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Penguin Books, Summer 2012 - Bookseller Services - Penguin Group

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50<br />

iSBN 978-0-14-312136-7 $16.00 ($17.00 CAN)<br />

Film 5 1 /2 x 8 7 /16 288 pp. Rights: E00<br />

8 pp. b/w photos Pub history: The <strong>Penguin</strong> Press hc<br />

978-1-59420-302-2 On sale: 5/29/<strong>2012</strong><br />

SuGGeSTeD ORDeR<br />

“A bloody good book.”<br />

—Entertainment Weekly (A-)<br />

“Vivid and fascinating, Shock<br />

Value chronicles a period that feels both<br />

close and, sadly, remote.”<br />

—Guillermo del Toro, director of<br />

Pan’s Labyrinth and Hellboy<br />

“Fuses biography . . . production history,<br />

movie criticism, and social commentary<br />

into a unified and irresistible<br />

story.” —Salon<br />

ClASSiC PeNGuiN<br />

juNe<br />

“ [An] astute, informed and vivid<br />

exploration of how the horror movie<br />

came back from the dead.”<br />

—Mark Harris, author of Pictures<br />

at a Revolution<br />

Shock Value<br />

How a Few Eccentric Outsiders Gave Us Nightmares,<br />

Conquered Hollywood, and Invented Modern Horror<br />

Jason Zinoman<br />

An enthralling behind-the-scenes account of horror’s golden<br />

age, Shock Value draws on unprecedented access to the<br />

genre’s major players to paint the definitive portrait of a<br />

cinematic revolution. By the late 1960s, horror was stuck in<br />

the past, confined mostly to drive-in theaters and exploitation<br />

houses. Shock Value, in the tradition of Peter Biskind’s<br />

Easy Riders, Raging Bulls, tells the unlikely story of how an<br />

ambitious art form emerged when directors like Wes Craven,<br />

Roman Polanski, and John Carpenter plumbed their deepest<br />

anxieties to bring a gritty realism to their craft. Drawing on<br />

hundreds of interviews, Shock Value is an entertaining history<br />

of a hugely influential period in film, when groundbreaking<br />

masterpieces both conquered the Cineplex and redefined what it<br />

was to be afraid.<br />

n For fans of horror and suspense, as well as the works of Peter Biskind<br />

and Mark Harris<br />

n Also available as an e-book<br />

JAson zinoMAn is a critic and reporter who covers<br />

theater for The New York Times. He has also regularly written<br />

about movies, television, books, and sports for publications such<br />

as Vanity Fair, The Guardian, The Economist, and Slate. He lives<br />

in Brooklyn, New York.<br />

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