Penguin Books, Summer 2012 - Bookseller Services - Penguin Group
Penguin Books, Summer 2012 - Bookseller Services - Penguin Group
Penguin Books, Summer 2012 - Bookseller Services - Penguin Group
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50<br />
iSBN 978-0-14-312136-7 $16.00 ($17.00 CAN)<br />
Film 5 1 /2 x 8 7 /16 288 pp. Rights: E00<br />
8 pp. b/w photos Pub history: The <strong>Penguin</strong> Press hc<br />
978-1-59420-302-2 On sale: 5/29/<strong>2012</strong><br />
SuGGeSTeD ORDeR<br />
“A bloody good book.”<br />
—Entertainment Weekly (A-)<br />
“Vivid and fascinating, Shock<br />
Value chronicles a period that feels both<br />
close and, sadly, remote.”<br />
—Guillermo del Toro, director of<br />
Pan’s Labyrinth and Hellboy<br />
“Fuses biography . . . production history,<br />
movie criticism, and social commentary<br />
into a unified and irresistible<br />
story.” —Salon<br />
ClASSiC PeNGuiN<br />
juNe<br />
“ [An] astute, informed and vivid<br />
exploration of how the horror movie<br />
came back from the dead.”<br />
—Mark Harris, author of Pictures<br />
at a Revolution<br />
Shock Value<br />
How a Few Eccentric Outsiders Gave Us Nightmares,<br />
Conquered Hollywood, and Invented Modern Horror<br />
Jason Zinoman<br />
An enthralling behind-the-scenes account of horror’s golden<br />
age, Shock Value draws on unprecedented access to the<br />
genre’s major players to paint the definitive portrait of a<br />
cinematic revolution. By the late 1960s, horror was stuck in<br />
the past, confined mostly to drive-in theaters and exploitation<br />
houses. Shock Value, in the tradition of Peter Biskind’s<br />
Easy Riders, Raging Bulls, tells the unlikely story of how an<br />
ambitious art form emerged when directors like Wes Craven,<br />
Roman Polanski, and John Carpenter plumbed their deepest<br />
anxieties to bring a gritty realism to their craft. Drawing on<br />
hundreds of interviews, Shock Value is an entertaining history<br />
of a hugely influential period in film, when groundbreaking<br />
masterpieces both conquered the Cineplex and redefined what it<br />
was to be afraid.<br />
n For fans of horror and suspense, as well as the works of Peter Biskind<br />
and Mark Harris<br />
n Also available as an e-book<br />
JAson zinoMAn is a critic and reporter who covers<br />
theater for The New York Times. He has also regularly written<br />
about movies, television, books, and sports for publications such<br />
as Vanity Fair, The Guardian, The Economist, and Slate. He lives<br />
in Brooklyn, New York.<br />
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