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Programme of the 9th international literature festival berlin 2009

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Preliminary events:<br />

<strong>Programme</strong> <strong>of</strong> <strong>the</strong> <strong>9th</strong> <strong>international</strong> <strong>literature</strong> <strong>festival</strong> <strong>berlin</strong><br />

(9.09. to 20.09. <strong>2009</strong>)<br />

Tues, 1.09. at 7pm, Allianz Repräsentanz Berlin<br />

Kaleidoscope<br />

“Pariser Platz der Kulturen” with Nadine Gordimer (South Africa)<br />

PRESENTER: Barbara Wahlster<br />

The Nobel Prize winner Nadine Gordimer, born in 1923, was an early activist for human rights and<br />

against Apar<strong>the</strong>id in South Africa. The author, who lives in Johannesburg, is among <strong>the</strong> most<br />

important writers in world <strong>literature</strong>. During <strong>the</strong> 27 th “Pariser Platz der Kulturen” she will read from<br />

Beethoven Was One-Sixteenth Black and <strong>the</strong>n take part in a personal discussion. Closed event.<br />

Admission only with prior registration (030 / 3153 5304).<br />

Tues, 8.09. at 8pm, Haus der Berliner Festspiele / Side Stage<br />

Specials<br />

WINTER GARDENS<br />

During <strong>the</strong> nineties, more than 700,000 young educated men and women left Serbia, which in <strong>the</strong><br />

eyes <strong>of</strong> <strong>the</strong> West had become <strong>the</strong> country <strong>of</strong> Karadžić and Mladić The Belgrade director Nikita<br />

Milivojević’s <strong>the</strong>atre piece, Winter Gardens deals with this “missing generation.”<br />

Idea, Text and Direction: Nikita Milivojević, Choreography: Amalia Bennett, Music: Dimitros<br />

Kamarotis, Video: Predrag Miloševic, Set: Mia David, Costumes: Jelena Stokuća. With<br />

Vladimir Aleksić, Miljan Prljeta, Danijela Ugrenović, Jelena Angelovski, Mariana Aranđelović<br />

and Peđa Damjanović<br />

Co-production: Bitef Teatar, La Biennale di Venezia and spielzeit’europa | Berliner Festspiele<br />

In Serbian with English subtitles.<br />

______________________________________________________________________________<br />

1


Wed, 9.09. at 6pm, Haus der Berliner Festspiele / Main Stage<br />

Inauguration<br />

Arundhati Roy (India): Democracy’s failing light<br />

GREETINGS: Joachim Sartorius, Ulrich Schreiber, INTRODUCTION: Michi Strausfeld,<br />

MUSIC: Aydar Gaynullin<br />

In her first, partially biographical novel The God <strong>of</strong> Small Things, <strong>the</strong> Indian writer Arundhati Roy<br />

broke <strong>the</strong> taboo <strong>of</strong> forbidden love with an “untouchable,” a person who does not belong to any<br />

social caste. In 1996, its first year <strong>of</strong> publication, <strong>the</strong> book was translated into 32 languages. For<br />

this work, Roy received <strong>the</strong> Man Booker Prize for Literature. In 2004, she was awarded <strong>the</strong> Sydney<br />

Peace Prize for her work in social campaigns as well as her advocacy <strong>of</strong> non-violence. Event with<br />

simultaneous interpretation. Headsets available in <strong>the</strong> downstairs foyer.<br />

Wed, 9.09. at 8pm, Haus der Berliner Festspiele / Main Stage<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Aleksandar Hemon (Bosnia/USA)<br />

PRESENTER: Sigrid Löffler, SPEAKER: Frank Arnold<br />

Hemon’s latest novel Lazarus, portrays <strong>the</strong> fate <strong>of</strong> a Jewish immigrant in Chicago, and was<br />

nominated for <strong>the</strong> National Book Award. Critics praise Hemon’s texts for <strong>the</strong>ir masterful command<br />

and powerful use <strong>of</strong> language. His material, articulated at times using exaggerated imagination,<br />

laconic naiveté, and disrespectful, shocking humour, is predominantly drawn from his experiences<br />

as a Serbo-Croatian immigrant: his hybrid identity is suppressed in <strong>the</strong> distant, surreal past <strong>of</strong> <strong>the</strong><br />

expatriate and <strong>the</strong> foreignness <strong>of</strong> a new homeland.<br />

Wed, 9.09. at 8pm, Haus der Berliner Festspiele / Side Stage<br />

Focus Arab World<br />

Poetry Night I<br />

PRESENTER: Silke Behl SPEAKERS: Margarita Broich and Friedhelm Ptok<br />

Nujum Al-Ghanem (United Arab Emirates). Like many poets <strong>of</strong> <strong>the</strong> younger generation, she writes<br />

her short poems in so-called “free verse,” a clear readable style which is primarily used to write<br />

about <strong>the</strong>mes <strong>of</strong> love and desire.<br />

Joumana Haddad (Lebanon). Occasionally experimental in her means <strong>of</strong> expression, her poems<br />

<strong>of</strong>ten deal with <strong>the</strong> <strong>the</strong>mes <strong>of</strong> equal rights and female desire. She writes temperamental, sensual<br />

short stories, and is <strong>the</strong> editor <strong>of</strong> Body magazine.<br />

Abed Ismael (Syria). Ismael has published five collections <strong>of</strong> his poetry to date. He is trying, in his<br />

own words, to “rehabilitate illusions […], to glorify deception as one <strong>of</strong> <strong>the</strong> forms <strong>of</strong> freedom.”<br />

Moncef Mezghanni (Tunisia). His poems are short and <strong>the</strong> language sparse. Mezghanni’s<br />

popularity is largely due to <strong>the</strong> way he performs his poems, making <strong>the</strong>m seem like sound poetry.<br />

Ghassan Zaqtan (Palestine). His poetry speaks in glowing images <strong>of</strong> life, death and <strong>the</strong> everyday<br />

goings-on in <strong>the</strong> Palestinian territories, which he describes as a life-long stay in a shunting yard or<br />

waiting room in light <strong>of</strong> <strong>the</strong> unsolved conflict with Israel.<br />

Wed, 9.09. at 8:30 pm, Collegium Hungaricum<br />

Focus Arab World_Specials<br />

Intimacy under construction<br />

A project by Nora Amin and Gesine Danckwart: Berlandria, Bluephase <strong>2009</strong>.<br />

The <strong>the</strong>atre and film makers Nora Amin and Gesine Danckwart spent over a year toge<strong>the</strong>r, at first<br />

virtually and <strong>the</strong>n on location in Egypt and Germany, researching and developing texts and<br />

strategies for performance. Objectively personal and vulnerably political, each opens herself to<br />

questioning by <strong>the</strong> o<strong>the</strong>r about her life and environment. A reading performance and lecture from<br />

everyday life about work, survival strategies, freedom, and loneliness in East and West.<br />

2


Wed, 9.09. at 8 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kalaidescope<br />

Ilma Rakusa<br />

In her new book Mehr Meer (t: More Sea), Ilma Rakusa approaches her early years in <strong>the</strong> 50s and<br />

60s with extreme precision and a lack <strong>of</strong> sentimentality. In Spiegel Online, Christoph Schröder<br />

reacted to <strong>the</strong> passages <strong>of</strong> memory from a childhood and youth in Central Europe after <strong>the</strong> second<br />

world war by calling <strong>the</strong> work “a book that celebrates <strong>the</strong> senses and describes boundaries for <strong>the</strong><br />

purpose <strong>of</strong> breaking <strong>the</strong>m.”<br />

3


Thurs, 10.09. at 4 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Sex and Gender<br />

PRESENTER: Barbara Winckler<br />

Discussion with Alawiyya Sobh (Lebanon), Rachid Boudjedra (Algeria), Joumana Haddad<br />

(Lebanon), and Abduh Khal (Saudi-Arabia)<br />

How are gender roles presented and communicated in Arab <strong>literature</strong>? Do <strong>the</strong>y reflect traditional<br />

ideas <strong>of</strong> men and women, or do <strong>the</strong>y challenge <strong>the</strong>m? What influence can literary depictions have<br />

on <strong>the</strong> real world? How many writers – men and women – genuinely have a stance on gender<br />

politics? These and o<strong>the</strong>r questions will be put to <strong>the</strong> writers and intellectuals during this<br />

discussion. Simultaneous interpretation will be provided; headsets available in <strong>the</strong> downstairs<br />

foyer.<br />

Thurs, 10.09. at 6 pm, Haus der Kulturen der Welt<br />

Focus Arab World_Specials<br />

A Feast in Exile with Malek Alloula (Algeria)<br />

PRESENTER: Regina Keil-Sagawe<br />

Two important aspects <strong>of</strong> Arab-Berber culture, enjoyment and <strong>the</strong> gift <strong>of</strong> hospitality, as well as <strong>the</strong><br />

“enjoyment <strong>of</strong> text” are <strong>the</strong> <strong>the</strong>mes <strong>of</strong> this “literary and culinary feast” with <strong>the</strong> Algerian writer Malek<br />

Alloula. The tastes and scents <strong>of</strong> familiar meals summon <strong>the</strong> Parisian exile's memories <strong>of</strong><br />

childhood, family and good friends in Algeria. Alloula’s philosophical, essay-like reflections on <strong>the</strong><br />

meaning <strong>of</strong> eating – even <strong>the</strong> “eroticism <strong>of</strong> eating” – will round <strong>of</strong>f <strong>the</strong> evening . In French, with<br />

German interpretation. Entry fee €5.00, reduced €3.00.<br />

Thurs, 10.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Diversity <strong>of</strong> cultures = Diverse concepts <strong>of</strong> security? The term ‘security’ in <strong>the</strong> Western and<br />

Arab worlds<br />

What do Western and Arab cultures mean when <strong>the</strong>y talk about “security”? Does <strong>the</strong> term exist in<br />

all cultures, or are words like ‘war’ and ‘peace’ more important? What basic requirements must be<br />

met to make security possible? What role does cultural diversity play in a country with regions <strong>of</strong><br />

crisis and conflict? These and o<strong>the</strong>r questions will form <strong>the</strong> basis <strong>of</strong> <strong>the</strong> discussion before we<br />

address whe<strong>the</strong>r and to what degree cultural factors can influence <strong>the</strong> development <strong>of</strong> security<br />

within a country, and how <strong>the</strong> concrete consideration <strong>of</strong> cultural aspects can contribute to <strong>the</strong><br />

development <strong>of</strong> security. In cooperation with <strong>the</strong> German Society for Technical Cooperation (GTZ)<br />

GmbH.<br />

Thurs, 10.09. at 7 pm, Babylon<br />

Kaleidoscope<br />

Philippe Djian (France)<br />

PRESENTER: Sigrid Brinkmann SPEAKER: Bibana Beglau<br />

The provocateur who earned his cult status with Betty Blue will read from his Doggy Bag book<br />

series. In six episodes, this “soap opera in novel form” turns around a pair <strong>of</strong> bro<strong>the</strong>rs whose<br />

jealousy and rivalry nearly bring <strong>the</strong>m to bloodshed. Tempo, humour, expensive cars and beautiful<br />

women: Djian uses lively, sensual, suspense-laden language to reconquer television’s territory for<br />

<strong>literature</strong>.<br />

Thurs, 10.09. at 7 pm, Collegium Hungaricum Berlin<br />

Reflections<br />

City world – World city I: Mumbai/ Bombay<br />

Omar Akbar in discussion with Pankaj Mishra (India)<br />

4


Mumbai, formerly Bombay, is inhabited by 20 million people, making it <strong>the</strong> 5th largest metropolitan<br />

area in <strong>the</strong> world. This uncontrollably expanding Moloch fascinates and repels at <strong>the</strong> same time:<br />

slums and luxury skyscrapers, 200 different languages, terrorist attacks, street gangs, and also<br />

Bollywood, <strong>the</strong> world’s most productive film industry. Pankaj Mishra, socially critical writer, literary<br />

critic, and essayist, will be discussing Mumbai as an object lesson in <strong>the</strong> effects <strong>of</strong> globalisation with<br />

<strong>the</strong> urbanist Omar Akbar.<br />

Thurs, 10.09. at 7 pm, Institut français de Berlin<br />

Speak, Memory<br />

Rifa’a al-Tahtawi (Tahta, Egypt 1801 – Egypt 1873)<br />

INTRODUCTION: Hartmut Diekmann, SPEAKER: Matthias Scherwenikas<br />

A Muslim discovers Europe: an Egyptian’s journey to Paris in <strong>the</strong> 1<strong>9th</strong> century. The Egyptian ruler<br />

Mehmed Ali sends a 40-man strong delegation to Paris in <strong>the</strong> first half <strong>of</strong> <strong>the</strong> 19 th century to study<br />

science, culture, and <strong>the</strong> way <strong>of</strong> life. The travelling students translate teaching materials and<br />

encyclopaedias into Arabic. Rifa’a al-Tahtawi writes a journal which becomes required reading for<br />

Egyptian civil servants.<br />

Thurs, 10.09. at 7 pm, Biblio<strong>the</strong>k Marzahn / Hellersdorf<br />

Kaleidoscope<br />

Otto de Kat (Holland)<br />

PRESENTER: Martin Jankowski<br />

“A wonderful novel,” said Cees Noteboom about <strong>the</strong> 2003 début novel by his fellow Dutchman Otto<br />

de Kat. Three years later, <strong>the</strong> historical novel Man on <strong>the</strong> Move (English publication, <strong>2009</strong>) is about<br />

an adventurous journey through Africa and Sou<strong>the</strong>ast Asia: <strong>the</strong> book won <strong>the</strong> Dutch Halewijn Prize<br />

for Literature. Admission is free.<br />

Thurs, 10.09. at 7:30 pm, Haus der Berliner Festspiele / Main Stage<br />

Kaleidoscope<br />

Kamila Shamsie (Pakistan/ Great Britain)<br />

PRESENTER: Bernhard Robben, SPEAKER: Jutta Lampe<br />

Nagasaki, <strong>the</strong> <strong>9th</strong> <strong>of</strong> August, 1945: Hiroko stands on her terrace, wearing a Kimono with three black<br />

cranes printed on <strong>the</strong> back and contemplating her upcoming wedding. Then <strong>the</strong> atom bomb falls.<br />

Only <strong>the</strong> shadows <strong>of</strong> <strong>the</strong> three cranes, burned into her skin, remain as a memory <strong>of</strong> everything she<br />

loved. She searches for a new beginning in Delhi and falls in love with an Indian man, Sajjad. Burnt<br />

Shadows − short-listed for <strong>the</strong> Orange Prize for Fiction <strong>2009</strong> − is a sweeping, epic novel which<br />

follows <strong>the</strong> lives <strong>of</strong> both families for over half a century. Event with simultaneous interpretation.<br />

Headsets available in <strong>the</strong> downstairs foyer.<br />

Thurs, 10.09. at 7:30 pm, Haus der Berliner Festspiele / Side stage<br />

Poetry Night ll<br />

PRESENTER: Silke Behl, SPEAKER: Astrid Gorvin<br />

Fadhil Al-Azzawi (Iraq). His ironic, humorous stories and reviews are published in numerous<br />

Arabic literary journals. Al-Azzawi has lived in Berlin since 1983.<br />

Coral Bracho (Mexico) was born in Mexico City in 1951. Bracho’s lyrical work is acknowledged to<br />

be one <strong>of</strong> <strong>the</strong> cornerstones <strong>of</strong> Mexican poetry. Her characteristic style was already apparent in her<br />

début collection, Peces de piel fugaz (1977, t: Fish with fleeting skin). Her second collection El ser<br />

que va a morir (1982, t: The being that will die) won Bracho <strong>the</strong> Premio Nacional de Poesía de<br />

Aguascalientes. Bracho lives in Mexico City.<br />

Gerhard Falkner (Germany) has received numerous prizes, including <strong>the</strong> Bavarian<br />

Staatsförderpreis, <strong>the</strong> Peter-Huchel Prize, and <strong>the</strong> Kranichsteiner Prize for Literature. This<br />

November he will be awarded <strong>the</strong> August-Graf-von-Platen Prize for Literature for his novella Bruno<br />

(2008).<br />

5


Nora Iuga (Romania) was born into an artistic family in Bucharest in 1931. She grew up in many<br />

different places, including Germany, Belgium, and Holland, as well as in <strong>the</strong> Romanian capital and<br />

in Sibiu in Transylvania. She established herself over a period <strong>of</strong> years as a major voice in<br />

Romanian poetry. She was awarded <strong>the</strong> Friedrich-Gundolf Prize in 2007 for <strong>the</strong> mediation <strong>of</strong><br />

German culture. Her most recently published work in German was <strong>the</strong> selection Gefährliche<br />

Launen (t: Dangerous Moods).<br />

Thurs, 10.09. at 7:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Arab Booker Prize <strong>2009</strong><br />

Youssef Ziedan (Egypt)<br />

PRESENTER: Stefan Weidner, SPEAKER: Roland Schäfer<br />

Ziedan, director <strong>of</strong> <strong>the</strong> department <strong>of</strong> manuscripts at <strong>the</strong> famed Biblio<strong>the</strong>ca Alexandrina, won <strong>the</strong><br />

International Prize for Arabic Fiction <strong>2009</strong>, <strong>the</strong> Arab Booker Prize, for his second novel Azâzîl’ (t:<br />

Beelzebub). A 5 th century Christian monk documents his life, plagued by doubts about <strong>the</strong> new<br />

church, which is acting with violence against people <strong>of</strong> o<strong>the</strong>r faiths, and <strong>the</strong> conflict between God<br />

and his own “Beelzebub.” The journey takes us to Jerusalem, Alexandria and Aleppo.<br />

Thurs, 10.09. at 8 pm, Stiftung Brandenburger Tor<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Aleksandar Hemon (Bosnia/USA)<br />

PRESENTER: Wilfried F. Schoeller, SPEAKER: Frank Arnold<br />

Josef Pronek is surprised by <strong>the</strong> Bosnian war whilst in America. Unable to return home, he tries to<br />

find a place for himself in this new country, a country he can’t understand. Aleksander Hemon’s<br />

novel Nowhere Man is about <strong>the</strong> fear and loneliness <strong>of</strong> an uprooted man who no longer knows<br />

where he belongs. No-one, wrote Andreas Breitenstein in <strong>the</strong> NZZ, has described <strong>the</strong> “badlyventilated<br />

reality <strong>of</strong> <strong>the</strong> Eastern Bloc” better than Hemon in this “virtuoso” story.<br />

Thurs, 10.09. at 8:30 pm, Institut français de Berlin<br />

Specials<br />

Oulipo: Le Tellier, Roubaud, Monk, Forte, Salon, Bénabou (France)<br />

PRESENTER: Jürgen Ritte<br />

The Oulipo writer’s group − Ouvroir de Littérature Potentielle (“workshop for potential <strong>literature</strong>”) −<br />

was founded by François Le Lionnais und Raymond Queneaus in 1960. Their goal is to expand <strong>the</strong><br />

possibilities <strong>of</strong> language through <strong>the</strong> use <strong>of</strong> formal constraints. The “Oulipians” are coming toge<strong>the</strong>r<br />

at this year’s ilb to present <strong>the</strong>ir philosophy <strong>of</strong> literary language ma<strong>the</strong>matics − and to read.<br />

Thurs, 10.09. at 8:30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Friedrich Rückert (Schweinfurt 1788 – Coburg 1866)<br />

INTRODUCTION: Hartmut Diekmann, SPEAKER: Roland Schäfer<br />

The transformations <strong>of</strong> Abu Seid <strong>of</strong> Serug, or <strong>the</strong> Maqamas <strong>of</strong> Hariri. Giant-sized, attired in artist’s<br />

black, with flowing blond tresses, Friedrich Rückert was a striking apparition in Rome, Vienna and<br />

Berlin. But it was <strong>the</strong> district <strong>of</strong> Neuses in Coburg that he made <strong>the</strong> focal point <strong>of</strong> his life’s journey –<br />

and <strong>the</strong> Orient.<br />

Thurs, 10.09. at 9 pm, Haus der Berliner Festspiele / Main Stage<br />

Kaleidoscope<br />

Gabriele von Arnim in conversation with Arundhati Roy (India)<br />

She is a thorn in <strong>the</strong> side <strong>of</strong> India’s elites: less for her bestselling novel The God <strong>of</strong> Small Things<br />

(which earned Roy charges for undermining public morals) than for her political activism. She has<br />

6


written essays warning against <strong>the</strong> construction <strong>of</strong> <strong>the</strong> Indian atom bomb, condemned extra-judicial<br />

legal police executions, joined in <strong>the</strong> fight against <strong>the</strong> Narmada dam, and protested <strong>the</strong> military<br />

operations in Afghanistan, which she sees as fur<strong>the</strong>ring <strong>the</strong> interests <strong>of</strong> multinational corporations.<br />

The terrorist attacks on Mumbai were <strong>the</strong> subject <strong>of</strong> her latest article. She describes writing as<br />

“feeling <strong>the</strong> pulse, <strong>the</strong> exposed nerve.” Event with simultaneous interpretation. Headsets available<br />

in <strong>the</strong> downstairs foyer.<br />

Thurs, 10.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Reality, Fiction, History: On Youssef Ziedan’s Beelzebub<br />

Discussion with Youssef Ziedan (Egypt), Hassan Khader (Palestine) and Marie-Claude<br />

Souaid-Hesse (Lebanon)<br />

PRESENTER: Stefan Weidner<br />

The crossing <strong>of</strong> boundaries and <strong>the</strong> contacts in <strong>the</strong> tense relationship between truth and fiction are<br />

a formative element in historical fiction. This was also evident in <strong>the</strong> public controversy triggered by<br />

ZIedan’s novel Azâzîl (t: Beelzebub), which depicts brutality and amorality in <strong>the</strong> history <strong>of</strong> <strong>the</strong><br />

Coptic church. This event includes simultaneous interpretation. Headsets available in <strong>the</strong><br />

downstairs foyer.<br />

Thurs, 10.09. at 9 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Katharina Hacker (Germany) in discussion with George Szirtes (Hungary/Britain)<br />

“Truth alone is demanded <strong>of</strong> poetry,” says Szirtes. In a conversation with Katharina Hacker, <strong>the</strong><br />

poet will discuss his rich body <strong>of</strong> work and his life, divided between Hungary, where he was born in<br />

1948, and Britain, where he and his parents fled to in 1956. This split literary identity and <strong>the</strong><br />

experience <strong>of</strong> being forced to leave his homeland have influenced his poetry.<br />

Thurs, 10.09. at 9 pm, Babylon<br />

Kaleidoscope<br />

Jakob Hein (Germany) MUSICIAN: Elis<br />

“It took less than twenty seconds for me to fall in love with Sarah.” In Liebe ist ein hormonell<br />

bedingter Zustand (love is a hormonally-caused condition), <strong>the</strong> author Jakob Hein, born in Leipzig<br />

in 1971, narrates <strong>the</strong> tragicomedy <strong>of</strong> a steadfast man. The touchingly inexperienced Sascha loves<br />

<strong>the</strong> ladies…if only <strong>the</strong>y would love him back! About East German discos, <strong>the</strong> last years <strong>of</strong> <strong>the</strong> GDR<br />

and <strong>the</strong> embarrassments <strong>of</strong> growing up.<br />

Thurs, 10.09. at 8pm, Hygienemuseum Dresden<br />

Kalaidescope<br />

Robert Gray (Australia)<br />

The Australian author Robert Gray will read poems from his collection Schwindendes Licht (t:<br />

Fading Light). His poems impress with <strong>the</strong>ir exact imagery, rhythmic individuality and precise<br />

rendering <strong>of</strong> spiritual states, without ever drifting into pathos. He will present his family<br />

autobiography, The Land I Came Through Last.<br />

7


Fri, 11.09. at 3 pm, JSA Berlin<br />

Specials_Literature Behind Bars<br />

PRESENTER: Martin Jankowski<br />

Wilfried N’Sondé (Germany/Congo) discusses his award-winning début novel Das Herz der<br />

Leopardenkinder (2007, t: The Heart <strong>of</strong> <strong>the</strong> Leopard’s Children) with incarcerated youths. Closed<br />

event. Registration by fax: 030 27 87 86 85<br />

Fri, 11.09. at 6 pm, Haus der Berliner Festspiele / Side Stage<br />

Specials<br />

Oulipo: Le Tellier, Roubaud, Monk, Forte, Salon, Bénabou (France)<br />

PRESENTER: Jürgen Ritte<br />

The Oulipo writer’s group − Ouvroir de Littérature Potentielle (“workshop for potential <strong>literature</strong>") −<br />

was founded by François Le Lionnais und Raymond Queneaus in 1960. Their goal is to expand <strong>the</strong><br />

possibilities <strong>of</strong> language through <strong>the</strong> use <strong>of</strong> formal constraints. It was to this end that Georges<br />

Perec wrote a novel in which <strong>the</strong> letter “e” never appears. The “Oulipians” are coming toge<strong>the</strong>r at<br />

this year’s ilb to present <strong>the</strong>ir philosophy <strong>of</strong> literary language ma<strong>the</strong>matics − and to read.<br />

Fri, 11.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Iraqi Traumas<br />

PRESENTER: Andreas Pflitsch SPEAKER: Roland Schäfer<br />

Ali Bader (Iraq/Jordan). He achieved <strong>international</strong> fame in 2001 with his first novel Bābā Sārtir (t:<br />

