Text, including the two scores - Columbia University Department of ...

of the strings (from normal, to sul tasto or sul ponticello), which similarly changes the relative magnitudes of the instrument’s frequency spectrum (e.g. the end of section 6). Note that these rules are not rigid, and that divergences (especially bowing
the instruments) and exceptions abound occur. Correlations involving the position of the ‘screen’ shapes, and the acoustic instruments, are even more subjective than the above list, and variable throughout the piece. As in Cardinality Aleph Two, the specifications for each pad, within each cue, involving
into polyphonic instantiations of modular interface. See figure 5. solidified
Industry paired unrelated audio and image, American Engineer contains an explicit connection between the audio and video source materials. All the audio and video samples (and the title for my piece) come from American Engineer, a corporate-sponsored ephemeral film from 1956, Whereas
extolls the glory of American industrial ingenuity and resolve. I regret that its glorious Technicolor hues and its fantastically bombastic narration are omitted from the concert piece. Visually, it is an absolute feast of industrial and mechanical footage: construction sites, quarries, every major mode of which
assembly lines, factories, bridges, cities, and pristine highways, upon which the viewer would rush to drive a new Chevrolet, lovingly unveiled transportation,
the finale. The music is likewise a pure archetype of commercialized optimism, redefining grand orchestral gestures into signifiers of industrial might: blasting brass fanfares, mechanical percussion, sweeping strings, all culminating into heavenly choirs that announce America's ascension into
in
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