by William Kallan Thomas

W Kallan Thomas Untitled
Untitled
By
W Kallan Thomas
W Kallan Thomas
6044349
0421715133
wkthomas@student.ecu.ed
u.au
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W Kallan Thomas Untitled
1. EXT. OCEANSIDE ROAD. NIGHT. 1.
On a ferociously stormy night, Detective Jacob Bryant preps his swat team outside an isolated
Oceanside building overlooking the howling ocean. He stresses that the man known as Jonathon,
a psychotic serial killer, must be taken alive; there may be other victims out there. The swat team
swiftly enclose on the building.
2. INT. OCEANSIDE BUILDING. NIGHT. 2.
The door is thumped down and the men charge in to find Jonathon standing over a brutally
tortured victim. Jonathon drops the bloody scalpel he is holding, as it is shown that the victim’s
eyes have been removed. Jonathon’s eyes dart towards the open screen door leading to the
balcony. As he backs away towards the screen door, Bryant senses that he is going to jump off
the balcony into the unforgiving ocean below. Gun locked on Jonathon, Bryant screams for him
to stop moving. When Jonathon refuses to do so, Bryant fires a scorching bullet that drives
itself into Jonathon’s shoulder. However all this brings is a twisted smile on Jonathon’s face.
Bryant continues to creep slowly towards Jonathon, however the killer believes he has the
upper hand, bellowing “you’ll never take me alive, I will be with my lord once more” before
making a running leap over the balcony. Bryant lunges after him but it’s too late. He orders his
men to make sure the body is found, before cursing his failure.
6 MONTHS LATER
3. INT. LARGE DINING ROOM. NIGHT. 3.
Detective Aaron Miller is giving a speech at an awards dinner honouring Bryant, his best friend.
He describes how the murder of Bryant’s mentor as he was only starting out, drove Bryant to
work harder than anyone else and be better than anyone else, so that he could bring anyone who
would do such a thing to justice. It was this that made Bryant the unparalleled detective he is
today, gifted with an incredible insight into the criminal mind. Bryant then comes on stage to
accept the award.
4. INT. LARGE DINING ROOM. NIGHT. 4.
Most people have already left. Bryant, Miller and a few other men are drinking and laughing, tie
off and collars undone at the only table that is still occupied. Bryant then tells them he better
head off. The others call for him to stay, but he waves them away.
5. EXT. PARKING LOT. NIGHT. 5.
Bryant walks out into the near pitch-black car park, pulls out his mobile phone and dials. Just as
he puts the phone to his ear, Bryant is grabbed from behind, he struggles momentarily before
being choked into unconsciousness. We hear the thumping of his body being thrown into a van
and then the van speeding off. His phone lying on the ground as the voice over from Taxi
Company asks if there’s anybody there.
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6. INT. EMPTY ROOM. MORNING. 6.
Bryant awakes blindfolded and tied to a chair in an empty room. He calls out to Jonathon to
show himself. But no one comes.
7. EXT. OUTSIDE FLAT. DAY/NIGHT. 7.
The Sun shows the progression of time, before the sunset and the day turning into night.
8. INT. EMPTY ROOM. NIGHT. 8.
Bryant is still sitting tied to the chair, blindfolded and alone in the dark, haunting room. His head
finally drops, signifying that he has fallen asleep.
9. INT. EMPTY ROOM. NIGHT. 9.
The sound of a door being quietly closed awakens Bryant. Jonathon walks from this door, his
face blackened by the darkness. Bryant’s arm is grabbed, he resists as much as he can while tied,
but before long he concedes there is nothing he can do. A syringe is drawn and tapped twice,
before we hear Bryant scream.
The shot moves to a clock on the wall. The image of the clock with its hands spinning around 10
times is visible over the top of the main action during the rest of sequence. Bryant’s screams are
heard throughout the montage.
DISSOLVE TO:
Bryant’s blindfold is torn off. His eyes are fiercely held open as an intense bright light is shone
directly at them before he gets a close look at Jonathon’s face.
DISSOLVE TO:
With his blindfold back on, Bryant’s head is held tilted back, and a strange looking blue liquid is
poured from a test tube into his mouth. He chokes as his mouth his forced closed and nose his
blocked.
DISSOLVE TO:
Gloved hands force reddened cotton balls into Bryant’s ears.