Papa Sartre). The novel is a satirical assessment <strong>of</strong> Iraqi intellectuals and <strong>the</strong>ir helpless imitations<br />

<strong>of</strong> French existentialism. His novel al-Hāris at-tabaġ (2008, t: The guardian <strong>of</strong> tobacco) illuminates<br />

cultural life in Iraq following <strong>the</strong> invasion <strong>of</strong> <strong>the</strong> US troops.<br />

Jabbar Yassin Hussein (Iraq/France). The author deals in his texts with <strong>the</strong> traumatic experience<br />

<strong>of</strong> exile, and <strong>the</strong> loss <strong>of</strong> home and identity: “I wrote to remind myself <strong>of</strong> what I had left behind.” He<br />

will read from Le songe de l’<strong>of</strong>ficier américain (t: The American <strong>of</strong>ficer’s dream).<br />

Fri, 11.09. at 7 pm, Babylon<br />

Kaleidoscope<br />

Judith Hermann (Germany)<br />

PRESENTER: Knut Elstermann<br />

Her first, melancholy-toned collection, Summerhouse, Later: Stories helped spark a renaissance <strong>of</strong><br />

<strong>the</strong> short story in Germany. Hermann’s spare, clear narratives belong to <strong>the</strong> tradition <strong>of</strong> Anton<br />

Chekhov and Raymond Carver and give voice to <strong>the</strong> restless, uncertain attitude <strong>of</strong> a whole<br />

generation. In Alice, <strong>the</strong> author presents five “atmospheric yet compelling and masterfully written<br />

stories <strong>of</strong> death and <strong>the</strong> experience <strong>of</strong> loss,” according to <strong>the</strong> Jury <strong>of</strong> <strong>the</strong> Friedrich-Hölderlin Prize.<br />

Fri, 11.09. at 7 pm, Collegium Hungaricum Berlin<br />

Reflections<br />

Barack Obama: <strong>the</strong> first months <strong>of</strong> his presidency<br />

Discussion with Sinan Antoon (USA/Iraq), Michael Krüger (Germany), Pankaj Mishra (India) and<br />

Eliot Weinberger (USA)<br />

PRESENTER: Hans Christoph Buch<br />

As <strong>of</strong> January 20 , <strong>2009</strong>, Barack Obama has been <strong>the</strong> first black President <strong>of</strong> <strong>the</strong> United States.<br />

“Yes, we can”: Obama rose with <strong>the</strong> promise <strong>of</strong> change. How much change has he brought about<br />

after nine months in <strong>of</strong>fice? This will be discussed by US-Iraqi Sinan Antoon, particularly<br />

knowledgeable in <strong>the</strong> area <strong>of</strong> contemporary Arabic culture and politics, Michael Krüger, German<br />

publisher <strong>of</strong> Obama’s autobiography The Audacity <strong>of</strong> Hope (2006), <strong>the</strong> Indian writer Pankaj Michra<br />

and <strong>the</strong> New York essayist Eliot Weinberger.<br />

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Fri, 11.09. at 7 pm, Kleisthaus<br />

Kaleidoscope<br />

Andrew Sean Greer (USA)<br />

PRESENTER: Martin Jankowski SPEAKER: Tatiana Nekrasov<br />

The author will read from The Confessions <strong>of</strong> Max Tivoli. Max Tivoli’s life runs backwards: born an<br />

old man, he departs this world as a baby. He is in his mid-30s when <strong>the</strong> great earthquake seizes<br />

San Francisco; and <strong>the</strong> first radios are being installed in cars towards <strong>the</strong> end <strong>of</strong> his life. –<br />

Admission is free.<br />

Fri, 11.09. at 7:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Palestinian Desires<br />

PRESENTER: Leila Chammaa, SPEAKER: Kathleen Gallego Zapata<br />

Ala Hlehel (Palestine). In <strong>the</strong> short story “My man, <strong>the</strong> bus driver,” a Palestinian woman recounts,<br />

naïvely and yet with analytical wit, her daily life under <strong>the</strong> dominance and violence <strong>of</strong> her husband.<br />

The bus he drives and in which she occasionally travels – to <strong>the</strong> envy <strong>of</strong> <strong>the</strong> o<strong>the</strong>r women –<br />

represents adventure, and <strong>the</strong> freedom she will never attain.<br />

Mahmoud Shukair (Palestine). The author, best known for his short stories, reads from “Shakira’s<br />

Picture.” A holiday bus and <strong>the</strong> unreserved pop star Shakira become ironically dramatic symbols <strong>of</strong><br />

disappointed hopes and <strong>the</strong> impossibility <strong>of</strong> escaping circumstances, whe<strong>the</strong>r those <strong>of</strong> a maledominated<br />

society or <strong>the</strong> difficulties <strong>of</strong> daily life in Palestine.<br />

Fri, 11.09. at 7:30 pm, Haus der Berliner Festspiele / Main Stage<br />

Kaleidoscope<br />

Feridun Zaimoglu (Germany)<br />

PRESENTER: Wilfried F. Schoeller<br />

Zaimoglu presents his new novel Hinterland, in which he continues his literary examination <strong>of</strong><br />

manifestations <strong>of</strong> love in our time through several furious episodes. His literary debut appeared in<br />

1995 with Kanak Sprak. 24 Misstöne vom Rande der Gesellschaft (t: “Kanak” speak. 24 broken<br />

sounds from <strong>the</strong> margins <strong>of</strong> society.) His second novel Abschaum (t: Scum) came in 2000 and laid<br />

<strong>the</strong> groundwork for <strong>the</strong> film Kanak Attack. He has been a fellow at Villa Massimo and has received<br />

many awards, such as <strong>the</strong> 2003 Jury Prize from <strong>the</strong> Ingeborg-Bachmann Competition. In 2007,<br />

toge<strong>the</strong>r with Ilija Trojanow, he was poetry docent at Tübingen University.<br />

Fri, 11.09. at 7.30 pm, Haus der Berliner Festspiele / Side Stage<br />

Poetry Night III<br />

PRESENTER: Silke Behl, SPEAKERS: Matthias Scherwenikas and Tina Engel<br />

Robert Gray (Australia) lives in Sydney and is acknowledged to be an outstanding landscape poet.<br />

His poems impress with <strong>the</strong>ir exact imagery, rhythmic individuality and precise rendering <strong>of</strong> spiritual<br />

states, without ever drifting into pathos.<br />

Joy Harjo (USA), born in Tulsa, Oklahoma, is an Indian <strong>of</strong> <strong>the</strong> Muskogee people. The miserable<br />

living conditions on reservations <strong>of</strong>ten serve as material for her poems. Harjo is also a musician:<br />

she plays saxophone and combines her poetry with jazz and rock.<br />

Susan Howe (USA) lives in Connecticut. Her work is <strong>of</strong>ten categorised as post-modern, and her<br />

poetry is mostly concerned with historical and mythical <strong>the</strong>mes. Her work is influenced by Joyce,<br />

Dickinson, and <strong>the</strong> historian Slotkin.<br />

Fri, 11.09. at 8 pm, Stiftung Brandenburger Tor<br />

Focus Arab World<br />

Youssef Ziedan (Egypt)<br />

PRESENTER: Hartmut Fähndrich, SPEAKER: Frank Arnold<br />

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This year’s winner <strong>of</strong> <strong>the</strong> International Prize for Arab Fiction <strong>2009</strong> reads from his début novel Zil al-<br />

Af’a (t: Snake). The image <strong>of</strong> <strong>the</strong> snake as a symbol <strong>of</strong> woman has undergone a pr<strong>of</strong>ound<br />

transformation in Egyptian tradition: once venerated as a Goddess, she now represents sin and<br />

<strong>the</strong>reby mirrors <strong>the</strong> image <strong>of</strong> women, from holy to unclean femininity. – Admission free.<br />

Fri, 11.09. at 8 pm, Humboldt-Forum in <strong>the</strong> Lustgarten<br />

Focus Arab World<br />

Night <strong>of</strong> Arabic Poetry<br />

PRESENTER: Suleman Taufiq, SPEAKERS: Corinna Kirchh<strong>of</strong>f, Susanna Kraus, Friedhelm Ptok<br />

Yassin Adnan, born in 1970 in Safi, Morocco, has been editor <strong>of</strong> <strong>the</strong> journal Aswat Muassira<br />

(Contemporary Voices) since 1991. He has published two collections <strong>of</strong> his poetry and one<br />

collection <strong>of</strong> short stories.<br />

Fadhil Al-Azzawi (Iraq). His ironic, humourous poems are published in many Arabic literary<br />

magazines. Al-Azzawi has been living in Berlin since 1983.<br />

Yussef Bazzi was born in Beirut in 1966. He deals with <strong>the</strong> Lebanese Civil War in his poetry and in<br />

his prose work Yassir Arafat Looked at Me and Smiled. In addition to his work as a journalist he<br />

has published four poetry collections.<br />

Inam Bioud was born in 1953 in Damascus, where she studied architecture and art. She also<br />

holds a degree in translation. Her first works were published when she was young, including poetry<br />

and novels. The author lives in Algiers.<br />

Fouad El-Auwad, born in Damascus in 1965, has lived in Germany since 1986. The architect<br />

(PhD) works as a poet, mystic, storyteller and translator in Munich. (angefragt)<br />

Abed Ismael, born in 1963 in Lattakia, Syria, is a poet and translator. He studied American<br />

Literature at New York University. He currently teaches at <strong>the</strong> University <strong>of</strong> Damascus.<br />

Moncef Mezghanni was born in Sfax in 1954. He has been organising cultural events and writers’<br />

ga<strong>the</strong>rings in Tunisia since 1970. He writes poems, Arabic song lyrics, and plays for children.<br />

Hala Mohammad was born in <strong>the</strong> Syrian port city Lattakia. She studied Film in France at <strong>the</strong><br />

Université Paris 8. Since 1994, she has also been turning her energies toward poetry, in addition to<br />

her work in film.<br />

Fatima Naoot, born in Cairo in 1964, studied Architecture at <strong>the</strong> Ain Shams University in Cairo,<br />

where she completed her BA in 1987. She works as a poet, journalist, and translator.<br />

Dalia Taha was born in Berlin in 1986, but grew up in Ramallah (West Bank). She studied<br />

Architecture at <strong>the</strong> Birzeit University in Ramallah and works as a writer and poet.<br />

Ghassan Zaqtan was born in 1954 in Beit Jala, near Bethlehem. He has lived in Jordan, Syria,<br />

Lebanon, and Tunisia, and currently lives in Ramallah. In addition to his work as a poet and writer,<br />

he has also worked as a scriptwriter.<br />

Fri, 11.09. at 8.30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Halide Edip Adıvar (Istanbul 1884 – Istanbul 1964)<br />

INTRODUCTION: Noël David Nicolaus, SPEAKER: Elizabeth Blonzen<br />

The lauded Turkish writer, women’s rights activist and pr<strong>of</strong>essor, Halide Edip Adivar, writes about a<br />

topical issue in The Daughter <strong>of</strong> <strong>the</strong> Shadow Player: a young Turkish woman’s search for her own<br />

culture. Towards <strong>the</strong> end <strong>of</strong> <strong>the</strong> Ottoman Empire, Rabia Abla encounters Western singing, Islamic<br />

mysticism, and an Italian piano teacher. A fascinating coming <strong>of</strong> age novel as a plea for cultural<br />

openness.<br />

Fri, 11.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Christine Montalbetti<br />

PRESENTER: Marius Meller, SPEAKER: Corinna Kirchh<strong>of</strong>f<br />

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The author, who was born in Havre, presents three <strong>of</strong> her works at one event. Western is a parody<br />

<strong>of</strong> a spaghetti western with saloons, deserts and sweeping natural landscapes through which <strong>the</strong><br />

two protagonists Mary and Georgina travel. L'origine l'homme (t: The origin <strong>of</strong> man) concerns itself<br />

with <strong>the</strong> historical customs <strong>of</strong>ficer and palaeontologist Jacques Boucher de Crèvecoeur de Per<strong>the</strong>s<br />

(1788-1868). He tried to use Palaeolithic flint tools to rebut <strong>the</strong> <strong>the</strong>ories <strong>of</strong> his adversaries, who<br />

claimed that humans had inhabited <strong>the</strong> earth only since <strong>the</strong> time <strong>of</strong> <strong>the</strong> great flood – and thus for<br />

only 6,000 years. The third work is “Hotel Komaba Eminence,” from <strong>the</strong> collection Petits déjeuners<br />

avec quelques écrivains célèbres (t: Breakfast with some famous writers).<br />

Fri, 11.09. at 9 pm, Haus der Berliner Festspiele / Main Stage<br />

Focus Arabic World - Reflections<br />

The Western View <strong>of</strong> <strong>the</strong> Arab World<br />

with Malek Alloula (Algeria), Sonia Hegasy, Andreas Pflitsch, Stefan Weidner (Germany) and<br />

François Zabbal (France)<br />

PRESENTER: Susanne Stemmler<br />

In western media's coverage <strong>of</strong> <strong>the</strong> Arab world, <strong>the</strong> focus is mainly on terrorism, war, and <strong>the</strong><br />

conflict in <strong>the</strong> Middle East, oil, <strong>the</strong> oppression <strong>of</strong> women, religious fanaticism, and o<strong>the</strong>r “bad<br />

news.” This dominates and homogenizes our ideas <strong>of</strong> countries and regions like Egypt, Iraq,<br />

Lebanon, Palestine, Saudi Arabia, <strong>the</strong> United Arab Emirates, Yemen, and Morocco.<br />

What images <strong>of</strong> Arab lands and peoples do we have in our heads? Which clichés, prejudices, and<br />

experiences determine <strong>the</strong> Western view <strong>of</strong> <strong>the</strong> Orient? And how can <strong>the</strong>se be expanded,<br />

differentiated, improved? This event includes simultaneous interpretation. Headsets available in <strong>the</strong><br />

downstairs foyer.<br />

Fri, 11.09. at 9 pm, Collegium Hungaricum Berlin<br />

Reflections<br />

City world – World city ll: Sarajevo<br />

Omar Akbar in discussion with Aleksandar Hemon<br />

The former director <strong>of</strong> <strong>the</strong> Bauhaus Dessau Foundation, Omar Akbar, talks with <strong>the</strong> Bosnian writer<br />

Aleksander Hemon about Sarajevo today and how this lost city found its way into <strong>the</strong> work <strong>of</strong> <strong>the</strong><br />

author, whom Ilma Rakusa describes as “a sensitive and humorous chronicler <strong>of</strong> being in transit<br />

between East and West.”<br />

Fri, 11.09. at 9 pm, Babylon<br />

Reflections<br />

Alice Schwarzer (Germany)<br />

PRESENTER: Knut Elstermann<br />

For more than 30 years, Alice Schwarzer has been one <strong>of</strong> Europe’s leading critics <strong>of</strong> (political)<br />

Islam. Tonight she will read from her 1979 report on her trip to Khomeini’s Iran and from her essay<br />

“Die Antwort” (t: The answer): about, as she says, <strong>the</strong> consequences <strong>of</strong> “<strong>the</strong> Islamist crusade from<br />

Tehran to Kreuzberg.” A discussion with <strong>the</strong> audience will follow.<br />

Fri, 11.09. at 10 pm, Haus der Berliner Festspiele / Side Stage<br />

Specials_Concert<br />

Watching Me Fall<br />

Categories like “mainstream” or “underground” mean nothing to this Berlin Band. Self-exposure<br />

against self-exposure seems to be <strong>the</strong>ir credo when front-woman Susanne Heinrich sings, “If we<br />

can't be unique / let's be all <strong>of</strong> <strong>the</strong>m.” The musicians consistently mix new wave, indie and rock.<br />

Quickly banged out sketches alongside grand gestures, tough and very urban. The fact that two<br />

authors (Susanne Heinrich, Marcus Braun) are at work here – and that <strong>the</strong> band has so far only<br />

been seen at selected Berlin locations – makes this appearance unmissable.<br />

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Fri, 11.09. at 10:30, Haus der Berliner Festspiele / Upper Foyer<br />

Speak, Memory<br />

Alexandra Kamo reads Henry Miller's Sexus<br />

TEXT REVISION and ARTISTIC DIRECTION: Helge-Björn Meyer<br />

Alexandra Kamp's way <strong>of</strong> reading makes Miller's (1981-1980) gigantic labyrinth <strong>of</strong> life and love<br />

seem like a midsummer night's dream for our time: stunning and sensual. She searches for <strong>the</strong><br />

sound, <strong>the</strong> inner pulse that beats in this excessive novel, propelling <strong>the</strong> story <strong>of</strong> <strong>the</strong> author's “only<br />

and true love” forward. It is a story expressing an obsession with permanent sexual collision,<br />

collision carried to extremes. Above all, it is an examination <strong>of</strong> <strong>the</strong> way men think and speak.<br />

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Sat, 12.09. at 11 am, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Education in <strong>the</strong> Arab World – Development Crisis or Breakthrough to Global<br />

Understanding?<br />

The modernisation <strong>of</strong> <strong>the</strong> education system has played a significant role in <strong>the</strong> Arab world at least<br />

since <strong>the</strong> second world war. Although <strong>the</strong> quality <strong>of</strong> education in specific countries varies quite a<br />

bit, many Arab states strive for educational excellence. But what is <strong>the</strong> outlook on basic education<br />

for all? Are <strong>the</strong>se educational systems capable <strong>of</strong> performing and delivering quality that is high<br />

enough to meet <strong>the</strong> challenges <strong>of</strong> a global world? What must be improved in order for <strong>the</strong>se<br />

systems to have enduring effects and contribute to development in Arab countries? In cooperation<br />

with <strong>the</strong> German Gesellschaft für Technische Zusammenarbeit (GTZ) GmbH. Event with<br />

simultaneous interpretation. Headsets available in <strong>the</strong> downstairs foyer.<br />

Sat, 12.09. at 1 pm, Osteria No. 1<br />

Reflections<br />

Jürgen Roth (Germany): Mafia Land Germany<br />

Jürgen Roth shows how <strong>the</strong> Mafia organisation ’Ndrangheta and <strong>the</strong> Russian Mafia are<br />

undermining Germany. Since <strong>the</strong> Duisburg murders, <strong>the</strong> German public has become familiar with<br />

<strong>the</strong> Calabresi ’Ndrangheta. Roth’s conclusion: <strong>the</strong> Mafia has found its place here. Right at <strong>the</strong> top.<br />

Sat, 12.09. at 1 pm, Heinrich-Böll-Stiftung<br />

Focus Arab World_Reflections<br />

Iraqi Literature and Exile<br />

with Ali Bader (Iraq/Jordan), Jabbar Yassin Hussein (Iraq/France), Samuel Shimon<br />

(Iraq/Britain), Abbas Khider (Iraq/Germany)<br />

PRESENTER: Marie-Claude Souaid-Hesse<br />

Iraq’s history in <strong>the</strong> 20th and 21st centuries has been dominated by dictatorships, oppression,<br />

violence, and war. The era <strong>of</strong> Saddam Hussein, <strong>the</strong> Gulf Wars, and <strong>the</strong> internal insecurity since <strong>the</strong><br />

US invasion in 2003 have led many Iraqis, especially artists and intellectuals who were critical <strong>of</strong><br />

<strong>the</strong> regime, to leave <strong>the</strong> country. How does <strong>the</strong> experience <strong>of</strong> oppression and flight find expression<br />

in Iraqi exile <strong>literature</strong>? Has <strong>the</strong> writer’s literary work altered? Four Iraqi writers in exile discuss<br />

experience and self-image. An event with simultaneous interpretation. – Admission free.<br />

Sat, 12.09. at 1 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World - Reflections<br />

What to read? – Ways to procure <strong>literature</strong><br />

with Larissa Bender (Germany), Fouad El-Auwad (Syria/Germany), Hassan Hammad<br />

(Egypt/Switzerland) and Margareth Obank (Britain)<br />

PRESENTER: Stefan Weidner<br />

Where can western readers find Arab <strong>literature</strong>? What ways and means are <strong>the</strong>re to procure<br />

<strong>literature</strong>? Journals, <strong>the</strong> internet, and personal encounters help to spread Arab <strong>literature</strong> in <strong>the</strong><br />

West. How can we “search for” and “find” Arab writers? Agents <strong>of</strong> <strong>international</strong> <strong>literature</strong> present<br />

and discuss possibilities. An event with simultaneous interpretation.<br />

Sat, 12.09. at 3 pm, Haus der Berliner Festspiele / Side stage<br />

Focus Arab World<br />

Crime and Love<br />

PRESENTER: Leila Chammaa, SPEAKER: Tina Engel<br />

Alawiyya Sobh (Lebanon). The author reads from her first novel, Mariam at-kakayya (2002, t:<br />

Maryam <strong>of</strong> <strong>the</strong> stories). Seen through <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> narrator Maryam, <strong>the</strong> relations between men<br />

1


and women are depicted with delicacy and sensitivity. The issue <strong>of</strong> love and violent sexuality is<br />

treated fearlessly and openly.<br />

Taleb Al-Refai (Kuwait). Al-Refai, storyteller and novelist, doesn't shy away from thorny issues. His<br />

<strong>the</strong>mes are <strong>the</strong> lives <strong>of</strong> immigrant guest workers in Kuwait, sexual abuse, and <strong>the</strong> oppression <strong>of</strong><br />

women. He reads his short story “Minor Thefts.”<br />

Sat, 12.09. at 3 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Lecture: The Heritage <strong>of</strong> Arabic Literature<br />

Youssef Ziedan (Egypt)<br />

PRESENTER: Stefan Weidner<br />

The pr<strong>of</strong>essor, director <strong>of</strong> <strong>the</strong> Biblio<strong>the</strong>ca Alexandria and winner <strong>of</strong> <strong>the</strong> <strong>2009</strong> Arab Booker Prize<br />

discusses in his lecture <strong>the</strong> semantics <strong>of</strong> <strong>the</strong> Arabic word “Turath” (legacy/heritage). Only 5% <strong>of</strong> <strong>the</strong><br />

most important handwritten manuscripts have so far been released, hundreds <strong>of</strong> thousands remain<br />

unpublished. And so “heritage,” according to Ziedan, is <strong>the</strong> result <strong>of</strong> individual interests.<br />

Consequently, <strong>the</strong> knowledge <strong>of</strong> existing manuscripts is indifferent, and <strong>the</strong> view <strong>of</strong> history remains<br />

one-sided. An event with simultaneous interpretation. Headsets are available in <strong>the</strong> ground floor<br />

foyer.<br />

Sat, 12.09. at 4.30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World - Reflections<br />

Power and Culture<br />

with Yassin Adnan (Morocco), Taleb Al-Refai (Kuwait) and Alawiyya Sobh (Lebanon)<br />

PRESENTER: Sonja Hegasy<br />

Culture can be both <strong>the</strong> opponent and <strong>the</strong> tool <strong>of</strong> political power. It can resist, be critical, open eyes<br />

– but it can also parrot what has been said, obfuscate, and obey. The significance <strong>of</strong> culture can be<br />

seen most clearly in <strong>the</strong> repressive instrument <strong>of</strong> censorship, which is also a political tool in Arab<br />

countries. How can culture and politics constructively collaborate? What framework does culture<br />

need? How, and on which levels, can and should culture enrich and change politics? An event with<br />

simultaneous interpretation.<br />

Sat, 12.09. at 4.30 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Otto de Kat (The Ne<strong>the</strong>rlands)<br />

MODERATION: Florian Höllerer<br />

“A wonderful novel,” said Cees Nooteboom <strong>of</strong> his countryman Otto de Kat’s first book, The Figure<br />

in <strong>the</strong> Distance, published in English translation in 2002. The English publication <strong>of</strong> Man on <strong>the</strong><br />

Move followed seven years later. Now, <strong>the</strong> author is presenting his novel Julia, to be published in<br />

2010. In this work, he remains true to his overriding <strong>the</strong>me: <strong>the</strong> life not lived, which is inseparably<br />

bound to loneliness and loss.<br />

Sat, 12.09. at 5 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Alban Nikolai Herbst (Germany)<br />

PRESENTER: Wilfried F. Schoeller<br />

“My most passionate and bitter book, and maybe my most poetic and most beautiful,” is how <strong>the</strong><br />

Berlin-based writer, librettist, opera critic and radio director Alban Nikolai Herbst described his<br />

novel Meere (t: Oceans). Gregor Eisenhauer wrote in <strong>the</strong> Frankfurter Rundschau: “This book must<br />

be read.” The author will read from <strong>the</strong> edition published by Axel Dielmann Verlag.<br />

Sat, 12.09. at 5 pm, Konzerthaus am Gendarmenmarkt / Carl-Maria von Weber Hall<br />

Specials<br />

1


Aka Morchiladze (Georgia)<br />

The literary fireworks <strong>of</strong> <strong>the</strong> most prominent author in Georgian contemporary <strong>literature</strong> take <strong>the</strong><br />

reader on a journey to a world that is sometimes ironic and bizarre, sometimes quietly melancholy,<br />

but always fascinating: to <strong>the</strong> imaginary Santa Esperanza Islands in <strong>the</strong> Black Sea.<br />

Sat, 12.09. at 6 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Andrew Sean Greer (USA)<br />

