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a corpus-based approach to the language of audio description

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such as <strong>audio</strong> <strong>description</strong> and subtitling belong 26 .<br />

In France, <strong>audio</strong> <strong>description</strong> has developed in <strong>the</strong> late 1980‟s thanks <strong>to</strong><br />

Auguste Coppola, bro<strong>the</strong>r <strong>of</strong> Francis Ford Coppola and fa<strong>the</strong>r <strong>of</strong> Nicolas<br />

Cage. Auguste Coppola was appointed new doyen <strong>of</strong> <strong>the</strong> University <strong>of</strong> San<br />

Francisco, where in 1975 young pr<strong>of</strong>essor Gregory Frazier had „invented‟<br />

<strong>audio</strong> <strong>description</strong>. Once back <strong>to</strong> France, Auguste Coppola relied on <strong>the</strong><br />

association Valentin Haüy for <strong>the</strong> development <strong>of</strong> <strong>the</strong> so-called Audiovision<br />

system, which is still used <strong>to</strong>day, although not yet systematically. In 1998,<br />

<strong>the</strong> Audiovision Project changed in<strong>to</strong> ARTE, providing <strong>audio</strong> <strong>description</strong> for<br />

both films and <strong>the</strong>atre performances (Hernàndez and Mendiluce 2004). The<br />

first <strong>audio</strong> described film was “Tucker” by Francis Ford Coppola in 1988.<br />

Today, Arte provides two <strong>audio</strong> described films per month since 2000. TF1<br />

and TF2 also provide some films with <strong>audio</strong> <strong>description</strong>, but <strong>the</strong> service is<br />

not systematically organized. On <strong>the</strong> website <strong>of</strong> <strong>the</strong> association Valentin<br />

Haüy 27 (VHA) it is possible <strong>to</strong> access <strong>the</strong> catalogue <strong>of</strong> <strong>the</strong> DVDs <strong>audio</strong><br />

described by <strong>the</strong> association itself. So far, about 300 titles are available. The<br />

website-blog <strong>of</strong> French <strong>audio</strong> describers on VHA‟s website also stresses <strong>the</strong><br />

26 More information about <strong>the</strong> initiatives <strong>of</strong> <strong>the</strong> Segretaria<strong>to</strong> Sociale can be found at<br />

http://www.segretaria<strong>to</strong>sociale.rai.it (last accessed 19/02/2011). Despite all efforts <strong>to</strong> make TV<br />

programmes more accessible, unfortunately this website is not accessible <strong>to</strong> <strong>the</strong> blind and <strong>the</strong><br />

visually impaired.<br />

27 The website <strong>of</strong> <strong>the</strong> association http://www.avh.asso.fr/ is very rich in information about media<br />

access and <strong>audio</strong> <strong>description</strong> in France. The VHA provides with specific materials addressing <strong>audio</strong><br />

<strong>description</strong> and also organizes pr<strong>of</strong>essional courses for future <strong>audio</strong> describers. The issue <strong>of</strong> training<br />

will be also specifically addressed in <strong>the</strong> Chapter 4.<br />

50

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