DISSOLVE TO:
Jonathon puts on a surgical mask to his unclearly visible face, before he takes a cork out of test
tube and holds it up to Bryant’s nose as a silvery gas escapes up his nostrils.
DISSOLVE TO:
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Bryant is still tied up on the chair but now shirtless. Jonathon paints a muddy looking liquid over
his body with a brush as he continues to scream.
DISSOLVE TO:
Only the clock on the wall as it slows down to a halt at just after 9. We then see Bryant still
shirtless, blindfolded and tied to the chair. His head is drooping showing him to be clearly
unconscious again. Lying next to him on a towel on the floor is an unused scalpel.
10. INT. EMPTY ROOM. NIGHT. 10.
The front door is broken down as Miller and a number of other agents flock into the flat. While
the agents search the house, Miller rushes straight towards Bryant, and unties him before
holding his unresponsive friend in his arms.One of the agents informs Miller that Jonathon isn’t
here and asks if they should set up a search team. But caring only for his friend, Miller screams
“forget him, a man is dying here” before medics file in and take Bryant away.
11. INT. AMBULANCE. NIGHT. 11.
Medics and Miller are work feverishly on Bryant in an emotionally intense ride in the
ambulance. Bryant’s eyes open for a few seconds and look at Miller who yells his name and
tells him he will be all right, before his blurry vision fades into unconsciousness.
12. INT. HOSPITAL ROOM. DAY. 12.
Bryant is in a hospital bed as Miller looks on.
DISSOLVE TO:
Several men in black suits appear to be setting up various security devices in the room, while
Bryant lies there motionless.
DISSOLVE TO:
A calendar on the wall of the room shows several weeks passing.
DISSOLVE TO:
Bryant is sitting up in his bed talking to Miller. Both are trying to make the mood more jovial
than it is.
13. INT. HOSPITAL HALL. DAY. 13.
Detective BraedenMoore is talking to a nurse outside Bryant’s room. The nurse tells him that he
is still weak, but should be able to leave in a few days. Without waiting for the nurse to finish,
Moore bursts through the door to Bryant’s room.
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14. INT. HOSPITAL ROOM. DAY. 14.
Moore gruffly interrupts and is not greeted kindly, especially by Miller. After unconvincingly
attempting to sound pleased Bryant has recovered, Moore coldly asks him about his capture,
informing him that he has taken over the case. However Bryant says he only remembers trying
to stay awake on the first day and failing, which is all that matters. They already know what
Jonathon does to his victims. Moore then tells him that the trail is cold and that they are very
close to closing the investigation. He then curtly leaves the room.
Bryant is astounded and furious that they would consider closing the case when Jonathon is still
on the loose. Miller then explains that Moore has put forth that the case should be closed due to
a lack of leads, and his theory that Bryant, who developed a significant competitive relationship
with Jonathon while attempting to catch him, was to be the last victim. By capturing him,
Jonathon believed he had won, something Moore thought to be confirmed by him not making
any attempt to get to Bryant while he was in hospital, nor commit any more murders. It is
believed to be a waste of resources. If his recommendation is accepted it will likely be the first of
several changes in Moore’s plan to streamline the agency. Bryant is however unconvinced that
Jonathon will simply mind his own business.
15. INT. BRYANT’S BEDROOM. NIGHT. 15.
Bryant is in bed at his home, appearing to be having a haunting nightmare, before he is woken
by a phone call at 3am. It’s Miller, telling him that he was right; Jonathon is back, a body was
found two hours ago in the public library. Speechless, he hangs up the phone and heads straight
for the library.
16. INT. BRYANT’S CAR. NIGHT. 16.
Bryant drives to the library, an array of emotions flow through his tired face.
17. EXT. OUTSIDE LIBRARY. NIGHT. 17.
Bryant pulls into a park and then exits his car. Cars and Agents surround the scene.
Moore is talking to a scientist and asks him if Jonathon committed the murder in the library.
Bryant walks in to point out that Jonathon would never kill in such a public place; he would
have brought the body after the murder.
Moore spins around angrily and tells two large men to take Bryant away. However Bryant
doesn’t flinch, the two men clearly have great respect him and perhaps fear him as well, so they
back off.
