HEALTH Strings Under the Big Sky - Explore Big Sky
HEALTH Strings Under the Big Sky - Explore Big Sky
HEALTH Strings Under the Big Sky - Explore Big Sky
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42 June 29, 2012<br />
entertainment<br />
Q+a with Blitzen Trapper’s eric earley<br />
by max lowe<br />
big <strong>Sky</strong> weekly contributor<br />
Eric Earley’s writing and performance<br />
on Blitzen Trapper’s most<br />
recent album American Goldwing<br />
staunchly stakes him as a storyteller,<br />
musician and songwriter. Stemming<br />
from close-to-home life allusions<br />
and warm reminiscence of past experiences<br />
both sorrowful and carefree,<br />
Eric writes songs to shape episodes<br />
in <strong>the</strong> minds of his audience.<br />
I caught up with him for a short<br />
phone interview and gained some<br />
insight into <strong>the</strong> band and <strong>the</strong> album,<br />
which was released last September.<br />
The band has performed in Bozeman<br />
more than a handful of times and<br />
played a show June 29 at <strong>the</strong> Filling<br />
Station.<br />
max lowe: You recently played at<br />
Sasquatch. What do you like about<br />
that compared to playing a show like<br />
<strong>the</strong> one here at <strong>the</strong> Filling Station?<br />
eric earley: I like <strong>the</strong> big stages,<br />
but <strong>the</strong>re is a lot less interaction<br />
with <strong>the</strong> audience. The energy you<br />
get at those types of huge shows is<br />
somewhat overwhelming in a sense,<br />
but super exciting. Playing smaller<br />
venues is definitely a warmer feeling,<br />
where you can have a little bit<br />
more intimate connection with <strong>the</strong><br />
audience.<br />
ml: You and <strong>the</strong> band have toured all<br />
over <strong>the</strong> country and <strong>the</strong> world. Has<br />
this had an influence on your creative<br />
process?<br />
ee: It’s definitely affected <strong>the</strong> way<br />
we perform and <strong>the</strong> way we arrange<br />
our stage show. Playing so much<br />
gives you awareness to <strong>the</strong> way you<br />
play as a group.<br />
ml: What literary, art or o<strong>the</strong>r inspirations<br />
have influenced <strong>the</strong> stories in<br />
your songs?<br />
ee: A lot of my writing comes from<br />
literature. My lyrical writing comes<br />
from narrative and literary influence,<br />
in <strong>the</strong> sense that I try and tell<br />
a story. I like it to be very visual for<br />
<strong>the</strong> listener so even if <strong>the</strong> song isn’t<br />
literally telling a story, you can envision<br />
a scene as <strong>the</strong> music unfolds. I<br />
read a lot.<br />
As far as music, I really like hiphop<br />
and folk music. Gangster rap<br />
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and hip-hop are both very lyrically<br />
powerful. The lyrics are all involved.<br />
I also listen to a lot of guitar<br />
rock from <strong>the</strong> ‘70s. Energetically,<br />
it’s way more driven by passion, and<br />
even though <strong>the</strong> lyrics are not quite<br />
as expressive you can feel <strong>the</strong> power<br />
of <strong>the</strong> music.<br />
ml: A lot of your songs seem to have<br />
personal stories ingrained in <strong>the</strong> lyrics.<br />
Tell me about that.<br />
ee: This last record was really all<br />
pulled from my own experiences.<br />
It’s all in <strong>the</strong> details of each song<br />
and <strong>the</strong> story and life inspiration<br />
behind it.<br />
ml: “Taking it easy too long” really<br />
struck a chord with me on being<br />
stuck waiting for things that are pulling<br />
you down. Did this song have a<br />
specific story behind it in your life?<br />
ee: That one is just written off a<br />
majority of my life. I spent my 20s<br />
drinking and doing a lot of nothing<br />
around Portland, and that song is<br />
meant to reflect that period. The<br />
music video is shot right outside of<br />
Salem, Ore., on <strong>the</strong> Mollala River<br />
right around where we all grew up,<br />
so that has a real connection with<br />
that part of my and all our lives.<br />
ml: Have you released any solo<br />
projects around this last album?<br />
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<strong>Big</strong> <strong>Sky</strong> Weekly<br />
blitzen trapper's eric early performing in salt lake City last<br />
year. Photo by max lowe<br />
ee: I write all <strong>the</strong> music we do, so I<br />
really only write for <strong>the</strong> band. There<br />
are always songs I’m writing and<br />
recording on my own, but I haven’t<br />
recorded and released any solo projects.<br />
ml: I recently got back from a travel<br />
abroad, and <strong>the</strong> music I saw in o<strong>the</strong>r<br />
countries seemed very single genre. The<br />
scene here in <strong>the</strong> U.S. has thousands of<br />
sects and off-sects. If you could, how<br />
would you describe American music?<br />
ee: I think <strong>the</strong> only forms of music<br />
truly invented here in <strong>the</strong> U.S. are<br />
rap music and jazz. To me, American<br />
music is gangster rap and hip-hop<br />
mainly. Most everything else has<br />
roots in o<strong>the</strong>r types of music from all<br />
over <strong>the</strong> world. Many o<strong>the</strong>r musical<br />
movements have origins elsewhere,<br />
like grunge from England or folk<br />
from Ireland. Folk music for me really<br />
started with learning <strong>the</strong> banjo<br />
from my grandfa<strong>the</strong>r, who was from<br />
Ireland.<br />
ml: Excited to be back in Bozeman<br />
playing at <strong>the</strong> Filling Station?<br />
ee: Super exited to be back. I’ve had<br />
a great time at past shows in Bozeman<br />
and <strong>the</strong> Filling Station. The people in<br />
Bozeman feel like where we grew up<br />
in <strong>the</strong> Pacific Northwest. It’s a small<br />
town and nor<strong>the</strong>rn town, and you<br />
can feel that.