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The Discovery Of Genesis

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Epilog. Revelation<br />

crude!” I thought. It was more difficult at this close<br />

range to make out the various objects which composed<br />

the panorama. Certainly at this short distance it lacked<br />

beauty, the outlines were difficult to delineate, and there<br />

was no breath-taking attractiveness. Instead, one might<br />

be tempted to criticize the handiwork of the one who had<br />

set the tiles in a slightly irregular fashion. Once again 1<br />

moved away to the far end of the mezzanine, and the<br />

city became alive! It was the distance and the’ lighting.<br />

From whence the light came, I do not remember,<br />

whether artificial or by skylight, but it was perfect. I<br />

could not help but take out my camera, hoping to<br />

record its glowing exquisiteness.<br />

“How like this study we have just completed,” I<br />

mused. “<strong>The</strong> isolated Chinese character by itself, or perhaps<br />

a small series on one aspect of the <strong>Genesis</strong> subject<br />

is interesting, but one might question, ‘Is it possible?<br />

or ‘Was this really the original intention?’ One can become<br />

very ‘picky’ and critical. However, taken as a<br />

whole, with all the pieces in place, and with a retrospection<br />

of 4,500 years, the total picture becomes amazing!”<br />

I was soon settled comfortably, smoothly airborne.<br />

<strong>The</strong> roar of thejetmotors was left far behind with only the<br />

whistling wind accompaniment as a reminder of being<br />

rapidly transported. <strong>The</strong> landscape far below was one<br />

which I always loved in the Orient - neat patchwork<br />

of the rice paddies in their many shades of green, interspersed<br />

with unplanted, plowed fields. An aerial view,<br />

reflecting the light from the flooded plots, always reminded<br />

me of a mammoth stained-glass window.<br />

Perhaps it was this scene that flashed to mind the<br />

radical w , which we had always used to represent the<br />

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