Miller then rushes in and takes Bryant aside and tells him he didn’t actually mean for him to
come down here, he’s not technically with the agency anymore. However Bryant explains that
he has to know what’s going on.
18. INT. LIBRARY. NIGHT. 18.
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Now inside the library and talking to the scientist again, Moore asks how the body got here, was
there a blood trail? Bryant then hastily dismisses the idea of a blood trail from such an intelligent
and systematic killer. He would have brought the victim here after his rituals, and he wouldn’t
have chosen this place by mistake. Moore then angrily and somewhat sarcastically quizzes
Bryant as to what he thinks happened, before walking off in a huff.
Bryant asks the scientist where exactly the body was found. He leads him to a chalk outline of
the body. After getting down on his haunches and inspecting the area, he asks if there were any
objects found on the victim. The scientist picks up a book from nearby, that he says was found on
the victim’s chest, with arms positioned to be holding it there.
As Bryant is looking through the book (a strange code is written on the inside cover), his
immediate superior, JackMorrison walks up to him. Clearly having great respect for Bryant,
Morrison says he wishes the first time they met after his recovery was in different circumstances
and that Moore said he’d been bothering him. He can stay, but tells him to try and keep out of
Moore’s way.
Moore joins the pair at this point unsatisfied with this situation. However Bryant points out that
considering the case was closed, Moore isn’t technically in charge of this investigation any more.
Knowing he is not going to get his away, he abruptly leaves.
Bryant shows Morrison the book. It is a journal by the psychologist that Bryant, a criminologist
himself has studied more closely than any other. It is clearly a message from Jonathon to get
Bryant back and leading the case.
19. INT. AGENCY BULLPEN. DAY. 19.
Bryant walks slowly through the bullpen. Most of the people working there turn around and stare
at him.
20. INT. MORRISON’S OFFICE. DAY. 20.
Morrison is on the phone to one of his superiors. He argues that considering Bryant passed the
psychological evaluation, he should be leading the Jonathon case. However it sounds like he
finally agrees to a compromise, before hanging up the phone and exiting his office.
21. INT. AGENCY BULLPEN. DAY. 21.
Morrison pulls Moore aside and then calls to Bryant. He tells them that they will be co-leading
the Jonathon case, neither will have any more control than the other. The two reluctantly agree
to this.
22. INT. BRIEFING ROOM. DAY. 22.
A meeting is held about the Jonathon case in which much about Jonathon is discussed. Moore
speaks for most of the meeting, as information is projected onto a screen.
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He calls himself Jonathon after the disciple John, who is sometimes referred to as ‘the disciple
Jesus loved’. Jonathon believes that the five senses each pollute humanity from the truth of the
lord, who tells him to do these things. He manipulates and eliminates these five senses in his
victims, with his final ritual being to remove the eyeballs and carve the number of the victim into
their back. One of the team points out that if the Desmond Lopez, (victim from scene 2) was
numbered 6, and the library victim numbered 8, then there must have been a murder in between.
However Moore quashes this idea, believing that although a number wasn’t carved into Bryant’s
back, by capturing him, he would be counted as victim 7 in Jonathon’s mind. Bryant for the
most part agrees with this, arguing that it is highly unlikely that Jonathon would have hidden the
body of a different victim 7, before making such a public statement with victim 8.
23. INT. BRYANT’S OFFICE. DAY. 23.
Bryant looks through a number of files in his office, before suddenly realizing something. He
rushes out of his office.
24. INT. MILLER’S OFFICE. DAY. 24.
Bryant tells Miller that the letters in a handwritten code from the book in the library:
ERALPDJW- - - J, correspond to the first names of Jonathon’s victims. This seemingly confirms
that Bryant, with the first name Jacob, was the seventh victim. He does not know the meaning
behind the dashes, the change of colour and the final letter in the code however.
25. INT. HALLWAY. DAY. 25.
Bryant is walking up a hospital hallway with a nurse. Speaking of Lopez, she tells Bryant that
his hearing is the only sense he has recovered, but he can speak, although very weakly.
26. INT. LOPEZ’S ROOM. DAY. 26.
The nurse shows Bryant into the room. Lopez is sitting in a chair wearing dark glasses and
listening to classical music, which he turns off when Bryant comes in. They try to exchange
small talk with great difficulty due to it being a struggle for Lopez to speak and Bryant
uncomfortably pitying the unfortunate man.
