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Text, including the two scores - Columbia University Department of ...

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Percussion notes<br />

The electronic percussion is a Roland SPD-S sample pad (mapping changable upon request), outputing to stereo speakers.<br />

cue markings correspond to sound banks to step through<br />

1 2 3 4 5 6 7 8 9<br />

7 8 9<br />

4 5 6<br />

1 2 3<br />

œœœœœ ÷c5œœœœ<br />

Normal<br />

ã<br />

notes are "one-hit". Dashed lines indicate samples that are toggled on and <strong>of</strong>f<br />

All dynamic markings mirror <strong>the</strong> dynamics <strong>of</strong> <strong>the</strong> instruments, and should,<br />

unless o<strong>the</strong>rwise indicated, be blended with <strong>the</strong> ensemble. Œ œ œœœŒ ã˙<br />

About<br />

American Engineer combines an instrumental ensemble,<br />

electronic sound, and live video for 3D glasses into one fused sensory experience.<br />

All audio and video source samples come from a mid-20th-century industrial film.<br />

These ephemeral scraps are woven into a tangible, though ever-shifting, ne<strong>two</strong>rk<br />

<strong>of</strong> correlations between <strong>the</strong> three media. Thus <strong>the</strong> video (triggered live by <strong>the</strong><br />

percussionist) becomes an extension <strong>of</strong> his musical composition, with <strong>the</strong> same<br />

musical properties <strong>of</strong> rhythm, force, spatialization, and counterpoint.<br />

Tech notes<br />

Tech setup is relatively simple. The sample pads contain all <strong>the</strong> audio and go<br />

straight to <strong>the</strong> speakers. Their MIDI output goes to a computer running a Max patch,<br />

which uses <strong>the</strong> MIDI to trigger internal audio that generates <strong>the</strong> video in real time.<br />

The video can be projected single channel or dual channel.<br />

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