Musical Instrument Digital Interface, - Hol.gr

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n= First nibble - 0 - Frame count LS nibble n= First nibble - 1 - Frame count MS nibble n= First nibble - 2 - Seconds count LS nibble n= First nibble - 3 - Seconds count MS nibble n= First nibble - 4 - Minutes count LS nibble n= First nibble - 5 - Minutes count MS nibble n= First nibble - 6 - Hours count LS nibble n= First nibble - 7 - Hours count MS nibble and SMPTE Type x= Second nibble - Actual number of the Time Code 0 through 9 The relationship between the SMPTE time code numbers and MIDI time code quarter frame message is listed in the example below. 0 1 1 6 2 5 1 2 F1 70 F1 61 F1 51 F1 46 Example of MIDI Time Code in a MIDI Sequencer In the example to the right are red arrows pointing to specific MIDI time code data in a sequencer track. The upper right arrow is pointing to a specific absolute time number of 1 hour, 3 minutes, 7 seconds and 8 frames. Below this arrow is an arrow pointing to the music that is being played at this location. The arrow on the left is pointing to an offset number. Offset is a way of setting the MTC time at a certain number to begin a sequence or cue. F1 32 F1 25 F1 11 F1 02
There are red arrows in the dia<strong>gr</strong>am to the right that are locating a highlighted note in this MIDI sequence at measure 5, beat 2. The tempo for this sequence is set at 220 bpm and the time code (upper right arrow indicates that the note will start at 4 seconds, 19 frames and 74 Here is an event listing of the notes and the arrows are pointing to an exact moment in time. In the top arrows the note D2 is played in measure 39, beat 1, with a MIDI clock resolution of 70. This note occurs at 1 hour, 1 minute, 22 seconds, 6 frames and 51 bit resolution. In the lower arrows the note C2 is played in measure 48, beat 1, with a MIDI clock resolution of 220. The time reference of this note is 1 hour, 1 minute, 38 seconds, 29 frames, and 34 bit resolution. It is important to remember that if the tempo of the music changed, the time code numbers would change, but the value and placement of the notes would stay the same. The next two example clearly show the relationship of the MIDI time code with the MIDI timing clock.
Page 1 and 2: Musical Instrument Digital Interfac
Page 3 and 4: This gives the user the ability to
Page 5 and 6: Then connect the MIDI interface to
Page 7 and 8: (Remember that 0 is a number, 0-15)
Page 9 and 10: its original version by using the p
Page 11 and 12: Using the Volume Pedal Binary code
Page 13 and 14: MIDI Message System Exclusive F0 Sy
Page 15 and 16: Poly, is dependent on the number of
Page 17 and 18: The picture on the right is a MIDI
Page 19 and 20: Return to MIDI Controllers Menu The
Page 21 and 22: 13.Marimba 14.Xylophone 15.Tubular
Page 23 and 24: There are three types of Standard M
Page 25 and 26: On this page we will look at comput
Page 27 and 28: e recorded at a slow tempo and then
Page 29 and 30: eturn to the menu Music Notation It
Page 31 and 32: Simulation Vivace is simulation CAI
Page 33 and 34: The computer program Max allows the
Page 35 and 36: into digital information. This proc
Page 37 and 38: When a sample goes beyond the sampl
Page 39 and 40: measures at a tempo of 30 bpm. retu
Page 41: frames are dropped for each minute
Page 45 and 46: development class, Web Authoring, a

Musical Instrument Digital Interface, - Hol.gr

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