Bryant then asks if he can remember anything about his capture by Jonathon that might be
helpful. It is difficult to tell exactly what he is trying to say, but it appears that Lopez thinks that
at some stage there were two men in the building where he was tortured. Before he can hear
anything else, Bryant’s phone rings. He looks at his phone and decides to answer. It’s Miller,
another body has been found, he better come straight away.
Bryant quickly apologizes to Lopez and leaves in a hurry.
27. EXT. JETTY. DAY. 27.
Bryant rushes along the Jetty where there are already a number of agents. He spots Miller right
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at the end with a few others standing over the spread-eagled body. Incredible shock consumes his
face as he looks down at the body of Jonathon. He appears to have endured the full ritual that he
was thought to inflict on his own victims. Miller rolls his body over to reveal the number 7
carved into his back. He then gives Bryant a bible that was found with Jonathon; several pages
ripped out.
Bryant is in shock, not knowing what to say. Miller says that they could be dealing with a
copycat; who often kill the person they copy so that they can fully take their place.
28. EXT. CEMETARY. DAY. 28.
Bryant visits the grave of his mentor who was murdered when he was only starting his career.
He talks to him about how he needs his guidance, he’s lost.
29. INT. BRYANT’S BEDROOM. NIGHT. 29.
Bryant appears to be having a nightmare about Jonathon carrying out his rituals before again
being woken by a phone call. Moore tells him that victim number 9 has been found.
30. INT. SUBURBAN HOME. MORNING. 30.
Bryant walks into the house that is filled with agents and scientists and inspects the scene.
While talking with Miller, Bryant appears to get distracted by something and indecisively walks
off to miraculously find a trap door underneath some carpet that appears to have been removed
before. He then pulls out what looks like drugs and equipment that must have been used by the
copycat.
Bryant explains that he thought there would be a trap door there, because the house is a similar
old design to his own, with wooden floorboards, although they have been carpeted. He is sure
they have got their break. The copycat has slipped up. Surely they will be able to find his DNA
for the first time.
Bryant and Miller decide to personally deliver the evidence to the lab.
31. INT. BRYANT’S OFFICE. DAY. 31.
Bryant is screaming on the phone. He cannot believe that there was nothing at all found under
the trapdoor that could be linked to anyone. He slams down the phone as Miller comes into the
office. Nothing is said for sometime, before Bryant looks up at him and says he doesn’t think he
can keep this up much longer.
32. INT. BRIEFING ROOM. DAY. 32.
In a full meeting about the case, Miller is reading from some of the pages that were torn out of
the bible found with Jonathon. Bryant is staring at nothing. The voices are only background
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noise to him. He feels as though the case is a lost cause; everything is a lost cause.
Suddenly something clicks in Bryant’s brain. Lopez said he thought he heard two men, when he
was held captive. What if the ‘lord’ Jonathon referred to was not just a voice in his head telling
him what to do, but the voice of a person, who he worshipped as his lord. There is no copycat,
‘the lord’ sacrificed his disciple and is now carrying out there murders himself.
Bryant gives his team a number of tasks, as the search for ‘the lord’ begins.
33. INT. BRYANT’S OFFICE. NIGHT. 33.
Bryant is trying to focus on reading through some documents, but needs to keep rubbing his eyes
because he’s so tired. He looks at his watch. It’s after 3am. He decides to head home.
34. EXT. OUTSIDE BUILDING. NIGHT. 34.
Bryant comes out the door to the agency building and then heads towards some stairs leading to
a car park. He stops suddenly and stares at a dumpster just outside the building, then runs quickly
toward it. He looks around before rubbing his eyes again, and shaking his head as if to shake out
his tiredness.
35. EXT. OUTSIDE BUILDING. MORNING. 35.
Bryant walks up the stairs coming from the car park to find a crowd of agents as well as police
trying to move away regular citizens surrounding the dumpster he stopped at last night. He moves
through the crowd hearing the two agents closest the dumpster arguing, with one saying that
they’re not allowed to move it until the recovery team get here.
Bryant inquires what is going on. They open up the dumpster to show a body lying on top.
Bryant recognizes the man as David Kent, a former member of the agency. He tells the agent to
turn the body over on it’s back. At first he refuses, but Bryant insists. He then lifts up his shirt,
revealing the number 10 carved into his back.
