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Download - Fondation Cartier pour l'art contemporain - Cartier

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2001<br />

Ron Mueck, James Cohan Gallery, New York<br />

2000<br />

Ron Mueck, Anthony d’Offay Gallery, London<br />

1998<br />

Ron Mueck, Anthony d’Offay Gallery, London<br />

MAIN COLLECTIVE EXHIBITIONS<br />

2005<br />

Mélancolie : Génie et Folie en Occident,<br />

Galeries Nationales du Grand Palais, Paris<br />

2004<br />

Bodily Space: New Obsessions in Figurative Sculpture,<br />

Albright-Knox Art Gallery, Buffalo<br />

Noah’s Ark, National Gallery of Canada, Shawinigan<br />

2003<br />

The Body Transformed, National Gallery of Canada,<br />

Shawinigan<br />

2002<br />

A Perspective on Contemporary Art: Continuity/<br />

Transgression, The National Museum of Modern Art,<br />

Tokyo (touring The National Museum of Art, Osaka)<br />

SELECTED BIBLIOGRAPHY<br />

2001<br />

La Biennale di Venezia, 49. Esposizione Internazionale<br />

d’Arte: Platea dell’ Umanità, Giardini di Castello,<br />

Arsenale, Venice<br />

2000<br />

Ant Noises at the Saatchi Gallery: Part I, Damien Hirst,<br />

Sarah Lucas, Ron Mueck, Chris Ofili, Jenny Saville,<br />

Rachel Whiteread, The Saatchi Gallery, London<br />

The Mind Zone, Millennium Dome, London<br />

1999<br />

Heaven, Kunsthalle Düsseldorf, Düsseldorf<br />

(touring Tate Liverpool, Liverpool)<br />

1997<br />

Sensation: Young British Artists from the Saatchi Collection,<br />

Royal Academy of Arts, London<br />

(touring Neue Nationalgalerie im Hamburger Bahnhof,<br />

Museum für Gegenwart, Berlin; Brooklyn Museum,<br />

New York)<br />

1996<br />

Spellbound: Art and Film, Hayward Gallery, London<br />

Ron Mueck, <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art <strong>contemporain</strong>, Paris/Thames & Hudson, London-New York, 2005.<br />

Heiner Bastian (ed.), Ron Mueck, Hatje Cantz Verlag, Ostfildern-Ruit, 2003.<br />

Ron Mueck, The National Gallery, London, 2003.<br />

Boy by Ron Mueck, photographs by Gautier Deblonde, Anthony d’Offay Gallery, London, 2001.<br />

Patricia Ellis, 100: The Work That Changed British Art, Jonathan Cape/The Saatchi Gallery, London, 2005,<br />

p. 152-159, 212-213.<br />

Kerstin Stremmel, Uta Grosenick (ed.), Realism, Taschen, Cologne, 2004.<br />

Julian Heynen, Sammlung Ackermans. K21 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz Verlag,<br />

Düsseldorf, 2002, p. 31, 119.<br />

Ant Noises, Saatchi Gallery, London, 2000.<br />

Unsichere Grenzen, Kunsthall zu Kiel, Kiel, 1999, p. 18-21.<br />

Spaced Out: Late 1990s Works from the Vicki and Kent Logan Collection, California College of the Arts,<br />

San Francisco, 1999, p. 7-8, 29.<br />

Richard Cork, Sarah Kent, and Jonathan Barnbrook (eds.), Young British Art: The Saatchi Decade,<br />

Booth-Clibborn Editions, London, 1999, p. 381-385, 494-495.<br />

Dick Price, The New Neurotic Realism, The Saatchi Gallery, London, 1998.<br />

Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London, 1997, p. 126-127.

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