PRESENTER: Bernhard Robben, SPEAKER: Friedhelm Ptok<br />

The author will be presenting his new novel, The Story <strong>of</strong> a Marriage, which will appear this<br />

autumn. It is a mysterious, lyrical love story set against <strong>the</strong> backdrop <strong>of</strong> <strong>the</strong> 1950s. In <strong>the</strong> novel,<br />

everyday life on <strong>the</strong> east coast is defined by <strong>the</strong> recent Second World War and current Korean<br />

War, which almost imperceptibly produce a climate <strong>of</strong> fear and repression. Told from <strong>the</strong><br />

perspective <strong>of</strong> a wife selflessly devoted to her husband and son, <strong>the</strong> complex portrait <strong>of</strong> a<br />

relationship emerges and is <strong>the</strong>n abruptly shattered when <strong>the</strong> past, in <strong>the</strong> form <strong>of</strong> an old friend,<br />

invades <strong>the</strong> painstakingly maintained family idyll and calls into question <strong>the</strong> future.<br />

Sat, 12.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World I Literatures <strong>of</strong> <strong>the</strong> World<br />

The Maghreb and Europe<br />

PRESENTER: François Zabbal, SPEAKER: Margarita Broich<br />

Leila Sebbar (Algeria/France). In Les femms au bain (2006, t: Women bathing) women in a sauna<br />

talk about love, hopes, and desire. L’arabe comme un chant secret (2007, t: Arabic as a secret<br />

song) is a homage to Sebbar’s Algerian fa<strong>the</strong>r. In her new family novel Mon cher fils (<strong>2009</strong>, t: My<br />

dear son), a fa<strong>the</strong>r-son relationship is at <strong>the</strong> heart <strong>of</strong> <strong>the</strong> story.<br />

Youssef Amine Elalamy (Morocco). The novel Les clandestins (2001) was published in English as<br />

Sea Drinkers and in German as Gestrandet in 2008. The subject <strong>of</strong> <strong>the</strong> novel is an attempt to find<br />

refuge in Spain which ends in a shipwreck. The twelve men and pregnant woman speak, sharing<br />

<strong>the</strong>ir hopes and dreams. An event with simultaneous interpretation. Headsets are available in <strong>the</strong><br />

downstairs foyer.<br />

Sat, 12.09. at 6 pm, Konzertsaal der Universität der Künste<br />

Specials<br />

An evening <strong>of</strong> song with Antonia Pozzi<br />

INTRODUCTION: Gabriella Rovagnati, COMPOSITION: Johanna Doderer, SINGERS: Elisa Maffi<br />

(Soprano), Peter Schöne (Baritone), PIANO: Enrico Calesso<br />

An evening <strong>of</strong> song, with poems by Antonia Pozzi set to music. Born in 1912 in Milan, <strong>the</strong> daughter<br />

<strong>of</strong> a lawyer, <strong>the</strong> Italian poet grew up in an affluent and respectable home. She studied Philosophy<br />

and Literature at university in Milan and earned a doctorate in Philosophy in 1936. Her main<br />

interest in this period was modern German, French and English <strong>literature</strong>. She died in Milan in<br />

1938, a suicide. Her works were published posthumously. This evening’s performance is <strong>of</strong> her<br />

work “Words”. With support from Comune Milano. – Tickets available only at <strong>the</strong> box <strong>of</strong>fice.<br />

Sat, 12.09. at 7 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Emmanuelle Pagano (France)<br />

PRESENTER: Barbara Wahlster, SPEAKER: Tina Engel<br />

“Writing means trying to open <strong>the</strong> wounds, to scratch at <strong>the</strong>m, even if it hurts a little,” says Pagano.<br />

The heroine <strong>of</strong> her novel, The Hair Drawer, is a very young single mo<strong>the</strong>r in a small town in <strong>the</strong><br />

south <strong>of</strong> France. The elder <strong>of</strong> her two sons is mentally handicapped, and not only <strong>the</strong> young<br />

woman’s parents feel that he would be better <strong>of</strong>f in a home.<br />

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Sat, 12.09. at 7 pm, Babylon<br />

Specials<br />

Berlin Film Premiere: Disgrace with John Malkovich, based on <strong>the</strong> novel by John M. Coetzee<br />

Australia/South Africa 2008 | Colour | 120 Min. | English w/ German subtitles.<br />

Director: Steve Jacobs<br />

David Lurie (Malkovich), 52 years old and twice divorced, teaches Romantic Literature at Cape<br />

Town University. The young-at-heart Don Juan seduces one <strong>of</strong> his students, but <strong>the</strong> affair soon<br />

takes an unpleasant turn and Lurie loses his job. The film adaptation <strong>of</strong> <strong>the</strong> <strong>international</strong> bestseller<br />

by <strong>the</strong> winner <strong>of</strong> <strong>the</strong> Nobel Prize for Literature J. M. Coetzee grants us moving and unsparing<br />

insight into <strong>the</strong> personal depths and political conditions <strong>of</strong> a ruptured society. Coetzee’s novel won<br />

<strong>the</strong> renowned Booker Prize in 1999. at The film adaptation <strong>of</strong> Disgrace won <strong>the</strong> International Critics<br />

Award at <strong>the</strong> 2008 Toronto Film Festival. Admission: €7.50<br />

Sat, 12.09. at 7 pm, Zentral-Landesbiblio<strong>the</strong>k Berlin<br />

Focus Arab World_Reflections<br />

City world – World city III: Alexandria<br />

Omar Akbar in discussion with Youssef Ziedan (Egypt)<br />

Alexandria, founded by Alexander <strong>the</strong> Great in 331 BC, has been conquered many times and<br />

<strong>the</strong>refore influenced by many cultures. Today it is <strong>the</strong> second largest city in North Africa. It is<br />

famous for <strong>the</strong> Royal Library <strong>of</strong> Alexandria, which boasts <strong>the</strong> largest and most highly regarded<br />

collection <strong>of</strong> Greek and Roman antiquities. Pr<strong>of</strong>essor Dr. Youssef Ziedan, director <strong>of</strong> <strong>the</strong><br />

department <strong>of</strong> manuscripts at <strong>the</strong> library <strong>of</strong> Alexandrina, which was opened in 2002, and winner <strong>of</strong><br />

<strong>the</strong> Arab Book Prize <strong>2009</strong>, will speak with Omar Akbar, urbanist and former director <strong>of</strong> <strong>the</strong> Bauhaus<br />

Foundation, about Alexandria.<br />

Sat, 12.09. at 7.30 pm, Haus der Berliner Festspiele / Side Stage<br />

Poetry Night IV<br />

PRESENTER: Silke Behl SPEAKER: Astrid Gorvin and Frank Arnold<br />

Inam Bioud (Algeria). Bioud grew up in Damascus, where she studied Architecture. The multifaceted<br />

poet, novelist, and painter currently runs <strong>the</strong> High Arab Institute <strong>of</strong> Translation in Algiers.<br />

Hala Mohammad (Syria). Colours, smells, and movements are connected in her poetry with everrecurring<br />

<strong>the</strong>mes. This corresponds to memory, which also plays a special role in <strong>the</strong> author’s film<br />

work.<br />

Fatima Naoot (Egypt). Naoot is one <strong>of</strong> <strong>the</strong> most famous Egyptian poets. Her poems are <strong>of</strong>ten<br />

dedicated to <strong>the</strong> powerless. Her language is rich in metaphors, is rhythmic and melancholic in tone.<br />

Amjad Nasser (Jordan/ Great Britain). As well as two books <strong>of</strong> travel writing, he has published six<br />

collections <strong>of</strong> his poetry. His poems have appeared in German in <strong>the</strong> anthology Die Farbe der<br />

Ferne (2000, t: The colour <strong>of</strong> distance). He has lived in London since 1987, where he co-founded<br />

<strong>the</strong> famous Arabic newspaper al-Quds al-Arabi, where he is <strong>the</strong> editor <strong>of</strong> <strong>the</strong> cultural pages.<br />

Dalia Taha (Palestine) was born in Berlin in 1986, but grew up in Ramallah (West Bank). Her first<br />

collection <strong>of</strong> poetry, published this year with <strong>the</strong> title Shurfa wa-la ahad (t: A balcony and no-one<br />

<strong>the</strong>re), combines <strong>the</strong>mes <strong>of</strong> farewell and death in recurring metaphors in a quiet, melancholic tone.<br />

Sat, 12.09. at 7.30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Short-listed: Arab Booker Prize<br />

PRESENTER and SPEAKER: Hartmut Fähndrich<br />

Mekkawi Said (Egypt). The author won <strong>the</strong> Egyptian State Prize for Literature in 2008 and landed<br />

on <strong>the</strong> short-list for <strong>the</strong> International Prize for Arabic Fiction with his second novel, Cairo Swan<br />

Song. He writes about homeless and orphaned street kids in Cairo, a former student activist<br />

Mustafa, who would like to help, and his American girlfriend.<br />

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Khaled Khalifa (Syria). Madih al-karahiya (2006, t: In praise <strong>of</strong> hatred) was short-listed for <strong>the</strong><br />

International Prize for Arabic Fiction in 2008. The novel describes <strong>the</strong> escalation <strong>of</strong> hatred and<br />

fanaticism under a dehumanizing regime through <strong>the</strong> story <strong>of</strong> its protagonist. She joins <strong>the</strong> Islamic<br />

opposition. Only in prison does she recognise <strong>the</strong> meaning <strong>of</strong> life.<br />

Sat, 12.09. at 8 pm, Hotel Bliebtreu<br />

Kalaidescope<br />

Robert Gray (Australia)<br />

The Australian author Robert Gray will read from his poetry collection Schwindendes Licht (t:<br />

Fading Light). See programme announcement for 10.09, 8 pm.<br />

Sat, 12.09. at 8 pm, Literaturhaus Berlin<br />

Specials<br />

Oulipo: Le Tellier, Roubaud, Monk, Forte, Salon, Bénabou (France)<br />

PRESENTER: Jürgen Ritte<br />

The Oulipo writer’s group − Ouvroir de Littérature Potentielle (“workshop for potential <strong>literature</strong>”) −<br />

was founded by François Le Lionnais und Raymond Queneaus in 1960. Their goal is to expand <strong>the</strong><br />

possibilities <strong>of</strong> language through <strong>the</strong> use <strong>of</strong> formal constraints. The “Oulipians” are coming toge<strong>the</strong>r<br />

at this year’s ilb to present <strong>the</strong>ir philosophy <strong>of</strong> literary language ma<strong>the</strong>matics − and to read.<br />

Sat, 12.09. at 8 pm, Festsaal Kreuzberg<br />

Specials<br />

THE INTERNATIONAL SLAM!REVUE<br />

Twelve outstanding Spoken Word poets and performers from around <strong>the</strong> world will be honouring us<br />

with <strong>the</strong>ir presence: <strong>the</strong> participants include masters <strong>of</strong> <strong>the</strong>ir trades, be it Spoken Word poetry, rap<br />

and storytelling, or experimental performance and comedy. Many <strong>of</strong> <strong>the</strong> poets are national Slam<br />

champions, have cult followings in <strong>the</strong>ir literary communities, and are here in Germany for <strong>the</strong> first<br />

time. The audience will choose <strong>the</strong> winner at <strong>the</strong> end <strong>of</strong> <strong>the</strong> evening (by Applause-O-Meter)!<br />

With: Najiba Abdellaoui (Morocco/Holland), Stefan Abermann (Austria), Anke Fuchs (Germany),<br />

Estragon aka Grzegorz Bruszewski (Poland), Queen KA (Quebec/Canada), Nicolette Kretz<br />

(Switzerland), Lauréline Kuntz (France), Masha (Czech Republic), Laura Wihlborg (Sweden),<br />

Josep Pedrals (Catalonia/Spain), Stefano Raspini (Italy), Paula Varjack (Britain), Guests <strong>of</strong><br />

Honour Gary Glazner und K&K (Wehwalt Koslovsky and Frank Klötgen). Your guides through<br />

this evening <strong>of</strong> rapid-fire wordplay will be <strong>the</strong> Berlin writer Martin Jankowski and <strong>the</strong> musical<br />

German performance poet (with band) Ivo Lotion & die Mariachis! Admission 15.00 €, with<br />

reduction 10.00 €<br />

Sat, 12.09. at 8.30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

James Krüss (Helgoland 1926 – Gran Canaria 1997)<br />

INTRODUCTION and DISCUSSION: Klaus Doderer & Hans-Joachim Gelberg, PRESENTER:<br />

Hartmut Diekmann, SPEAKER: Friedhelm Ptok<br />

The focus <strong>of</strong> this event is <strong>the</strong> author James Krüss, who died in 1997. Participants in <strong>the</strong> discussion<br />

are <strong>the</strong> renowned researcher <strong>of</strong> children’s books and young fiction, and old friend <strong>of</strong> <strong>the</strong> author,<br />

Klaus Doderer, and <strong>the</strong> founder <strong>of</strong> <strong>the</strong> children’s and youth publishing house Beltz & Gelberg,<br />

Hans-Joachim Gelberg. They will discuss various aspects <strong>of</strong> <strong>the</strong> word-artist Krüss’ significance in<br />

<strong>the</strong> development <strong>of</strong> children’s <strong>literature</strong> since 1945. Afterwards <strong>the</strong>re will be an opportunity for open<br />

discussion.<br />

Sat, 12.09. at 9 pm, Haus der Berliner Festspiele / Main Stage<br />

Focus Arab World_Reflections<br />

Envisioning a cultural dialogue with <strong>the</strong> West<br />

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PRESENTER: Michi Strausfeld<br />

With Raja Alem (Saudi-Arabia), Azouz Begag (France), Necla Kelek (Germany), Pankaj Mishra<br />

(Great Britain/India), Najem Wali (Iraq), Stefan Weidner (Germany) and Eliot Weinberger (USA)<br />

PRESENTER: Michi Strausfeld<br />

One year ago, <strong>the</strong> Syrian-Lebanese poet Adonis called <strong>the</strong> dogmatic and uncompromising claims<br />

on truth made by mono<strong>the</strong>istic religions <strong>the</strong> central problem in <strong>the</strong> Arabic-Western dialogue –<br />

especially when <strong>the</strong>y are integrated in government institutions. From an economic point <strong>of</strong> view, a<br />

broad policy <strong>of</strong> isolation has existed in <strong>the</strong> EU for decades – <strong>the</strong> images <strong>of</strong> refugees who have<br />

been stranded, arrested or have lost <strong>the</strong>ir lives crossing <strong>the</strong> water cast this in a harsh light. A free<br />

trade zone is unthinkable at this point. The speakers at this event will attempt to answer questions<br />

about what needs to change in order for Arabic-Western communication to move in a constructive<br />

direction. Event with simultaneous interpretation. Headsets available in <strong>the</strong> downstairs lobby.<br />

Sat, 12.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Next Generation – young talents<br />

PRESENTER: Christian Junge, SPEAKER: Julia Malik<br />

Rehab Bassam (Egypt). The blogger is also known under her web name Hadouta (Fable).<br />

Bassam’s blog “Arruz bi-laban li-schakhsain” (t: Rice pudding for two), which she writes with two<br />

o<strong>the</strong>r female bloggers, was collected and published in 2008 and became a best-seller. They reflect<br />

on life and tell <strong>the</strong>ir stories in a happy and colourful style.<br />

Mansoura Ezz Eldin (Egypt). Her second novel Wara’ al-firdaus (t: Beyond paradise) is about<br />

Selma, who returns to her parents after <strong>the</strong> failure <strong>of</strong> her marriage and begins writing a book about<br />

her family in an attempt to understand and accept her own past. Ezz Eldin’s narrative style shifts<br />

between dream and reality, past and present.<br />

Samar Yazbek (Syria). Smell <strong>of</strong> Cinnamon is about <strong>the</strong> lesbian relationship between a woman<br />

from Damascus and her maidservant. During <strong>the</strong> day <strong>the</strong> lady rules, and at night <strong>the</strong> servant<br />

becomes <strong>the</strong> “queen.” At <strong>the</strong> end both discover misery in a society which denies individual<br />

freedoms.<br />

Sat, 12.09. at 9 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Thomas Hettche<br />

PRESENTER: Florian Höllerer<br />

The USA, after 9/11 and before <strong>the</strong> declaration <strong>of</strong> war against Iraq: <strong>the</strong> journalist Niklas Kalf sets<br />

<strong>of</strong>f on an uncertain journey. In his novel Woraus wir gemacht sind (Eng. What We Are Made Of),<br />

Thomas Hettche creates a panorama <strong>of</strong> an equally familiar and foreign country. This German<br />

coming-<strong>of</strong>-age novel set in <strong>the</strong> USA captures in wonderful descriptions <strong>the</strong> fascination <strong>of</strong> <strong>the</strong><br />

country, and was honoured with a nomination for <strong>the</strong> German Book Award 2006.<br />

Sat, 12.09. at 9:30 pm, Haus der Berliner Festspiele / Side Stage<br />

Focus Arab World_Specials<br />

Something Sweet<br />

Documentary film by Hala Mohammed (Syria)<br />

The actor Abdel-Hakim Quatayfan is thinking about sweets as he returns from a two-week prison<br />

sentence – that turned into nine years. The poet Adnan Moqdad and <strong>the</strong> writer Hasiba Abdel-<br />

Rahman were also political prisoners. What does one dream about in prison? Are <strong>the</strong>re love stories<br />

<strong>the</strong>re? What is life like afterwards? This sensitive film creates a striking portrait <strong>of</strong> <strong>the</strong> traumas,<br />

dreams, wounds and strengths that have shaped and entire generation <strong>of</strong> Syria's intellectual elite.<br />

The film will be followed by a discussion with <strong>the</strong> director.<br />

Sat, 12.09. at 10.30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

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Kaleidoscope<br />

Eliot Weinberger (USA)<br />

PRESENTER: Claudia Schmölders SPEAKER: Friedhelm Ptok<br />

One <strong>of</strong> <strong>the</strong> most politically committed authors in <strong>the</strong> USA, New Yorker Eliot Weinberger continues<br />

his work as an “agreeable, unobtrusive observer” – as Tobias Wenzel <strong>of</strong> <strong>the</strong> Frankfurter<br />

Rundschau respectfully called him – in his essay collection An Elemental Thing. After his political<br />

account <strong>of</strong> <strong>the</strong> Bush era in What I heard about Iraq, he now turns his attention to <strong>the</strong> topic <strong>of</strong><br />

globalization, which he analyses through seemingly unconnected fragments taken from 4,000<br />

years <strong>of</strong> natural and human history.<br />

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Sun, 13.09. at 11 am, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arabic World<br />

Prose <strong>of</strong> <strong>the</strong> Arabic Peninsula I<br />

PRESENTER: Gün<strong>the</strong>r Orth, SPEAKER: Frank Arnold<br />

Youssef Al-Mohaimeed (Saudi Arabia). Al-Mohaimeed became famous in Europe with his début<br />

novel, Fikhakh al-ra’iha (t: Wolves <strong>of</strong> <strong>the</strong> crescent moon), which was banned in Saudi Arabia. It is<br />

an enthralling, poetic, and surreal story <strong>of</strong> three outsiders. His new novel Al-Hamam la yatir fi<br />

Buraida (t: No pigeons fly in Buraydah) is about <strong>the</strong> subtle public tyranny <strong>of</strong> <strong>the</strong> so-called<br />

“Committee For Virtue,” which stalks young unmarried couples in Riyadh.<br />

Abduh Khal (Saudi Arabia). Khal is a master <strong>of</strong> detailed and complexly arranged observations<br />

about his country. The novelist and essayist concentrates in his works on <strong>the</strong> overlooked and<br />

neglected. The village is <strong>of</strong>ten at <strong>the</strong> centre <strong>of</strong> his literary work, a universal symbol <strong>of</strong> <strong>the</strong> traditional<br />

Arab world.<br />

Arwa Abduh Othman (Yemen). Arwa Abduh Othman weaves stories from <strong>the</strong> silken threads <strong>of</strong><br />

her childhood memories, inspired by stories her grandmo<strong>the</strong>r told her and <strong>the</strong> richness <strong>of</strong> <strong>the</strong><br />

Yemenite fairy tale tradition. In Shabbaik Labbaik a man marries a tyrannical dog who, it transpires,<br />

is a bewitched young beauty – which does not necessarily mean that <strong>the</strong>re will be a happy end.<br />

Sun, 13.09. at 11 am, Maison Victor<br />

Specials<br />

The next Joyce will come from <strong>the</strong> Orient<br />

Samuel Shimon (Iraq/Britain) and Stefan Weidner (Germany)<br />

PRESENTER: Jan Valk SPEAKER: Oliver Führmann<br />

Samuel Shimon was born in Iraq in 1956 and has lived in Syria, Jordan, Lebanon, Egypt, Tunisia,<br />

France, and today lives in London. The journalist is among <strong>the</strong> most important agents <strong>of</strong> Arab<br />

<strong>literature</strong> in <strong>the</strong> world (including being on <strong>the</strong> jury for <strong>the</strong> Arabic Booker Prize). He will read form his<br />

novel An Iraqi in Paris and talk with <strong>the</strong> translator Stefan Weidner about Arab exile <strong>literature</strong>.<br />

Admission is free.<br />

Sun, 13.09. at 1:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

What languages does Arab <strong>literature</strong> speak?<br />

with Abbas Khider (Iraq/Germany), Leila Sebbar (France/Algeria) and Suleman Taufiq<br />

(Syria/Germany)<br />

PRESENTER: Stefan Weidner<br />

What literary languages are <strong>the</strong>re in Arab <strong>literature</strong>? Where does <strong>literature</strong> cross regional and<br />

national boundaries? The Arab world in particular is characterised by migration and inter-cultural<br />

influences. Immigrants, exile writers, Palestinians, <strong>the</strong> people <strong>of</strong> <strong>the</strong> Maghreb – <strong>the</strong> cultural<br />

diversity within <strong>the</strong> Arab world is enormous. This is also reflected in <strong>the</strong>ir <strong>literature</strong>. This event<br />

features simultaneous translation. Headsets are available in <strong>the</strong> downstairs foyer.<br />

Sun, 13.09. at 1:30 pm, Haus der Berliner Festspiele<br />

Focus Arab World_Reflections<br />

UNESCO WORKSHOP: The Magna Carta <strong>of</strong> <strong>international</strong> culture politics<br />

The forms <strong>of</strong> expression in <strong>the</strong> UNESCO agreement for <strong>the</strong> protection and support <strong>of</strong> cultural<br />

diversity (2005) bring human rights into culture-politics. The goal is to set standards for <strong>the</strong><br />

development <strong>of</strong> culture and <strong>the</strong> interaction between cultures. Member states are required to put<br />

political institutions in place which respect, protect and support cultural diversity. Authors from<br />

various countries speak about <strong>the</strong> opportunities <strong>the</strong> convention has made possible in <strong>the</strong>ir regions.<br />

Internal Author workshop in cooperation with <strong>the</strong> German UNESCO-Commission e. V. Closed<br />

Event.<br />

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Sun, 13.09. at 3 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Prose <strong>of</strong> <strong>the</strong> Arabic Peninsula II<br />

PRESENTER: Gün<strong>the</strong>r Orth, SPEAKER: Corinna Kirchh<strong>of</strong>f<br />

Raja Alem (Saudi-Arabia). The author reads from her novel Sitr (t:veil), which is yet to be<br />

published in Germany: after her divorce, Mariam comes up against society's traditional,<br />

conventional judgements and expectations. Sitr <strong>of</strong>fers us a valuable insight in <strong>the</strong> lives <strong>of</strong> women in<br />

today's Arab world.<br />

Ali Al-Muqri (Yemen). The Yemenite writer reads excerpts from his book Black Taste, Black Smell<br />

and draws us into <strong>the</strong> world <strong>of</strong> <strong>the</strong> pariah “Achdam” people, who form a racially persecuted, largely<br />

taboo parallel society in Yemen. The hypocrisy <strong>of</strong> <strong>the</strong> pious Arabs is revealed with lively wit by <strong>the</strong><br />

Achdam Surur.<br />

Sun, 13.09. at 4 pm, Uhr Babylon<br />

Specials<br />

Sicily! I: Vincenzo Consolo (Italy)<br />

PRESENTER: Maike Albath SPEAKER: Friedhelm Ptok<br />

His new novel Palermo: The Pain is set in <strong>the</strong> city. A bomb attack on <strong>the</strong> Mafia prosecutor Paolo<br />

Borsellino in 1992 brings <strong>the</strong> Sicilian writer Gioacchino Martinez back to Palermo, <strong>the</strong> city he loves<br />

and hates, <strong>the</strong> city <strong>of</strong> political ambivalence and <strong>the</strong> Mafia. In German and Italian.<br />

5:30 pm<br />

Sicily! II: Leonardo Sciascia<br />

Autoritratto, Documentary film, shown in <strong>the</strong> original Italian, 27 min.<br />

“Leonardo Sciascia’s crime novels leave no room for doubt that Sicily and <strong>the</strong> Mafia mean more in<br />

Italy’s political discourse than just <strong>the</strong> metaphorical idea <strong>of</strong> ‘fratellanze’ or ‘familiglia’ - that <strong>the</strong>y are<br />

a state-within-<strong>the</strong>-state,” wrote Beatrix Langner in <strong>the</strong> SZ. Sciascia says himself that <strong>the</strong> whole <strong>of</strong><br />

Sicily should be sunk, and only <strong>the</strong>n could <strong>the</strong> attempt be made to re-impose order – a statement<br />

that has become popular on <strong>the</strong> streets <strong>of</strong> Palermo. The documentary film provides glimpses into<br />

