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RON MUECK<br />
NOVEMBER 19, 2005—FEBRUARY 19, 2006<br />
BIOGRAPHY<br />
Ron Mueck was born in Melbourne, Australia, in 1958 to parents of German descent.<br />
As a child he often made toys and this pastime soon became a profession. Mueck began his career in<br />
Australia as a puppet maker, both making and animating marionettes for children’s television. In 1986, he<br />
spent time in Los Angeles working in cinema before moving to London, to work for Jim Henson on Sesame<br />
Street and the Muppet Show. Their collaboration continued in the movies, where Ron Mueck supervised the<br />
special effects for two feature-length films, Dreamchild (1985) and Labyrinth (1986). In 1990, he set up his<br />
own business manufacturing models for the European advertising industry, and began working with<br />
fibreglass, which he continues to use today.<br />
Mueck’s artistic career per se began in 1996 when he made hyper-realistic sculpture of<br />
Pinocchio for the painter Paula Rego, his mother-in-law. Rego used the sculpture as a model for a series of<br />
Disney inspired paintings she made for the exhibition Spellbound: Art and Film exhibition at the Hayward<br />
Gallery in London. The sculpture was exhibited with Rego’s painting during the exhibition where it was noticed<br />
by Charles Saatchi who later commissioned Mueck to make a group of work for his collection. A year later,<br />
Mueck was included in the exhibition Sensation: Young British Artists from the Saatchi Collection at the Royal<br />
Academy of Arts in London. Mueck’s work, Dead Dad, attracted considerable attention.<br />
Entirely devoted to his artistic vocation for the past decade, Ron Mueck has participated<br />
in a number of group exhibitions and is collected by many important museums throughout the world. In 2000,<br />
the National Gallery in London invited him to be their Associate Artist for two years. This culminated in a<br />
travelling exhibition to the Museum of Contemporary Art in Sydney, the Frans Hals Museum Haarlem and the<br />
Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart in Berlin. His monumental sculpture Boy was<br />
presented at the 49th Venice Biennale in 2001. The Hirshhorn Museum and Sculpture Garden in Washington,<br />
DC, gave Mueck a solo show in 2002. The <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art <strong>contemporain</strong> exbihition is his first solo<br />
show in France.<br />
SOLO EXHIBITIONS<br />
2005<br />
Ron Mueck, <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art <strong>contemporain</strong>,<br />
Paris (touring Scottish National Gallery of Modern Art,<br />
Edinburgh; Brooklyn Art Museum, New York;<br />
National Gallery of Canada, Ottawa)<br />
Ron Mueck: The Making of Pregnant Woman, 2005,<br />
National Gallery of Australia, Canberra<br />
(touring National Gallery of Victoria, Melbourne;<br />
Queensland Art Gallery, Brisbane)<br />
2003<br />
Ron Mueck: Making Sculpture at the National Gallery,<br />
National Gallery, London<br />
Ron Mueck, Frans Hals Museum, Haarlem (Netherlands)<br />
Ron Mueck, Nationalgalerie im Hamburger Bahnhof,<br />
Museum für Gegenwart, Berlin<br />
2002<br />
Ron Mueck Sculpture, Museum of Contemporary Art,<br />
Sydney<br />
Directions: Ron Mueck, Hirshhorn Museum and Sculpture<br />
Garden, Smithsonian Institution, Washington DC<br />
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