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katalog 2009.qxd - EMAF

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INCREASE<br />

Yusuke Nakajima<br />

SOLO 612.43<br />

Jan-Peter E.R. Sonntag<br />

Das Nachbild ist eine Illusion. Illusion<br />

vermischt sich mit Realität.<br />

Wenn sie wachsen wird Schönheit<br />

geboren.<br />

The afterimage is an illusion. Illusion<br />

mixes with a reality. When they<br />

increase, beauty is born.<br />

Yusuke Nakajima: Japanese filmmaker.<br />

I am interested in extracting<br />

various phenomena existing in the<br />

world, and picturizing these. In addition,<br />

I sometimes perform a performance<br />

with a video and sound.<br />

J 2008, Video, 7 min,<br />

German Premiere<br />

Director, script, photography,<br />

animation, editing, music<br />

Yusuke Nakajima<br />

Distribution Yusuke Nakajima<br />

Der Heldenbariton Hans Hotter macht 1943 eine Einspielung von Schuberts<br />

Winterreise in Berlin. Zur selben Zeit zieht sich der Kessel um Stalingrad<br />

zu. (...) Schneetreiben. solo - 612.43 ist die Nightshot-Dokumentation<br />

– man kennt diese Art Bilder vor allem von dem ersten Golfkrieg –<br />

gleich ein »unplugged reinactment« von der Installation 612.43WEISS in<br />

selbiger Installation in einem Moment wo alle Geräte stehen bleiben: Es<br />

ist Nacht im Frühjahr 2006. Ich stehe in meiner Installation, habe das Video<br />

angehalten und performe allein die Erinnerung an meine digitale Installation<br />

vor dem leeren, weißen Bildschirm. Dabei nimmt mich eine<br />

kleine Sony-DV-Kamera im Nightshot-Modus mit Autofokus im Hochformat<br />

auf.<br />

In 1943, the heroic baritone Hans Hotter made a recording of Schubert's<br />

Winterreise in Berlin. At the same time, the Germans were closing in on<br />

Stalingrad. (...) Snow flurry. solo - 612.43 is a night shot documentation –<br />

we are mainly familiar with these images from the first Gulf war – equal<br />

to an »unplugged re-enactment« of the installation 612.43WEISS in the<br />

same installation at a moment when all gadgets are paused: It is a spring<br />

night in 2006. I am standing inside my installation, have paused the video<br />

and, alone, perform the memory of my digital installation against the<br />

empty, white screen. While doing so, a small Sony-DV camera films in<br />

night shot mode on autofocus in portrait format.<br />

Jan-Peter E. R. Sonntag is an artist focusing mainly on media art-based<br />

room installations. He studied fine arts, art history, music theory, composition,<br />

philosophy and cognitive science and, in 2002, founded N-solab. He<br />

is a cofounder of »hARTware-projects« now »HMKV«, »oh Ton« , »unerhört«<br />

and the sound-art-edition »HORCH«. He received several grants and<br />

participated in numerous exhibitions worldwide. In 2008 he got the Haupstadtkulturfond<br />

grant for »e-topia«, and was awarded the »German Sound<br />

Art Prize«, the »Cynet Art Award«, for a mobile architecture »ohrenstrand<br />

mobil« and he opened the Ars Electronica in Linz with his sonArc::project.<br />

The book and DVD of this project has been released at the »Akademie der<br />

Künste« in Berlin Dec 08.<br />

D 2009, Video, 11 min, World Premiere<br />

Director, script, photography, animation, editing, music<br />

Jan-Peter E.R. Sonntag<br />

Music Schubert / Jan-Peter E.R. Sonntag<br />

Distribution Jan-Peter E.R. Sonntag<br />

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