<strong>the</strong> literary work and political activity <strong>of</strong> this fearless loner.<br />

6 pm<br />

Sicily! III: Podium discussion on <strong>the</strong> 20 th anniversary <strong>of</strong> <strong>the</strong> death <strong>of</strong> Leonardo Sciascia<br />

Presenter: Maike Albath<br />

WITH: Vincenzo Consolo (Italy), Helene Harth (Germany), Amara Lakhous (Algeria/Italy), and<br />

Susanne Schüssler (Germany)<br />

Vincenzo Consolo, born in Sicily in 1933, became widely known with his début novel La ferita<br />

dell’aprile (t: The wound in April). In 1992 he won <strong>the</strong> Premio Strega for his novel Nottetempo, casa<br />

per casa (t: By Night, From House to House).<br />

Helene Harth. Following her postdoctoral degree at <strong>the</strong> University <strong>of</strong> Erlangen-Nuremberg, her<br />

path as a Pr<strong>of</strong>essor for Romance Studies took her to <strong>the</strong> universities <strong>of</strong> Passau and Saarbrücken.<br />

In 1993 she founded <strong>the</strong> Insitut für Romanistik at Potsdam University. She co-founded Zibaldone.<br />

Journal for Contemporary Italian Culture.<br />

Amara Lakhous, born in Algiers in 1970, has lived in Rome since 1995. He studied philosophy in<br />

Algiers and intercultural relations in Rome. His first book to be translated in to German is Krach der<br />

Kulturen um einen Fahrstuhl an der Piazza Vittorio (t: Clash <strong>of</strong> cultures over an elevator at Piazza<br />

Vittorio).<br />

Susanne Schüssler worked in various publishing houses before and during her university studies<br />

in Germany. She came to Wagenbach Verlag in 1990. In 2002, she assumed control <strong>of</strong> <strong>the</strong><br />

publishing house which was founded by her husband Klaus Wagenbach.<br />

This event will be in German and Italian.<br />

7:30 pm<br />

Sicily! IV: Leonardo Sciascia_Film Porte Aperte, Italy, 1990, Ital. w/Engl. subtitles<br />

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Open Doors is Gianni Amelio’s film adaptation <strong>of</strong> Sciascia’s 1987 novel. The year is 1937, and <strong>the</strong><br />

Sicilian Tommaso Scalia is charged with triple murder. Scalia is as good as dead before sentence<br />

has been passed. A farmer friend wants to help him, but <strong>the</strong> apparent salvation does not last long.<br />

Director: Gianni Amelio. In cooperation with <strong>the</strong> Institute <strong>of</strong> Italian Culture.<br />

Sun, 13.09. at 4:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Prose <strong>of</strong> <strong>the</strong> Arab Peninsula III: Breaking taboos versus silence<br />

with Youssef Al-Mohaimeed (Saudi Arabia), Ali Al-Muqri (Yemen) and Raja Alem (Saudi Arabia)<br />

and Angela Tschorsnig (Germany)<br />

PRESENTER: Gün<strong>the</strong>r Orth<br />

On <strong>the</strong> Arabic peninsula, censorship is still dominant as a repressive instrument for use against<br />

discomforting <strong>literature</strong>. Criticism <strong>of</strong> <strong>the</strong> regime, sex, and o<strong>the</strong>rness are all unwanted <strong>the</strong>mes, and<br />

are frequently covered-up and banned. The writer here is faced with a decision: break taboos, or<br />

stay silent? What is communicated in <strong>the</strong> novels, and what isn’t? Which taboos are dealt with and<br />

which remain untouched?<br />

Today a new tendency towards breaking social taboos in <strong>literature</strong> can be observed. What risks<br />

and problems does this involve? Authors from <strong>the</strong> region speak about <strong>the</strong> possibilities and<br />

boundaries, chances and hopes in <strong>the</strong>ir literary work.<br />

Sun, 13.09. at 4:30 pm, Haus der Berliner Festspiele / Side stage<br />

Kaleidoscope<br />

Jonas Hassan Khemiri (Sweden/Tunisia)<br />

PRESENTER: Knut Elstermann SPEAKER: Caroline Peters<br />

Montecore, a Tiger on Two Legs tells <strong>the</strong> story <strong>of</strong> a certain Jonas. His fa<strong>the</strong>r is <strong>the</strong> main character<br />

<strong>of</strong> this book, who appears on <strong>the</strong> first page, elegantly dressed, strolling up and down <strong>the</strong> ro<strong>of</strong><br />

terrace <strong>of</strong> his luxurious New York l<strong>of</strong>t apartment. It is <strong>the</strong> author’s second novel. Jonas Hassen<br />

Khemiri was born in Stockholm in 1978, <strong>the</strong> son <strong>of</strong> a Swedish mo<strong>the</strong>r and a Tunisian fa<strong>the</strong>r. He has<br />

been awarded <strong>the</strong> Per-Ol<strong>of</strong>-Enquist Prize.<br />

Sun, 13.09. at 6 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Colm Tóibín (Ireland/USA)<br />

PRESENTER: Wilfried F. Schoeller SPEAKER: Frank Arnold<br />

The author will read from Mo<strong>the</strong>rs and Sons, a recently published volume <strong>of</strong> short stories. Tóibín<br />

<strong>of</strong>ten depicts dwellings and <strong>the</strong> relationships <strong>of</strong> people who live <strong>the</strong>rein through <strong>the</strong> description <strong>of</strong><br />

everyday details – dialogue, thoughts, observations, experiences – trimmed <strong>of</strong> unnecessary<br />

explanations. The unspoken takes centre stage and motivates <strong>the</strong> plot: an underlying anguish, an<br />

indescribable bewilderment, a laboriously held balance. Lothar Müller names him one <strong>of</strong>: “… <strong>the</strong><br />

greatest narrators <strong>of</strong> his generation.”<br />

Sun, 13.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

On <strong>the</strong> laws <strong>of</strong> <strong>the</strong> Arab book market<br />

PRESENTER: Suleman Taufiq<br />

with Mansoura Ezz Eldin (Egypt), and Hassan Khader (Palestine)<br />

For Western observers, Arab countries seem to have a deregulated book trade. What mechanisms<br />

and structures for publication are <strong>the</strong>re in <strong>the</strong> Arab world, what players and what decision-making<br />

processes? What are <strong>the</strong> differences to and similarities with Germany? An event with simultaneous<br />

interpretation. Headsets will be available in <strong>the</strong> downstairs foyer.<br />

Sun, 13.09. at 7 pm, Collegium Hungaricum Berlin<br />

2


Kaleidoscope<br />

Wojciech Kuczok (Poland)<br />

PRESENTER: Marius Meller, SPEAKER: Friedhelm Ptok<br />

“Kuczok is <strong>the</strong> most stylish, musical, and passionate writer that Polish <strong>literature</strong> currently has to<br />

<strong>of</strong>fer,” wrote Jörg Plath in <strong>the</strong> Frankfurter Rundschau. Incandescent with rage and sarcastically<br />

narrated, <strong>the</strong> novel Bastard is about <strong>the</strong> dramatic course <strong>of</strong> German and Polish history during <strong>the</strong><br />

20 th century, and <strong>the</strong> violence which is carried over into <strong>the</strong> private life <strong>of</strong> a family. Event with<br />

simultaneous interpretation.<br />

Sun, 13.09. at 7:30 pm, Haus der Berliner Festspiele / Main Stage<br />

Kaleidoscope<br />

Tim Parks (Britain/Italy)<br />

PRESENTER: Gabriele von Arnim, SPEAKER: Frank Arnold<br />

Parks’ new novel Dreams <strong>of</strong> Rivers and Seas is a social panorama <strong>of</strong> modern India: a son delves<br />

into <strong>the</strong> anthropological world <strong>of</strong> his fa<strong>the</strong>r’s thoughts. The author meets his characters' internal<br />

strife with almost grotesque humour and effortlessly maintains <strong>the</strong> balance between <strong>the</strong> tragic and<br />

<strong>the</strong> banal. Event with simultaneous interpretation. Headsets will be available in <strong>the</strong> downstairs<br />

foyer.<br />

Sun, 13.09. at 7:30 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Hans Christoph Buch (Germany)<br />

PRESENTER: Marko Martin<br />

In his new novel Sansibar Blues oder: Wie ich Livingstone fand (t: Zanzibar blues, or: how I found<br />

Livingstone), <strong>the</strong> writer blurs <strong>the</strong> boundaries between journalism and <strong>literature</strong> and brings toge<strong>the</strong>r<br />

three real historical personages on <strong>the</strong> legendary spice island in <strong>the</strong> Indian Ocean with a German<br />

colonial history. Sultans' daughters, slave traders, and spies cavort through this burlesque novel.<br />

Sun, 13.09. at 7.30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Rachid Boudjedra (Algerien)<br />

PRESENTER: Marie-Claude Souaid-Hesse SPEAKER: Lars Rudolph<br />

Boudjedra is one <strong>of</strong> <strong>the</strong> most significant writers <strong>of</strong> modern Maghreb. The author will read from The<br />

Disorder <strong>of</strong> Things, which <strong>the</strong> FAZ described with <strong>the</strong> following words: “a rousing, breathless rush<br />

<strong>of</strong> a novel that bears witness to a hundred years <strong>of</strong> Maghreb desperation, a literary work <strong>of</strong> art.”<br />

Sun, 13.09. at 8 pm, Baxpax Lounge and Ro<strong>of</strong>top Terrace<br />

One to <strong>the</strong> head − SLAM on top!<br />

Slam show with Queen KA (Quebec/Canada), Josep Pedrals (Catalonia/Spain), Masha<br />

(Switzerland), Stefano Raspini (Italy) and surprise guests. Presented by Martin Jankowski, DJ<br />

MrHi.<br />

Free admission.<br />

Sun, 13.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Morocco: Everyday and exceptional circumstances<br />

PRESENTER and SPEAKER: Hartmut Fähndrich<br />

Yassin Adnan (Morocco). Adnan belongs to Morocco’s young generation <strong>of</strong> writers. He writes with<br />

wit and irony about <strong>the</strong> large and small tragedies <strong>of</strong> everyday life. He will read <strong>the</strong> short stories<br />

“Just One Chat in White,” which reveals <strong>the</strong> thoughts <strong>of</strong> a whore, and “Who Believes Letters<br />

Anyway,” in which a scoundrel must learn that lies travel fast.<br />

2


Mahi Binebine (Morocco). In his novel Welcome to Paradise, Binebine illuminates <strong>the</strong> dark reality<br />

for those people who, every day and under life-threatening conditions, attempt <strong>the</strong> hopeful journey<br />

from North Africa to Europe, only to be exposed to a brutal and merciless struggle for survival.<br />

Sun, 13.09. at 9 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Dorota Masłowska<br />

PRESENTER: Knut Elstermann, SPEAKER: Beata Lehmann<br />

The author was born in 1983 and won <strong>the</strong> greatest Polish <strong>literature</strong> prize, ‘Nike’, for The Heron<br />

Queen. The novel is an unsparing rap on <strong>the</strong> struggle to exist in <strong>the</strong> media and consumer world.<br />

The main character Stan Retro is a failing pop star. His girlfriend has left him and <strong>the</strong> media are<br />

stalking him with libellous stories about his sex life. “A furious, true, brilliant novel […] This is how<br />

subtle and powerful <strong>literature</strong> can be (‘Der Spiegel’).”<br />

Sun, 13.09. at 9 pm, Haus der Berliner Festspiele / Side Stage<br />

Focus Arab World_Speak, Memory<br />

In memory <strong>of</strong>: Mahmud Darwisch<br />

PRESENTER: Adel Karasholi<br />

Readers: Adel Karasholi (Syria), Hassan Khader (Palestine), Hala Mohammad (Syria), Amjad<br />

Nasser (Jordan/ Great Britain), Fatima Naoot (Egypt) and Joachim Sartorius (Germany)<br />

The Arabic-German poet Adel Karasholi has translated many works by <strong>the</strong> Palestinian poet<br />

Mahmoud Darwish into German, most recently <strong>the</strong> poem “The Dice Player,” which Darwish<br />

published shortly before his death in August 2008. In a homage to <strong>the</strong> poet, Karasholi describes<br />

Darwish’s life and reads some <strong>of</strong> his poems in German. The original texts will be read by poets<br />

from various Arab countries as well as Joachim Sartorius.<br />

2


Mon, 14.09. at 11 am, Collegium Hungaricum Berlin<br />

Focus Arab World<br />

Workshop: Arab human rights activists and journalists against genocide in Darfur / Sudan<br />

LEADER: Ulrich Delius<br />

In Arab countries <strong>the</strong> genocide in Darfur has also been ignored as much as possible, which can be<br />

taken as a sign <strong>of</strong> <strong>the</strong> status <strong>of</strong> human rights. 400,000 people have lost <strong>the</strong>ir lives since 2003. The<br />

workshop will focus on <strong>the</strong> dangerous commitment <strong>of</strong> human rights activists and journalists and <strong>the</strong><br />

silence <strong>of</strong> Arab goverments in regards to this issue. In cooperation with <strong>the</strong> Gesellschaft für<br />

bedrohte Völker e. V. (The association for threatened peoples).<br />

Mon, 14.09. at 1 pm, Collegium Hungaricum Berlin<br />

Focus Arab World<br />

Workshop: Forced assimilation <strong>of</strong> Kurds in Syria<br />

LEADER: Sarah Reinke<br />

For more than 50 years, more than two million Kurds in Syria have been suffering under<br />

"Arabization" Tens <strong>of</strong> thousands have lost <strong>the</strong>ir citizenship, many driven from <strong>the</strong> country. Kurdish<br />

culture and teaching in Kurdish have been forbidden. This workshop takes <strong>the</strong> politics <strong>of</strong><br />

"Arabization" as its <strong>the</strong>me. Was does this mean for <strong>the</strong> cultural identity <strong>of</strong> Syrian Kurds? What<br />

answers have <strong>the</strong> Kurdish cultural leaders found? In cooperation with <strong>the</strong> Gesellschaft für bedrohte<br />

Völker e. V. (The association for threatened peoples).<br />

Mon, 14.09. at 3 pm, Collegium Hungaricum Berlin<br />

Focus Arab World<br />

Workshop: Kabyle people in Algeria promote recognition <strong>of</strong> <strong>the</strong>ir language and culture<br />

LEADERS: Ulrich Delius and a representative <strong>of</strong> <strong>the</strong> Association for German-Kabyle Friendship<br />

More than 40 years after Algeria's Independence, <strong>the</strong> Kabyles are still waiting for recognition <strong>of</strong><br />

<strong>the</strong>ir basic rights. Although <strong>the</strong>ir language is <strong>of</strong>ficially acknowledged, <strong>the</strong> government's policies <strong>of</strong><br />

Arabization continue, threatening to destroy a language and culture that is several thousand years<br />

old. Workshop for information on <strong>the</strong> culture <strong>of</strong> <strong>the</strong> Kabyle people and <strong>the</strong>ir fight for democracy. In<br />

cooperation with <strong>the</strong> Gesellschaft für bedrohte Völker e. V. (The association for threatened<br />

peoples).<br />

Mon, 14.09. at 6 pm, Haus der Berliner Festspiele / Side stage<br />

Kaleidoscope<br />

Sayed Kashua (Palestine/Israel)<br />

PRESENTER: Barbara Wahlster SPEAKER: Burghart Klaußner<br />

A young journalist returns to his Arab village, not far from Jerusalem. The villagers have always<br />

been isolated, and always felt like outsiders among <strong>the</strong> Jewish population. In his second novel And<br />

It Became Morning <strong>the</strong> young Arab author who has Israeli nationality tackles this issue once again<br />

and creates an apocalyptic panorama.<br />

Mon, 14.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

What comes across? – Arab Literature in <strong>the</strong> West<br />

PRESENTER: Leila Chammaa.<br />

With Sinan Antoon (Iraq/USA), Inam Bioud (Algeria) and Hartmut Fähndrich (Switzerland)<br />

Is Arab <strong>literature</strong> becoming more popular in Germany? Who actually decides which Arabic works<br />

are translated and published? What criteria do German and o<strong>the</strong>r western publishers apply? What<br />

are <strong>the</strong> consequences for Arabic authors? Is <strong>the</strong>re a kind <strong>of</strong> Arabic writing for Western publishers?<br />

Are <strong>the</strong> works selected representative <strong>of</strong> Arabic <strong>literature</strong>, or are <strong>the</strong>re completely different literary<br />

“stars” in <strong>the</strong> Orient about whom readers in <strong>the</strong> West know nothing? Event in English.<br />

2


Mon, 14.09. at 7 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Péter Nádas (Hungary)<br />

PRESENTER: Lothar Müller<br />

The author and photographer is one <strong>of</strong> Hungarian contemporary <strong>literature</strong>'s greats. His Book <strong>of</strong><br />

Memories was hailed as an era-defining novel and has been compared to <strong>the</strong> works <strong>of</strong> Proust and<br />

Musil. He will read from “Die Bibel” (The Bible), his first published work, written in 1965. In <strong>the</strong><br />

story, <strong>the</strong> <strong>the</strong>n 23-year-old writer anticipated what would become one <strong>of</strong> his major <strong>the</strong>mes: a child's<br />

attempts to cope with life under Stalin. The protagonist, <strong>the</strong> son <strong>of</strong> a high-level functionary, vents<br />

his sadistic tendencies on a maid from <strong>the</strong> countryside. When he finds a bible in his parents'<br />

bookcase and rips it to pieces in front <strong>of</strong> <strong>the</strong> incensed young girl, <strong>the</strong> conflict begins in earnest.<br />

With support from <strong>the</strong> Lelbach Foundation.<br />

Mon, 14.09. at 7 pm, Institut français de Berlin<br />

Speak, Memory<br />

François Marie Arouet Voltaire (Paris 1694 − Paris 1778)<br />

INTRODUCTION: Hartmut Diekmann, SPEAKERS: Nadja Schulz-Berlingh<strong>of</strong>f, Frank Arnold<br />

The fact that Voltaire was born and died in Paris says a lot about Paris, but nothing at all against<br />

Voltaire’s tempestuous, modern life: <strong>the</strong> Jesuit student’s sharp tongue got him beaten and thrown<br />

in <strong>the</strong> Bastille, but it also led to many experiences abroad, from which he always returned, inspired,<br />

to France, <strong>the</strong> country he mistrusted. The Marquise du Châtelet provided him with an<br />

extraordinarily creative home environment for over 16 years, in which <strong>the</strong> drama Mahomet was<br />

written.<br />

Mon, 14.09. at 7 pm, Kleisthaus<br />

Kaleidoscope<br />

Luis Leante (Spain): See How Much I Love You<br />

PRESENTER: Martin Jankowski, SPEAKER: Tatiana Nekrasov<br />

“A beautiful love story filled with impressive landscape imagery that grips <strong>the</strong> reader from <strong>the</strong> first<br />

page,” is how Mario Vargas Llosa praised See How Much I Love You, Luis Leante’s novel, which<br />

won <strong>the</strong> 2007 Premio Alfaguara. A strange coincidence leads Montse to search for her childhood<br />

love Santiago, who is believed to have died – an adventurous trip through <strong>the</strong> deserts <strong>of</strong> <strong>the</strong><br />

Sahara begins. – Admission is free.<br />

Mon, 14.09. at 7 pm, Helene Nathan Biblio<strong>the</strong>k Neukölln<br />

Focus Arab World<br />

Youssef Bazzi<br />

PRESENTER: Sven Arnold, SPEAKER: Stella Hilb<br />

In Yassir Arafat Looked at Me and Smiled a young boy reports how he was recruited into <strong>the</strong><br />

Lebanese Civil War, where he fought and killed. All <strong>the</strong> while he goes about his normal life, goes to<br />

school, and has his first encounters with girls, pornography and alcohol. Violence as an everyday<br />

phenomenon leaves him cold, and war has become a game. Admission is free.<br />

Mon, 14.09. at 7:30 pm, Haus der Berliner Festspiele / Main Stage<br />

Specials<br />

Richard David Precht (Germany)<br />

PRESENTER: Christine Eichel<br />

Philosopher, author and publicist Richard David Precht, who lives in Cologne and Luxembourg,<br />

became known to a wide audience with his bestseller Wer bin ich – und wenn ja wie viele? (Who<br />

am, I – and if so, how many?). He has addressed his new book Liebe. Ein unordentliches Gefühl<br />

(Love. An untidy feeling) at all those “who don't trust <strong>the</strong> advice <strong>of</strong> love experts, but still want to<br />

know what love is all about.”<br />

2


Mon, 14.09. at 7:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Andrés Neuman (Argentinia)<br />

PRESENTER: Michi Strausfeld, SPEAKER: Kathleen Gallego Zapata<br />

The 32-year-old prose writer and poet was awarded <strong>the</strong> prestigious Spanish Alfaguera Prize for El<br />

viajero del siglo (t: The traveller <strong>of</strong> <strong>the</strong> century). His novel is set in 1<strong>9th</strong> century Germany, in <strong>the</strong><br />

fictional town <strong>of</strong> Wandernburgo, south <strong>of</strong> Berlin. Not a historical novel, it is ra<strong>the</strong>r a futuristic novel<br />

that plays in <strong>the</strong> past with finely drawn characters and a powerful love story.<br />

Mon, 14.09. at 7:30 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Monica Ali (Britain)<br />

PRESENTER: Bernhard Robben, SPEAKER: Nina Petri<br />

Monica Ali’s début Brick Lane was nominated in 2003 for <strong>the</strong> highest British literary award, <strong>the</strong> Man<br />

Booker Prize for Fiction. With her work, <strong>the</strong> daughter <strong>of</strong> a Bengalese fa<strong>the</strong>r and an English mo<strong>the</strong>r<br />

wanted to “defy a stereotype”: “We see a Sari or headscarf – and already form an opinion <strong>of</strong> <strong>the</strong><br />

person. People come to me now and say that <strong>the</strong>y look at <strong>the</strong>ir Indian or Bengalese neighbour in a<br />

completely different light.” The author will read from her new novel Hotel Imperial.<br />

Mon, 14.09. at 7:30 pm, Instituto Cervantes<br />

Reflections<br />

Who decides what we read? The power <strong>of</strong> literary awards<br />

PRESENTER: Maike Albath, PODIUM: Sigrid Löffler, Kristina Lugn and Enrique Vila-Matas<br />

What role do <strong>literature</strong> prizes play and how much do <strong>the</strong>y influence us as readers? The guests will<br />

discuss this question from varying perspectives. Kristina Lugn is a member <strong>of</strong> <strong>the</strong> Nobel committee,<br />

which asks 700 specialists to nominate candidates for <strong>the</strong> prize each year. What criteria are<br />

applied in order to whittle down <strong>the</strong> mass <strong>of</strong> nominations to find <strong>the</strong> winner <strong>of</strong> <strong>the</strong> Nobel Prize for<br />

Literature? Sigrid Löffler quit <strong>the</strong> jury for <strong>the</strong> Heinrich-Heine Prize after slanderous accusations<br />

from o<strong>the</strong>r jurors were levelled against <strong>the</strong> prize winner Peter Handke. Enrique Vila-Matas has<br />

received numerous awards, including <strong>the</strong> Premio Herralde de Novela. What influence have <strong>the</strong>se<br />

awards had on his literary work and on his success? – Admission is free.<br />

Mon, 14.09. at 7:30 pm, Heinrich Böll Stiftung / Belle étage<br />

Focus Arab World_Reflections<br />

North <strong>of</strong> <strong>the</strong> Sahara – A Maghrebi perspective on Africa’s development<br />

with Yassin Adnan (Morocco), Inam Bioud (Algeria), Rachid Boudjedra (Algeria) and Youssef<br />

Amine Elalamy (Morocco)<br />

PRESENTER: Sonja Hegazy<br />

Despite being firmly a part <strong>of</strong> <strong>the</strong> African continent, North Africa seems to be <strong>the</strong> border between<br />

two ‘worlds’, <strong>the</strong> African and <strong>the</strong> Arab. The paradigm <strong>of</strong> division has however largely been created<br />

by European colonialism and <strong>the</strong> regional studies which arose following <strong>the</strong> Second World War.<br />

But <strong>the</strong> Sahara had already been used as a bridge between cultures in earlier times by traders,<br />

holy men, missionaries and migrants. What relationship does North Africa have to <strong>the</strong> rest <strong>of</strong> <strong>the</strong><br />

continent today? How aware is it <strong>of</strong> <strong>the</strong> continent’s problems, what interest does it have in its<br />

development, and what experience does it have with <strong>the</strong> people <strong>of</strong> Africa? The authors examine<br />

<strong>the</strong>se questions and cast a Maghrebi eye on Africa. – Admission is free.<br />

Mon, 14.09. at 8 pm, Literaturhaus Berlin<br />

Reflections<br />

Gerald Uhlig-Romero (Germany)<br />

PRESENTER: Volker Panzer<br />

2


Und trotzdem lebe ich. Mein Kampf mit einer rätselhaften Krankheit (t: And never<strong>the</strong>less I am<br />

living. My struggles with a mysterious illness): Gerald Uhlig speaks impressively about his life-long<br />

struggle with a rare genetic defect and his decades-long odyssey among doctors, quacks, and<br />

faith-healers. How can one defeat <strong>the</strong> fear <strong>of</strong> premature death? The founder <strong>of</strong> “Café Einstein” tries<br />

to find answers to this question.<br />

Mon, 14.09. at 8 pm, Literaturladen Wist (Postsdam)<br />

Kalaidescope<br />

Eliot Weinberger (USA): An Elemental Thing<br />

PRESENTER: Carsten Wist SPEAKER: Beatrice Faßbender<br />

The New Yorker, one <strong>of</strong> <strong>the</strong> most politically committed journalists in <strong>the</strong> USA, brings toge<strong>the</strong>r 4,000<br />

years <strong>of</strong> natural and human history in a fascinatingly enlightening and worldwide picture in which<br />

