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TELEFONICA DIAGONAL ZEROZERO TOWER NEWS 65 - Figueras

TELEFONICA DIAGONAL ZEROZERO TOWER NEWS 65 - Figueras

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<strong>NEWS</strong> <strong>65</strong><br />

ENGLISH<br />

SPAIN, Barcelona<br />

<strong>TELEFONICA</strong> <strong>DIAGONAL</strong><br />

<strong>ZEROZERO</strong> <strong>TOWER</strong><br />

Shaping the city’s<br />

new skyline


Project<br />

details:<br />

Name:<br />

Telefónica Diagonal<br />

ZeroZero Tower<br />

Location:<br />

Zona Forum, Avinguda<br />

Diagonal, Barcelona<br />

Architecture and<br />

design: EMBA_<br />

Estudi Massip-Bosch<br />

Arquitectes<br />

Height:<br />

110 metres<br />

Number of floors:<br />

26<br />

Construction company:<br />

FCC<br />

Client:<br />

Zona Franca<br />

Consortium, Barcelona<br />

City Council<br />

Total floor area:<br />

34.000 m 2<br />

Assembly hall capacity:<br />

340 plazas<br />

Product:<br />

ZeroZero custom chair<br />

by <strong>Figueras</strong><br />

‘The external form and the view of the building from a distance<br />

are a response to the city; the close-up view and internal forms,<br />

to the building’s functions’<br />

SPAIN, Barcelona<br />

<strong>TELEFONICA</strong> <strong>DIAGONAL</strong><br />

<strong>ZEROZERO</strong> <strong>TOWER</strong><br />

A MODULAR<br />

AUDITORIUM FOR<br />

NUMBER ‘ZERO’<br />

ON BARCELONA’S<br />

AVINGUDA<br />

<strong>DIAGONAL</strong><br />

with:<br />

ENRIC MASSIP-BOSCH - EMBA_Estudi Massip-Bosch Arquitectes<br />

The building is the corporate headquarters of Telefónica<br />

in Catalonia and houses the company’s Research and<br />

Development Department, one of the most advanced in the<br />

country.<br />

Where did you draw your inspiration for the original design<br />

of the façade and volume of the Telefónica building?<br />

The volume of the building is determined by its urban setting.<br />

The rhomboid ground plan conforms to the grid pattern of the<br />

Eixample district, which defines the plot; and its height, 110<br />

metres, is a way of marking the beginning of Avinguda Diagonal<br />

as a reference point in Barcelona. The building is visible from the<br />

other end of Avinguda Diagonal, at the entrance to Barcelona<br />

from Tarragona, so it serves as a landmark for the point where<br />

the Eixample district reaches the sea.<br />

The façade is a curtain wall made of white screen-printed<br />

glass because we wanted the building to be a landmark that<br />

changes depending on the light and weather. This is achieved<br />

with the white colour, which reflects the various tones in the<br />

environment.<br />

Enric Massip-Bosch<br />

EMBA_Estudi Massip-Bosch Arquitectes<br />

What needs did the auditorium have to meet, and how have<br />

they been addressed?<br />

Right from the start, the goal was to make the assembly hall<br />

a versatile space, in terms of both its size and use. It was clear<br />

to us that it should be above ground level to take advantage<br />

of natural light. It’s oriented towards the northeast, so the<br />

light that reaches the space throughout the day is indirect<br />

and very soft, just right for the kind of functions held there.<br />

The upper floor location also provides a view of the sea<br />

horizon, which lends the space a unique character. Another<br />

thing that distinguishes the auditorium from those found in<br />

other corporate headquarters is its 350-seat capacity and<br />

the distribution of seating in stalls and two amphitheatres,<br />

which can be separated from the main part of the hall to hold<br />

simultaneous events.<br />

We wanted the auditorium to be in harmony with the design<br />

of the rest of the building, which is very austere and free<br />

of flourishes, though luxurious in terms of dimensions and<br />

materials. That’s why everything is white, except the carpeting<br />

and seating, which are black.


ENRIC MASSIP-BOSCH - ARCHITECT<br />

Enric Massip-Bosch was born in Barcelona. He<br />

earned a degree in architecture from the UPC’s<br />

Barcelona School of Architecture (ETSAB). He is<br />

a lecturer in Architectural Projects at the Technical<br />

University of Catalonia (UPC). From 1987 to 1989,<br />

he worked at Tokyo Polytechnic University under a<br />

grant provided by the Japanese government.<br />

In 1990 he founded EMBA_ESTUDI MASSIP-BOSCH<br />

ARQUITECTES. Projects executed: a five-star hotel<br />

and shopping centre in Riyadh (Saudi Arabia), the<br />

What does the chair selected contribute to the functionality<br />

of the auditorium and the decor?<br />

The seat we’ve installed in the assembly hall of Diagonal<br />

ZeroZero is a design developed by <strong>Figueras</strong> based on existing<br />

