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Programme of the 9th international literature festival berlin 2009

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Wed, 9.09. at 6pm, Haus der Berliner Festspiele / Main Stage<br />

Inauguration<br />

Arundhati Roy (India): Democracy’s failing light<br />

GREETINGS: Joachim Sartorius, Ulrich Schreiber, INTRODUCTION: Michi Strausfeld,<br />

MUSIC: Aydar Gaynullin<br />

In her first, partially biographical novel The God <strong>of</strong> Small Things, <strong>the</strong> Indian writer Arundhati Roy<br />

broke <strong>the</strong> taboo <strong>of</strong> forbidden love with an “untouchable,” a person who does not belong to any<br />

social caste. In 1996, its first year <strong>of</strong> publication, <strong>the</strong> book was translated into 32 languages. For<br />

this work, Roy received <strong>the</strong> Man Booker Prize for Literature. In 2004, she was awarded <strong>the</strong> Sydney<br />

Peace Prize for her work in social campaigns as well as her advocacy <strong>of</strong> non-violence. Event with<br />

simultaneous interpretation. Headsets available in <strong>the</strong> downstairs foyer.<br />

Wed, 9.09. at 8pm, Haus der Berliner Festspiele / Main Stage<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Aleksandar Hemon (Bosnia/USA)<br />

PRESENTER: Sigrid Löffler, SPEAKER: Frank Arnold<br />

Hemon’s latest novel Lazarus, portrays <strong>the</strong> fate <strong>of</strong> a Jewish immigrant in Chicago, and was<br />

nominated for <strong>the</strong> National Book Award. Critics praise Hemon’s texts for <strong>the</strong>ir masterful command<br />

and powerful use <strong>of</strong> language. His material, articulated at times using exaggerated imagination,<br />

laconic naiveté, and disrespectful, shocking humour, is predominantly drawn from his experiences<br />

as a Serbo-Croatian immigrant: his hybrid identity is suppressed in <strong>the</strong> distant, surreal past <strong>of</strong> <strong>the</strong><br />

expatriate and <strong>the</strong> foreignness <strong>of</strong> a new homeland.<br />

Wed, 9.09. at 8pm, Haus der Berliner Festspiele / Side Stage<br />

Focus Arab World<br />

Poetry Night I<br />

PRESENTER: Silke Behl SPEAKERS: Margarita Broich and Friedhelm Ptok<br />

Nujum Al-Ghanem (United Arab Emirates). Like many poets <strong>of</strong> <strong>the</strong> younger generation, she writes<br />

her short poems in so-called “free verse,” a clear readable style which is primarily used to write<br />

about <strong>the</strong>mes <strong>of</strong> love and desire.<br />

Joumana Haddad (Lebanon). Occasionally experimental in her means <strong>of</strong> expression, her poems<br />

<strong>of</strong>ten deal with <strong>the</strong> <strong>the</strong>mes <strong>of</strong> equal rights and female desire. She writes temperamental, sensual<br />

short stories, and is <strong>the</strong> editor <strong>of</strong> Body magazine.<br />

Abed Ismael (Syria). Ismael has published five collections <strong>of</strong> his poetry to date. He is trying, in his<br />

own words, to “rehabilitate illusions […], to glorify deception as one <strong>of</strong> <strong>the</strong> forms <strong>of</strong> freedom.”<br />

Moncef Mezghanni (Tunisia). His poems are short and <strong>the</strong> language sparse. Mezghanni’s<br />

popularity is largely due to <strong>the</strong> way he performs his poems, making <strong>the</strong>m seem like sound poetry.<br />

Ghassan Zaqtan (Palestine). His poetry speaks in glowing images <strong>of</strong> life, death and <strong>the</strong> everyday<br />

goings-on in <strong>the</strong> Palestinian territories, which he describes as a life-long stay in a shunting yard or<br />

waiting room in light <strong>of</strong> <strong>the</strong> unsolved conflict with Israel.<br />

Wed, 9.09. at 8:30 pm, Collegium Hungaricum<br />

Focus Arab World_Specials<br />

Intimacy under construction<br />

A project by Nora Amin and Gesine Danckwart: Berlandria, Bluephase <strong>2009</strong>.<br />

The <strong>the</strong>atre and film makers Nora Amin and Gesine Danckwart spent over a year toge<strong>the</strong>r, at first<br />

virtually and <strong>the</strong>n on location in Egypt and Germany, researching and developing texts and<br />

strategies for performance. Objectively personal and vulnerably political, each opens herself to<br />

questioning by <strong>the</strong> o<strong>the</strong>r about her life and environment. A reading performance and lecture from<br />

everyday life about work, survival strategies, freedom, and loneliness in East and West.<br />

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