<strong>the</strong> word globalization suddenly takes on a new and, at <strong>the</strong> same time, warmer meaning.<br />

Mon, 14.09. at 8:30 pm, Institut Français de Berlin<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Marie Darrieusecq (France)<br />

PRESENTER and SPEAKER: Florian Höllerer<br />

Jean Luc Godard adapted her début novel Truismes (Pig Tales) for <strong>the</strong> cinema. This year <strong>the</strong><br />

author is presenting her novel Tom est mort (t: Tom is dead), which appeared in France in 2007. A<br />

mo<strong>the</strong>r writes to resist forgetting: ten years ago, she lost her four-and-a-half year-old son Tom, and<br />

now she tells <strong>the</strong> story <strong>of</strong> his first days and <strong>the</strong>ir short time toge<strong>the</strong>r. She describes her own<br />

suffering and <strong>the</strong> pain <strong>of</strong> loss.<br />

Mon, 14.09. at 8.30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Tschingis Aitmatow (Sheker, Kyrgysztan 1928 – Nuremberg 2008)<br />

INTRODUCTION: Hartmut Diekmann, SPEAKER: Simone Kabst<br />

On this evening we will remember one <strong>of</strong> <strong>the</strong> most famous writers <strong>of</strong> <strong>the</strong> former Soviet Union. Born<br />

in Kyrgyzstan, he wrote mainly in Russian and described his Kyrgyzstan home in poetic images.<br />

Aitmatow died last year. This evening <strong>the</strong> love story Jamila, which brought him worldwide renown,<br />

will be presented.<br />

Mon, 14.09. at 9 pm, Babylon<br />

Kaleidoscope<br />

Paolo Giordano (Italy)<br />

PRESENTER: Thomas Wild, SPEAKER: Julia Jäger<br />

“Damn, what a great writer – and he's just 26!” exclaimed Andrea Camilleri in praise <strong>of</strong> Paolo<br />

Giordano's The Solitude <strong>of</strong> Prime Numbers. In 2008, <strong>the</strong> novel topped <strong>the</strong> best-seller list in Italy for<br />

months and was awarded <strong>the</strong> prestigious Premio Strega <strong>literature</strong> prize. In language as clear as it<br />

is hauntingly poetic, he tells <strong>the</strong> story <strong>of</strong> Alice and Mattia, two soul mates whose childhood dramas<br />

continue to affect <strong>the</strong>ir adult lives.<br />

Mon, 14.09. at 9 pm, Haus der Berliner Festspiele / Main Stage<br />

Reflections<br />

Necla Kelek (Germany)<br />

PRESENTER: Wilfried F. Schoeller<br />

“The chador turns women into depersonalised nothings,” says <strong>the</strong> confrontational sociologist and<br />

women’s rights activist, Necla Kelek. In writing her new book Bittersüße Heimat (t: Bittersweet<br />

Home) she travelled back and forth through Turkey, meeting with women’s organisations, Christian<br />

communities, and kidnapped brides. She reports from a country which is trapped between<br />

traditions and modernity and whose application for membership in <strong>the</strong> EU is still under discussion.<br />

2


Mon, 14.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Literary blogging<br />

Alban Nikolai Herbst (Germany) in discussion with Rehab Bassam (Egypt)<br />

The internet and above all web blogs are rapidly becoming literary forums for authors and<br />

publishers. Literary diaries, short stories, poems, and discussions – <strong>the</strong> possibilities and <strong>the</strong><br />

diversity are enormous. In <strong>the</strong> Arab world, blogging can – as in <strong>the</strong> case <strong>of</strong> Rehab Bassam – lead<br />

to conventional paper publication. What new literary currents are being developed through<br />

blogging? Is a new, “de-anonymised” relationship between author and reader emerging? This<br />

event will be held in English.<br />

Mon, 14.09. at 9 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Michael Greenberg (USA)<br />

PRESENTER: Gabriele von Arnim SPEAKER: Burghart Klaußner<br />

In <strong>the</strong> autobiographical novel Hurry Down Sunshine, Greenberg depicts <strong>the</strong> dramatic psychotic<br />

episode <strong>of</strong> his <strong>the</strong>n fifteen-year-old daughter Sally. He accompanies her to <strong>the</strong>rapy and logs <strong>the</strong><br />

development <strong>of</strong> <strong>the</strong> illness, her eventual recovery and reasonably normal life, as well as his own<br />

feelings <strong>of</strong> helplessness and <strong>the</strong> effects <strong>of</strong> her illness on his relationships and environment.<br />

2


Tues, 15.09. at 6 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Luis Leante<br />

PRESENTER: Michi Strausfeld, SPEAKER: Michaela Steiger<br />

“A beautiful love story filled with impressive landscape imagery that grips <strong>the</strong> reader from <strong>the</strong> first<br />

page,” is how Mario Vargas Llosa praised See How Much I Love You, Luis Leante’s novel, which<br />

won <strong>the</strong> 2007 Premio Alfaguara. A strange coincidence leads Montse to search for her childhood<br />

love Santiago, who is believed to have died – an adventurous trip through <strong>the</strong> deserts <strong>of</strong> <strong>the</strong><br />

Sahara begins.<br />

Tues, 15.09. at 6 pm, JVA Tegel<br />

Specials - Literature Behind Bars<br />

John Wray (USA) reads from Lowboy<br />

PRESENTER: Martin Jankowski. Closed event.<br />

Tues, 15.09. at 7 pm, Institut français de Berlin<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Yvon Le Men (France)<br />

PRESENTER: Barbara Wahlster, SPEAKER: Vadim Glowna<br />

In <strong>the</strong> short, densely atmospheric narratives <strong>of</strong> his first prose collection, Le petit tailleur de short,<br />

<strong>the</strong> poet recalls his childhood and youth in Brittany, <strong>the</strong> land <strong>of</strong> <strong>the</strong> menhir. Today, Le Men has<br />

dedicated himself to <strong>the</strong> preservation <strong>of</strong> Breton culture, which his prize-winning poems recount. He<br />

will read from his poetry collection Besoin de poème.<br />

Tues, 15.09. at 7 pm, Collegium Hungaricum Berlin<br />

Specials<br />

German-Hungarian Literature Quartet – four young authors introduce <strong>the</strong>mselves<br />

PRESENTER: Gregor Dotzauer SPEAKER: Julia Dietze and Rike Schmid<br />

Kornélia Deres (Hungary) was born in 1987. She is a poet, <strong>the</strong>atre critic, and founding editor <strong>of</strong><br />

<strong>the</strong> journal Puskin Utca. She is currently studying Hungarian and English. She has been publishing<br />

her texts since 2003.<br />

Susanne Heinrich (Germany), born in 1985, studied at <strong>the</strong> German Institute for Literature in<br />

Leipzig. She has published one collection <strong>of</strong> stories and two novels, most recently So, jetzt sind wir<br />

alle mal glücklich (<strong>2009</strong>, t: So, now we’re all happy for once), which accompanies three couples<br />

through <strong>the</strong> no-man’s-land between single life and marriage.<br />

Lidi Kupcsik (Hungary), born in Miskolc in 1981, graduated with a masters in Hungarian Studies in<br />

2006. She publishes prose and poetry in anthologies. A collection <strong>of</strong> her poetry, a.k.a. was<br />

published in 2006. She says <strong>of</strong> herself, “I find writing hard and words scarce.”<br />

Judith Schalansky (Germany) was born in Greifswald in 1980. Her impressive literary début Blau<br />

steht dir nicht (2008, t: Blue doesn’t suit you) is about a childhood on Usedom. “The author’s<br />

skilled use <strong>of</strong> language and <strong>the</strong> poetry arising from <strong>the</strong> meeting <strong>of</strong> images and words are<br />

enthralling,” wrote <strong>the</strong> FAZ. Her Atlas der abgelegenen Inseln (t: Atlas <strong>of</strong> remote islands) will be<br />

published in Autumn <strong>2009</strong>. With <strong>the</strong> kind support <strong>of</strong> <strong>the</strong> Lelbach-Stiftung.<br />

Tues, 15.09. at 7:30 pm, Instituto Cervantes<br />

Reflections<br />

Alma Guillermoprieto (Mexico)<br />

PRESENTER: Peter B. Schumann, SPEAKER: Beatrice Faßbender<br />

In 1970 <strong>the</strong> young Mexican Alma Guillermoprieto left New York in order to teach at <strong>the</strong> State Ballet<br />

School in Havana. Her book Dancing With Cuba: A Memoir <strong>of</strong> <strong>the</strong> Revolution describes an era<br />

during which an entire continent hung on Fidel Castro’s every word while <strong>the</strong> experiment he was<br />

3


talking about had already failed, when dancers and revolutionaries shared <strong>the</strong> same stage, and a<br />

pas de deux was transformed into a political act. – Admission is free.<br />

Tues, 15.09. at 7.30 pm, Haus der Berliner Festspiele / Main Stage<br />

Reflections<br />

Raffaele Cantone (Italy)<br />

Roberto Giardina in discussion with Raffaele Cantone<br />

INTRODUCED and PRESENTED by: Laura Garavini<br />

SPEAKER: Frank Arnold<br />

Native <strong>of</strong> Naples, Raffaele Cantone was <strong>the</strong> lead prosecutor for <strong>the</strong> anti-mafia authorities and took<br />

part in all major legal actions against <strong>the</strong> Camorra from 1999 to 2007. Now <strong>the</strong> 45-year-old is<br />

presenting his sensational biography Allein für die Gerechtigkeit (For justice alone), which spent<br />

months at <strong>the</strong> top <strong>of</strong> <strong>the</strong> best-seller list in Italy. The author gives an impressive account <strong>of</strong> how he<br />

became organised crime's “enemy number one.”<br />

Tues, 15.09. at 7:30 pm, Haus der Berliner Festspiele / Side Stage<br />

Specials<br />

New German Poetry<br />

PRESENTER: Michael Braun<br />

Daniela Danz (Germany), The “new voice <strong>of</strong> German poetry,” as Die Zeit calls her, was born in<br />

Eisenach in 1976. She published <strong>the</strong> poetry collection Serimunt in 2004, critical observations <strong>of</strong><br />

everyday life in <strong>the</strong> East German countryside. Her new collection Pontus (<strong>2009</strong>) examines <strong>the</strong><br />

history and myths <strong>of</strong> <strong>the</strong> countries around <strong>the</strong> Black Sea.<br />

Nico Bleutge (Germany) won <strong>the</strong> literary open mike competition in Berlin 2001, and won many<br />

o<strong>the</strong>r awards even before <strong>the</strong> publication <strong>of</strong> his first poetry collection. When klare konturen (t: clear<br />

lines) was published in 2006, it received unanimous praise from critics. His second collection<br />

Fallstreifen (t: Virga) was equally well-received. He is currently working on his first novel.<br />

Christoph Leisten (Germany) has been publishing his poems and essays since 1996. His texts<br />

are <strong>of</strong>ten set in Morocco, where he has undertaken more than two dozen trips. Marrakesch,<br />

Djemaa el Fna was extremely well-received by critics and readers in 2005. “The poem is a journey<br />

which does not know its own destination,” says Leisten <strong>of</strong> his poetry, which finds clarity in seeking.<br />

Volker Sielaff (Germany) lives as an author and freelance cultural journalist in Dresden. He has<br />

been publishing his subtle poems, essays, and reviews in renowned literary journals, anthologies,<br />

and daily newspapers since 1990. In 2003 his poetry collection Postkarte für N<strong>of</strong>retete (t: Postcard<br />

for Nefertiti) was published. “A precise observer who manages without inflationary metaphors.”<br />

(taz)<br />

Tues, 15.09. at 7:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World<br />

Khaled Al-Khamissi – Taxis in Cairo / Best-seller in Egypt<br />

PRESENTER: Christian Junge, SPEAKER: Nina West<br />

The journalist and writer Al-Khamissi reads from his novel Taxi: Cabbie Talk, which became a bestseller<br />

in his home country. Through 58 fictitious monologues, inspired by real conversations, <strong>the</strong><br />

kaleidoscopic universe <strong>of</strong> <strong>the</strong> 80,000 taxi drivers is revealed as <strong>the</strong>y fight <strong>the</strong>ir way through <strong>the</strong><br />

daily snarl <strong>of</strong> <strong>the</strong> mega-city, Cairo. Taxi, somewhere between urban sociology, ethnology, and oral<br />

tradition, is written in everyday language as a poetic homage to <strong>the</strong> cabbies <strong>of</strong> Cairo.<br />

Tues, 15.09. at 7:30 pm, Felleshus der Nordischen Botschaften<br />

Specials<br />

Kjell Askildsen and Ingrid Z. Aanestad (Norway): ‘Discoveries’<br />

PRESENTER and SPEAKER: Hinrich Schmidt-Henkel<br />

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Almost half a century lies between Kjell Askildsen’s début and <strong>the</strong> publication <strong>of</strong> Ingrid Z.<br />

Aanestad’s first novel. It shouldn’t come as a surprise that <strong>the</strong> great master <strong>of</strong> Norwegian <strong>literature</strong><br />

chose <strong>the</strong> young author for this double reading. By <strong>the</strong> time her second novel Eg kjem med toget (t:<br />

I Will Come By Train) was published, she had been widely recognised as one <strong>of</strong> her country's<br />

greatest new talents. Both authors are celebrated by critics for <strong>the</strong>ir sparse, clear language, which<br />

even in its minimalism can be poetic and/or comical. There will be a reception in <strong>the</strong> Felleshus<br />

foyer after <strong>the</strong> readings. – Admission is free.<br />

Tues, 15.09. at 8 pm, Haus der Kulturen der Welt<br />

Focus Arab World<br />

Assia Djebar (Algeria) is welcomed by Navid Kermani and Terézia Mora<br />

The “Literary Salon” at <strong>the</strong> Haus der Kulturen der Welt, to which Navid Kermani and Terézi Mora<br />

invite <strong>international</strong> authors, begins with <strong>the</strong> renowned Algerian writer Assia Djebar. The subjects<br />

are texts, words, books, and writing. There will be readings from Assia Djebar’s novel Nulle part<br />

dans la maison de mon père (2008, t: Nowhere in my fa<strong>the</strong>r’s house), but also from texts which<br />

move and have moved Djebar and will open her writer’s cosmos to <strong>the</strong> Salon audience. Admission<br />

€8.00 / reduced €6.00<br />

Tues, 15.09. at 8 pm, Radialsystem<br />

Specials<br />

Christina Weiss in conversation with Ingo Metzmacher<br />

Curtain! Discovering and experiencing opera – Ingo Metzmacher’s new book will be presented The<br />

conductor draws us in a highly entertaining and personal manner into <strong>the</strong> lively world <strong>of</strong> opera,<br />

which has fascinated people for centuries. Why has it lost none <strong>of</strong> its fascination to this day? What<br />

is <strong>the</strong> source <strong>of</strong> this irresistible magic? And what can music tell us that words cannot? No-one is<br />

better qualified to write about this than Ingo Metzmacher, who has worked as a conductor for more<br />

than 20 years and has collaborated with <strong>the</strong> most important singers and directors. Curtain!<br />

Discovering and experiencing opera is being presented for <strong>the</strong> first time. Admission €8.00 /<br />

reduced €6.00<br />

Tues, 15.09. at 8 pm, Literaturhaus Berlin<br />

Kaleidoscope<br />

Michael Greenberg (USA)<br />

PRESENTER: Marie Luise Knott, SPEAKER: Sven Phillip<br />

Greenberg was born in New York in 1952. He will read from his column, which he has been writing<br />

for <strong>the</strong> London-based Times Literary Supplement since 2003. These anecdotal short stories have<br />

been compiled in his autobiography Beg, Borrow, Steal: A Writer’s Life (<strong>2009</strong>). The book is<br />

populated by strange characters, and <strong>the</strong> tumultuous big city life <strong>of</strong> New York gives it a vivacious,<br />

pulsating atmosphere.<br />

Tues, 15.09. at 8:30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Of gardens, heroes, and wine – Medieval Arabic poetry<br />

INTRODUCTION: Isabel Toral-Nieh<strong>of</strong>f and Peter Pökel, SPEAKER: Burghart Klaußner<br />

Without Friedrich Rückert’s translations we would know nothing <strong>of</strong> <strong>the</strong> wealth and diversity <strong>of</strong><br />

medieval Arabic <strong>literature</strong>. Inspired by his voluminous work, we can now hear <strong>the</strong> song <strong>of</strong> praise to<br />

<strong>the</strong> hero on his camel, worship <strong>of</strong> <strong>the</strong> city <strong>of</strong> Baghdad as <strong>the</strong> fulfilment <strong>of</strong> yearning for Paradise –<br />

and marvel at <strong>the</strong> Orient's “songs <strong>of</strong> feasting, drinking, and Venus.”<br />

Tues, 15.09. at 9 pm, Haus der Berliner Festspiele / Main Stage<br />

Kaleidoscope<br />

Helmut Krausser (Germany)<br />

3


PRESENTER: Matthias Kalle<br />

For <strong>the</strong> first time <strong>the</strong> writer, poet, and stage author presents Einsteinian und Sex und Mitleid (t:<br />

Loneliness and sex and pity): a furious farce concerning intimate relationships. With numerous<br />

o<strong>the</strong>r novels, stories, poetry collections, and <strong>the</strong>atre and audio works, Krausser has secured a<br />

place for himself in German contemporary <strong>literature</strong>. His texts happily mix pathos and irony, cliché<br />

and nuance, slapstick and horror, tenderness and vulgarity.<br />

Tues, 15.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

Gerhard Falkner (Germany)<br />

PRESENTER: Wilfried F. Schoeller<br />

After his celebrated hunt for Brüno <strong>the</strong> bear, Falkner returns from <strong>the</strong> mountains to <strong>the</strong> city in his<br />

new novel Auf Liebe und Tod (t: Here's to love and death). He leaves <strong>the</strong> dangerous bear (who<br />

gets killed in <strong>the</strong> end) for a dangerous woman (who gets killed in <strong>the</strong> end). He has gone from <strong>the</strong><br />

clutch and grind <strong>of</strong> Stifter and Hemingway to <strong>the</strong> thistles and thorns <strong>of</strong> Chekhov and Gogol.<br />

Tues, 15.09. at 9 pm, Babylon<br />

Kaleidoscope<br />

Robert Littell (USA)<br />

PRESENTER: Knut Elstermann, SPEAKER: Matthias Scherwenikas<br />

In The Stalin Epigram, <strong>the</strong> master <strong>of</strong> <strong>the</strong> US espionage thriller <strong>of</strong>fers us a tale about a sinister<br />

period in Russian history based on one man's personal history. Moscow, 1934: <strong>the</strong> once famous<br />

poet Ossip Mandelstam has fallen out <strong>of</strong> favour. Unwavering in his belief in <strong>the</strong> power <strong>of</strong> words, he<br />

wants to write a poem that will make <strong>the</strong> people rise up against Stalin. Yet any one <strong>of</strong> its 16 verses<br />

could spell his death. “Magnificent,” says Publishers Weekly <strong>of</strong> <strong>the</strong> novel.<br />

Tues, 15.09. at 9 pm, Collegium Hungaricum Berlin<br />

Speak, Memory<br />

Tajjib Salich (al-Dabba/Sudan 1928 – London <strong>2009</strong>)<br />

INTRODUCTION: Andreas Pflitsch, Speaker: Roland Schäfer<br />

With <strong>the</strong> Sudanese cult writer’s death this year, <strong>the</strong> most important Arab storyteller since Nagib<br />

Machfus has passed away. His work only spans four volumes, including <strong>the</strong> novel The Time <strong>of</strong> <strong>the</strong><br />

Nor<strong>the</strong>rn Migration, his account <strong>of</strong> his journey into <strong>the</strong> nor<strong>the</strong>rn heart <strong>of</strong> darkness, and <strong>the</strong> story<br />

collection A Handful <strong>of</strong> Dates. His writings wander between his birthplace, where <strong>the</strong> Nile describes<br />

a great curve, and London, where he died.<br />

Tues, 15.09. at 10.30 pm, Collegium Hungaricum Berlin<br />

Speak, Memory<br />

Sargon Boulos (Habbanija, Iraq 1944 – Berlin 2007)<br />

INTRODUCTION: Fadhil al-Azzawi, SPEAKER: Susanna Kraus<br />

Boulos was among <strong>the</strong> most important innovators <strong>of</strong> Arabic poetry. As he was not aligned with any<br />

political current he was denied mass acceptance, but he did have enormous influence on <strong>the</strong><br />

younger Arabic poets. Having fled Iraq early as an Assyrian Christian, he joined <strong>the</strong> modernists<br />

grouped around <strong>the</strong> literary journal Shi'r (t: Poetry) in Beirut at <strong>the</strong> end <strong>of</strong> <strong>the</strong> 1960s. He<br />

encountered American beat poetry in California. He has translated texts from Shakespeare to W.H.<br />

Auden into Arabic. He died in Berlin in 2007.<br />

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Wed, 16.09. at 4 pm, JVA Moabit<br />

Kaleidoscope_Literature Behind Bars<br />

Robert Littell (USA): The Stalin Epigram<br />

Reading and disscussion with long-term prison inmates.<br />

PRESENTER: Martin Jankowski<br />

Closed Event<br />

Wed, 16.09. at 7 pm, Babylon<br />

Kaleidoscope<br />

Edward St Aubyn (Great Britain)<br />

PRESENTER: Gabriele von Arnim, SPEAKER: Frank Arnold<br />

Mo<strong>the</strong>r's Milk, <strong>the</strong> cuttingly humorous family portrait written by London native Edward St Aubyn,<br />

was short-listed for <strong>the</strong> Booker Prize, won <strong>the</strong> Prix Femina as well as <strong>the</strong> Southbank Award and<br />

brought <strong>the</strong> author <strong>international</strong> success. No doubt: For anyone who has drunk this mo<strong>the</strong>r's milk,<br />

<strong>the</strong> term “postpartum depression” now has a whole new meaning!<br />

Wed, 16.09. at 7 pm, Collegium Hungaricum Berlin<br />

Focus Arab World - Literatures <strong>of</strong> <strong>the</strong> World<br />

Repression and War in Books<br />

PRESENTER: Sven Arnold, SPEAKER: Friedhelm Ptok<br />

Youssef Bazzi (Lebanon). In Yassir Arafat Looked at Me and Smiled a young boy reports how he<br />

was recruited into <strong>the</strong> Lebanese Civil War, where he fought and killed. All <strong>the</strong> while, he goes about<br />

his normal life, goes to school and has his first encounters with girls, pornography and alcohol.<br />

Violence as an everyday phenomenon leaves him cold, and war has become a game.<br />

Sinan Antoon (Iraq/USA). Antoon’s début I’jaam, an Iraqi Rhapsody is a plea for <strong>the</strong> power <strong>of</strong><br />

words: an imprisoned student writes his life story in secret between bouts <strong>of</strong> torture and humiliation<br />

by <strong>the</strong> guards. Marked by <strong>the</strong> surveillance and restrictions under Saddam Hussein, his story has<br />

brief glimpses <strong>of</strong> private happiness. Memory and dreams flow toge<strong>the</strong>r in his writing.<br />

Wed, 16.09. at 7 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

Kjell Askildsen (Norway)<br />

PRESENTER and SPEAKER: Hinrich Schmidt-Henkel<br />

No one else says so much in so few words: on September 30 th , <strong>the</strong> Norwegian master <strong>of</strong> <strong>the</strong> short<br />

story marked his 80 th birthday by presenting a new collection under <strong>the</strong> title Alt som for (t:<br />

Everything as before). Reviver <strong>of</strong> <strong>the</strong> Norwegian novella, he has influenced generations <strong>of</strong> authors<br />

throughout Scandinavia with his unmistakable, minimalist style. “A great storyteller … honest,<br />

disturbing and merciless … in content, equal to Kafka … and Camus.” (El País)<br />

Wed, 16.09. at 7 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Norbert Gstrein (Austria)<br />

PRESENTER: Wilfried F. Schoeller<br />

In dry, melancholy language, Die Winter im Süden (Winters in <strong>the</strong> South) tells <strong>the</strong> story <strong>of</strong> a<br />

Croatian fascist who immigrated to Argentina after World War Two, leaving his family behind.<br />

When he returns in 1990 and tries to relive his days in <strong>the</strong> Ustascha, his daughter is crushed<br />

between awareness <strong>of</strong> her fa<strong>the</strong>r's guilt and her husband's self-righteous opportunism. “An<br />

exceptional war novel,” according to Die Zeit, that creates a lasting, threatening feeling as vague as<br />

it is constant.<br />

Wed, 16.09. at 7:30 pm, Instituto Cervantes<br />

Kaleidoscope<br />

3


Pablo Ramos (Argentina)<br />

PRESENTER: Michi Strausfeld, SPEAKER: Matthias Scherwenikas<br />

Pablo Ramos won <strong>international</strong> fame in 2007 with his début novel The Origin <strong>of</strong> Sadness, which<br />

describes <strong>the</strong> end <strong>of</strong> childhood amidst losers, freaks, alcoholics, and cynics in a dilapidated district<br />

ruled by violence and despair. The background is Argentina, morally and economically bankrupted<br />

by <strong>the</strong> military dictatorship.<br />

Wed, 16.09. at 8 pm, Haus der Berliner Festspiele / Main Stage<br />

Specials_Concert<br />

Wolf Biermann (Germany)<br />

Berlin, Du deutsche deutsche Frau (t: Berlin, you German, German woman) is a poetry collection<br />

released in 2008. No poet in post-war Germany has so passionately and prolifically serenaded<br />