elements. Our goal was to create a chair that meets the specific<br />

needs of Telefónica and can also be used in other similar cases.<br />

The main features that differentiate the chair from similar<br />

ones are the integration of the writing tablet in the armrest,<br />

the dimensions of the chair – it’s exceptionally wide – and the<br />

backrest, which is higher than usual and therefore provides<br />

a greater sense of privacy for users, particularly in the<br />

amphitheatres.<br />

‘The main features that<br />

differentiate the chair from similar<br />

ones are the integration of the<br />

writing tablet in the armrest and<br />

the dimensions of the chair, which<br />

is wider than usual’<br />

TJ Collection headquarters and logistics centre<br />

in Moscow (Russia), squares in Leucate and<br />

Carcassonne (France); and in Spain, the Telefónica<br />

Diagonal ZeroZero Tower in Barcelona, the mixeduse<br />

Volpelleres Oest building in Sant Cugat del<br />

Vallés, and a new prison in Tàrrega.<br />

EMBA has been featured in exhibitions at the<br />

RIBA in London, in Paris, Melbourne, Sofia, Porto<br />

and Montreal, and at the Architecture Biennial of<br />

Venice and the Architecture Biennial of Bucharest.<br />

Amphitheatre Layout<br />

The innovative design of the chair is reflected in the materials<br />

used as well as its geometry. In line with the core idea for the<br />

building as a whole, the materials were selected for their ability<br />

to meet multiple needs. The high backrest and armrests are<br />

made of black-stained moulded plywood, which leaves the<br />

grain visible and increases the durability of the chairs. The<br />

Danish fabric used for the upholstery has a natural feel that<br />

makes it extremely pleasant to the touch and it also acts as<br />

an excellent acoustic absorber. The chair serves as a neutral<br />

element, suitable for use in a range of situations where an<br />

assembly hall or conference room needs to be equipped with<br />

multifunctional seating that delivers comfort combined with<br />

clean, simple lines.<br />

Auditorium Layout<br />

‘The façade is a curtain wall made of white screen-printed glass because<br />

we wanted the building to be a landmark that changes depending on<br />

the light and weather. This is achieved with the white colour.’<br />

more information:<br />

www.emba.cat<br />

www.figueras.com<br />

3


‘The new timber flooring and seating within the Concert Hall lift the<br />

level of light and joy to the performance experience’<br />

AUSTRALIA, Brisbane<br />

QPAC<br />

with:<br />

RICHARD COULSON - COX RAYNER ARCHITECTS<br />

The refurbishment of the Queensland Performing Arts Centre<br />

(QPAC) is the first stage of a comprehensive master plan aimed<br />

at enabling the venue to engage with its environment in a much<br />

more integrated way than was previously possible.<br />

The master plan is conceived to retain the integrity of the<br />

existing architecture while addressing operational issues related<br />

to disability access, outdated technologies, and the upgrading of<br />

amenities and facilities.<br />

The first stage of the project includes the complete interior<br />

refurbishment of the QPAC’s two main theatres, the Concert<br />

‘The greatest challenge for the QPAC<br />

refurbishment project was to execute all the<br />

work in a 16-week close-down period’<br />

Richard Coulson<br />

Cox Rayner Architects<br />

Hall and the Lyric Theatre, and modifications to the foyer and<br />

circulation spaces to facilitate disability access and relieve<br />

congestion. The opportunity was also taken to reconsider the<br />

whole sequence of circulation movement from the street to the<br />

theatres, and from food and beverage spaces to the external<br />

environment.<br />

In the theatres, stalls seating, stages, lighting, and rigging systems<br />

were extensively upgraded while respecting the spatial integrity<br />

of the interior spaces.<br />

The interior remodelling of the Lyric Theatre and Concert Hall has<br />

generated an outstanding response from the public, orchestras,<br />

performers, and the QPAC’s technical operators thanks to<br />

dramatic improvement in acoustics and working conditions.<br />

The changes implemented have led to significant gains for the<br />

QPAC in terms of public accessibility and performance diversity,<br />

as well as allowing it to appeal to wider audiences.<br />

more information:<br />

www.qpac.com.au<br />

www.coxarchitecture.com.au


Project<br />

details:<br />

Name:<br />

Queensland Performing<br />

Arts Centre<br />

Location:<br />

Corner of Grey St and<br />

Melbourne St, South<br />

