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PRODUCT - Music Inc. Magazine

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anced, adding to their appeal.”<br />

For Martin, Boak said the<br />

plethora of vintage-inspired instruments<br />

was spurred on by its<br />

custom shop in the early 1980s.<br />

“We began to see custom<br />

orders coming through for the<br />

same types of models over and<br />

over again,” Boak said. “They<br />

were basically recreations of our<br />

own guitars from the pre-war era,<br />

or the Golden Era, as [Martin]<br />

trademarked it.”<br />

In addition to its custom shop,<br />

Martin offers many vintage models,<br />

including the D18 Golden<br />

Era, which includes an Adirondack<br />

spruce soundboard like those<br />

used on pre-war Martins.<br />

Affordability gives consumers<br />

another reason to turn to retroinspired<br />

gear and reissues when<br />

looking for a vintage fix.<br />

“People are more interested<br />

50 I MUSIC INC. I MAY 2011<br />

TREND SEGMENTS<br />

VINTAGE-INSPIRED GEAR<br />

in the vintage market now more<br />

than ever,” said Ashley Atz, PR<br />

manager for The <strong>Music</strong> Link,<br />

which offers vintage models in<br />

its Recording King and The Loar<br />

guitar lines.<br />

“However, not everyone can<br />

afford to buy a guitar from the<br />

1950s, but many still recognize<br />

that vintage instruments<br />

are prized for their sound and<br />

build quality. The modern manufacturer’s<br />

response has been to<br />

build instruments that are trueto-spec<br />

reproductions of those<br />

classic instruments.”<br />

Bobby Boyles, owner of Oklahoma<br />

Vintage Guitar in El Reno,<br />

Okla., agreed that affordability<br />

is a major selling point for inspired<br />

gear.<br />

“For us, promoting the<br />

vintage-based new products<br />

is easy because we are Okla-<br />

homa Vintage Guitar,” Boyles<br />

said. “People come to us from<br />

around the world to see vintage,<br />

and we show them both. Lots<br />

of times, they buy the vintageinspired<br />

items because they have<br />

the look they like and the sound<br />

they like but also the price they<br />

like.”<br />

Cost aside, getting customers<br />

to play the guitars and honing<br />

in on their vintage qualities and<br />

components are ways American<br />

Guitar & Band’s Lake approaches<br />

selling vintage-inspired pieces.<br />

“We insist on getting guitars<br />

into people’s hands,” he said. “If<br />

someone wants to buy a guitar<br />

that looks identical to a vintage<br />

instrument, we focus on the design<br />

details and explain exactly<br />

what features are the same as<br />

the original and which elements<br />

are updates.”<br />

icoNic SKiNS<br />

T he drum industry has been<br />

ahead of the curve in the vintage<br />

market. Most manufacturers<br />

have always offered a vintage set<br />

or vintage finish in their lines.<br />

“Ludwig, for example, has<br />

never gone away,” said Rej<br />

Troup of Dale’s Drum Shop in<br />

Harrisburg, Pa. “It’s hard to get<br />

a more vintage-inspired drum set<br />

than its Classic Maple or Legacy<br />

kit in a vintage wrap.”<br />

Grestch Drums also continues<br />

to turn out vintage shells every<br />

year. “Having something classic<br />

and vintage is different,” said<br />

John Palmer, product manager<br />

for Gretsch Drums. “It’s been<br />

so far removed in many cases<br />

that it looks like it is a fresh<br />

perspective.”<br />

Gretsch recently released its<br />

Renown57 kit, which incorpo-

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