Berlin as Wolf Biermann. In 2007, he became an honorary citizen <strong>of</strong> Berlin and in 2008 received an<br />

honorary doctorate from Humbolt University in Berlin. It was <strong>the</strong>re that Biermann studied in <strong>the</strong><br />

1950s before becoming assistant director <strong>of</strong> <strong>the</strong> ‘Berlin Ensemble’ and working with composer<br />

Hanns Eisler. Biermann has been composing songs and poems since 1960. His radical criticism <strong>of</strong><br />

<strong>the</strong> party dictatorship in <strong>the</strong> GDR led to his expatriation from <strong>the</strong> East German state in 1976. Since<br />

that time, he has lived in <strong>the</strong> city <strong>of</strong> his birth, Hamburg.<br />

Wed, 16.09. at 8 pm, Museum <strong>of</strong> Islamic Art / Mshatta Hall<br />

Focus Arab World<br />

Randa Jarrar (Kuwait/USA)<br />

PRESENTER: Sawsan Chebli<br />

The author, born in 1978, won <strong>the</strong> Hepwood Award in 2007 for her début novel. Map <strong>of</strong> Home<br />

(published in German under <strong>the</strong> title Weiße Lügen) tells <strong>the</strong> story <strong>of</strong> <strong>the</strong> young Nidali, who grows up<br />

in Kuwait, Egypt, and <strong>the</strong> USA. Humorous and cheeky, <strong>the</strong> adolescent heroine reveals to us an<br />

Arab-American immigrant and family saga for our times. Part <strong>of</strong> <strong>the</strong> “Nichts <strong>of</strong> Ramadan” event<br />

series (from 3.09.-21.09. www.naechtedesramadan.de) in cooperation with <strong>the</strong> U.S. Embassy<br />

Literature Series, H<strong>of</strong>fmann and Campe and <strong>the</strong> State Museums <strong>of</strong> Berlin. Ticket reservations at<br />

030-72664-24242 or service@smb.museum Admission is free.<br />

Wed, 16.09. at 8 pm, daadgalerie<br />

Reflections<br />

Amir Hassan Cheheltan (Iran) and Navid Kermani (Germany)<br />

The crumbling façade <strong>of</strong> unity<br />

PRESENTER: Jamsheed Faroughi<br />

Since <strong>the</strong> controversial presidential elections <strong>of</strong> June 12, <strong>the</strong> mass protests in Iran have come to no<br />

clear end. The violent death <strong>of</strong> <strong>the</strong> student Neda, <strong>the</strong> swearing-in <strong>of</strong> <strong>the</strong> new-old President<br />

Mahmoud Ahmaddinejad and <strong>the</strong> opening <strong>of</strong> <strong>the</strong> show trials have added fuel to <strong>the</strong> fire. Even in <strong>the</strong><br />

conservative camp, <strong>the</strong> façade <strong>of</strong> unity is beginning to crumble. Cracks are beginning to form<br />

between <strong>the</strong> council <strong>of</strong> guardians, <strong>the</strong> tarnished President and Ajatollah Chamenei. Amir Hassan<br />

Cheheltan and Navid Kermani will discuss <strong>the</strong> perspective <strong>of</strong> <strong>the</strong> protest movement, unstable<br />

alliances within <strong>the</strong> government and <strong>the</strong> political future <strong>of</strong> <strong>the</strong> president.<br />

Wed, 16.09. at 8 pm, Kulturhaus Mitte<br />

Specials<br />

With Giwi Margwelaschwili (GermanyGeorgia) and Rita Dahl (Finland).<br />

PRESENTER: Martin Jankowski<br />

The famous Finnish poet will present her poems for <strong>the</strong> first time in German, and <strong>the</strong> Georgian<br />

Berliner will read from his legendary new novel Der Kantakt. Tickets are only available at <strong>the</strong> door.<br />

Admission €5.00 / reduced €3.00<br />

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Wed, 16.09. at 8 pm, Literaturladen Wist (Postdam)<br />

Kalaidescope<br />

Gerhard Falkner (Germany): Auf Liebe und Tod<br />

PRESENTER: Carsten Wist<br />

After his celebrated hunt for Brüno <strong>the</strong> bear, Falkner returns from <strong>the</strong> mountains to <strong>the</strong> city in his<br />

new novel Auf Liebe und Tod (t: Here's to love and death). He leaves <strong>the</strong> dangerous bear (who<br />

gets killed in <strong>the</strong> end) for a dangerous woman (who gets killed in <strong>the</strong> end). He has gone from <strong>the</strong><br />

clutch and grind <strong>of</strong> Stifter and Hemingway to <strong>the</strong> thistles and thorns <strong>of</strong> Chekhov and Gogol. –<br />

Admission free.<br />

Wed, 16.09. at 8:30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Paul Scheerbart (Danzig 1863 – Berlin 1915)<br />

INTRODUCTION: Gregor Pohl, SPEAKER: Friedhelm Ptok<br />

Paul Scheerbart has always been fascinated by Utopias. He spent years building a perpetuum<br />

mobile, always convinced that he was just a small step from completing it. Most <strong>of</strong> his works are<br />

also Utopian: with Der Tod der Barmakiden (t: The death <strong>of</strong> <strong>the</strong> Barmakids) and Der Alte Orient (t:<br />

The Old Orient) we have two insights into Scheerbart’s fantastic land <strong>of</strong> tomorrow.<br />

Wed, 16.09. at 9 pm, Babylon<br />

Kaleidoscope<br />

David Wroblewski (USA)<br />

PRESENTER: Tanya Lieske, SPEAKER: Ulrich Mat<strong>the</strong>s<br />

The New York Times describes The Story <strong>of</strong> Edger Sawtelle as “a great, big, mesmerizing read.”<br />

Born mute, Edgar has a particularly close relationship to <strong>the</strong> dogs his parents breed on <strong>the</strong>ir<br />

Wisconsin farm. When he is forced to leave home, he is dependent on <strong>the</strong> animals' help as he<br />

moves through breathtaking landscapes. A gripping family saga and an adventure novel, depicting<br />

a young man's struggle to survive in <strong>the</strong> wilderness.<br />

Wed, 16.09. at 9 pm, Babylon_Kleiner Saal<br />

Specials<br />

Torsten Schulz (Germany)<br />

SPEAKER: Milan Peschel<br />

"Revolution and crabs": love and betrayal in era <strong>of</strong> social change; life's promises that are not<br />

fulfilled in <strong>the</strong> way we hoped. Torsten Schultz (Raus aus der Haut, Boxhanger Platz) casts a glaring<br />

light on revolutions large and small. "Wonderfully sad narratives reminiscent <strong>of</strong> film shorts," said<br />

Spiegel Online, and in Die Zeit, "well-focused close-ups – condensed into fascinating explorations<br />

<strong>of</strong> <strong>the</strong> human soul." Tickets: €8<br />

Wed, 16.09. at 9 pm, Collegium Hungaricum Berlin<br />

Focus Arab World<br />

Poetry meets Melody<br />

Girgis Shoukry (Egypt) and José F. A. Oliver (Germany)<br />

The German-Andalusian José F.A. Oliver and <strong>the</strong> Coptic Egyptian Girgis Shoukry give us an<br />

evening <strong>of</strong> poetry and music. Floating between <strong>the</strong> flamenco sounds <strong>of</strong> his birthplace and his own<br />

poetry, Olive will accompany Shoukry’s poems, which, in <strong>the</strong> author’s own words, “should look like<br />

people on <strong>the</strong> street.”<br />

Wed, 16.09. at 10pm, DAAD Galerie<br />

Reflections<br />

Worldwide Readings for Democracy and Freedom in Iran<br />

With Amir Hassan Cheheltan, Navid Kermani and o<strong>the</strong>rs<br />

3


PRESENTER: Navid Kermani SPEAKER: Bahman Nirumand<br />

Some weeks ago, on September 16th, <strong>the</strong> <strong>international</strong> <strong>literature</strong> <strong>festival</strong> <strong>berlin</strong> called cultural<br />

institutions, <strong>the</strong>atres, radio stations and <strong>the</strong> general public to a worldwide reading <strong>of</strong> <strong>the</strong> fatwa <strong>of</strong><br />

Grand Ayatolla Montazeri. The goal <strong>of</strong> <strong>the</strong> events and activities connected with <strong>the</strong> reading is to<br />

show unmistakable solidarity with <strong>the</strong> democratic opposition in Iran and to support <strong>the</strong> protest<br />

against <strong>the</strong> imprisonment <strong>of</strong> activists for democracy and <strong>the</strong> show trials. – Admission free<br />

Wed, 16.09. at 10:30 pm, Babylon<br />

Kaleidoscope<br />

Hanif Kureishi (Great Britain)<br />

PRESENTER: Marius Meller, SPEAKER: Vanessa Remy<br />

People are by nature crazy – that’s completely normal. Jamal knows it too well. Every day he<br />

unlocks <strong>the</strong> wild fantasies, dreams, and wishes <strong>of</strong> <strong>the</strong> patients on his couch. He seldom speaks <strong>of</strong><br />

his own secret, but when he does, his story is incredible. An enthralling trip and “a fascinating<br />

social portrait <strong>of</strong> London today,” wrote Daniel Bax in <strong>the</strong> taz. Hanif Kureishi’s novel Something To<br />

Tell You (2008) – sad and sensual, gripping and comic.<br />

3


Thurs, 17.09. at 5 pm, Haus der Berliner Festspiele / Side Stage<br />

International Children’s and Youth Literature<br />

Jutta Bauer (Germany)<br />

With her extensive œuvre, Jutta Bauer numbers among <strong>the</strong> most well-known illustrators in<br />

Germany. Many <strong>of</strong> her children's book concepts have become classics. In 2008, she was rewarded<br />

with a nomination for <strong>the</strong> highest <strong>international</strong> honour in children's <strong>literature</strong>, <strong>the</strong> Astrid Lindgren<br />

Memorial Award, and just recently with a fur<strong>the</strong>r nomination for this prize as well as for <strong>the</strong> Hans<br />

Christian Andersen Award for 2010. The illustrator will present a show <strong>of</strong> her life's work from <strong>the</strong><br />

time <strong>of</strong> her studies to <strong>the</strong> present day. (13 years and older)<br />

Thurs, 17.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Maïssa Bey (Algeria)<br />

PRESENTER: Christine Belakhdar, SPEAKER: Michaela Steiger<br />

Twenty-five chapters and twenty-five pictures to describe 132 years <strong>of</strong> French colonialism in<br />

Algeria. In her novel Pierre Sang Papier ou Cendre (2008), Maïssa Bey assumes <strong>the</strong> innocent<br />

perspective <strong>of</strong> a child, ageless guardian <strong>of</strong> memory, to make us witnesses to “Madame LaFrance’s”<br />

horrific, unstoppable civilizing march through history.<br />

Thurs, 17.09. at 6 pm, Haus der Berliner Festspiele / Main Stage<br />

Kalaidescope<br />

John Banville (Ireland)<br />

PRESENTER: Angela Spitzig SPEAKER: Nina West<br />

"One succumbs to <strong>the</strong> shadowy charms <strong>of</strong> 1950s Dublin and can positively smell <strong>the</strong> cigarette<br />

smoke and <strong>the</strong> Irish beer," writes The Times Literary Supplement about John Banville's novel The<br />

Silver Swan, written under <strong>the</strong> alias Benjamin Black. Investigating a dubious suicide, pathologist<br />

and recovering alcoholic Quirke gets himself entangled in a scandal which pulls him into a swirl <strong>of</strong><br />

sexual obsessions and dangerous deceptions.<br />

Thurs, 17.09. at 7 pm, Babylon<br />

Specials<br />

Yangzom Brauen (Switzerland)<br />

PRESENTER: Volker Panzer<br />

In Eisenvogel (t: Iron bird), <strong>the</strong> daughter <strong>of</strong> a Swiss fa<strong>the</strong>r and a Tibetan mo<strong>the</strong>r tells <strong>the</strong> story <strong>of</strong><br />

her grandmo<strong>the</strong>r, who was driven out <strong>of</strong> <strong>the</strong> seclusion <strong>of</strong> her convent and into <strong>the</strong> barren mountains<br />

<strong>of</strong> Tibet. She depicts her mo<strong>the</strong>r's path as she escaped <strong>the</strong> Chinese by fleeing to Switzerland. And<br />

Yangzom Brauen tells her own story, how her acting career led her to Hollywood and her activism<br />

for a free Tibet landed her in jail. It is a narrative <strong>of</strong> three generations, about <strong>the</strong> loss <strong>of</strong> home and<br />

life caught between two worlds.<br />

Thurs, 17.09. at 7 pm, Institut français de Berlin<br />

Speak, Memory<br />

Denis Diderot (Langres 1713 − Paris 1784)<br />

INTRODUCTION: Hartmut Diekmann, SPEAKER: Roland Schäfer<br />

The Enzyklopädie ou Dictionnaire raisonné des sciences, des arts et des métiers – with definite<br />

articles – was reprinted ten times during <strong>the</strong> 18 th century alone. Few o<strong>the</strong>r works have so<br />

pr<strong>of</strong>oundly influenced thinking in <strong>the</strong> West. And one man, seen in a quotation from Paul Hazard,<br />

embodied this: “He is so picturesque in his great topcoat <strong>of</strong> grey plush, <strong>the</strong> pockets <strong>of</strong> which are<br />

stuffed with books.” Diderot – <strong>the</strong> living encyclopaedia.<br />

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Thurs, 17.09. at 7:30 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Aris Fioretos (Sweden)<br />

MODERATION: Wilfried F. Schoeller<br />

Born in Göteborg to Greek-Austrian parents, Fioretos will present his yet unpublished work Der<br />

Letzte Grieche (t: The last Greek). Since his début Delandets bok, Fioretos has published<br />

numerous collections <strong>of</strong> short prose. His last collection to be released in German was Das Maß<br />

eines Fußes (2008, t: The measure <strong>of</strong> a foot) – elegant and compelling texts on <strong>the</strong> boundary<br />

between fiction and essay.<br />

Thurs, 17.09. at 7:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

Isaac Rosa (Spain)<br />

PRESENTER: Ralph Amann SPEAKER: Sven Philipp<br />

Rosa’s novel Life in Red (2004) was lauded by critics, won several prizes, and was filmed by<br />

Andrés Linares. Franco’s Spain: a university pr<strong>of</strong>essor <strong>of</strong> baroque poetry and a student vanish<br />

without a trace. Layer by layer, Rosa unveils <strong>the</strong> secret <strong>of</strong> <strong>the</strong>ir fate, and provides a portrait <strong>of</strong> <strong>the</strong><br />

police terror <strong>of</strong> repressive regimes around <strong>the</strong> world which goes far beyond a single case <strong>of</strong><br />

brutality under Franco.<br />

Thurs, 17.09. at 7:30 pm, Haus der Berliner Festspiele / Main Stage<br />

International Children’s and Youth Literature<br />

Klaus Kordon (Germany)<br />

PRESENTER: Shelly Kupferberg<br />

Native Berliner Klaus Kordon (Germany) is one <strong>of</strong> <strong>the</strong> most significant authors <strong>of</strong> German-language<br />

children's and youth <strong>literature</strong>. He will read from his new autobiographical novel Auf der<br />

Sonnenseite (t: On <strong>the</strong> sunny side) as well as its forerunner Krokodil im Nacken (t: Crocodile<br />

breathing down my neck), in which he writes about a failed attempt to escape East Germany, one<br />

year as a political prisoner in <strong>the</strong> GDR and, finally, successful emigration to <strong>the</strong> FRG in 1973. – 14<br />

years and older<br />

Thurs, 17.09. at 7:30 pm, Instituto Cervantes<br />

Speak, Memory<br />

Juan Carlos Onetti _projektONETTI_dance performance<br />

A piece by Valentina Torrado (Uruguay) and Alfredo Mena (Spain)<br />

The “projektONETTI” is dedicated as a homage to <strong>the</strong> Uruguayan writer Juan Carlos Onetti on his<br />

centennial. An <strong>international</strong> team from Uruguay, Spain, Germany, Kazakhstan, Finland and<br />

Ecuador has interpreted Onetti’s work, which is seen as having paved <strong>the</strong> way for modern Latin<br />

American <strong>literature</strong>. An evening in which modern <strong>literature</strong>, new music, dance <strong>the</strong>atre and video<br />

installations come toge<strong>the</strong>r: between nations and times, between fiction and fact, and reality as a<br />

fiction constructed out <strong>of</strong> <strong>the</strong> repetition <strong>of</strong> what is unchanging. In cooperation with <strong>the</strong> Instituto<br />

Cervantes and <strong>the</strong> Uruguayan Embassy. Admission is free.<br />

Thurs, 17.09. at 8 pm, Collegium Hungaricum Berlin<br />

Specials_New German Voices<br />

Doro<strong>the</strong>e Elmiger (Switzerland), Krist<strong>of</strong> Magnusson (Iceland/Germany), Nadja Wünsche<br />

(Germany) and Judith Schalansky (Germany)<br />

PRESENTER: Thomas Klupp<br />

For <strong>the</strong> second time, <strong>the</strong> ilb is presenting young, talented authors, whose work shows such literary<br />

promise that <strong>the</strong>y might one day achieve <strong>international</strong> acclaim. You may look forward to <strong>the</strong><br />

remarkable tone <strong>of</strong> <strong>the</strong>se four “New German Voices” and to <strong>the</strong> presenter Thomas Klupp, whose<br />

début Paradiso (<strong>2009</strong>) won unconditional praise from <strong>the</strong> reviewer in Die Zeit.<br />

3


Thurs, 17.09. at 8 pm, / Literaturhaus_Kaminraum<br />

Specials<br />

Pier Paolo Pasolini – Who I am, Exhibition opening<br />

Introduction to <strong>the</strong> exhibition: Peter Erismann and Ricarda Gerosa. Film excerpts: Pasolini as a<br />

guest <strong>of</strong> Walter Höllerer’s event series “Optische Literatur” on 12.1.1966 in <strong>the</strong> Berlin<br />

Kongresshalle. Reader: Frank Arnold.<br />

18.09. at-22.11.<strong>2009</strong>. on Tuesday, Wednesday, Friday: 2 pm, -7 pm, Thursday: 2 pm, - 9 pm,<br />

Saturday: 11 am, - 9 pm, Sunday: 11 am, - 7 pm, Admission €5 / €3. Accompanying <strong>the</strong> exhibition<br />

will be a broad programme <strong>of</strong> events with ‘Long Nights’, film screenings, lectures, podium<br />

discussions and musical performances.<br />

Thurs, 17.09. at 8:30 pm, Institut français de Berlin<br />

Kaleidoscope<br />

Mathias Enard (France)<br />

PRESENTER: Barbara Wahlster, SPEAKER: Nina West<br />

The multilingual Candide Prize winner for 2008 studied in Iran, Lebanon, and Egypt, and teaches<br />

Arabic at <strong>the</strong> University <strong>of</strong> Barcelona. The main character in his new novel Zone is also welltravelled.<br />

The mysterious passenger takes a night train from Milan to Rome in order to sell a<br />

briefcase full <strong>of</strong> documents to <strong>the</strong> Vatican. The ageing secret agent looks back on his life like a<br />

modern Odysseus, a life which was closely intertwined with <strong>the</strong> violent history <strong>of</strong> Europe in <strong>the</strong> 20th<br />

century.<br />

Thurs, 17.09. at 8:30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Panait Istrati (Brǎila, Romania 1884 − Bucharest 1935)<br />

INTRODUCTION: Marianne Geitel, SPEAKER: Matthias Scherwenikas<br />

Kyra Kyralina, The Thistles <strong>of</strong> Baragan, and more: “Panait Istrati is nei<strong>the</strong>r communist nor<br />

bourgeois, nei<strong>the</strong>r worker nor intellectual […] He is <strong>the</strong> soul that fights for freedom in <strong>the</strong> body <strong>of</strong> a<br />

person” (Nikos Kazantzakis). Born in Rumania, he lived and wrote in France. When his friends<br />

abandoned him, he returned to Romania to die.<br />

Thurs, 17.09. at 9 pm, Haus der Berliner Festspiele / Side Stage<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Göran Sonnevi (Sweden)<br />

PRESENTER: Klaus-Jürgen Liedtke<br />

The recipient <strong>of</strong> <strong>the</strong> Nordic Council’s Literature Prize reads from his works Sprache; Werkzeug;<br />

Feuer (t: Language; tool; fire) and Das brennende Haus (t: The burning house), an anthology <strong>of</strong><br />

collected poems. With a songlike flowing style, accomplished without <strong>the</strong> use <strong>of</strong> typical metered<br />

accents, but instead utilizing pauses between halting and flowing phrases, Sonnevi combines<br />

motifs from his comprehensive repertoire <strong>of</strong> <strong>the</strong>mes.<br />

Thurs, 17.09. at 9 pm, Babylon<br />

Specials<br />

Veit Heinichen (Germany)<br />

PRESENTER: Marius Meller<br />

The author believes that crime fiction is an ideal means <strong>of</strong> making <strong>the</strong> workings <strong>of</strong> society<br />

transparent. In his new novel Die Ruhe des Stärkeren (t: The calm <strong>of</strong> <strong>the</strong> strong), he once again<br />

dispatches <strong>the</strong> witty, intractable Commissar Laurenti to <strong>the</strong> border region around his adopted home<br />

town <strong>of</strong> Trieste, where organised crime meets unscrupulous economic leaders. Enriched with black<br />

humour and addresses for gourmets, <strong>the</strong> author’s crime fiction, which has also been adapted for<br />

television, reflects upon <strong>the</strong> political-economic changes in Europe.<br />

4


Thurs, 17.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

John Wray (USA/Austria)<br />

PRESENTER: Bernhard Robben<br />

The FAZ wrote: “His début The Right Hand <strong>of</strong> Sleep was already a small miracle. Lowboy […] has<br />

<strong>the</strong> stuff <strong>of</strong> classics.” The 16-year-old protagonist is schizophrenic. Having fled from an asylum, he<br />

sets <strong>of</strong>f on a manic hunt through New York’s subway tunnels. He wants to save <strong>the</strong> world from an<br />

apocalypse that is predicted in codes and signs which only he can understand.<br />

4


Fri, 18.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Literatures <strong>of</strong> <strong>the</strong> World<br />

Erasmus Schöfer (Germany)<br />

PRESENTER: Marius Meller<br />

With Winterdämmerung (2008, t: Winter’s dawn), <strong>the</strong> fourth and final volume <strong>of</strong> <strong>the</strong> period series<br />

Die Kinder des Sisyfos (t: The children <strong>of</strong> Sisyphus) has now been published. In <strong>the</strong> large-scale<br />

quartet, Schöfer reflects back on <strong>the</strong> left-wing protest movement from 1968 to 1990. Critics have<br />

placed his novels in <strong>the</strong> tradition <strong>of</strong> Peter Weiss and Uwe Johnson. As a proponent <strong>of</strong> “litérature<br />

engagée” Schöfer demonstrates <strong>the</strong> contribution <strong>literature</strong> can make to an interpretation <strong>of</strong> <strong>the</strong><br />

past.<br />

Fri, 18.09. at 7 pm, Collegium Hungaricum Berlin<br />

Specials_Scritture Giovani<br />

Paul Brodowsky (Germany), Gabriele Dadati (Italy), Owen Martell (Britain) and Céline Robinet<br />

(France)<br />

PRESENTER: Thomas Klupp, SPEAKERS: Stella Hilb and Marie Löcker<br />

“4:00 a.m.” is <strong>the</strong> project <strong>the</strong>me for <strong>2009</strong>. at This is <strong>the</strong> point <strong>of</strong> departure from which <strong>the</strong> authors<br />

set out to “awaken” audiences at three hosting <strong>literature</strong> <strong>festival</strong>s – <strong>the</strong> <strong>festival</strong>etteratura in<br />

Mantova, <strong>the</strong> Guardian Hay Festival and <strong>the</strong> <strong>international</strong> <strong>literature</strong> <strong>festival</strong> <strong>berlin</strong> – each with his or<br />

her distinct writing style.<br />

Fri, 18.09. at 7:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

Amir Hassan Cheheltan (Iran)<br />

PRESENTER: Sven Arnold SPEAKER: Friedhelm Ptok<br />

Amir Hassan Cheheltan, born in Tehran in 1956, is known for his insightful reports on Iran’s<br />

political situation in <strong>the</strong> newspapers Frankfurter Allgemeine Zeitung and Süddeutsche Zeitung. In<br />

<strong>the</strong> Islamic Republic, authors are no longer allowed to write uncensored texts. For this reason, his<br />

new novel, Teheran Revolutionsstrasse (t: Tehran revolution street), will initially be published only<br />

in Germany. The author draws a picture if Iranian society in this work, highlighting <strong>the</strong> divide<br />

between modernity and tradition which threatens to destroy a young couple’s marriage.<br />

