Founded by Friends : the Quaker heritage of fifteen - Scarecrow Press
Founded by Friends : the Quaker heritage of fifteen - Scarecrow Press
Founded by Friends : the Quaker heritage of fifteen - Scarecrow Press
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Haverford College 17<br />
cooperation with its sister institution. Full cross registration and a combined<br />
student newspaper occurred in 1970–1971.<br />
A little bit <strong>of</strong> background on <strong>the</strong> culture at Haverford in <strong>the</strong> late 1960s<br />
and early 1970s will help one understand <strong>the</strong> Haverford <strong>of</strong> Coleman’s<br />
time. The state <strong>of</strong> <strong>the</strong> arts had not moved ahead appreciably since Sharpless’s<br />
time, and <strong>the</strong>re were those who felt <strong>the</strong> time had come for a change.<br />
Thus, in <strong>the</strong> summer <strong>of</strong> 1967, a faculty–student committee set up a department<br />
<strong>of</strong> fine arts in conjunction with Bryn Mawr College, and somewhat<br />
later Haverford organized its own fine arts department. Between<br />
1967 and 1977, <strong>the</strong> Haverford chamber music program began, <strong>the</strong> faculty<br />
brought in five musicians-in-residence as members, <strong>the</strong> Ruth M. Magill<br />
chair in music was endowed, a new music center and library was opened<br />
in Union (a pr<strong>of</strong>essional librarian for <strong>the</strong> music library was not hired until<br />
<strong>the</strong> 1980s), an art gallery was installed, and a student-run, summer<br />
stock repertory group was formed.<br />
Haverford <strong>of</strong>fered no fine arts classes until a sculpture course was introduced<br />
in 1968, nor was <strong>the</strong>re a painting course until 1969–1970 or photography<br />
until 1970. Still, Haverford has acquired a good deal <strong>of</strong> art over<br />
<strong>the</strong> years. Some examples are <strong>the</strong> 1942 bequest that included an oil painting<br />
<strong>of</strong> St. Sebastian presumed now to be <strong>the</strong> work <strong>of</strong> a follower <strong>of</strong> Pietro<br />
Perugino; an oil on panel, Early Autumn, White Birch, <strong>by</strong> Maxfield Parrish;<br />
an oil portrait <strong>of</strong> Samuel Johnson; and a number <strong>of</strong> o<strong>the</strong>r works. Today,<br />
artwork can be found all over Haverford’s campus.<br />
ROBERT BOCKING STEVENS (1933– ),<br />
THE NINTH PRESIDENT, 1978–1987<br />
It would be incumbent on Robert Stevens, a former provost at Tulane University<br />
and pr<strong>of</strong>essor <strong>of</strong> law at Yale, to resolve <strong>the</strong> coeducation dilemma.<br />
Indeed, during his tenure, <strong>the</strong> college became fully coeducational (<strong>the</strong><br />
board agreed to coeducation beginning in 1980, though nine BAs had<br />
been awarded to women before 1979). By 1982, <strong>the</strong>re were also twentyseven<br />
women faculty members and ten women administrators. The decision<br />
to make Haverford coeducational may have weakened social cooperation<br />
with Bryn Mawr but seemed to streng<strong>the</strong>n academic cooperation.<br />
While numbers <strong>of</strong> women on campus increased, numbers <strong>of</strong> <strong>Quaker</strong>s<br />
did not. In his speech to <strong>the</strong> Newcomen Society in 1983 on Haverford history,<br />
President Stevens stated that while <strong>the</strong> number <strong>of</strong> <strong>Quaker</strong>s in all <strong>of</strong><br />
Haverford’s constituent groups (except <strong>the</strong> corporation) was low, <strong>Quaker</strong><br />
values and spirit were high. In 1987, <strong>the</strong> corporation approved a steering<br />
committee on <strong>Quaker</strong>ism with <strong>the</strong> charge <strong>of</strong> “seeing that <strong>Quaker</strong>ism remains<br />
strong and vibrant at Haverford.”