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The Discovery Of Genesis

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Study Notes and References<br />

.<br />

been ideographic, or the radicals would never have been<br />

combined in the first place. Once the radicals had<br />

been brought together and had a certain phonetic<br />

sound attached (taken from the original ideograph), thev<br />

then became a phonetic set, and could be used to form<br />

other characters by phonetic sense only. If one examines<br />

all the characters listed phonetically carrying the same<br />

radical combination, the original must be the ideogram<br />

For example, let us examine the characters listed in<br />

Mathew’s Chinese-English Dictionary under “fu,” to<br />

fill, a roll of cloth S . This radical combination by itself<br />

does not appear to be ideographic. One would de-<br />

%d<br />

duce that originally it must have been part of a larger<br />

ideographic character. <strong>The</strong>n there is to fall prostrate, to<br />

v crawl on hands and knees &J (not ideographic); a strip of<br />

Tat<br />

cloth, a hem or border l@ (also not ideographic). Hap-<br />

happiness piness, prosperity, good fortune #j is a character which<br />

can be analyzed ideographically, if one were familiar<br />

with primeval history as revealed in sacred Scriptures.<br />

<strong>The</strong> first happiness known to man was God’s ;?: gift to the<br />

first - person P (Adam) of landedproperty, the Garden<br />

w of Eden. It is logical to deduce, therefore, that the<br />

radical combination “fu” g originated in this ideographic<br />

character for happiness (which incidentally is a<br />

very ancient and simple character).<br />

Furthermore, a bat 36 (also used as an emblem of<br />

111 happiness, from the sound), is obviously a phonetic character<br />

formed on the basis of @j and would also<br />

contribute to the theory that a was the original combination.<br />

Many characters may appear to be phonetic if one<br />

is not acquainted with the historical basis of the forma-<br />

126

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