br />

plan to transform the impoverished lower<br />

city in a more modern, business-friendly<br />

centre. <strong>The</strong> elimination of the numerous<br />

alleys and dead-ends in the lower town in<br />

favour of straight, wide and open-air boulevards<br />

– thus linking the city’s two rapidly<br />

growing train stations - seemed both a necessity<br />

and an opportunity to beautify the<br />

city and improve both traffi c circulation<br />

and hygiene. <strong>The</strong> project, which expropriated<br />

tens of thousands of homes and took<br />

four years to complete, created the series<br />

of boulevards we today know <strong>as</strong> Maurice<br />

Lemonnier Boulevard, Anspach Boulevard,<br />

Adolphe Max Boulevard, and Emile Jacqmain<br />

Boulevard.<br />

<strong>The</strong> covering up w<strong>as</strong> completed in 1930<br />

when the Senne w<strong>as</strong> channelled into subterranean<br />

tunnels for nearly its entire course<br />

through the Brussels metropolitan area.<br />

A Smelly Promenade<br />

Today, Brussels’ network of drains, sewers,<br />

and drainage pipes forms an underground<br />

maze of about 350 kilometres. It is so v<strong>as</strong>t<br />

and complex that an experienced visitor<br />

could walk from the capital’s Central Sta-<br />

tion to Arlon, on the country’s southernwestern<br />

tip, without ever stepping outside.<br />

Complete with its own underground street<br />

sign, explorers travel through tunnels of various<br />

shapes and structures, refl ecting years<br />

of development: stone, brick, and then concrete.<br />

It is a city within a city, a dank, f<strong>as</strong>cinating<br />

demimonde from which one emerges<br />

blinking and mesmerised.<br />

Sewers are a true museum of horrors<br />

too. Home to the most repugnant fauna, the<br />

drains also prove to be the ideal refuge for<br />

rats. It is thought that two million of them<br />

(the equivalent of two rats per habitant)<br />

wander Brussels’ underground, eating one<br />

third of all the fl oating w<strong>as</strong>te. And they can<br />

be big! Up to 50cm long. Small shrimps,<br />

mussels, aquatic snails and tribes of cockroaches<br />

are also to be found in disgusting<br />

quantity. However, unlike in New York and<br />

Paris nobody h<strong>as</strong> yet been senseless enough<br />

to fl ush a baby alligator down the toilet! Until<br />

ten years ago, the sewers were also a theatre<br />

to a strange spectacle. Every Tuesday and<br />

Thursday the w<strong>as</strong>tewater took a bloody-red<br />

taint because it w<strong>as</strong> slaughtering day at the<br />

Anderlecht’s Cureghem abattoirs.<br />

Exploring these mysterious paths of darkness<br />

and insalubrities may bring excitement to<br />

some but it is actually illegal. Thankfully, the<br />

Brussels Sewer Museum, manages to feed our<br />

curiosity for the city’s unknown secrets with<br />

a safe and quite hygienic alternative. Unfairly<br />

overlooked, the freshly revamped museum<br />

offers three levels of historical and technical<br />

explanations. And if you can stand the smell,<br />

there’s even an access to an illuminated and<br />

cleaned section of Brussels’ underground<br />

world of drains and sewers. It is also the only<br />

place in Brussels where you can offi cially lay<br />

your eyes on the covered Senne. What makes<br />

the experience even more fun is that the<br />

guides you can book to walk you through are<br />

all authentically jolly sewer workers.<br />

A Dangerous Job<br />

Guy Delvallée, the man now responsible for<br />

the Brussels Sewer Museum, worked during<br />

ten years maintaining the sewers, drains<br />

and the Senne clean. <strong>The</strong>re are no studies<br />

to become égoutiers, so he learned everything<br />

on the job. He recalls: “It is tough<br />

physically and mentally working 8-hours a<br />

day down there. <strong>The</strong>re’s 98 to 100% humidity<br />

so you’re quickly prone to rheumatism.<br />

Also, during winter you spend entire days<br />

without ever seeing the daylight. Eventually,<br />

like a vampire, you end up avoiding all<br />

contact with daylight because it is too bright<br />

for your non-accommodated eyes to stand!

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