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HEALTH Strings Under the Big Sky - Explore Big Sky

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42 June 29, 2012<br />

entertainment<br />

Q+a with Blitzen Trapper’s eric earley<br />

by max lowe<br />

big <strong>Sky</strong> weekly contributor<br />

Eric Earley’s writing and performance<br />

on Blitzen Trapper’s most<br />

recent album American Goldwing<br />

staunchly stakes him as a storyteller,<br />

musician and songwriter. Stemming<br />

from close-to-home life allusions<br />

and warm reminiscence of past experiences<br />

both sorrowful and carefree,<br />

Eric writes songs to shape episodes<br />

in <strong>the</strong> minds of his audience.<br />

I caught up with him for a short<br />

phone interview and gained some<br />

insight into <strong>the</strong> band and <strong>the</strong> album,<br />

which was released last September.<br />

The band has performed in Bozeman<br />

more than a handful of times and<br />

played a show June 29 at <strong>the</strong> Filling<br />

Station.<br />

max lowe: You recently played at<br />

Sasquatch. What do you like about<br />

that compared to playing a show like<br />

<strong>the</strong> one here at <strong>the</strong> Filling Station?<br />

eric earley: I like <strong>the</strong> big stages,<br />

but <strong>the</strong>re is a lot less interaction<br />

with <strong>the</strong> audience. The energy you<br />

get at those types of huge shows is<br />

somewhat overwhelming in a sense,<br />

but super exciting. Playing smaller<br />

venues is definitely a warmer feeling,<br />

where you can have a little bit<br />

more intimate connection with <strong>the</strong><br />

audience.<br />

ml: You and <strong>the</strong> band have toured all<br />

over <strong>the</strong> country and <strong>the</strong> world. Has<br />

this had an influence on your creative<br />

process?<br />

ee: It’s definitely affected <strong>the</strong> way<br />

we perform and <strong>the</strong> way we arrange<br />

our stage show. Playing so much<br />

gives you awareness to <strong>the</strong> way you<br />

play as a group.<br />

ml: What literary, art or o<strong>the</strong>r inspirations<br />

have influenced <strong>the</strong> stories in<br />

your songs?<br />

ee: A lot of my writing comes from<br />

literature. My lyrical writing comes<br />

from narrative and literary influence,<br />

in <strong>the</strong> sense that I try and tell<br />

a story. I like it to be very visual for<br />

<strong>the</strong> listener so even if <strong>the</strong> song isn’t<br />

literally telling a story, you can envision<br />

a scene as <strong>the</strong> music unfolds. I<br />

read a lot.<br />

As far as music, I really like hiphop<br />

and folk music. Gangster rap<br />

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and hip-hop are both very lyrically<br />

powerful. The lyrics are all involved.<br />

I also listen to a lot of guitar<br />

rock from <strong>the</strong> ‘70s. Energetically,<br />

it’s way more driven by passion, and<br />

even though <strong>the</strong> lyrics are not quite<br />

as expressive you can feel <strong>the</strong> power<br />

of <strong>the</strong> music.<br />

ml: A lot of your songs seem to have<br />

personal stories ingrained in <strong>the</strong> lyrics.<br />

Tell me about that.<br />

ee: This last record was really all<br />

pulled from my own experiences.<br />

It’s all in <strong>the</strong> details of each song<br />

and <strong>the</strong> story and life inspiration<br />

behind it.<br />

ml: “Taking it easy too long” really<br />

struck a chord with me on being<br />

stuck waiting for things that are pulling<br />

you down. Did this song have a<br />

specific story behind it in your life?<br />

ee: That one is just written off a<br />

majority of my life. I spent my 20s<br />

drinking and doing a lot of nothing<br />

around Portland, and that song is<br />

meant to reflect that period. The<br />

music video is shot right outside of<br />

Salem, Ore., on <strong>the</strong> Mollala River<br />

right around where we all grew up,<br />

so that has a real connection with<br />

that part of my and all our lives.<br />

ml: Have you released any solo<br />

projects around this last album?<br />

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<strong>Big</strong> <strong>Sky</strong> Weekly<br />

blitzen trapper's eric early performing in salt lake City last<br />

year. Photo by max lowe<br />

ee: I write all <strong>the</strong> music we do, so I<br />

really only write for <strong>the</strong> band. There<br />

are always songs I’m writing and<br />

recording on my own, but I haven’t<br />

recorded and released any solo projects.<br />

ml: I recently got back from a travel<br />

abroad, and <strong>the</strong> music I saw in o<strong>the</strong>r<br />

countries seemed very single genre. The<br />

scene here in <strong>the</strong> U.S. has thousands of<br />

sects and off-sects. If you could, how<br />

would you describe American music?<br />

ee: I think <strong>the</strong> only forms of music<br />

truly invented here in <strong>the</strong> U.S. are<br />

rap music and jazz. To me, American<br />

music is gangster rap and hip-hop<br />

mainly. Most everything else has<br />

roots in o<strong>the</strong>r types of music from all<br />

over <strong>the</strong> world. Many o<strong>the</strong>r musical<br />

movements have origins elsewhere,<br />

like grunge from England or folk<br />

from Ireland. Folk music for me really<br />

started with learning <strong>the</strong> banjo<br />

from my grandfa<strong>the</strong>r, who was from<br />

Ireland.<br />

ml: Excited to be back in Bozeman<br />

playing at <strong>the</strong> Filling Station?<br />

ee: Super exited to be back. I’ve had<br />

a great time at past shows in Bozeman<br />

and <strong>the</strong> Filling Station. The people in<br />

Bozeman feel like where we grew up<br />

in <strong>the</strong> Pacific Northwest. It’s a small<br />

town and nor<strong>the</strong>rn town, and you<br />

can feel that.

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