36. INT. BRYANT’S OFFICE. DAY. 36.
Bryant is working in his office when, through his open door, he sees several agents apprehend
Moore in the bullpen. Moore goes quietly, but one of the agents; Mitchell, doesn’t go with them,
instead going to Moore’s office.
37. INT. AGENCY BULLPEN. DAY. 37.
Bryant chases after Mitchell who locks the door to Moore’s office. Bryant calls out to him as
he starts to walk away and asks what was happening with Moore. At first Mitchell says he can’t
talk about it, but then concedes. He tells Bryant that Lopez took his own life two days ago, or so
they thought. A hidden security camera showed that Moore brought Lopez the toxic pills that
killed him.
38. EXT. PARK. DAY. 38.
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Bryant is waiting for Miller who soon arrives. They walk together through the park.
Bryant tells him about Moore being questioned, believing that Lopez had more information that
could have led to the identification of Moore as the other man in the building with Jonathon.
Amongst other evidence, He also tells him that near the bin in which Kent’s body was found, he
saw someone as he came back to work late on the night prior to it being discovered. It was dark,
and he only saw a flash before it disappeared, and he dismissed it as a hallucination due to lack of
sleep, but he thinks it looked like Moore. Miller seems unconvinced, but then remembers that
Moore personally searched Bryant’s house while he was in hospital, perhaps he knew about the
trapdoor and that Bryant would find it in the other house, so just when he thought he’d made a
major breakthrough, it again turned out to be nothing. He was toying with Bryant.
39. INT. CELL RECEPTION. DAY. 39.
Bryant asks the guard which cell Moore is being held in? But is told that he’s been released.
Bryant tries calling Moore from the phone at the reception, but he doesn’t pick up. Bryant then
rings Miller on his mobile and tells him not to raise the alarm yet; Moore doesn’t know they’re
onto him yet, and is likely to come back to the agency or contact someone. They just need to bide
their time until then.
40. EXT. OUTSIDE BUILDING. MORNING. 40.
Bryant walks into the agency building.
41. INT. SECURITY CHECK. MORNING. 41.
Bryant puts his gun on the conveyor belt and walks through an airport style metal scanner. He
exchanges good mornings with the security guard, grabs his gun, then walks through an open
door.
42. INT. EYE SCANNER. MORNING. 42.
Bryant walks up to the eye scanning machine, which scans his eye, identifies him with voice
over, and then opens a thick metal door.
43. INT. AGENCY BULLPEN. MORNING. 43.
Bryant walks through the bullpen and opens the door to his office.
44. INT. BRYANT’S OFFICE. MORNING. 44.
He walks into his office to find a dead body sitting in his chair, facing him; victim 11.
45. INT. AGENCY BULLPEN. MORNING. 45.
Bryant comes back out into the bullpen and presses the lockdown alarm. The alarm screams out
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before people start heading towards him.
46. INT. MORRISON’S OFFICE. MORNING. 46.
Morrison is on the phone, while Bryant, Miller and two other agents are talking. Bryant
exclaims that this is impossible. Even if this was done in the early hours of the morning when no
one was here, security still would have noticed someone walk in with a dead body.
Morrison hangs up the phone. He tells them that the power went out at around 3am. The security
guard went to his car to get his mobile phone and report the problem.
Bryant points out that he couldn’t have got into this section while the power was off, but he
could have got through the security section that was supposed to be manned, and then gone
through the eye scan once the power came back up.
47. INT. SURVEILANCE ROOM. MORNING. 47.
Bryant finds that the cameras were disabled for 2 hours after the power went out. He then checks
the logs for the eye scanner, which was originally thought to be the result of the power cut. Kent
(victim 10) checked in as soon as the power came back on. He hadn’t been taken out of the
security registry. The ‘lord’ must have used Kent’s removed eyeballs to access the eye scanner
and then get out using the fire escape, none of which was recorded on camera. It had to be
someone from the agency; no one else could have pulled it off.
Bryant bangs the desk and curses.
48. INT. HALLWAY. MORNING. 48.
Bryant and Miller come out of the security room together. Bryant tells Miller that they still
can’t say anything; they still don’t have any concrete evidence. Bryant knows he will be seeing
Moore soon anyway. The last letter of the code was J, which undoubtedly stood for his first
name; Jacob; He was to be victim 12.
