The Discovery Of Genesis
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Study Notes and References<br />
.<br />
been ideographic, or the radicals would never have been<br />
combined in the first place. Once the radicals had<br />
been brought together and had a certain phonetic<br />
sound attached (taken from the original ideograph), thev<br />
then became a phonetic set, and could be used to form<br />
other characters by phonetic sense only. If one examines<br />
all the characters listed phonetically carrying the same<br />
radical combination, the original must be the ideogram<br />
For example, let us examine the characters listed in<br />
Mathew’s Chinese-English Dictionary under “fu,” to<br />
fill, a roll of cloth S . This radical combination by itself<br />
does not appear to be ideographic. One would de-<br />
%d<br />
duce that originally it must have been part of a larger<br />
ideographic character. <strong>The</strong>n there is to fall prostrate, to<br />
v crawl on hands and knees &J (not ideographic); a strip of<br />
Tat<br />
cloth, a hem or border l@ (also not ideographic). Hap-<br />
happiness piness, prosperity, good fortune #j is a character which<br />
can be analyzed ideographically, if one were familiar<br />
with primeval history as revealed in sacred Scriptures.<br />
<strong>The</strong> first happiness known to man was God’s ;?: gift to the<br />
first - person P (Adam) of landedproperty, the Garden<br />
w of Eden. It is logical to deduce, therefore, that the<br />
radical combination “fu” g originated in this ideographic<br />
character for happiness (which incidentally is a<br />
very ancient and simple character).<br />
Furthermore, a bat 36 (also used as an emblem of<br />
111 happiness, from the sound), is obviously a phonetic character<br />
formed on the basis of @j and would also<br />
contribute to the theory that a was the original combination.<br />
Many characters may appear to be phonetic if one<br />
is not acquainted with the historical basis of the forma-<br />
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