Bank 4101 Brisbane,<br />

Queensland, Australia<br />

Architecture and<br />

design:<br />

Richard Coulson, Cox<br />

Rayner Architects &<br />

Planners<br />

Construction<br />

company:<br />

Abigroup Contractors<br />

Pty Limited<br />

Client:<br />

Public<br />

Auditorium capacity:<br />

Concert Hall: 1600 seats<br />

Lyric Theatre: 2000 seats<br />

Product:<br />

Customized 13113 Sensó<br />

chair by <strong>Figueras</strong><br />

www.figueras.com<br />

‘The Sensó model seats installed in the Concert Hall and Lyric<br />

Theatre were customized with wooden trim, and their dimensions<br />

were adjusted according to the needs of each space’<br />

RICHARD COULSON - ARCHITECT<br />

Richard Coulson graduated from the University of<br />

Queensland in 1992 with a degree in architecture.<br />

He joined Cox Rayner in March 2001, and since<br />

then he has been a senior member of the design<br />

team, working on various scaled competitions and<br />

projects. He became a director of the firm in 2007.<br />

Since 2003, he has been involved in master<br />

planning for major projects, including Newstead<br />

Riverpark, the QPAC, QUT Gardens Point, and<br />

Bowen Hills. Richard was the project architect<br />

for the Fujitsu Office Building, Newstead and the<br />

Singapore Management University Administration<br />

Building, Singapore, both benchmark commercial<br />

office buildings.<br />

Richard’s interest in sustainable design is reflected<br />

in his directing the Energex Headquarters at<br />

Newstead, awarded the first 6 Star Green<br />

Star design in Queensland, and Green<br />

Square North Tower, the first completed<br />

6-star Green Star commercial project in<br />

Queensland. Richard was the project<br />

director for the QPAC redevelopment.<br />

5


SPAIN, Huesca, Benasque<br />

THE PEDRO PASCUAL SCIENCE<br />

CENTRE OF BENASQUE<br />

UCRANIA, Járkov<br />

METALIST STADIUM<br />

The Oblasny SportKomplex (OSK) Metalist,<br />

commonly known as the Metalist Stadium,<br />

is a multi-use sports complex located in<br />

the city of Járkov (Ukraine). The venue is<br />

currently owned by FC Metalist Kharkiv and<br />

is used for holding football matches.<br />

Designed by architect Z.V. Permilovskyi, the<br />

building first opened its doors in 1926. In<br />

2009 it underwent a major renovation so<br />

that it could be used as a venue for the 2012<br />

UEFA European Football Championship,<br />

which will be co-hosted by Poland and<br />

‘The CCBPP has won several awards<br />

as an exemplary building for energy<br />

efficiency and lighting’<br />

The building was designed<br />

as a unique facility<br />

for holding high-level<br />

scientific conferences.<br />

Ukraine. Following completion of the<br />

upgrading work, the stadium now seats<br />

41,411 spectators.<br />

The stadium’s VIP boxes are outfitted with<br />

the Megaseat 9113 by <strong>Figueras</strong>, customized<br />

with the club’s colours and crest.<br />

more information:<br />

www.metalist-arena.com<br />

The Pedro Pascual Science Centre of<br />

Benasque, an advanced research centre<br />

located in the heart of the Pyrenees,<br />

provides a pleasant setting where<br />

professional researchers can share their<br />

work.<br />

The design of the building, by architect<br />

Isabel Pascual, is based on a division of<br />

functions, which are distributed on three<br />

floors. A 180-seat auditorium on the second<br />

floor has been outfitted with the Bonamusa<br />

chair, which offers an elegant design and<br />

premium comfort. The model delivers<br />

maximum functionality thanks to its superb<br />

stackability and an inconspicuous linking<br />

system for forming rows.<br />

FIGUERAS<br />

LAUNCHES NEW<br />

WEBSITE FOR<br />

CHAIRS<br />

www.figueraschairs.com<br />

<strong>Figueras</strong> has launched a new website<br />

that focuses exclusively on chairs. The<br />

site is dynamic, clear, intuitive, and highly<br />

practical. It is aimed at professionals<br />

looking for designer chairs that are<br />

comfortable, versatile, highly durable,<br />

and functional, and at interior designers,<br />

architects, and contractors responsible for<br />

fitting out hotels and public spaces.<br />

The site showcases six outstanding chairs<br />

created by <strong>Figueras</strong> (Bonamusa, Delta<br />

Plus, Tulipa, Delta, Venus, and DS Plus).<br />

Upholstery colour and frame finish can be<br />

customized to match specific needs and<br />

applications. You can also decide if you<br />

want chairs with writing tablets (for some<br />

models), a linking system, or a practical<br />

cart for easy transport and storage.<br />