49. INT. LABORATORY. MORNING. 49.
Bryant walks into the lab and talks to a scientist who is working. He asks about victim 11. Some
results have just come through. Two hairs were found on the body that did not belong to the
victim; they belonged to BraedenMoore.
50. INT. AGENCY BULLPEN. MORNING. 50.
Bryantrushes towards Miller’s office looking somewhat relieved and satisfied; he knows he has
his man. But suddenly he stops as he is walking past his own office.
51. INT. BRYANT’S OFFICE. MORNING. 51.
He walks towards his computer, the screen is on, but almost blank. He realizes that all his files
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have been deleted; the entire computer wiped.
52. INT. AGENCY BULLPEN. MORNING. 52.
Bryant asks someone if the other computers have been wiped due to the power cut; they haven’t.
He wanders back into his own office; consumed by his thoughts.
53. INT. BRYANT’S OFFICE. MORNING. 53.
Bryant slumps down into his chair.
CUT TO: FLASHBACK
54. INT. SUBURBAN HOME. MORNING. 54.
Bryant says, “on all the victims in every crime scene, we’ve never found anything he didn’t want
us to”.
CUT TO: FLASHBACK
55. INT. LIBRARY. NIGHT. 55.
Bryant says, “He’s a very very smart man…he doesn’t make mistakes”
CUT TO: PRESENT
56. INT. BRYANT’S OFFICE. MORNING. 56.
Bryant mutters to himself, “he doesn’t make mistakes”.
He click on is computer. It asks for his password.
CUT TO: FLASHBACK
57. EXT. PARK. DAY. 57.
Bryant says to Miller, “I trust you with my life. I trust you with everything…”
CUT TO: PRESENT
58. INT. BRYANT’S OFFICE. MORNING. 58.
Bryant mutters to himself, “my password…Aaron…no one else…”.
He sinks further into his chair.
A colleague comes into his office with a package. He says it just came for him. He leaves and
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closes the door behind him.
Bryant opens the package. It’s a disk. Without thinking, he puts it into his computer.
Immediately the video begins, Bryant sees himself looking back at him on the screen, but he
looks different, twisted. Bryant’s other self then explains everything. He is ‘the lord’. He has a
split personality disorder, resulting in his murdering side being aware of this, but his good side
being oblivious to the other. Footage of Bryant’s idolized psychologist is then shown explaining
the split personality condition. It is explained that his good side was weak, so the other
personality gave him purpose by committing crimes that he would be able to solve. He has been
the murderer for every case he was worked on. He was the one who killed his mentor, his first
murder. The bad side has perfectly framed Miller, with the evidence on another disc in his jacket
pocket. Bryant checks, it’s there. He sinks further into his chair before standing up; looking
defiant, as though he knows he can finally set things straight.
59. INT. AGENCY BULLPEN. MORNING. 59.
Bryant comes out of his office and takes the disc out of his jacket pocket, before putting it
through a shredder.
60. INT. MORRISON’S OFFICE. MORNING. 60.
Bryant enters Morrison’s office, where Morrison is with Miller, and two large guards who are
holding a snarling Moore, who says he gave the pills to Lopez because he was a friend who
wanted to end his life, and knows nothing about his hairs being on Kent’s body. Bryant says that
Moore is not the killer, but that he is in this room. There is a long pause before he tells the guards
to apprehend Miller, for he has been ‘the lord’ all along. He pulls a disc out of his other jacket
pocket, and lays it down on the desk. While Miller is being restrained, Morrison exclaims that
he doesn’t understand. Bryant explains that he needed to be absolutely certain before he said
anything, but that it’s all there. Having such a high opinion of Bryant, Morrison allows this.
Miller is dragged away screaming. Bryant says he wants to be contacted only if absolutely
necessary, because he needs some time off to deal with it all. Morrison, is shocked, but agrees,
stating that he knows Bryant wouldn’t have told him this unless he was positive and the evidence
was concrete. Bryant walks out of the room.
61. EXT. OUTSIDE BUILDING. MORNING. 61.
Bryant walks out of the building and continues to walk down the street as an evil smile creeps
onto his face.
FADE OUT
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