Fri, 18.09. at 7:30 pm, Haus der Berliner Festspiele / Side stage<br />

Kaleidoscope<br />

Atiq Rahimi (Afghanistan/France)<br />

PRESENTER: Omar Akbar, SPEAKER: Michaela Steiger<br />

In 2008, <strong>the</strong> Kabul-born author won France's most important literary honour, <strong>the</strong> Prix Goncourt, for<br />

his latest novel Stein der Geduld (t: The stone <strong>of</strong> patience). The story centres on a wife who<br />

devotedly cares for her severely wounded husband. Without knowing whe<strong>the</strong>r or not he can hear<br />

her, she speaks more and more freely about her feelings <strong>of</strong> marital, social and religious oppression<br />

during <strong>the</strong> Taliban's rule in Afghanistan.<br />

Fr, 18.09. at 7:30 pm, Instituto Cervantes<br />

Speak, Memory<br />

Juan Carlos Onetti_projektONETTI_dance performance<br />

A piece by Valentina Torrado (Uruguay) and Alfredo Mena (Spain)<br />

The “projektONETTI” is dedicated in homage to <strong>the</strong> Uruguayan writer Juan Carlos Onetti on his<br />

centennial. An <strong>international</strong> team from Uruguay, Spain, Germany, Kazakhstan, Finland and<br />

Ecuador has interpreted Onetti’s work, which is seen as having paved <strong>the</strong> way for modern Latin<br />

American <strong>literature</strong>. An evening in which modern <strong>literature</strong>, new music, dance <strong>the</strong>atre, and video<br />

installations come toge<strong>the</strong>r: between nations and times, between fiction and fact, and reality as a<br />

4


fiction constructed out <strong>of</strong> <strong>the</strong> repetition <strong>of</strong> what is unchanging. In cooperation with <strong>the</strong> Instituto<br />

Cervantes and <strong>the</strong> Uruguayan Embassy. Admission is free.<br />

Fri, 18.09. at 8 pm, Literaturhaus Berlin_Kaminraum<br />

Reflections<br />

Peter Kammerer: Pasolini and Walter Benjamin’s Angel <strong>of</strong> History<br />

Walter Benjamin’s description <strong>of</strong> <strong>the</strong> Angel <strong>of</strong> History corresponds strikingly to Pasolini’s fate. What<br />

<strong>the</strong> Angel wanted, “To stay, to wake <strong>the</strong> dead, and to piece toge<strong>the</strong>r that which was broken,” is<br />

exactly what Pasolini wanted in his poetry – and it is something at which he failed. Peter<br />

Kammerer, born in Offenburg in 1938, has taught for years at <strong>the</strong> University <strong>of</strong> Urbino. As a<br />

translator, editor, and commentator, as well as <strong>the</strong> author <strong>of</strong> many essays, he has worked to<br />

highlight <strong>the</strong> provocative and defiant elements in Pasolini’s work. Following <strong>the</strong> event – at around<br />

9:30 pm – <strong>the</strong>re will be a screening <strong>of</strong> <strong>the</strong> film Pasolini l’enragé (Pasolini, <strong>the</strong> furious, F 1966/1991,<br />

65 min, French w/subtitles). The director and scriptwriter Jean-André Fieschi spoke with Pasolini in<br />

his flat in <strong>the</strong> Via Eufrate, on location in <strong>the</strong> suburbs <strong>of</strong> Rome, and on <strong>the</strong> beach at Ostia.<br />

Fri, 18.09. at 8:30 pm, Maxim Gorki Theater / Studio stage<br />

Speak, Memory<br />

Franz Werfel (Prague 1890 – Beverly Hills 1945) and Victor Gardon (Van, Armenia 1903 − Paris<br />

1973)<br />

INTRODUCTION to Franz Werfel: Rolf Hosfeld; INTRODUCTION to Victor Gardon: Christine<br />

Gardon<br />

SPEAKER: Roland Schäfer<br />

“Don’t incite controversy against <strong>the</strong> Turks” was supposed to have been scrawled by Franz Werfel<br />

in <strong>the</strong> margins <strong>of</strong> <strong>the</strong> manuscript for The 40 Days <strong>of</strong> Musa Dagh. This book about <strong>the</strong> Armenian<br />

genocide was burned in Nazi Germany in 1933, <strong>the</strong> year <strong>of</strong> its publication.<br />

Viktor Gardon (actually Gahram Vakavian) had to endure <strong>the</strong> massacres in Armenia as a child. In<br />

The Fountains <strong>of</strong> <strong>the</strong> Past, <strong>the</strong> second volume <strong>of</strong> his Le Vanetsi trilogy, he tackles <strong>the</strong> origins <strong>of</strong> <strong>the</strong><br />

genocide and <strong>the</strong> beginning <strong>of</strong> his exile.<br />

Fri, 18.09. at 9 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

Sebastian Barry (Ireland)<br />

PRESENTER: Bernhard Robben, SPEAKER: Friedhelm Ptok<br />

Barry <strong>of</strong>ten draws inspiration for his subtle novels about <strong>the</strong> dramatic history <strong>of</strong> Ireland from his<br />

own family history. This is also <strong>the</strong> case in The Secret Scripture (2008), in which Roseanne, almost<br />

100 years old and stuck for years in a psychiatric asylum, recounts her family’s history.<br />

Fri, 18.09. at 9 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Monika Maron (Germany)<br />

PRESENTER: Florian Höllerer<br />

“B. is <strong>the</strong> filthiest city in Europe,” wrote Monika Maron in her début novel, Flight <strong>of</strong> Ashes. “B”<br />

stands for Bitterfeld, which is even today synonymous with an ailing economy and polluted<br />

environment. 30 years later, Maron went back to <strong>the</strong> city and reported on <strong>the</strong> changes she found<br />

<strong>the</strong>re. In her newest novel Ach Glück (Oh, happiness), Maron tries to answer <strong>the</strong> question <strong>of</strong><br />

whe<strong>the</strong>r or not life can turn out well. Her 54-year-old protagonist breaks out <strong>of</strong> her daily rut and<br />

travels to Mexico – in search <strong>of</strong> a new beginning.<br />

Fri, 18.09. at 9 pm, Collegium Hungaricum Berlin<br />

Kaleidoscope<br />

Binyavanga Wainaina (Kenya/USA)<br />

4


PRESENTER: Marie-Luise Knott, SPEAKER: Sven Philipp<br />

The author, who became director <strong>of</strong> <strong>the</strong> Chinua Achebe Center at Bart College this year, was<br />

awarded <strong>the</strong> Caine Prize for African Writing in 2002 for his story “How To Write About Africa,”<br />

published in <strong>the</strong> Neuen Rundschau. This year <strong>the</strong> Kenya native will present his new work, which<br />

was translated into German exclusively for <strong>the</strong> ilb.<br />

4


Sat, 19.09. at 1 pm, Trattoria "A´Muntagnola"<br />

Reflections<br />

Il Silencio -- The great silence. An anti-mafia police <strong>of</strong>fer speaks.<br />

With Luigi Cornaglia and Paolo Emilio Petrillo<br />

The Mafia business is thriving like never before: <strong>of</strong>ten it is shockingly quiet and discreet. That is <strong>the</strong><br />

experience <strong>of</strong> Gianni Palagonia (President <strong>of</strong> <strong>the</strong> organisation "Mafia? No, thank you!"), who<br />

worked for ten years as a police <strong>of</strong>ficer in <strong>the</strong> fight against organised crime. Captivating and<br />

unsparing in his book Il Silencio, he tells <strong>of</strong> <strong>the</strong> gruelling battle against suspected gangsters and a<br />

corrupt society, whose members secretly envied <strong>the</strong> Mafia its power. Gianni Palagonia is a<br />

pseudonym. Paolo Emilio Petrillo lives today in Berlin and Rome. He works as a correspondent for<br />

<strong>the</strong> Italian newspaper il Riformista. – Admission free<br />

Sat, 19.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Reflections<br />

Rolf Hosfeld (Germany)<br />

PRESENTER: Hans Christoph Buch<br />

Rolf Hosfeld’s new book, The Spirits He Called Forth, is about Marx. Considering his false<br />

historical-philosophical speculations, it is somewhat inevitable that his political impact be subject to<br />

<strong>the</strong> law <strong>of</strong> unintended consequences. Is he responsible? Yes and no. Even irretrievably failed<br />

prophecies can <strong>of</strong>fer stimulating lessons to critical and unbiased contemporary thinkers.<br />

Sat, 19.09. at 6 pm, Haus der Berliner Festspiele / Main Stage<br />

Kaleidoscope<br />

Siegfried Lenz (Germany)<br />

PRESENTER: Volker Weidermann, SPEAKER: Burghard Klaußner<br />

“We must thank Siegfried Lenz for a poetic book. It may well be his most beautiful,” said Marcel<br />

Reich-Ranicki <strong>of</strong> Schweigeminute (t: A minute <strong>of</strong> silence). Siegfried Lenz writes with masterful<br />

sensitivity, with discretion and humour about how <strong>the</strong> love between Stella and Christian began, why<br />

<strong>the</strong>ir passion had to face up to reality, and how <strong>the</strong>n, all <strong>of</strong> a sudden, everything was over – and yet<br />

not over.<br />

Sat, 19.09. at 6 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Colum McCann (Ireland/USA)<br />

PRESENTER: Bernhard Robben, SPEAKER: Frank Arnold, MUSIC: Joe Hurley<br />

McCann’s most recent novel is being hailed as a masterpiece. Let The Great World Spin is a tale<br />

set against <strong>the</strong> backdrop <strong>of</strong> a tightrope act between <strong>the</strong> towers <strong>of</strong> <strong>the</strong> World Trade Center in 1974,<br />

told through completely unrelated personal accounts, as a prelude to <strong>the</strong> events <strong>of</strong> September 11.<br />

As a journalist, he has been published worldwide in newspapers such as The New York Times,<br />

The Guardian, Le Figaro, and La Repubblica.<br />

Sat, 19.09. at 8 pm, Haus der Berliner Festspiele / Main Stage<br />

Specials<br />

Concert with Bachar Zarkan (Syria) and Ensemble<br />

The singer Bachar Zarkan sets poems <strong>of</strong> Islamic mysticism to music and arranges pieces for<br />

modern Arabic lyrics, including <strong>the</strong> poems <strong>of</strong> Mahmoud Darwish. Beginning in <strong>the</strong> 1980s with<br />

political song-writing, he later concerned himself with Sufi poetry. He has performed tours<br />

throughout France, Germany, England, <strong>the</strong> USA, and most Arab countries. Zarkan has founded<br />

several musical groups and has acted in both <strong>the</strong>atre and television.<br />

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Sun, 20.09. at 4 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Reflections<br />

Colum McCann (Ireland/USA) and Binyavanga Wainaina (Kenya/USA)<br />

in a discussion about: Connectedness: values in a changing society<br />

PRESENTER: Marius Meller<br />

The winner <strong>of</strong> <strong>the</strong> Caine Prize for African Writing Binyavanga Wainaina and <strong>the</strong> journalist and writer<br />

Colum McCann are both striking in <strong>the</strong>ir ability to seismographically detect changes in society and<br />

to articulate those changes in <strong>literature</strong>. No one could better capture in words <strong>the</strong> direction our<br />

society is going in in <strong>the</strong> wake <strong>of</strong> <strong>the</strong> economic and financial crisis or <strong>the</strong> ways in which <strong>the</strong> recently<br />

ignited discourse on values may have opened up possibilities for a more just world.<br />

Sun, 20.09. at 8 pm, Haus der Berliner Festspiele / Main Stage<br />

Specials<br />

The Forgotten Liberators (À nos morts),<br />

Hiphop Musical in Memory <strong>of</strong> <strong>the</strong> French Colonial Soldiers<br />

German Premiere: with Yan Gilg, Farba MBaye, Maeva Heitz, Sovannak Nam, Ibrahima<br />

MBodji, Christophe Roser, Yassine Allouache, Mickaël Stoll<br />

Strongly influenced by <strong>the</strong> hip-hop culture <strong>of</strong> Strasburg’s suburbs, this performance combines<br />

poetic texts with an urban sound and contemporary choreography – all <strong>of</strong> which takes place in front<br />

<strong>of</strong> a stage set including historical photographs and film excerpts. The play remembers <strong>the</strong> millions<br />

<strong>of</strong> soldiers from <strong>the</strong> French colonies who fought for France on <strong>the</strong> front lines in 1914-18, and who<br />

helped to free <strong>the</strong> world from Fascism during <strong>the</strong> Second World War. Largely forgotten today, <strong>the</strong><br />

project “Mémoires Vives” pays <strong>the</strong>m respect by bringing an important but neglected chapter <strong>of</strong><br />

history to <strong>the</strong> stage in contemporary form. Presented by AfricAvenir International e.V.<br />

www.africavenir.org<br />

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9/10/11.10.<strong>2009</strong> at 8pm, Haus der Berliner Festspiele / Side Stage<br />

BurkaBondage – No Ordinary Experience<br />

Premiere<br />

with Yui Kawaguchi, Vania Rovisco, Monireh Hashemi, Dance. Acci Babba, Video.<br />

Mohammad Reza Mortazavi, Music.<br />

After <strong>the</strong> Taliban blew up <strong>the</strong> famous Bamyian Buddha in 2001, director Helena Waldmann<br />

travelled to <strong>the</strong> richest land and <strong>the</strong> poorest land in Asia. In her new production, she closely<br />

examines <strong>the</strong> ways in which Afghan and Japanese culture disguise <strong>the</strong> female body. With two<br />

dancers who love extremes, an artist who erases <strong>the</strong> body and a drumming genius. A coproduction<br />

<strong>of</strong> <strong>the</strong> Berliner Festspiele and <strong>the</strong> ilb. Supported by: Hauptstadtkulturfonds<br />

Fur<strong>the</strong>r information under www.ecotopidance.com and www.<strong>berlin</strong>erfestspiele.de<br />

17.11.09 at 8 pm, Haus der Berliner Festspiele / Side Stage<br />

An evening <strong>of</strong> solidarity – an evening for <strong>the</strong> persecuted in Iran<br />

Berlin actors read <strong>literature</strong> bearing witness to a half century <strong>of</strong> oppression. In 1953, <strong>the</strong> night <strong>of</strong><br />

despotism fell across <strong>the</strong> country. Though regimes have changed, it continues still today. Literature<br />

from Iran as a sign <strong>of</strong> human suffering and love <strong>of</strong> freedom. Corinna Harfouch, Jutta H<strong>of</strong>fmann,<br />

Jürgen Holtz and Ulrich Mat<strong>the</strong>s will read. Writers in Prison/P.E.N. in cooperation with <strong>the</strong><br />

<strong>international</strong> <strong>literature</strong> <strong>festival</strong> <strong>berlin</strong>. Tickets €10.<br />

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“International Children's and Youth Literature” – Public Events<br />

Thurs, 10.09. at 7:30 pm, PHILIPP-SCHAEFFER-BIBLIOTHEK / KINDERBIBLIOTHEK<br />

Maritgen Matter (Ne<strong>the</strong>rlands), Marjaleena Lembcke (Finland/Germany) and Octavia Monaco<br />

(Italy)<br />

Modern Fairy Tale world full <strong>of</strong> seekers.<br />

In this evening event, <strong>the</strong> three authors will <strong>of</strong>fer us a glimpse <strong>of</strong> <strong>the</strong> creative process behind <strong>the</strong>ir<br />

fairy tale book projects. The story <strong>of</strong> exceptional journeys toward “experience” and <strong>the</strong> emotional<br />

relationship between natural enemies, <strong>the</strong> sheep and <strong>the</strong> wolf (Maritgen Matter: Ein Schaf fürs<br />

Leben (t: a sheep for life)); <strong>the</strong> King's family who search for <strong>the</strong>ir author in <strong>the</strong> midst <strong>of</strong> writer's<br />

block in order that <strong>the</strong>ir – and <strong>the</strong> author's – story may be retold (Marjaleena Lembcke: Ein<br />

Märchen ist ein Märchen ist ein Märchen (t: A fairy tale is a fairy tale is a fairy tale)); as well as <strong>the</strong><br />

extraordinary fairy tale adaptation <strong>of</strong> a real princess who emancipates herself and breaks free <strong>of</strong><br />

o<strong>the</strong>rs' expectations (Octavia Monaco: Una principessa sul pisello (A princess on <strong>the</strong> pea)). All<br />

<strong>the</strong>se <strong>of</strong>fer plenty <strong>of</strong> material for a discussion – <strong>of</strong>, for example, <strong>the</strong> possibilities and limits <strong>of</strong> fairy<br />

tales – and a story segment. What do fairy tales mean today? And what possibilities do writers <strong>of</strong><br />

fairy tales have to participate <strong>the</strong> <strong>the</strong> children's <strong>literature</strong> debates concerning identity, stereotypes,<br />

or even <strong>the</strong> relationship between fiction and reality? What can we reasonably expect from<br />

elementary age readers? For adults, youth, fairy tale fans, readers <strong>of</strong> children's books and art<br />

lovers. Free Entrance.<br />

Fri, 11.09. at 7 pm, GRIPS MITTE (Podewil)<br />

Graham Gardner (Great Britain) and Valérie Zenatti (France/Israel)<br />

Young people in discussion…<br />

PRESENTER: BLI BerlinerLiteraturInitiative / BerlinerLeseratten<br />

Prepared and moderated by young adult participants in <strong>the</strong> BerlinerLiteraturInitiative, this evening's<br />

event will present two young adult books, Inventing Elliot written by Englishman Graham Gardner<br />

and A Bottle in <strong>the</strong> Gaza Sea by Frenchwoman Valérie Zenatti. In his captivating début novel,<br />

which subtly alludes to George Orwell's 1984, Graham Gardner constructs a narrative altercation<br />

between <strong>the</strong> <strong>the</strong>mes <strong>of</strong> power and followers, fear and violence, conformity and individuality, as well<br />

as <strong>the</strong> roles <strong>of</strong> victim and victimizer. The novel's sophisticated execution earned it <strong>the</strong> German<br />

Youth Literature Prize's Youth Jury Prize. In her novel, Valérie Zenatti grapples with <strong>the</strong> current<br />

cultural and political conflict between Israel and Palestine. In this modern correspondence novel,<br />

she allows her two narrators to share <strong>the</strong>ir everyday lives, giving voice to all <strong>the</strong>ir fears and desires,<br />

in emails <strong>the</strong>y write to one ano<strong>the</strong>r. It succeeds in making a literary plea for tolerance and political<br />

dialogue In cooperation with <strong>the</strong> GRIPS Theatre and BerlinerLiteraturInitiative /<br />

BerlinerLeseratten. For ages 13 and up. Entrance: €5 (Theater der Schulen: €4). For advance<br />

tickets, call (030) 39 74 74 77<br />

Sat, 12.09. at 2 pm, LABYRINTH KINDERMUSEUM BERLIN<br />

Rosana Faría (Venezuela)<br />

What is it like to live in a world full <strong>of</strong> light, colour, sounds and smells when one cannot see?<br />

Thomas is blind and and cannot see <strong>the</strong> colours or forms <strong>of</strong> things around him. He has learned to<br />

use his o<strong>the</strong>r senses – hearing, smell, touch and taste – to perceive objects, people and his<br />

environment. In this way he can imagine how <strong>the</strong> world and his surroundings could look. Inspired<br />

by <strong>the</strong> children's book, The Black Book <strong>of</strong> Colours by Rosana Faría (Venezuela), boys and girls in<br />

this workshop can create <strong>the</strong>ir own personal image <strong>of</strong> feeling, seeing and experiencing colour after<br />

<strong>the</strong> reading, which will be held in <strong>the</strong> book's original Spanish as well as in German. The children will<br />

receive a black tile, which <strong>the</strong>y can later take home, and use a special technique to create <strong>the</strong>ir<br />

own unique tactile picture. Tickets at <strong>the</strong> door: Children €4, Adults €4.50, Ticket price includes <strong>the</strong><br />

entrance to <strong>the</strong> exhibit, reading and workshop.<br />

4


Sat, 12.09. at 8:30 pm MAXIM GORKI THEATER / Studio Stage<br />

Klaus Doderer (Germany) and Hans-Joachim Gelberg (Germany)<br />

INTRODUCTION: Hartmut Diekmann SPEAKER: Friedhelm Ptok<br />

The life and work <strong>of</strong> author James Krüss, who passed away in 1997, stand at <strong>the</strong> centre <strong>of</strong> this<br />

event, a cooperation between <strong>the</strong> “Speak, Memory” and “International Children's and Youth<br />

Literature” sections <strong>of</strong> <strong>the</strong> <strong>festival</strong> programme. After a short introduction, <strong>the</strong> well-known expert on<br />

children's and young adult <strong>literature</strong> and long-time author supporter, Klaus Doderer, and <strong>the</strong><br />

founder <strong>of</strong> Beltz & Gelberg, <strong>the</strong> children and youth program at Beltz publishing group, Hans-<br />

Joachim Gelberg, will share <strong>the</strong>ir memories <strong>of</strong> James Krüss. Fur<strong>the</strong>rmore, <strong>the</strong>y will discuss<br />

differing literary and historical evaluations <strong>of</strong> <strong>the</strong> significance <strong>of</strong> <strong>the</strong> artist as an observer <strong>of</strong><br />

contemporary social events affecting <strong>the</strong> development <strong>of</strong> children's <strong>literature</strong> since 1945. A reading<br />

from selected works <strong>of</strong> poetry and prose by James Krüss will follow. Afterwards, <strong>the</strong> discussion will<br />

be opened to <strong>the</strong> audience. Tickets: €4/€5.<br />

Sun, 13.09. from 11 am to 5 pm, DIE GELBE VILLA<br />

Jeanne Birdsall (USA), Rosana Faría (Venezuela), Svjetlan Junaković (Croatia), Suzy Lee<br />

(South Korea/Singapore), Maritgen Matter (Ne<strong>the</strong>rlands) and Nadine Touma (Lebanon)<br />

Family Fest International. Reading without Borders<br />

PRESENTER: Eva Marie Schneider-Reuter SPEAKER: Ensenble Theater an der Parkaue<br />

The authors and illustrators will read <strong>the</strong>ir texts to audiences <strong>of</strong> children, young people and adults<br />

and extend an invitation to creative encounters at <strong>the</strong> workshops <strong>of</strong> <strong>the</strong> Gelbe Villa. A multifaceted<br />

supplementary programme <strong>of</strong>fers children's <strong>the</strong>atre, exciting interactive workshops, fantastic<br />

journeys in <strong>the</strong> Snoezel sensation room, a <strong>literature</strong> quiz, an internet treasure hunt and much more.<br />

Refreshments will be provided as well. In cooperation with <strong>the</strong> Gelbe Villa (The Yellow Villa), <strong>the</strong><br />

JugendKulturService (Youth Culture Service) and <strong>the</strong> Theater an der Parkaue – The State Theatre<br />

for Children and Young People in Berlin Entrance and participation are free. Visitors with a family<br />

pass will receive one free drink from <strong>the</strong> milk bar.<br />

Mon, 14.09. from 4:30 pm to 7 pm, GRIPS MITTE (Podewil)<br />

Teach books to walk. Workshop for agents <strong>of</strong> <strong>literature</strong> in secondary schools<br />

PRESENTER: Stefanie Kaluza (Theatre teacher/GRIPS Theatre).<br />

How do prose texts become <strong>the</strong>atre scenes? How can various levels <strong>of</strong> a text be brought to <strong>the</strong><br />

stage? How can personal experience be used when working dramatically with a text? What are<br />

o<strong>the</strong>r ways that texts can be made exciting and interesting to young students? In <strong>the</strong> workshop,<br />

possible answers to <strong>the</strong>se questions will be presented and discovered using various <strong>the</strong>atrical<br />

methods. The workshop is aimed at teachers (grade 6 and up), librarians and o<strong>the</strong>rs seeking to<br />

bring <strong>literature</strong> to young people. It will concentrate on <strong>the</strong> works presented by <strong>the</strong>ir authors at<br />

GRIPS <strong>the</strong>atre in Mitte on Wednesday, September 16 th at 18:00. Attendance at <strong>the</strong> reading is not<br />

required, but certainly recommended. Free entrance. Registration necessary via telephone<br />

(030) 27 87 86 -66/-70<br />

Mon, 14.09. at 7:30 pm, PHILIPP-SCHAEFFER-BIBLIOTHEK / KINDERBIBLIOTHEK<br />

Rosana Faría (Venezuela), Svjetlan Junaković (Croatia) and Suzy Lee (South Korea/Singapore)<br />

Studio discussions with Illustrators.<br />

MODERATOR: Sonja Ma<strong>the</strong>son (Kinderbuchfonds Baobab)<br />

In a studio discussion three illustrators with different linguistic backgrounds will <strong>of</strong>fer us insight into<br />

<strong>the</strong>ir work providing concrete examples with selected pictures and children's books. Rosana Faría<br />

4


will present her innovative, award-winning illustration concept for The Black Book <strong>of</strong> Colours on <strong>the</strong><br />

<strong>the</strong>me <strong>of</strong> blindness. Svjetlan Junaković will introduce us to his children's books Moj put (t: My way)<br />

and Velika knjiga portreta (t: The big book <strong>of</strong> portraits) and <strong>the</strong> illustrations <strong>the</strong>rein. Suzy Lee's<br />

children's books without text will complete our glimpse into <strong>the</strong> world <strong>of</strong> <strong>international</strong> illustration.<br />

