Copper... a naturally changing surface and an air of permanence ...

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Since 1999 we have been working on a lengthy process of study, research, consolidation and retrieval of the remains of Ribadavia Castle. The remains are extremely fragile due to their abandonment and the neglect of local government in the past. Ribadavia Castle is located within the historic area of the village and was built incorporating the old wall and supported by a series of circular and square towers on a large rock outcrop. There is no record of the earliest human settlement, apart from the fact that a necropolis and a temple existed in the upper part of the town, where the castle now stands. 34 Timeless BRASS A gradual regeneration is taking place to the ancient Ribadavia Castle in the Ourense area of north-west Spain, heralded by new brass elements transforming the entrances to the castle. Architect Miguel Angel Calvo Salve describes his approach to these interventions, which add an ageless simplicity and sense of permanence. COPPER ARCHITECTURE FORUM 32/2012 Castle entrance approached via the straight staircase bridge with curved brass handrail. establishing a Methodology We believe that maintaining, transforming or reusing this historic building requires at least that we understand its physical and emotional realities, in its present state and throughout its history. Through very careful observation and systematic documentation, intensive research of historical sources, technical analysis, study of pathologies, identification of traces and memories, and finally a reflective intuition, we have established a methodology expressed in a “Master Plan” for this castle that will substantiate the basis for future interventions in the monument, thus creating the potential for its transformation and reuse. Architect: Miguel Angel Calvo Salve Copper Specialist: Aceros Argimiro Photos: Miguel Angel Calvo Salve Strength and Malleability A part of the intervention was to design the entrances to the ruins of the Castle. It was decided to make various individual elements in brass, and also bronze, to give a jewel-like quality amongst the ancient building fabric. These included access bridges with stairs, gateway doors and exhibition display elements. The choice of brass was based on its qualities as a material that ages with time, developing a patina – just as the stone walls have done. Its strength and malleability was essential in the creation of these disparate elements.
The brass main doors appear impenetrable with a strong silhouette and square apertures reminiscent of a portcullis. The brass Necropolis door is more open in character with a linear grid highlighting the stone archway. Smaller brass doors in the Necropolis share the open linear grid. Simple, folded brass elements are used to hold information display boards. The choice of brass was based on its qualities as a material that ages with time, developing a patina – just as the stone walls have done. COPPER ARCHITECTURE FORUM 32/2012 35
Page 1 and 2: Numret för NyskapaNde
Page 3 and 4: 4 8 12 16 18 22 26 30 32 34 36 2 Nu
Page 5 and 6: Designen, som skapats av ar- kitekt
Page 7 and 8: BOOKSTORE ARKEN PORTAL KYRKOGATAN B
Page 9 and 10: Det utvecklades en dialog mellan ga
Page 11 and 12: DETAILS Detaljerad genomskärning D
Page 13 and 14: Flodstranden innan arbetet påbörj
Page 15 and 16: spelet mellan viktiga element som f
Page 17 and 18: Tvärsnitt av köpcentret som visar
Page 19 and 20: y Chris Hodson Timeless COPPER In i
Page 21 and 22: South-East facade South-West facade
Page 23 and 24: The regeneration of a remarkable 19
Page 25 and 26: Cross Section through the new build
Page 27 and 28: The owners of this 19th century cot
Page 29 and 30: Copper - rustic and modern... devel
Page 31 and 32: photo: Hans van Nieuwkoop photo: Ha
Page 33: X 1:100 @ A1 9/10/09 1306-(00)-102
Page 37 and 38: URBAN SHELL Architect Luisa Fontana
Page 39 and 40: Copper architecture Forum 33 With a

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