The bilingual website allows users to<br />

request a quotation and save products of<br />

interest so they can find them immediately<br />

on later visits.<br />

A special transport and storage cart makes<br />

clearing the auditorium a quick and easy job.<br />

more information:<br />

www.benasque.org


SPAIN, Barcelona<br />

EL MOLINO<br />

THEATRE<br />

FIGUERAS<br />

DRESSES EL<br />

MOLINO UP<br />

IN SEQUIN<br />

SPLENDOUR<br />

The sails of EL MOLINO are set to once<br />

again enrich Barcelona’s cultural agenda.<br />

And <strong>Figueras</strong> was the company chosen<br />

to create the seating that will add extra<br />

sparkle to new shows at Barcelona’s<br />

legendary music hall.<br />

Fernando Salas, head of interior design for<br />

the project, worked with the architectural<br />

firm BOPBAA (Josep Bohigas, Francesc<br />

Pla, and Iñaki Baquero) to achieve the<br />

best possible fit with the requirements of<br />

the hall. One of the main challenges was<br />

the small size of the building. The solution<br />

was to create a flexible multifunctional<br />

space. The first stalls level features<br />

made-to-measure movable seating that<br />

allows for various hall configurations.<br />

Tables were designed to offer spectators<br />

the option of dining during the show.<br />

Both chairs and tables are stackable,<br />

and transport carts, which are also<br />

customized, facilitate rapid storage. On<br />

the second stalls level, chairs are fixed<br />

to the floor behind a railing that serves<br />

as a bar and allows spectators to dine<br />

while enjoying the show. The pedestal<br />

rotates through 360°, and chairs return<br />

automatically to their original position<br />

when vacated, ensuring an orderly<br />

appearance in the hall.<br />

But what would El Molino be without a<br />

touch of light and colour? The <strong>Figueras</strong><br />

Design Centre worked hand-in-hand with<br />

Swarovski to create customized seating<br />

for the venue. Red leather upholstery<br />

is emblazoned with the El Molino logo<br />

using an innovative system that makes<br />

it possible to embed the crystals in the<br />

upholstery without any risk of scratching.<br />

Thanks to this touch of glitter, the<br />

seating makes a vital contribution to the<br />

aesthetics of the hall.<br />

more information:<br />

www.elmolinobcn.com<br />

www.figueras.com<br />

7<br />

The first stalls level<br />

features made-tomeasure<br />

movable seating<br />

that allows for various<br />

hall configurations


ON<br />

OFF<br />

THE<br />

METAMORPHOSIS<br />

OF SPACE<br />

Why can’t an auditorium be used<br />

to hold conferences?<br />

Why can’t a conference room be<br />

used as a theatre?<br />

Why can’t a theatre be used to<br />

hold a banquet?<br />

HEADQUARTERS<br />

& FACTORY<br />

08186 Lliçà d’Amunt<br />

Barcelona (Spain)<br />

Tel. +34 938 445 050<br />

Fax +34 938 445 070<br />

info@figueras.com<br />

For more information, visit our website:<br />

www.figueras.com/mutaflex<br />

The new Mutaflex movable seating<br />

system makes it possible to use the<br />

same space in different ways. The<br />

way the system works is simple<br />

and effective: the transformation<br />

process, activated at the press of a<br />

button, takes just minutes. Turning<br />

a stalls seating area into an open<br />

space is no longer just a possibility:<br />

now it’s a reality.<br />

8MIN.<br />

FIGUERAS BARCELONA<br />

Tel. +34 934 580 262<br />

Fax +34 932 076 849<br />

barcelona@figueras.com<br />

FIGUERAS MADRID<br />

Tel. +34 914 112 508<br />

Fax +34 915 628 193<br />

madrid@figueras.com<br />

FIGUERAS SEATING USA<br />

MIAMI<br />

Phone 1-786 331 9433<br />

Fax 1-786 331 9434<br />

info@figueras-usa.com<br />

www.figueras-usa.com<br />

FIGUERAS SEATING ASIA<br />

SINGAPORE<br />

Phone +<strong>65</strong> <strong>65</strong>14 4154<br />

Fax:+<strong>65</strong> 6258 2154<br />

info@figuerasasia.com<br />

www.figuerasasia.com<br />

FIGUERAS UK<br />

LONDON<br />

Tel. (44) 020 7251 8936<br />

Fax (44) 020 7250 0537<br />

info@figuerasuk.com<br />

www.figuerasuk.com<br />

FIGUERAS FRANCE<br />

PARIS<br />

Tel. (33) 1-43 42 26 26<br />

Fax (33) 1-43 42 44 22<br />

info@figueras.fr<br />

www.figueras.fr<br />

FIGUERAS DEUTSCHLAND<br />

KÖLN<br />

Tel. 49-221 430 2811<br />

Fax 49-221 430 2813<br />

info@figueras.de<br />

www.figueras.de<br />

FIGUERAS PORTUGAL<br />

LISBOA<br />

Tel. 351-(21) 751 01 90<br />

Fax 351-(21) 759 87 93<br />

info@figueras.pt<br />

www.figueras.pt<br />

www.serafi.net D.L.: B-22.679-2011

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