Download - Fondation Cartier pour l'art contemporain - Cartier
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2001<br />
Ron Mueck, James Cohan Gallery, New York<br />
2000<br />
Ron Mueck, Anthony d’Offay Gallery, London<br />
1998<br />
Ron Mueck, Anthony d’Offay Gallery, London<br />
MAIN COLLECTIVE EXHIBITIONS<br />
2005<br />
Mélancolie : Génie et Folie en Occident,<br />
Galeries Nationales du Grand Palais, Paris<br />
2004<br />
Bodily Space: New Obsessions in Figurative Sculpture,<br />
Albright-Knox Art Gallery, Buffalo<br />
Noah’s Ark, National Gallery of Canada, Shawinigan<br />
2003<br />
The Body Transformed, National Gallery of Canada,<br />
Shawinigan<br />
2002<br />
A Perspective on Contemporary Art: Continuity/<br />
Transgression, The National Museum of Modern Art,<br />
Tokyo (touring The National Museum of Art, Osaka)<br />
SELECTED BIBLIOGRAPHY<br />
2001<br />
La Biennale di Venezia, 49. Esposizione Internazionale<br />
d’Arte: Platea dell’ Umanità, Giardini di Castello,<br />
Arsenale, Venice<br />
2000<br />
Ant Noises at the Saatchi Gallery: Part I, Damien Hirst,<br />
Sarah Lucas, Ron Mueck, Chris Ofili, Jenny Saville,<br />
Rachel Whiteread, The Saatchi Gallery, London<br />
The Mind Zone, Millennium Dome, London<br />
1999<br />
Heaven, Kunsthalle Düsseldorf, Düsseldorf<br />
(touring Tate Liverpool, Liverpool)<br />
1997<br />
Sensation: Young British Artists from the Saatchi Collection,<br />
Royal Academy of Arts, London<br />
(touring Neue Nationalgalerie im Hamburger Bahnhof,<br />
Museum für Gegenwart, Berlin; Brooklyn Museum,<br />
New York)<br />
1996<br />
Spellbound: Art and Film, Hayward Gallery, London<br />
Ron Mueck, <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art <strong>contemporain</strong>, Paris/Thames & Hudson, London-New York, 2005.<br />
Heiner Bastian (ed.), Ron Mueck, Hatje Cantz Verlag, Ostfildern-Ruit, 2003.<br />
Ron Mueck, The National Gallery, London, 2003.<br />
Boy by Ron Mueck, photographs by Gautier Deblonde, Anthony d’Offay Gallery, London, 2001.<br />
Patricia Ellis, 100: The Work That Changed British Art, Jonathan Cape/The Saatchi Gallery, London, 2005,<br />
p. 152-159, 212-213.<br />
Kerstin Stremmel, Uta Grosenick (ed.), Realism, Taschen, Cologne, 2004.<br />
Julian Heynen, Sammlung Ackermans. K21 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz Verlag,<br />
Düsseldorf, 2002, p. 31, 119.<br />
Ant Noises, Saatchi Gallery, London, 2000.<br />
Unsichere Grenzen, Kunsthall zu Kiel, Kiel, 1999, p. 18-21.<br />
Spaced Out: Late 1990s Works from the Vicki and Kent Logan Collection, California College of the Arts,<br />
San Francisco, 1999, p. 7-8, 29.<br />
Richard Cork, Sarah Kent, and Jonathan Barnbrook (eds.), Young British Art: The Saatchi Decade,<br />
Booth-Clibborn Editions, London, 1999, p. 381-385, 494-495.<br />
Dick Price, The New Neurotic Realism, The Saatchi Gallery, London, 1998.<br />
Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London, 1997, p. 126-127.