Musical Instrument Digital Interface, - Hol.gr
Musical Instrument Digital Interface, - Hol.gr
Musical Instrument Digital Interface, - Hol.gr
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Different Quantization and Sampling Rates<br />
In dia<strong>gr</strong>am (A) and (B) the sampling rate is the same, but the quantization resolution is better in dia<strong>gr</strong>am<br />
(B). In dia<strong>gr</strong>am (C) & (D), the sampling rate has been doubled and the bit resolution has been increased in<br />
dia<strong>gr</strong>am (D). What a dramatic difference the sampling rate and bit resolution can make on recreating an<br />
acoustic waveform.<br />
The Nyquist Theorem determines that the bandwidth of any digital sampling length will always be onehalf<br />
of the sampling rate. This means that a sample taken at a rate of 44k would have 22k (22,000)<br />
pictures or snap shots of the waveform in one second of time. A higher rate will have more samples per<br />
second and will also take up more computer memory. The Nyquist Frequency is the frequency of the<br />
highest component of a sound and the Nyquist Rate is twice the Nyquist Frequency.<br />
More computer memory is also used when the bit resolution is higher (16 bits to represent a number<br />
verses 8 bits). Computer memory and the content that is being sampled will determine the sampling rate<br />
and bit resolution to use. For example, sounds that do not have a high frequency content could be sampled<br />
at a lower rate and still imitate most of the same fidelity as the original sound.<br />
It is important that the signal that is being sampled does not have frequencies above the Nyquist<br />
Frequency. Every time that a sample is made, there is also duplicates of the signal that are also created that<br />
are called Folding Components.