How does one create an illustration concept in interaction with a text or, even, free <strong>of</strong> an existing<br />

text? What makes <strong>the</strong> illustrated world <strong>of</strong> a book extraordinary? What aspects <strong>of</strong> design are<br />

essential to age-specific illustrations? And what role do traditional elements play in <strong>the</strong> illustrations<br />

<strong>of</strong> <strong>the</strong> three artists? Admission free.<br />

Tues 15.09. at 7:30 pm PHILIPP-SCHAEFFER-BIBLIOTHEK / KINDERBIBLIOTHEK<br />

Nadine Touma (Lebanon)<br />

Insights on Arabis Children's and Youth Literature ans <strong>the</strong> world <strong>of</strong> Arabic publishing.<br />

PRESENTER: Sonja Ma<strong>the</strong>son (Kinderbuchfonds Baobab)<br />

When she founded <strong>the</strong> publishing company Dar Onboz in Beirut in 2007, Lebanese publisher<br />

Nadine Touma set high goals: to create a pan-Arabic platform for young, up-and-coming artists,<br />

especially in <strong>the</strong> area <strong>of</strong> children's literary illustration. Also, <strong>the</strong> high artistic value <strong>of</strong> <strong>the</strong> works<br />

published by <strong>the</strong> company, in which she is <strong>the</strong> main author, should bring children closer to art and<br />

spoken Arabic dialects as well as awaken <strong>the</strong>ir childish interest in <strong>the</strong>ir own artistic capabilities.<br />

Nadine Touma would like <strong>the</strong> children's and young adult books that she publishes to make a small<br />

contribution to <strong>the</strong> media, literary, aes<strong>the</strong>tic socialisation <strong>of</strong> Arab children and young adults. In an<br />

interview with <strong>the</strong> publisher <strong>of</strong> <strong>the</strong> Baobab series, Sonja Ma<strong>the</strong>son, she will report on her<br />

experiences in <strong>the</strong> Arabic publishing industry and toge<strong>the</strong>r <strong>the</strong>y will discuss <strong>the</strong> possibilities and<br />

limits <strong>of</strong> <strong>the</strong> Arabic children's and youth book markets. Afterwards, <strong>the</strong>y will answer questions<br />

posed by <strong>the</strong> audience. Free entrance.<br />

Wed, 16.09. from 4 pm to 7pm, WEINMEISTERHAUS<br />

Children's <strong>literature</strong> as a reflection <strong>of</strong> society – “Intercultural Children's and Youth<br />

Literature.”<br />

Workshop for agents <strong>of</strong> <strong>literature</strong> in preschool and elementary school.<br />

PRESENTER: Sonja Ma<strong>the</strong>son (Kinderbuchfonds Baobab).<br />

Children's and youth <strong>literature</strong> reflects <strong>the</strong> traditions, values and realities <strong>of</strong> a society. What picture<br />

<strong>of</strong> <strong>the</strong> world do books show? How is all diversity <strong>of</strong> reality given form? In order to understand<br />

<strong>literature</strong> written for children to promote reading in children, it is essential to take an analytical look<br />

at children's and youth <strong>literature</strong>. For <strong>international</strong> reading education, it is helpful for <strong>the</strong> teacher to<br />

maintain an analytical distance from <strong>the</strong> book in order to point out symbolic elements <strong>of</strong> <strong>the</strong> text<br />

and to encourage <strong>the</strong> child to make use <strong>of</strong> what he or she has learned through reading. Various<br />

titles will be closely examined – without judgement. What assertions does <strong>the</strong> text make? What<br />

stylistic methods are used? What feelings do <strong>the</strong> text and pictures give rise to? In schools and<br />

libraries, we have <strong>the</strong> possibility to benefit from <strong>the</strong> diverse life experiences <strong>of</strong> children. Every book<br />

conveys a certain feeling, an experience – and every child brings his or her own identity into <strong>the</strong><br />

classroom. Where do <strong>the</strong>y recognize <strong>the</strong>mselves in <strong>the</strong> story and where do <strong>the</strong>y encounter <strong>the</strong><br />

o<strong>the</strong>r? At <strong>the</strong> end <strong>of</strong> <strong>the</strong> workshop, <strong>the</strong> concrete experiences and educational ideas <strong>of</strong> <strong>the</strong><br />

participants will be summarized. Sample projects <strong>of</strong> <strong>of</strong> varying sizes will be examined in terms <strong>of</strong><br />

difficulty, classroom applicability and long-term effectiveness. The key points <strong>of</strong> project planning will<br />

be assembled and recorded. Free entrance. Registration required via telephone 27 87 86 -66/-<br />

70<br />

Wed, 16.09. at 18:00, GRIPS MITTE (Podewil)<br />

Naomi Shihab Nye (USA), Rosana Faría (Venezuela) Petra Kasch (Germany)<br />

Literature for young adults Vol. 8<br />

The texts, poems and illustrations <strong>of</strong> <strong>the</strong> two authors and one illustrator at this evening event speak<br />

to youth's search for <strong>the</strong> particular moment between shedding <strong>the</strong> old and discovering <strong>the</strong> new,<br />

5


<strong>the</strong>y deal with conflicts created by perceptions <strong>of</strong> identity and individuality as well as altercations<br />

with <strong>the</strong> world in general. Prize-winning author Naomi Shihab Nye (USA) will present a selection <strong>of</strong><br />

her short prose and poetry for young adults and <strong>the</strong> illustrator Rosana Faría (Venezuela) will speak<br />

about her work and extraordinary book concept for The Black Book <strong>of</strong> Colours, which deals with<br />

<strong>the</strong> <strong>the</strong>me <strong>of</strong> blindness. Petra Kasch (Germany) will complete <strong>the</strong> group, introducing her young<br />

adult book, Bye-bye Berlin and <strong>the</strong> story <strong>of</strong> 13-year-old Nadja, looking a fresh start in newly<br />

reunified Berlin. As always, <strong>the</strong> public will be invited to ask questions and share <strong>the</strong>ir comments.<br />

Ages 13 and up, Tickets €5 (Theater der Schulen €4). Advance Ticket Sales via telephone (030)<br />

39 74 74 77.<br />

Wed, 16.09. at 7 pm, BERLIN-HOHENSCHÖNHAUSEN MEMORIAL<br />

Klaus Kordon (Germany)<br />

From life Auf der Sonnenseite (on <strong>the</strong> sunny side). Reading, discussion, guided tour and a drink<br />

PRESENTER: Shelly Kupferberg<br />

Released from <strong>the</strong> Stasi prison, Manfred Lenz, Klaus Kordon's alter ego, starts afresh in <strong>the</strong> West.<br />

But is he really 'on <strong>the</strong> sunny side'?<br />

20 years after <strong>the</strong> fall <strong>of</strong> <strong>the</strong> Berlin Wall, Kordon can look back as someone who really knows life on<br />

both sides. 35 years ago, after his failed attempt to escape to <strong>the</strong> West, he was imprisoned by <strong>the</strong><br />

Stasi in Berlin-Hohenschönhausen and later in Cottbus. One year later, his release was paid for by<br />

<strong>the</strong> West German Government. With a fine sense for historical moments, social and political<br />

(dis)proportion in East and West, he continues telling his German-German life story, which he<br />

began with <strong>the</strong> book Krokodil im Nacken (t: Crocodile breathing down my neck). With a very<br />

personal book, he adds his voice to <strong>the</strong> collective memory <strong>of</strong> German history. Registration<br />

required by <strong>the</strong> 13 th <strong>of</strong> September: presse@beltz.de, or by telephone (06201) 60 07 439<br />

Thurs, 17.09. at 5pm, HAUS DER BERLINER FESTSPIELE / SIDE STAGE<br />

Jutta Bauer (Germany)<br />

PRESENTER: Eva-Maria Schneider-Reuter<br />

With her extensive oeuvre, Jutta Bauer numbers among <strong>the</strong> most well-known illustrators in<br />

Germany. Many <strong>of</strong> her children's book concepts have become classics. In 2008 she was rewarded<br />

with a nomination for <strong>the</strong> highest <strong>international</strong> honour in children's <strong>literature</strong>, <strong>the</strong> Astrid Lindgren<br />

Memorial Award, and just recently with a fur<strong>the</strong>r nomination for this prize as well as for <strong>the</strong> Hans<br />

Christian Andersen Award for 2010. The illustrator will present a show <strong>of</strong> her life's work from <strong>the</strong><br />

time <strong>of</strong> her studies to <strong>the</strong> present day. Ages 13 and up.<br />

Fri, 18.09. at 7:30 pm, HAUS DER BERLINER FESTSPIELE / MAIN STAGE<br />

Klaus Kordon (Germany)<br />

PRESENTER: Shelly Kupferberg<br />

Native Berliner Klaus Kordon (Germany) is one <strong>of</strong> <strong>the</strong> most significant authors <strong>of</strong> German-language<br />

children's and youth <strong>literature</strong>. Since <strong>the</strong> end <strong>of</strong> <strong>the</strong> 70s he has published more than 50 novels,<br />

stories and lyrical texts which have won multiple <strong>international</strong> awards and been translated into<br />

numerous languages. He will read from his new autobiographical novel Auf der Sonnenseite (On<br />

<strong>the</strong> sunny side). Ages 14 and up, for adults, teachers, educators, students, parents, and young<br />

people.<br />

Fri, 18.09. at 7pm, WEINMEISTERHAUS<br />

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Émile Bravo (France), Wally de Doncker (Belgium) and Nadine Touma (Lebanon)<br />

Literary journey from Europe to <strong>the</strong> Arab world and back.<br />

Evening Literary Salon <strong>2009</strong><br />

PRESENTER: Kathleen Gallego-Zapata SPEAKER: Matthias Scherwenikas<br />

The authors <strong>of</strong> children's and young adult books invite us to linger, listen and, above all, to read<br />

along: Émile Bravo (France) will present himself as a comic artist and introduce his children's book<br />

My mommy is in America and she met Buffalo Bill. Wally de Doncker (Belgium) will read from his<br />

book Ahum (t: Ahem) on <strong>the</strong> topic <strong>of</strong> identity and o<strong>the</strong>rness as well as from <strong>the</strong> book Het begint<br />

ergens (t: It starts somewhere) on <strong>the</strong> topic <strong>of</strong> global warming. In addition to children's and youth<br />

books that she has published, Nadine Touma (Lebanon) will share her work as an author and<br />

publisher in a small, innovative, pan-Arabic publishing company for young up-and-coming artists.<br />

Ages 13 and up. Free entrance<br />

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Film – Literature on celluloid at BABYLON<br />

Thurs, 10.09. at 6 pm<br />

Abschied von Gulsary (Farewell Gulsary)<br />

Soviet Union 1969, Director: Sergei Urusevsky, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Nurmukhan Zhanturin, 35mm, 80 min.<br />

Horse herdsman Tanabai remembers his eventful life in <strong>the</strong> mountains <strong>of</strong> Kyrgyzstan with <strong>the</strong><br />

proud stallion Gulsary. The two <strong>of</strong> <strong>the</strong>m grew old toge<strong>the</strong>r. At night, in <strong>the</strong> lonely Kyrgyz mountains,<br />

he says good-bye to his dying, favourite horse. In this situation <strong>the</strong> old man looks back over <strong>the</strong><br />

changes in his life: safely returned from <strong>the</strong> war, he worked in a forge before becoming a herdsman<br />

– a hard, but happy life in <strong>the</strong> countryside. Abschied von Gulsary is an opus <strong>of</strong> wild, unruly nature<br />

in which <strong>the</strong> mountains <strong>of</strong> Kyrgyzstan become a character in <strong>the</strong>ir own right.<br />

Thurs, 10.09. at 9:15 pm<br />

Gomorrha – Reise in Das Reich der Camorra (Gomorrah)<br />

2008, Director: Matteo Garrone, based on <strong>the</strong> book by Roberto Saviani, with Toni Servillo, 35mm,<br />

135 min. Italian w/ German subtitles<br />

The film describes <strong>the</strong> suggestive power <strong>of</strong> <strong>the</strong> Camorra, <strong>the</strong> operations with which <strong>the</strong> clan claims<br />

power and <strong>the</strong> manipulations <strong>the</strong>y use to maintain <strong>the</strong>ir dirty business. The book by <strong>the</strong> young<br />

Italian author Roberto Saviani, who was a guest <strong>of</strong> <strong>the</strong> ilb in 2007, shot to No. 1 on <strong>the</strong> Spiegel<br />

best-seller list. The film, shot by director Matteo Garrone on location in Naples, follows <strong>the</strong><br />

interwoven fates <strong>of</strong> five bosses, both big and small, who seem to have emerged directly from De<br />

Palma's Scarface.<br />

Fri, 11.09. at 6 pm<br />

Frühe Kraniche (Early Cranes)<br />

Soviet Union 1979, Director Bolotbek Shamshiyev, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Emil Borontshiyev, 35mm, 98 min.<br />

His fa<strong>the</strong>r has to go to war and so 14-year-old Sultanmurat jumps to fill his shoes and take care <strong>of</strong><br />

<strong>the</strong> family. He leaves school help in <strong>the</strong> Kolchos. There aren't enough men to and <strong>the</strong> planting and<br />

<strong>the</strong> horses are in danger. Sultanmurat has to meet <strong>the</strong>se challenges while, at <strong>the</strong> same time,<br />

experiencing his first love. As spring announces itself with <strong>the</strong> migration <strong>of</strong> <strong>the</strong> cranes and <strong>the</strong><br />

crops begin to rise, all seems to have turned out well. But <strong>the</strong>n bandits attack <strong>the</strong> village.<br />

Fri, 11.09. at 8 pm<br />

Sehnsucht nach Djamila (Dzhamilya)<br />

Soviet Union 1969, Director: Irina Poplavskaya, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Natalya Arinbasarova, 35mm, 81 min.<br />

The novella Jamila, with which Aitmatov achieved worldwide recognition, has been called <strong>the</strong> most<br />

beautiful love story in <strong>the</strong> world. A young woman living in a Kyrgyz village, Dzhamilya is married to<br />

a man she does not love who is away fighting in <strong>the</strong> war. Her encounter with a wounded soldier<br />

grows into understanding and affection, which <strong>the</strong>y both resist at first. A dramatic, poetic film that<br />

achieves artistic success largely through a purposeful reconstruction <strong>of</strong> Aitmatov's narrative style.<br />

Fri, 11.09. at 9:45 pm<br />

Nichts als Gespenster (Nothing But Ghosts)<br />

Germany 2007, Director: Martin Gypkens, based on <strong>the</strong> book by Judith Hermann, with August<br />

Diehl, Fritzi Haberlandt, Jessica Schwarz, Jeanette Hain, Stipe Erceg, Wotan Wilke Möhring,<br />

35mm, 119 min.<br />

In five episodes focused on her favourite <strong>the</strong>mes, failed love and <strong>the</strong> general melancholy angst <strong>of</strong><br />

Generation X, author Judith Hermann sends her characters out into <strong>the</strong> world. Venice, Jamaica,<br />

<strong>the</strong> German countryside, <strong>the</strong> Nevada desert or Iceland – familiar surroundings are always left<br />

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ehind; <strong>the</strong> characters are all on journeys to different lands and for different motives – but we all<br />

recognize <strong>the</strong>m: <strong>the</strong>y can't escape <strong>the</strong>mselves, no matter where <strong>the</strong>y go. Martin Gypkens has<br />

taken Hermann's supposedly unfilmable story collection, marvellously adapted it for <strong>the</strong> screen and<br />

convinced an outstanding troupe <strong>of</strong> actors to take part.<br />

Sat, 12.09. at 6 pm<br />

Der Weisse Dampfer (The White Ship)<br />

Soviet Union 1976, Director: Bolotbek Shamshiyev, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Nurgazy Sydygaliyev, 35mm, 95 min.<br />

A seven-year-old grows up in a remote corner <strong>of</strong> <strong>the</strong> Kyrgyz forest with his nature-loving<br />

grandfa<strong>the</strong>r, who raises <strong>the</strong> boy according to his ideals. When <strong>the</strong> boy sees his grandfa<strong>the</strong>r helping<br />

<strong>the</strong> evil hunter kill a doe, his belief in <strong>the</strong> old man's infallibility shatters. Largely unknown even in his<br />

own village and left in <strong>the</strong> lurch by his parents, <strong>the</strong> boy retreats into a world <strong>of</strong> myth and <strong>the</strong><br />

Kyrgyzstan <strong>of</strong> long ago. A poetic, sensitive nature fable with a strong conscience.<br />

Sat, 12.09. at 8 pm<br />

Nichts als Gespenster (Nothing But Ghosts)<br />

Germany 2007, Director: Martin Gypkens, based on <strong>the</strong> book by Judith Hermann, with August<br />

Diehl, Fritzi Haberlandt, Jessica Schwarz, Jeanette Hain, Stipe Erceg, Wotan Wilke Möhring,<br />

35mm, 119 min.<br />

See Friday, 11.09.<br />

Sat, 12.09. at 10:15 pm<br />

Gomorrha – Reise in Das Reich der Camorra (Gomorrah)<br />

2008, Director: Matteo Garrone, based on <strong>the</strong> book by Roberto Saviani, with Toni Servillo, 35mm,<br />

135 min. Italian w/ German subtitles<br />

See Thursday, 10.09.<br />

Sun, 13.09. at 6:30 pm<br />

Der Erste Lehrer (The First Teacher)<br />

Soviet Union 1969, France 1965, Director: Andrei Konchalovsky, based on <strong>the</strong> book by Chingiz<br />

Aitmatov, with Bolot Bejshenaliyev, 35mm, 76 min.<br />

Kyrgyzstan in its first years under <strong>the</strong> Soviet regime: A former red army soldier moves to a strange<br />

mountain town, where he is to become <strong>the</strong> local children's first teacher. From <strong>the</strong> start, he has to<br />

fight against <strong>the</strong> resistance <strong>of</strong> <strong>the</strong> town's backward residents. The conflict intensifies when a pupil<br />

for whom <strong>the</strong> teacher feels a deep affection is forced to marry one <strong>of</strong> <strong>the</strong> town's powerful farmers.<br />

The director has adapted Aitmatov's novel with great sensitivity for <strong>the</strong> setting and its inhabitants.<br />

Sun, 13.09. at 10:15 pm<br />

Gomorrha – Reise in Das Reich der Camorra (Gomorrah)<br />

2008, Director: Matteo Garrone, based on <strong>the</strong> book by Roberto Saviani, with Toni Servillo, 35mm,<br />

135 min. Italian w/ German subtitles<br />

See Thursday, 10.09.<br />

Mon, 14.09. at 6 pm,<br />

Abschied von Gulsary (Farewell Gulsary)<br />

Soviet Union 1969, Director: Sergei Urusevsky, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Nurmukhan Zhanturin, 35mm, 80 min.<br />

See Thursday, 10.09.<br />

Mon, 14.09. at 7:45 pm<br />

Frühe Kraniche (Early Cranes)<br />

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Soviet Union 1979, Director Bolotbek Shamshiyev, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Emil Borontshiyev, 35mm, 98 min.<br />

See Friday 11.09.<br />

Mon, 14.09. at 9:45 pm<br />

Nichts als Gespenster (Nothing But Ghosts)<br />

Germany 2007, Director: Martin Gypkens, based on <strong>the</strong> book by Judith Hermann, with August<br />

Diehl, Fritzi Haberlandt, Jessica Schwarz, Jeanette Hain, Stipe Erceg, Wotan Wilke Möhring,<br />

35mm, 119 min.<br />

See Friday, 11.09.<br />

Tues, 15.09. at 6 pm<br />

Der Erste Lehrer (The First Teacher)<br />

Soviet Union 1969, France 1965, Director: Andrei Konchalovsky, based on <strong>the</strong> book by Chingiz<br />

Aitmatov, with Bolot Bejshenaliyev, 35mm, 76 min.<br />

See Sunday, 13.09.<br />

Tues, 15.09. at 7:30 pm<br />

Der Weisse Dampfer (The White Ship)<br />

Soviet Union 1976, Director: Bolotbek Shamshiyev, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Nurgazy Sydygaliyev, 35mm, 95 min.<br />

See Saturday, 12.09.<br />

Tues, 15.09. at 9:30 pm<br />

Gomorrha – Reise in Das Reich der Camorra (Gomorrah)<br />

2008, Director: Matteo Garrone, based on <strong>the</strong> book by Roberto Saviani, with Toni Servillo, 35mm,<br />

135 min. Italian w/ German subtitles<br />

See Thursday, 10.09.<br />

Wed, 16.09. at 6 pm<br />

Sehnsucht nach Djamila (Dzhamilya)<br />

Soviet Union 1969, Director: Irina Poplavskaya, based on <strong>the</strong> book by Chingiz Aitmatov, with<br />

Natalya Arinbasarova, 35mm, 81 min.<br />

See Friday, 11.09.<br />

Thurs, 17.09. at 8 pm<br />

Die Mutter (The Mo<strong>the</strong>r)<br />

Great Britain 2003, Director: Roger Michell Screenplay: Hanif Kureishi, with Anne Reid, Daniel<br />

Craig, 35mm, 111 min. English with German subtitles<br />

May is quite <strong>the</strong> normal grandmo<strong>the</strong>r from <strong>the</strong> countryside. When her husband suddenly dies<br />

during a family visit in London, she remains in <strong>the</strong> city and moves in with her very busy<br />

grandchildren. In this foreign environment, far from home, May fears becoming one <strong>of</strong> those<br />

invisible old ladies whose life is more or less over – until she falls in love with Darren, who is half<br />

her age.<br />

Thurs, 17.09. at 10 pm<br />

Intimacy<br />

France 2001, Director: Patrice Chéreau, Story: Hanif Kureishi, with Mark Rylance, Kerry Fox,<br />

Timothy Spall, Marianne Faithful, Rebecca Palmer, 35mm, 117 min.<br />

Jay is in his mid 40s. He has left his wife and children and is working as a barkeeper in London.<br />

One day an unknown woman, Claire, appears. Without speaking, <strong>the</strong>y have sex and <strong>the</strong>n she<br />

leaves. Then same thing starts happening every Wednesday afternoon. But now he wants to know<br />

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more. He follows Claire and finds out that she acts in a community <strong>the</strong>atre, is married to a taxi<br />

driver and has a son. Now he's upset. At <strong>the</strong> 2001 Berlinale, <strong>the</strong> film was awarded <strong>the</strong> Golden Bear<br />

and Kerry Fox won a Silver Bear for best actress. Marianne Faithful appears in <strong>the</strong> film in <strong>the</strong> role<br />

<strong>of</strong> Claire's best friend.<br />

Fri, 18.09. at 8 pm<br />

Intimacy<br />

France 2001, Director: Patrice Chéreau, Story: Hanif Kureishi, with Mark Rylance, Kerry Fox,<br />

Timothy Spall, Marianne Faithful, Rebecca Palmer, 35mm, 117 min.<br />

See Thursday, 17.09.<br />

Fri, 18.09. at 10:15<br />

Mein Wunderbarer Waschsalon (My Beautiful Laundrette)<br />

Great Britain 1986, Director: Stephen Frears, based on <strong>the</strong> book by Hanif Kueishi, with Saeed<br />

Jaffrey, Danial Day-Lewis, digital, 97 min.<br />

A young Pakistani named Omar inherits a dingy laundrette in a London suburb. Toge<strong>the</strong>r with his<br />

friend Johnny, he transforms <strong>the</strong> run-down laundry into a real gold mine. And soon Omar and<br />

Johnny are more than just business partners...<br />

Sat, 19.09. at 8 pm<br />

Die Legende von Paul und Paula – on <strong>the</strong> 80 th birthday <strong>of</strong> Heiner Carow<br />

GDR 1972, Director: Heiner Carow, Screenplay: Heiner Carow and Ulrich Plenzdorf, based on <strong>the</strong><br />

eponymous film narrative by Ulrich Plenzdorf, with Angelica Dornröse, Winfried Glatzeder, 35mm,<br />

105 min.<br />

Paula works in a shopping centre and is raising her two children alone. Before escaping into a<br />

“marriage <strong>of</strong> convenience,” she wants “ring <strong>the</strong> bell really loud one more time.” She meets Paul in a<br />

bar. To both <strong>of</strong> <strong>the</strong>m, it seems like love made in heaven. But Paul doesn't want to put his career at<br />

risk by getting a divorce. It is only when Paula savagely leaves him that he fights to win back her<br />

love. Although she knows that it is a gamble, Paula still absolutely wants to have a child with Paul.<br />

This 70s cult film turned love story still hasn't lost its magic.<br />

Sat, 19.09. at 10 pm<br />

Mein Wunderbarer Waschsalon (My Beautiful Laundrette)<br />

Great Britain 1986, Director: Stephen Frears, based on <strong>the</strong> book by Hanif Kueishi, with Saeed<br />

Jaffrey, Danial Day-Lewis, digital, 97 min.<br />

See Firday, 18.09.<br />

Sun, 20.09 at 8 pm<br />

Die Mutter (The Mo<strong>the</strong>r)<br />

Great Britain 2003, Director: Roger Michell Screenplay: Hanif Kureishi, with Anne Reid, Daniel<br />

Craig, 35mm, 111 min. English with German subtitles<br />

See Thursday, 17.09.<br />

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